Sounds like concrete music, micronoise, electroacoustic...
In the 60th years of the past century Andy Warhol has proclaimed a masscult art, that can take a place in a museum near to the conventional classical products. Subsequently, having transformed pop art in business-art, its skilful followers have placed the tomato banks in each apartment and the house. In the beginning of 21st century the Culture, in a broad sense of this word, has ceased to have elite character. The concept of national culture also has disappeared - on change to them came Mainstream and Underground.
Business-art has finally turned to business with elements of art, in sex with elements of love - it generated the whole crowds of faceless imitators of the pop art which has proclaimed a century so-called actual creativity - an epoch of a formalism on a background of an accrueing consumer psychosis...
Our compilation is a sight of musicians from the different countries on a masscult from its seamy side: from oppositional underground. Because noise music (also named electroacoustics or concrete music, depending on a context) - is the phenomenon intentionally opposed by the basic musical mass-media; the phenomenon, thus frequently using as it is paradoxical, receptions and sound breadboard models of popular music, i.e. standard music.
Once again confirming, that The Majesty Pop-Culture is a completely processed (recycled) product.
