First half of an Edwin Torres lecture that is as much poetic performance as intellectual talk. He weaves together three pieces, "The limit is limitless," "The impossible sentence," and "The popadology of an ambient language," to create an almost seamless meditation on the evolution of poetry through performance, interference as freedom, what we miss in language, other possibilities of perception, and the timelessness and importance of ambient sound. (Continues on 03P086)
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