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Grateful DeadGrateful Dead Live at Red Rocks Amphitheatre on 1978-07-08 (July 8, 1978)

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Collection: : GratefulDead
Band/Artist: Grateful Dead
Date: July 8, 1978 (check for other copies)
Venue: Red Rocks Amphitheatre
Location: Morrison, CO

Source: SBD + AUD Matrix 2 Source Mix(40%-SBD/60%-AUD)
Transferred by: Kevin Tobin
Keywords: Soundboard; Matrix; Kevin Tobin

Description

Set 1

Bertha ->
Good Lovin'
Dire Wolf
El Paso
It Must Have Been The Roses
New Minglewood Blues
Ramble On Rose
The Promised Land
Deal

Set 2

Samson And Delilah
Ship Of Fools
Estimated Prophet ->
The Other One ->
Eyes Of The World ->
Drums ->
Space ->
Wharf Rat ->
Franklin's Tower ->
Sugar Magnolia

Encore
Terrapin Station ->
One More Saturday Night
Werewolves Of London

Individual Files

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Average Rating:

Reviewer: rdeadbuck - - April 22, 2009
Subject: Quality Show
I have always felt that this show never quite got the raves it deserves. Outside of the killer 2nd set and three encores to boot, the overall energy of this show is phenominal. As far as the recording goes, I have never heard a show that has Bob in the mix as clear as this one does. Anyone who doubts Bob's importance as a musician to this band has not heard this show. It is a must have!!!!!!!

Reviewer: kapowsin - - April 20, 2009
Subject: Quality Matrix...
I would like to draw attention to this matrix. It's very well done...I've heard matrixes where it sounds you have reverb on everything because the two recordings are not perfectly in sync (your ear can detect if it's off even 1/1000's of a second), and this matrix does not have that problem. Also, the ratio of sbd/audio seems perfect to me. On one hand it has that 'it's--like-you're-actually-there' feel, but the music is finally loud and clear too. In my experience as a listener, that balance is hard to find...so hard for me, in fact, that I can't really tolerate very many pure audience recordings...Anyway...It's a great concert...About as vibrant as 1978 gets (4/24 and 12/31 are my other favorites from the year)...A highlight for me is '>wharf rat> franklin's tower'. I've been on a bit of a GD bender the last few weeks, so excuse me if I sound delerious...

Notes

Audio Source Information
SBD (shnid=294)

Source: SBD> [?]> DAT>CDR
Notes: No known flaws.

AUD (shnid=91766)
MOTB Release: 0068 16/44.1
Release Date: 2008-05-03
Band: Grateful Dead
Date: 1978-07-08 (Saturday)
Venue: Red Rocks Amphitheatre
Location: Morrison, CO
Analog Audience Source: FOB Master Cassettes (MAC)
Medium Stock Brands: MAC = 3 x Maxell UD XL II C90
Analog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC
Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taped By: Timothy Knight
Transfer By: Adam Egert
Mastering By: Kevin Tobin
---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 10-APR-2008
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD -0

SET TWO

Stereo Matrix
SBD -1
AUD -0
---------------------------------------------------------
Audio Patches:

1) At the beginning of soundboard, 11 minutes and 56.291 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes a Bobby joke while they waited to get Phil's bass started.

2) Between Good Lovin' and Dire Wolf, 13.013 seconds were missing from the soundboard source and was filled in with audio from the audience source.

3) Between Dire Wolf and El Paso, 1 minute and 01.201 seconds were missing from the soundboard source and was filled in with audio from the audience source.

4) Between El Paso and It Must Have Been The Roses, 06.233 seconds were missing from the soundboard source and was filled in with audio from the audience source.

5) Between It Must Have Been The Roses and Minglewood Blues, 16.811 seconds were missing from the soundboard source and was filled in with audio from the audience source.

6) Between Minglewood Blues and Ramble On Rose, 44.768 seconds were missing from the soundboard source and was filled in with audio from the audience source.

7) Between Ramble On Rose and Promised Land, 3 minutes and 01.306 seconds were missing from the soundboard source and was filled in with audio from the audience source.

8) At the beginning of the second set soundboard, 06.010 seconds were missing from the soundboard source and was filled in with audio from the audience source.

9) Between Samson And Delilah and Ship Of Fools, 42.181 seconds were missing from the audience source and was filled in with audio from the soundboard source. This includes the first 20 seconds of Ship Of Fools.

10) Between Ship Of Fools and Estimated Prophet, 14.755 seconds were missing from the audience source and was filled in with audio from the soundboard source.

11) 11 minutes and 40 seconds into Estimated Prophet, 09.855 seconds were missing from the audience source and was filled in with audio from the soundboard source.

12) 09 minutes and 54 seconds into Eyes Of The World, 44.700 seconds were missing from the soundboard source and was filled in with audio from the audience source.

13) 04 minutes and 13 seconds into Drums, 25.765 seconds were missing from the audience source and was filled in with audio from the soundboard source.

14) At the start of Wharf Rat, 05.332 seconds were missing from the soundboard source and was filled in with audio from the audience source.

15) 07 minutes and 13 seconds into Franklin's Tower, 12.374 seconds were missing from the audience source and was filled in with audio from the soundboard source.

16) Between Sugar Magnolia and Terripan Station, 1 minutes and 30.000 seconds were missing from the soundboard source and was filled in with audio from the audience source.

17) Between One More Saturday Night and Werewolves Of London, 28.646 seconds were missing from the soundboard source and was filled in with audio from the audience source.

18) Matrix\DTS were synced using the audience as the reference due to
being more consisent and better known lineage.

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