Lazy River Live at Oak Street Pub on 1976-08-15
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- Publication date
- 1976-08-15 ( check for other copies)
- Topics
- Lazy River, live music, SBD, Vince Gill, Bill Millet, Bob Briedenbach, John Jump, John Bieser, Monte Barry, newgrass, bluegrass
- Collection
- LazyRiver
- Band/Artist
- Lazy River
Lazy River band
John Jump, Robert Pool, Vince Gill, Bill Millet, Bob Briedenbach
Vince Gill lead vocals, electric mandolin, fiddle, guitar, frontman John Jump lead vocals, accoustic and electric guitars, frontman Bob Briedenbach lead vocals, pedal steel guitar, lap steel guitar, dobro Bill Millet vocals, banjo, guitar John Bieser electric bass |
set 1 You Don't Love Me I'll Be Your Baby Tonight I Know What it Means to be Lonesome Ground Speed Good Woman's Love Dixie Blues One of These Days Salty Dog Panhandle Rag Louise Uncle Pen -> Sally Goodin' Big River Blue Eyes Crying in the Rain Beaumont Rag Milk Cow Blues Hey Good Lookin' I'm So Lonesome I Could Cry | set 2 Las Vegas You Won't Be Satisfied That Way Orange Blossom Special Sitting on Top of the World I Gotta Get Drunk Wheel Hoss Sweetheart of Mine That Promised Land Cotton Patch Blues Take Me Back to Tulsa Tennessee Blues Why You've Been Gone So Long My Window Faces the South Cowboy Song Foggy Mountain Breakdown Uncle Woodrow Up That Lazy River |
bit torrent
— Monte's Taper Handbook —
Related Music question-dark
Versions - Different performances of the song by the same artist
Compilations - Other albums which feature this performance of the song
Covers - Performances of a song with the same name by different artists
Song Title | Versions | Compilations | Covers |
---|---|---|---|
You Don't Love Me | |||
I'll Be Your Baby Tonight | |||
I Know What it Means to be Lonesome | |||
Ground Speed | |||
Good Woman's Love | |||
Dixie Blues | |||
One of These Days | |||
Salty Dog | |||
Panhandle Rag | |||
Louise | |||
Uncle Pen > Sally Goodin' | |||
Big River | |||
Blue Eyes Crying in the Rain | |||
Beaumont Rag | |||
Milk Cow Blues | |||
Hey Good Lookin' | |||
I'm So Lonesome I Could Cry | |||
Las Vegas | |||
You Won't Be Satisfied That Way | |||
Orange Blossom Special | |||
Sitting on Top of the World | |||
I Gotta Get Drunk | |||
Wheel Hoss | |||
Sweetheart of Mine | |||
That Promised Land | |||
Cotton Patch Blues | |||
Take Me Back to Tulsa | |||
Tennessee Blues | |||
Why You've Been Gone So Long | |||
My Window Faces the South | |||
Cowboy Song | |||
Foggy Mountain Breakdown | |||
Uncle Woodrow | |||
Up That Lazy River |
Notes
Monte the Taper archives
thank you largely eTree and Internet Archive
-- peace from Monte --
Lazy River band
Vince Gill - lead vocals, electric mandolin, fiddle, guitar
John Jump - lead vocals, accoustic and electric guitars
Bobby Briedenbach - lead vocals, pedal steel guitar, lap steel guitar, dobro
Bill Millet - vocals, banjo, guitar
John Bieser - electric bass
Sound System by Monte Barry and Lazy River
Monte Barry is the Soundman
Notes:
-- banjo is mic'd inside / under the resonator
-- That Promised Land, Cowboy Song, and Uncle Woodrow are originals by John Jump
Monte's Newgrass Music taper and soundman experiences
please help find my lost 1985 Video Tape Recordings
we TAPED for the entire Telluride Bluegrass Festival in 1985
everything was video taped in Broadcast Quality on one-inch VTRs
The 12th Annual Telluride Bluegrass Festival -- June 21-23, 1985
Emmylou Harris and the Hot Band • John Hartford • Seldom Scene • Tony Trischka and Skyline • Hot Rize • Tony Rice • Nashville Bluegrass Band • Chris Daniels and the Kings • New Grass Revival • Doc and Merle Watson • The David Grisman Quintet • Peter Rowan and Crucial Country • Mark O’Connor • Bryan Bowers • Alaska’s Hobo Jim
Lazy River
The Lazy River band was based in Louisville, KY in 1976. Vince Gill and John Jump were the frontmen. Vince was the main lead vocalist. He played electric mandolin, fiddle, and accoustic & electric guitars. John Jump sang lead vocals, wrote original songs, and played guitars. Lazy River band's soul, energy, creativity, and charisma were built around this powerful duo. The diversity of Lazy River's songs depicts the many influences that the band had adopted as its own: bluegrass, newgrass, western swing, Hank Williams, country rock, Grateful Dead, and jazz... and a Hippie Soundman.All the Lazy River band artists were formerly members of the Bluegrass Alliance band at the same time, with Lonnie Peerce. They all left this band together when they formed the Lazy River band in 1976. Similarly, Sam Bush and founding members of the Newgrass Revival band were also members of the Bluegrass Alliance band together in 1971, with Lonnie Peerce. Sam and the other artists all left the Alliance together when they formed the Newgrass Revival band. It shold be noted that Tony Rice and Dan Crary were former members of Bluegrass Alliance. We have a YouTube clip of Bluegrass Alliance with Tony Rice and Sam Bush performing One Tin Soldier.
