(logo)
(navigation image)
Home Audio Books & Poetry | Computers & Technology | Grateful Dead | Live Music Archive | Music & Arts | Netlabels | News & Public Affairs | Non-English Audio | Open Source Audio | Podcasts | Radio Programs | Spirituality & Religion | Ripe

Search: Advanced Search

Anonymous User (login or join us)Upload

Listen to audio

[item image]
Run time: 40.8 Minutes

Stream (help[help])

VBR M3U (Hi-Fi)
64Kbps M3U (Lo-Fi)

Play / Download (help[help])

(19 MB)64Kbps MP3 ZIP
(94 MB)VBR ZIP


All Files: HTTP
[Attribution-Share Alike 3.0]

Resources

Bookmark

Tom FahyLittle Fatty: Studies in Atonality (January 2, 2008)

'Tom Fahy' was an assemblage of musicians headed by multi-instrumentalist, composer, arranger and County Galway native Tom Fahy, born Quinn McCarthy (1971-19 June 2008). Core members included Jiang Dan, Rachael Eisley, Zhang Li and Liu Kaige, while other players were drafted for the requirements of particular pieces. Their 50+ album catalogue was the fruit of a 9-year collaboration initiated while the core members were in residence in Honolulu, Hawai'i. To each album, the members brought a myriad of musical competencies.


This audio is part of the collection: Open Source Audio

Artist/Composer: Tom Fahy
Date: 2008-01-02
Keywords: Jazz; Free-Jazz; Experimental; Polyphony; Dissonant Counterpoint; Neo-Dada Noise Music

Creative Commons license: Attribution-Share Alike 3.0


Notes

Official Website

Polyphony


Polyphony is a texture consisting of two or more independent melodic voices, as opposed to music with just one voice (monophony) or music with one dominant melodic voice accompanied by chords (monody).

Source: Wikipedia

Dissonant Counterpoint


Counterpoint is the relationship between two or more voices that are independent in contour and rhythm, and interdependent in harmony. It has been most commonly identified in Western music, developing strongly in the Renaissance, and also dominant in much of the common practice period, especially in Baroque music. The term comes from the Latin punctus contra punctum ("point against point").[1]

Dissonant counterpoint was first theorized by Charles Seeger as "at first purely a school-room discipline," consisting of species counterpoint but with all the traditional rules reversed. First species counterpoint is required to be all dissonances, establishing "dissonance, rather than consonance, as the rule," and consonances are "resolved" through a skip, not step. He wrote that "the effect of this discipline" was "one of purification." Other aspects of composition, such as rhythm, could be "dissonated" by applying the same principle.[2]

Individual Files

Whole ItemFormatSize
LittleFattyStudiesInAtonality_64kb.m3u64Kbps M3UStream
LittleFattyStudiesInAtonality_64kb_mp3.zip64Kbps MP3 ZIP19 MB
LittleFattyStudiesInAtonality_vbr.m3uVBR M3UStream
LittleFattyStudiesInAtonality_vbr_mp3.zipVBR ZIP94 MB
Audio FilesVBR MP3Ogg Vorbis64Kbps MP3
Little Fatty No. 14.23 MB1.34 MB867 KB
Little Fatty No. 211 MB3.57 MB2.25 MB
Little Fatty No. 318 MB6.01 MB3.54 MB
Little Fatty No. 412 MB4.10 MB2.46 MB
Little Fatty No. 57.10 MB2.16 MB1.42 MB
Little Fatty No. 66.24 MB1.93 MB1.25 MB
Little Fatty No. 712 MB3.55 MB2.31 MB
Little Fatty No. 815 MB4.34 MB2.98 MB
Little Fatty No. 98.58 MB2.66 MB1.72 MB
Image FilesJPEG
Album Art289 KB
InformationFormatSize
LittleFattyStudiesInAtonality_files.xmlMetadata11 KB
LittleFattyStudiesInAtonality_meta.xmlMetadata3.79 KB

Be the first to write a review
Downloaded 110 times
Reviews


Terms of Use (10 Mar 2001)