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Various Artists[eml007] Electronic Music Lab Sampler 2002 (January 1, 2002)

A mostly dance oriented sampler produced by EML members and compiled by Benjamin Ang in 2002.

"Xperimental" and "Unleashed" written and produced by Lord Ming

"Storm" and "Living On The Edge" written and produced by Reginald Li

"Equality" written and produced by Victor Pang

"Vibes" written and produced by Timothy Ngoh


This audio is part of the collection: Electronic Music Lab, Singapore

Artist/Composer: Various Artists
Date: 2002-01-01
Keywords: electronic; Electronic Music Lab; Singapore; house; techno; trance; EML

Creative Commons license: Attribution-NonCommercial-ShareAlike


Individual Files

Whole ItemFormatSize
eml007_64kb.m3u64Kbps M3UStream
eml007_64kb_mp3.zip64Kbps MP3 ZIP14 MB
eml007_vbr.m3uVBR M3UStream
eml007_vbr_mp3.zipVBR ZIP38 MB
Audio Files192Kbps MP3Ogg Vorbis64Kbps MP3VBR MP3
Xperimental5.03 MB2.91 MB1.68 MB4.57 MB
Unleashed5.13 MB2.97 MB1.71 MB4.34 MB
Storm6.47 MB3.65 MB2.16 MB5.21 MB
Living On The Edge7.59 MB4.12 MB2.53 MB6.25 MB
Equality7.92 MB4.28 MB2.64 MB7.86 MB
Vibes11 MB6.49 MB3.72 MB9.51 MB
Image FilesJPEG
eml007.jpg21 KB
sampler2002details.jpg480 KB
sampler2002front.jpg384 KB
InformationFormatSize
eml007_files.xmlMetadata11 KB
eml007_meta.xmlMetadata1.26 KB
eml007_reviews.xmlMetadata1.63 KB

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Reviews
Average Rating: [4.0 out of 5 stars]

Reviewer: FARfetched - [4.0 out of 5 stars] - August 16, 2008
Subject: All good, with some standouts
This is a pretty good collection. "Equality" stands out from the rest, but they're all certainly worth downloading and keeping.

Reviewer: Benjamin Ang - [4.0 out of 5 stars] - January 14, 2007
Subject: Sampler 2002
Most of these tracks were featured in the concert ElectrOdyssey 2001, but not compiled until 2002. (EO1 was conceived and executed at great speed, so some things were left till later)

In this era, more EML members started composing music with primarily their own instruments and workstations (eg Reginald and his Korg Trinity). Unlike the 1990s and before, where only labs and studios could afford the sheer number of instruments needed to put together a piece of music, technology had advanced sufficiently that individual students owned workstation synths (Trinity, Roland XP-50) that had all the sounds and sequencing power they needed. This of course preceded the laptop era.

Individuals like Lord Ming, Reginald and Tim (who is now a professional sound engineer) were very prolific and this is just a sampling of their work.


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