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Understanding 9/11Ginsberg and Rothenberg class part 2 Augus 1985
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Second half of an Allen Ginsberg and Jerome Rothenberg class on the voice. They introduce a variety of voice recordings, including poetry in multiple languages, sound poetry, and chanting. They also discuss theories on voice, and the effects of high frequencies as theorized by Antonin Artaud. Ginsberg and Rothenberg comment on the importance of each recording, its place in history, and perform other selected works. (Continued from 85P020)
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September 29, 2007
Subject: Artaud, Glossolalia, Fugs
Subject: Artaud, Glossolalia, Fugs
Mostly just the two of the them reading and playing recordings with some insights btwn.
0: Begins with Zurich around time of dada & Artaud's "To Have Done with the Judgement of God" read by Rothenberg and Ginsberg
6:30 Artaud recording (see: http://www.ubu.com/sound/artaud.html for more)
10: Ginsberg on Artaud's theory
13: Glossolalia: Speaking in toungues
20: Ginsberg speaks in toungues
22:40: Fugs "Ban the Bomb" in babytalk toned high voice
27: Rothenberg reads Poland/1931
30: Sanders' "How Sweet I Roamed from Field to Field" by Blake
0: Begins with Zurich around time of dada & Artaud's "To Have Done with the Judgement of God" read by Rothenberg and Ginsberg
6:30 Artaud recording (see: http://www.ubu.com/sound/artaud.html for more)
10: Ginsberg on Artaud's theory
13: Glossolalia: Speaking in toungues
20: Ginsberg speaks in toungues
22:40: Fugs "Ban the Bomb" in babytalk toned high voice
27: Rothenberg reads Poland/1931
30: Sanders' "How Sweet I Roamed from Field to Field" by Blake
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