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Wagner and reactions, Germanic and French: Deceptive cadences in Tristan und Isolde (1857-59) and Parsifal, then Mahler and Strauss, Satie and early Debussy. Second lecture of the course "The Contemporary Era" by Antioch College Professor John Ronsheim. This course traces the history of 20th Century music until about 1970. For more information visit ronsheim.org.
This audio is part of the collection: Open Source Audio
Date: 0000-00-00 00:00:00
Creative Commons license: Attribution-NonCommercial-NoDerivs
| Whole Item | Format | Size |
| ContemporaryEraSept26_64kb.m3u | 64Kbps M3U | Stream |
| ContemporaryEraSept26_64kb_mp3.zip | 64Kbps MP3 ZIP | 54 MB |
| ContemporaryEraSept26_vbr.m3u | VBR M3U | Stream |
| ContemporaryEraSept26_vbr_mp3.zip | VBR ZIP | 109 MB |
| Audio Files | AIFF | Ogg Vorbis | 64Kbps MP3 | VBR MP3 |
| RonsheimCESEPT_26.aif | 599 MB | 59 MB | 54 MB | 109 MB |
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| ContemporaryEraSept26_files.xml | Metadata | 5.62 KB |
| ContemporaryEraSept26_meta.xml | Metadata | 1.11 KB |
| ContemporaryEraSept26_reviews.xml | Metadata | 550 B |
![[4.0 out of 5 stars]](/images/star.png "[4.0 out of 5 stars]")
Reviewer: boxen - - May 7, 2008
Subject: good stuff
Not as much screaming in this one. Some particularly good narration during Debussy's Prelude to the Afternoon of a Faun.