Dinanderie : a history and description of mediaeval art work in copper, brass and bronze
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Dinanderie : a history and description of mediaeval art work in copper, brass and bronze
- Publication date
- 1910
- Topics
- Copper, Brasses, Bronzes, Metal-work -- History, Art, Medieval
- Publisher
- London : G. Allen & Sons
- Contributor
- Robarts - University of Toronto
- Language
- English
26 29
- Addeddate
- 2007-03-13 13:02:11
- Bookplateleaf
- 4
- Call number
- ABN-5715
- Camera
- 5D
- Copyright-evidence
- Evidence reported by andrea@archive.org for item dinanderiehistor00perruoft on March 13, 2007: no visible notice of copyright; stated date is 1910.
- Copyright-evidence-date
- 20070313130125
- Copyright-evidence-operator
- andrea@archive.org
- Copyright-region
- US
- External-identifier
- urn:oclc:record:1043279297
- Foldoutcount
- 0
- Identifier
- dinanderiehistor00perruoft
- Identifier-ark
- ark:/13960/t81j99652
- Lcamid
- 1020707452
- Lccn
- 11018821
- Ocr_converted
- abbyy-to-hocr 1.1.37
- Ocr_module_version
- 0.0.21
- Openlibrary_edition
- OL7207767M
- Openlibrary_work
- OL7714136W
- Page_number_confidence
- 59
- Page_number_module_version
- 1.0.3
- Pages
- 366
- Pdf_module_version
- 0.0.23
- Possible copyright status
- NOT_IN_COPYRIGHT
- Ppi
- 400
- Rcamid
- 1020707450
- Scandate
- 20070314021649
- Scanner
- ias10
- Scanningcenter
- uoft
- Full catalog record
- MARCXML
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Reviews
Reviewer:
Zither
-
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May 2, 2011
Subject: The Creation of the Items
Subject: The Creation of the Items
"Dinanderie" was a medieval word for items in copper or its alloys. This book is basically art history, looking into the brasses and bronzes of Europe, from bronze church portals to ewers, though of course more of the ecclesiastical survives in crosiers, reliquaries, and the like.
The unique point is that it isn't *just* art history: the author goes into the processes used, in case you need those, the sources of materials and that effect on the economics of the business, the form of the guilds, and a good deal else.
In many ways this reminds me of ffoulkes *The Armourer and His Craft*: not just what the product was, but all the background to its creation at the time.
The unique point is that it isn't *just* art history: the author goes into the processes used, in case you need those, the sources of materials and that effect on the economics of the business, the form of the guilds, and a good deal else.
In many ways this reminds me of ffoulkes *The Armourer and His Craft*: not just what the product was, but all the background to its creation at the time.
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