Alessandro MoreschiAve Maria (1904)

Castrato

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Reviewer: HyperBlue - - November 29, 2006
Subject: Let's see.

First off, allow me correct you Razzilla. Please get your repertoire straight before you make a review. This is not Schubert's 'Ave Maria'. This is Gounod's melody over Bach's 'Prelude No. 1 in C Major' from 'The Well-Tempered Clavier'. So please, next time you have a thought, hold it in until you get your facts straight.
Continuing, I find it very hard to write a review for this recording. As voice major in college and an avid and experienced choral singer, I've heard many recordings of this arrangement and I've always been intrigued by the entire 'Castrato' phenomenon. I have no doubt in my mind that they were exceptional artists and singers.
Still, this recording does not seem to come from a professional singer. Quite frankly it's almost like listening to a precocious 15-year-old who is painfully straining his voice and just happens to have a good falsetto. Just from listening, it seems like he has poor breath control, some wrong placement of vowels, a crack here and there, a couple of wrong notes, and almost no phrasing at all.
Now, before you start hating me, I would like to say that it very well may be that Moreschi was way past his prime. We have no way of telling what he sounded like in his 20's or 30's.
It is not all bad, though. There are some really good sounds coming out of this singer; especially in the syllable "TU" of "fructus ventris TUis" and in "NO" of "ora pro NObis pecatoribus". His tone and sweet vibrato are delightful. I simply wish the rest of the recording was as sweet as that.
All in all, I still love the recording for the simple fact that is the ONLY recording I have ever heard of a real Castrato.
I have no doubt in my mind that Moreschi was a good singer, as evidenced in some snippets of this recording. Unfortunately, Iâm afraid sound recording came to late to capture the real brilliance of his voice.

Reviewer: 10mg - - October 27, 2006
Subject: see 'duet' featuring Moreschi

Note that popular musician <a href="between 20th and 21st-century identities and artists." rel="nofollow">Dana Baitz</a> has featured Moreschi's Ave Maria in a duet, constructing a dialogue between 20th and 20st century identities and artists.

Reviewer: Razzilla - - October 27, 2006
Subject: Just about average rendition of Ave Maria

I have heard many recordings of the Schubert Ave Maria...and this one doesn't even stack up to the best...nor does it belong among the worst of all time... Somewhere in the middle is where it truly belongs... On top of this...the sound quality of the recording was mediocre at best... He's no Renata Tebaldi...who I rank near the top of the list of operatic singers of all time... He's also no Caruso...Beniamino Gigli...or even Luciano Pavarotti...not even a Joan Sutherland...

It wasn't close to the cat timbre that I was expecting...but closer to a Tiny Tim sound that haunts...yet becomes popular to some sort of novelty in his day... Still...I was expecting a little better with the voice...which is the main reason I rated the recording so low...

Reviewer: glennNorris - - October 26, 2006
Subject: C'mon now

C'mon guys at least do a LITTLE research on wikipedia before you go an critisize his man's voice.

This is for the people claiming Moreschi has bad singing technique.
"It should also be mentioned that Moreschi's vocal technique can grate upon modern ears; many of his seemingly imperfect vocal attacks are in fact grace notes, launched from as much as a tenth below the note up to the note itself. Furthermore, the dated aesthetic of Moreschi's singing, which involved extreme passion in the singing and a perpetual type of sob, often sounds bizarre to the modern listener and can be misinterpreted as technical weakness or an aging voice."


here's the link:
http://en.wikipedia.org/wiki/Alessandro_Moreschi

So before you random people start to talk bad about how horrific it must have been, or how haunting his voice is do some decent research to put the CONTENT in CONTEXT.

Castration is barbaric? I do agree with that but at the same time they did live the life of Rock Stars, seeing as how women adored them and castrato singers were in HIGH demand at that time seeing as there were hunderds of churches and only so many castrato singers.

And if you still want to talk bad on his singing. You didn't read the above paragraph or click on the link.
So I'll say that, this recording was done in 1904 and he was either 44 or 46.(I forgot)Which most singers would agree is when your voice is usually at the "prime." But what people failed to mention is that losing the testicles, males age a LOT faster than normal. A 25 year old castrato might infact look like a 55-60 year old man. I don't know if it's the same with the voice in the aging time line, but something that affects aging to THAT extent must have some effect on the voice.

Point being, it might have been way past his prime.

At 25 Moreschi's range(as mentioned on Wiki.) is C' to E'''

In this recording it has aged down to A' to G''
=(

Hope this puts a new perspective on things, and puts this recording in the right context for some real critique.

Reviewer: lostchivalry - - October 21, 2006
Subject: Understand.

Though this is a poor recording I must say that Alessandro's voice is marvelous.

To all those who simply write "Ew! This is disgusting! No! Why can't they use females?", I simply say that we are looking at this from a modern-day view. In the past a castrato's voice was a wonderful thing, something full of emotion. The operation was /NOT/ pointless. It is scientifically proven that the vocal chords of a castrati will stretch further than one of a regular male or female opera singer.

So, as few have said, before you make a large comment in CAPS... think.

Reviewer: eunuch - - October 20, 2006
Subject: castrato

Sounds like Tiny Tim singing tip toe through the tulips.

Could Tiny Tim be an endocrinological castrati?

