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chalkwhitehands[DADA075] chalkwhitehands - Hymnal (September 3, 2007)

A great, hour long album by australian experimentalist 'chalkwhitehands'. This album is actually one long composition divided in shorter segments for easier listening. At first I thought this album was nothing special, but after taking some more dedicated listening sessions I began to love it. Give this album enough attention and you'll be in for a sure treat.


This audio is part of the collection: Dadaist Audio

Artist/Composer: chalkwhitehands
Date: 2007-09-03
Keywords: chalkwhitehands; experimental; ambient; noise; glitch; australian; kangaroo; DADA075

Creative Commons license: Attribution-Noncommercial 3.0


Individual Files

Audio FilesFlac192Kbps MP3
The Strain Of Praise24 MB
The Strain Of Praise 6.70 MB
Craft And Power29 MB
Craft And Power 6.87 MB
Who Does Our Weakness Know25 MB
Who Does Our Weakness Know 5.77 MB
Gates Of Pearl27 MB
Gates Of Pearl 6.19 MB
This Barren Land43 MB
This Barren Land 8.59 MB
Come Not In Terrors43 MB
Come Not In Terrors 9.99 MB
With Clouds Descending54 MB
With Clouds Descending 9.26 MB
The Flame Shall Not Harm You30 MB
The Flame Shall Not Harm You 5.84 MB
Water Like A Stone23 MB
Water Like A Stone 5.45 MB
Worldly Pleasures27 MB
Worldly Pleasures 6.18 MB
What Language Shall I Borrow37 MB
What Language Shall I Borrow 8.97 MB
The Stone, The Watch, The Seal35 MB
The Stone, The Watch, The Seal 7.44 MB
Image FilesJPEG
DadaistAudio075.jpg264 KB
front.jpg264 KB
insert.jpg251 KB
InformationFormatSize
DadaistAudio075_files.xmlMetadata9.52 KB
DadaistAudio075_meta.xmlMetadata1.14 KB
DadaistAudio075_reviews.xmlMetadata1.07 KB
Other Files
DadaistAudio075_rules.conf7 B

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Reviewer: chalkwhitehands - - November 21, 2007
Subject: Hymnal
These works began as found midi files of old hymn tunes arranged for four voices. They were then manipulated and expanded by a process of "cell division" - each bar of music being repeated according to a random algorithm resulting in the four voices phasing in and out of sync with each other.

The resulting manipulated midi file was then used to control various synths that were set up to be play non specific pitches.

A variety of processing devices were used to further manipulate the resulting sounds.

The results were then layered.

The pieces form a whole, b ut may be listened to individually.

chalkwhitehands


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