Related Music question-dark

Versions - Different performances of the song by the same artist

Compilations - Other albums which feature this performance of the song

Covers - Performances of a song with the same name by different artists

Song Title	Versions	Compilations	Covers
tuning, intro--Wavy Gravy
Where I Come From
Willie & the Hand Jive
I Don't Know You
Contract
Louisiana Lady
Iko Iko
Little Red Rooster
Dirty Business #
Tonight I Smoked More Weed Than I Should Have
Dave's starting Of the band rap
Dead Flowers
intro, tuning
Prisoner Of Freedom
Higher
Up On Cripple Creek
Garden Of Eden
Suite At the Mission
Big Railroad Blues
Last Lonely Eagle
Sitting In Limbo
You Never Can Tell
Honky Tonk Women
Six Of One

Notes

#=w/ Wavy Gravy Rap

David Nelson - guitar, vox
Michael Falzarano - guitar, vox
Steve Kimock - guitar
Pete Sears - bass
Mookie Siegel - keys, vox
Johnny Markowski - drums, vox
Pete Grant - pedal steel guitar
#=w/ Wavy Gravy - kazoo, vox

Note: guitars seem to be panned in the mix the way the guitarists were on stage (from house persepctive) - i.e.:
Kimock (hard left), Falzarano (left of center), Nelson (right of center), Pete Grant (hard right)

SBD/Matrix:
SBD/Superlux S502 > Roland R44 > Adobe Audition > CD Wave > Flac16
Recorded By Tim Stiegler
Soundboard Mix By Tim Stiegler
2018 Dawghouse Audio
Produced For LMA By BB Productions
--plus--dc offset, EQ, Balance, Sec.Balance (set1t01 & set11t02), PD&Norm, RT, info research by Bill Mulvey--3/2018.

Notes
Uploaded By BudBoy
(Noticeable Audio Hiss Onstage)
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NOTE: This was really an amazing mix for this show that I feel needed some necessary love to make it shine to its fullest capacity. So I gave it that love & I felt it came out great enough to share with everyone who loves David & the rest of these cats. The 'love' needed was balance issues for the whole show, but especially in the very first tune while the great Tim Stiegler was getting his killer mix together. Also I felt the bass needed to be fleshed out some so I did that as well. Hope y'all dig it.
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3 THINGS I WOULD LIKE TO SAY ABOUT THIS SHOW:

1. Tim Stiegler did just an awesome job on this mix (as usual). It is so damn tasty & we are all so lucky that he mixed it & was willing to share it with us all in the first place (thanks go out to David Nelson as well for allowing these things to fly). Everything is in such wonderful, full stereo & it makes for an incredible headphone listen or sitting in the sweet spot of your home stereo, etc. Drums & keys are hard, stereo panned (with the organ beautifully swirling around when Mookie plays that), bass & vox straight up the middle, & the guitars are panned in a 'fan spread' from left to right according to how they were on stage. Exactly the way I like it & how I would have done it. Cheers & kudos to Mr.Stiegler--just amazing!!

2. The 'Noticeable Audio Hiss Onstage' that Budboy mentions in the original notes above I believe to actually be whatever stage mics or house mics were used to blend into this matrix mix. Also, I would like to surmise that after the Wavy Gravy intro, the left of these mics went out (or both of them were panned to the right side or something) as one can clearly hear that after each tune the left channel plays like a sbd with the crowd kept at bay & just coming low through the vox mics & drum mics, etc., while the right channel has the crowd nice & full, like there was a mic in the house or onstage pointed at the crowd, etc. This is the mic where that aforementioned 'hiss' is coming from. Regardless, it still sounds truly amazing & none of this is an issue at all, just bringing it up to clarify things.

3. It is so good to have David Nelson back up onstage & playing again. He is a treasure & makes incredible music & is the best kept secret in the hippie jamband, music world. Keep On Truckin', Mr.Nelson!!!!