Reviewer: JvS - - October 5, 2006
Subject: Castrato? There must be an easier way...

I've just heard the recording of Alessandro Moreschi and quite honestly I don't think it's worth having your balls cut off for that.

May I suggest a swift kick in the nuts just before you go on stage: that should be enough to do the trick.

Just a thought.
JvS

Reviewer: Wickenden - - October 3, 2006
Subject: I like it

Such an intense feeling of style that is so far removed from what I'm used to hearing. I love the idea of a "sob in every note", that's certainly the gist of what he seems to be doing here.

don

Reviewer: handelsmydaddy - - September 10, 2006
Subject: oh my!

wow! when i first herd this song it scared my ass and i tunred off right away but jesus told me to keep on hearing it! so being the smart on i am! i did! and like its totally a bad recording of this poor man with no balls! but i think it might just be one of the prettyest/shityest songs i have ever herd in my life! you can tell that this man loved have no balls! and he was proud that he had no sack! i rate this a 5 out of 5! cuz this bitch is totally awesome!

oh and big ups to my number 1 gur sean!!!
what! what!
yeah she white!

Reviewer: Kaluin - - August 21, 2006
Subject: While I know nothing of music...

I do know that the first time I stumbled upon this recording, I interrupted it not even 30 seconds into it and ran off to talk to my family about anything -other- than this. It took me an hour or so to recover from the initial shock and to then force my brother to listen to it with me. I didn't touch it again until today, so it has been at least three months.

My nonexistant balls (I am female) still hurt from the knowledge that this was sung by a man, fully grown, whose testes were mutilated for the sake of art. Yet, as I read Kelly Greene's review, I thought of a friend of mine who told me it took months (a few years?) of practice and coughing up blood for his voice to reach the rather unpleasant (to me) lower ranges that Rammstein favors. As much as I'm appalled (as many were) that this man suffered through castration to reach a voice which nearly gave me nightmares--I had to stay up long past my bedtime and talk to friends to attempt and forget this haunting voice--singers and artists of today still do horrible things to their body.

That said, I did some research as to the situation of the castrati during the past three months and while I'm still rather traumatized by it, I can see and perhaps understand--but not agree--a bit why the Church turned a blind eye to this. I can even imagine that some ambitious children--not just the parents... human nature doesn't limit things such as stardom lust to adults after all--might've agreed to undergo castration.

Overall, yes, the quality of the recording is bad for our times but it was a breakthrough for them. The man's voice... I can't say anything about it except that it troubles me a lot. Piano? I know even less about that. I give this a hesitant 3/5 as I know I honestly want to give it 1/5 for the scare I went through, but 5/5 would only work if I knew anything about music beyond downloading mp3s for my listening pleasure.

Reviewer: robcat2075 - - August 16, 2006
Subject: Not his best

I've only heard one other performance by Moreschi. This one is the weaker of the two.

You can hear that somewhat better one at

http://www.bassocantante.com/opera/curiosity.html

Reviewer: Bacchante1 - - August 13, 2006
Subject: Oops

It double-posted under my old address. Sorry.

Reviewer: Bacchante2 - - August 13, 2006
Subject: Apples and Bananas, your opinion, but...

You say women's voices are different, and it's 'like apples and bananas', but you still don't explain how, or why, you conclude this -- you only assert 'because it is'.

Having not heard castrati sing, we only can go off of what reports say. Mystique certainly plays a role.

But IF it's true, what physiological difference would account for it? Again, women, like castrati, do not undergo the testosterone-induced thickening of the vocal cords. So what PHYSICALLY would account for the supposed differences?

Could it be that the continued growth of castrati, far past when women cease to grow, could give them a deeper lung capacity that changes the 'timbre'?

Looking for the 'why's', not the 'just because it is'.

Reviewer: acidmouse - - July 30, 2006
Subject: then and now

Kelley Greene asked "What if the person was castrated and ended up with a horrible voice?"

Many did; castration - with the hope of a lifelong career singing in church - was a hit-and-miss "art/science"; the emasculation of most "victims" was, indeed, wasted, as they had neither talent nor potential.

As for those who bemoan the castrations - it's no more barbaric than the still far-too-common American practice of butchering male children (circumcision) and thereby depriving them of some 70% of sexual-pleasure nerve-endings. Any American mother (or m-to-be), or any American medico who objects to castration must, on principle, also object to their nation's barbarism re male circumcision.

And there's no way the timbre of a castrato - or a modern, intact, male soprano for that matter - can be compared with the timbre of a female voice; the two are apples and bananas.

If we had castrati today we'd have (a) beautiful music and (b) less overpopulation of the planet.

Go Alessandro!

Reviewer: Sheffieldblokeuk - - July 22, 2006
Subject: Keep the polotics out

Too many ppl i think are judging this on the history of the singer than any for any merit or not in the musc. Keep the politics out, this is another time another era and cannot be compared to todays standards.
Personally I found it fascinating and intoxicating and have listened many times.
For all those ppl who have cats that can allegedly sing better than Moreschi might i suggest they post some recordings for us to judge by!.. No Offers?.. ..NO? ...Didnt think so!!

Reviewer: helixator - - July 21, 2006
Subject: And they cut of his balls to produce THAT!!!!

It sounds appalling, and possesses all the charm of an unoiled door hinge. The instrumentation is also miserably lack lustre, so perhaps 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