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Understanding 9/11clip_clap_crisis
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FREE SS 08
PATO
"clip_clap_crisis"
Rubén Patiño aka Pato originally comes from Barcelona,
a city he describes as being something in between
Orwell's 1984 and Disneyland. Nevertheless he sometimes does the
most brutal DJ sessions that I have heard. Pato is now living in Denmark
doing some stupid sound course in which he already got into trouble by playing
too loud. Pato is a total character, which you can already
get a sense of in clip _clap_crisis. After living 3 years in Berlin,
he is well known in the city's underground scene for his volume abuse.
In clip_clap_crisis Pato breaks sounds following the
Viennese laptop tradition of making fucked up digital
collages. While other laptopers tend to be more clinical, Pato
uses ultra fast crappy dsp tricks to produce the kind of
kinky and dirty computer music that only a latino could do.
The fact that his computer screen was broken
might have helped to produce such a nasty but sexy and
coherent work.
Anti-Tutti
www.freesoftwareseries.org
PATO
"clip_clap_crisis"
Rubén Patiño aka Pato originally comes from Barcelona,
a city he describes as being something in between
Orwell's 1984 and Disneyland. Nevertheless he sometimes does the
most brutal DJ sessions that I have heard. Pato is now living in Denmark
doing some stupid sound course in which he already got into trouble by playing
too loud. Pato is a total character, which you can already
get a sense of in clip _clap_crisis. After living 3 years in Berlin,
he is well known in the city's underground scene for his volume abuse.
In clip_clap_crisis Pato breaks sounds following the
Viennese laptop tradition of making fucked up digital
collages. While other laptopers tend to be more clinical, Pato
uses ultra fast crappy dsp tricks to produce the kind of
kinky and dirty computer music that only a latino could do.
The fact that his computer screen was broken
might have helped to produce such a nasty but sexy and
coherent work.
Anti-Tutti
www.freesoftwareseries.org
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Reviews
Reviewer:
Vlax
-
favoritefavoritefavoritefavorite -
December 31, 2012
Subject: beautiful noise
Subject: beautiful noise
really inspirational
it hears the ludic and funny actions of making sounds by Pato
it hears the ludic and funny actions of making sounds by Pato
Reviewer:
Mattin
-
favoritefavoritefavoritefavoritefavorite -
May 1, 2010
Subject: Reviews:
Subject: Reviews:
Neural (Italy)
In clip_clap_crisis Rubén Patiño, aka Pato realizes an extreme audio-abuse. He's a sound-designer from Barcelona, a city that he says should be placed – in terms of its atmospheres - between Orwellian settings in '1984' and fake Disneyland ones. His attitude to sound is well-rooted in the underground practices typical of the metropolis, and is now accustomed to all sorts of laptop experiments, to noise and more dissolute and destructured digital improvisation. After 3 years of residence and work ' clip_clap_crisis' is the result of an avant-garde interweaving that is refined and complex, a deranged cut-up obtained using only freeware software (Pure Data, Creox C, Audacity) and 'instruments' including a malfunctioning laptop, cheap microphones, and house speakers as monitors. This emphasizes that today one can be involved in the digital elite without spending a fortune on studio equipment. Basically, the only thing needed is to know what to do. How to do it then becomes secondary, which of course does not mean to underestimate aesthetic, sound or formal aspects. All enlighten by a "different" logic, definitely non-mainstream and very free from the new diktats of some conceptual or 'technical' schools.
Aurelio Cianciotta
In clip_clap_crisis Rubén Patiño, aka Pato realizes an extreme audio-abuse. He's a sound-designer from Barcelona, a city that he says should be placed – in terms of its atmospheres - between Orwellian settings in '1984' and fake Disneyland ones. His attitude to sound is well-rooted in the underground practices typical of the metropolis, and is now accustomed to all sorts of laptop experiments, to noise and more dissolute and destructured digital improvisation. After 3 years of residence and work ' clip_clap_crisis' is the result of an avant-garde interweaving that is refined and complex, a deranged cut-up obtained using only freeware software (Pure Data, Creox C, Audacity) and 'instruments' including a malfunctioning laptop, cheap microphones, and house speakers as monitors. This emphasizes that today one can be involved in the digital elite without spending a fortune on studio equipment. Basically, the only thing needed is to know what to do. How to do it then becomes secondary, which of course does not mean to underestimate aesthetic, sound or formal aspects. All enlighten by a "different" logic, definitely non-mainstream and very free from the new diktats of some conceptual or 'technical' schools.
Aurelio Cianciotta
