Grateful Dead Live at Philadelphia Civic Center on 1984-04-19
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Grateful Dead Live Music Archive stream_onlyUploaded by Matthew Vernon on
We will keep fighting for all libraries - stand with us!
Versions - Different performances of the song by the same artist
Compilations - Other albums which feature this performance of the song
Covers - Performances of a song with the same name by different artists
Song Title | Versions | Compilations | Covers |
---|---|---|---|
Bertha > | |||
Greatest Story Ever Told | |||
Loser | |||
C.C. Rider | |||
Bird Song | |||
Hell In A Bucket | |||
Big Railroad Blues | |||
The Music Never Stopped > | |||
Don't Ease Me In | |||
China Cat Sunflower > | |||
I Know You Rider | |||
Estimated Prophet > | |||
Terrapin Station > | |||
Drums > | |||
Space > | |||
The Wheel > | |||
Wharf Rat > | |||
Sugar Magnolia | |||
It's All Over Now, Baby Blue |
Notes:
The first 1:25 of Bertha in the SBD mix has a boomy, flat sound before it kicks into gear.
The SBD levels were louder for the first couple songs and were reduced to compensate.
A loud burst in Jerry's vocals during Bertha was reduced.
Jeff Silberman's Sennheiser 441 Dat recording, #142045 via Charlie Miller and Joe Noel (5/25/18), patches additional sections between songs in the AUD to maintain a continuous AUD track in the matrix.
11-second cut in Bertha (in the middle of huge Phil Bombs) and 16-second cut in Space in the SBD source now patched. The most beautiful, ethereal section of Space is where the cut occurs at 6:36 - interesting to go AUD-only here for this transcendent moment.
Tuning sections were trimmed.
Lamarre's recording adds some deep, resonant bass that is much needed for these particular SBD mixes. There was some pretty extended high end (treble) for these Philly shows that was EQ'd as needed with respect to each source.
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Uploaded by Matthew Vernon on