Monte Barry was soundman for the Bluegrass Alliance in 1975 & 1976. Band members and Monte were roommates together at Harry Bickel's place. It was a musical jamming house in Louisville. Monte also worked as a videotape operator at a TV station in Louisville. When the Lazy River band formed up, they asked Monte Barry if he would quit his full-time job at the TV station to become their soundman full-time. Monte agreed and he became the Lazy River soundman. Monte designed and built some custom-made wiring assemblies, and he built several stage boxes for the PA system and the monitors. Monte invested his life savings, and he purchased a sound mixer and some PA amplifiers. He already had some studio quality Electro-Voice mics that the band used, along with a pair of his Bose speaker arrays. Besides being a Hippie, Monte was also a very successful live music taper. These taping follies and sound system skills all began with Monte taping Grateful Dead shows in 1973. This is how the Lazy River sound system was born. This is why these tapes are here.
Almost immediately, Robert Pool quit his bassist job with Lazy River. He moved back to Austin. The band was putting together their promo kit for getting gigs. They made another appointment with their photographer to get their new bassist in their photo spread. The new bassist, John Bieser, was still in St. Louis. The band almost convinced Monte to pose with them in a new photo, even though he was just the soundman. After an argument, Monte ran off to his girlfriend's place. That left Lazy River no choice but to use their original photo. John Bieser plays bass on these tapes, but Robert Pool is shown in their photo.
After a couple of months, Vince Gill and John Jump left Lazy River band at the same time. This was the beginning of the end of the band. It never really got going. We never had enough paying gigs to keep everyone interested. New band members Eric Weber, Frank Heyer, Pat O'Conner, and Bruce Cromer joined the band. Now the band had 8 members and a soundman. We have them recorded on Monte's tapes playing bluegrass, swing and jazz music with violin and guitar virtuoso Mark O'Connor, at age 15, on one of their tapes. The gypsy mode was taking hold. A few months later it was over.
- Addeddate
- 2008-04-02 21:15:06
- Audio_type
- Music
- Date_created
- April 2, 2008
- Identifier
- MonteBarrylr-vg1976-08-15-SBD
- Is_clip
- false
- Lineage
- MR > Nakamichi 550 > Samplitude > CD Tag > Flac-16
- Location
- Birmingham, AL
- Mature_content
- false
- Other_copyright_holders
- false
- Taped by
- Monte Barry
- Transferred by
- Monte Barry
- Type
- sound
- Venue
- Oak Street Pub
- Year
- 1976
comment
Reviews
Subject: Oaks' Street
Lazy River was just exactly as the other reviews said. Showmanship, set list, and talent, all exceptional.
I wish the other four nights Lazy River performed at Oaks' Street were available. (Also wish I would see other bands that played there show up, but I guess that's a pipedream.)
Side note- "Oaks' " is not a spelling error or typo. The owner's last name was Oaks.
Subject: Undeniably awesome bluegrass band,
Subject: Photo Rights
Subject: More than one !!
Subject: dayam...
Subject: What a blast!
Subject: Beautiful.
I sense vaudeville showmanship paired w/ a certain innocence. Truly delightful.
This music, along w/ Blues and American Jazz, should be played in classrooms.
Subject: Diggity...
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