(logo)
(navigation image)
Home Audio Books & Poetry | Computers & Technology | Grateful Dead | Live Music Archive | Music & Arts | Netlabels | News & Public Affairs | Non-English Audio | Open Source Audio | Podcasts | Radio Programs | Spirituality & Religion

Search: Advanced Search

Anonymous User (login or join us)Upload

Listen to audio

[item image]
Run time: 3:09

Stream (help[help])

MP3 via M3U

Play / Download (help[help])

Whole directory


All Files: HTTP

Resources

Bookmark

Buell KazeeBuell Kazee-The Dying Soldier (January 18, 1928)

Recorded on January 18, 1928 in New York City.


This audio is part of the collection: 78 RPMs & Cylinder Recordings

Artist/Composer: Buell Kazee
Date: 1928-01-18 00:00:00
Source: 78RPM>CD>MP3
Keywords: Music; Acoustic; Ballad; Country; Old-Time Appalachian; Banjo Tune; 78rpm


Individual Files

Audio FilesMP3
TheDyingSoldier.mp33.62 MB
InformationFormatSize
Dyingsoldier_reviews.xmlMetadata2.90 KB
Other FilesXML
Dyingsoldier_files.xml851 B
Dyingsoldier_meta.xml854 B

Write a review
Downloaded 6,947 times
Reviews
Average Rating: [5.0 out of 5 stars]

Reviewer: johnorford - [5.0 out of 5 stars] - October 14, 2008
Subject: Kazee the master
dropthumb's "steady hoof-beat pulse" is a good description of the banjo style of which Buell Kazee was such a master. We often hear that boogie pianists were inspired by the sound of the railways - has he discovered something here? It's not surprising Kazee objected to being asked to ham his accent - he was college educated and spent many years of his life as a pastor. He also taught his singing style and (I believe) banjo. Quite superb, one of the very best - but he wasn't at all obscure in his day.

Reviewer: dropthumb - [5.0 out of 5 stars] - October 21, 2005
Subject: Heart-wrenching, free-metered balladic mastery!
Upon listening to this or any other existing recordings of Buell Kazee it becomes difficult to pin down exacly why this amazing banjo player/vocalist/interpreter has not been credited more often for being a precursor to todays young old time musicians. Buells haunting quality and song selection calls to mind contemporary acts like The Shiftless Rounders, The Mammals and Tim Eriksen. Perhaps Buell's comfortable obscurity stems from his own personal history and his decision to devote his energies in studing and spreading the Gospel rather than pursuing a lucrative recording career.
Regardless, he rises again. And with a presense so powerful and flowing it's readily available to hear his untapped appeal. His voice and words hang seemingly independent of the banjo; his phrasing reminiscent of a jazz soloist. This seperates him from most other old-time records made at the time. Existing outside the barriers of meter, the words are delivered in a manner usually reserved for poetry. The Kentucky-bred clawhammer style chugs a steady hoof-beat pulse and reminds me of tracks clacking invisble beneath the train Buell must have rode to New York City. I heard the producers of the session had asked Buell if he could sing with more of a southern accent. Buell was a bit perturbed by this, having worked relentlessly to hone his voice to a point he considered worthy of recording. Or the story goes he was asked to 'yankee' his voice, which fully represented his distant Kentucky realm. Either story fits well in my imagination. Regarless, Kazee's quivering voice is filled with an exciting anticipation, a breaking sadness and most importantly, a passionate conviction.


Terms of Use (10 Mar 2001)