When composing the present work, Observing a Warmth, I chose my ontological explorative measuring tool to be the vibrational frequencies of the human Chakra system. Each piece utilizes a devised frequential pattern with the intention of resonating a single Chakra and then moving onward to another, or resonating multiple Chakras simultaneously, for which I coined the term spinning wheel chord. The objective of this experiment was to determine if embedding certain frequency groups in music could enhance the human nervous system and invoke positive psychobiological alterations. The main instruments devoted to these recordings were my Moog Voyager, Fender Rhodes, and Computer.
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