Garage A Trois Live at Brooklyn Bowl on 2011-05-21
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- Publication date
- 2011-05-21 ( check for other copies)
- Topics
- TLM170, Neumann, 16 bit, flac16, jazz, punk, metal, saxophone, Skerik, Marco Benevento, Stanton Moore, Mike Dillon, GAT
- Collection
- GarageATrois
- Band/Artist
- Garage A Trois
1. crowd
2. intro
3. Omar
4. Shooting Breaks
5. ?
6. Earl Harvin
7. Resentment Incubator
8. Fragile
9. banter - Record Release party
10. Swellage
11. Power Patriot
12. Dory's Day Out
13. The Dwarf
14. And Now A Word From The Drum Department
15. banter - setbreak announce
Set 2
1. Electric Doorbell Machine ->
2. Stretch
3. Dugout
4. ? ->
5. Fat Redneck Gangster
6. ?
7. banter - Mike Dillon is feeling a little...
8. Punk Rock Guilt
9. The Real Morning Party
10. Assault On Precinct 13 *
11. It's Gonna Be A Long Night (Ween cover)
12. banter - thanks for coming out/Evil Knevil of jazz
13. Twin Killers (Derhoof)
14. Computer Crimes ->
15. Immigrant Song
Related Music question-dark
Versions - Different performances of the song by the same artist
Compilations - Other albums which feature this performance of the song
Covers - Performances of a song with the same name by different artists
Song Title | Versions | Compilations | Covers |
---|---|---|---|
intro | |||
Omar | |||
Shooting Breaks | |||
? | |||
Earl Harvin | |||
Resentment Incubator | |||
Fragile | |||
banter - Record Release party | |||
Swellage | |||
Power Patriot | |||
Dory's Day Out | |||
The Dwarf | |||
And Now A Word From The Drum Department | |||
banter - setbreak announce | |||
Electric Doorbell Machine -> | |||
Stretch | |||
Dugout | |||
? -> | |||
Fat Redneck Gangster | |||
? | |||
banter - Mike Dillon is feeling a little... | |||
Punk Rock Guilt | |||
The Real Morning Party | |||
Assault On Precinct 13 * | |||
It's Gonna Be A Long Night (Ween cover) | |||
banter - thanks for coming out/Evil Knevil of jazz | |||
Twin Killers (Derhoof) | |||
Computer Crimes -> | |||
Immigrant Song |
Notes
* With "Na na na hey hey goodbye" (Bananarama) jam
I spent an inordinate amount of time trying to track this and name all of the tunes. I think I got most of them correct, but there are a couple I couldn't get. If you can help me out, please post a message on this page with any corrections!
Recorded, mastered, tracked, and posted by Scott Bernstein
Check out the album of photos I posted from this show:
Garage A Trois - Brooklyn Bowl 20111-05-21 |
There is a higher quality 24 bit version of this recording available at http://www.archive.org/details/gat2011-05-21.tlm170.flac24
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- Addeddate
- 2011-06-08 23:41:33
- Identifier
- gat2011-05-21.tlm170.flac16
- Lineage
- Neumann TLM-170 (hypercardoids, FOB almost parallel to right PA, about 15' from stage) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge Audio Studio 10.0c (volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; minor clap removal); Tracked in CDWav.
- Location
- Brooklyn, NY
- Source
- FOB Audience
- Taped by
- Scott Bernstein
- Transferred by
- Scott Bernstein
- Type
- sound
- Venue
- Brooklyn Bowl
- Year
- 2011
comment
Reviews
Subject: thanks for the song correction
Fixed
Subject: Correction
Subject: Best GaT show I've seen.
Marco's a great addition to the band, and sorta fits in better with the "metal" side of the band, the jazz is far less straight-ahead and more... Well, metal.
I noticed times the band was in 5/8, 11/8, 7/8 and still the crowd danced. That's no mean feat, and these guys are totally up for it. This is not music you'd hear anywhere else, played by anyone else, and my jaw was on the floor for at least an hour straight.
I had caught these guys 2 weeks earlier at One-Eyed Jack's in New Orleans during JazzFest, and that show was indeed incredible (and I hope it gets posted soon, or ever), but this show was even better. It was the last show of the tour, and these 4 guys who'd been living together for months were about to go their separate ways, and you could tell by the energy that they could feel it. Something special was coming to an end, and they were wringing every last bit of RAWK out of it.
The bottle of Patron being passed around throughout the second set didn't hurt either...
Many thanks to Scott Bernstein for posting this, I'd lost hope that this show was going to turn up here. Nice work, it sounds awesome.
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