Grateful Dead Live at Oakland-Alameda County Coliseum on 1991-12-30
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- Publication date
- 1991-12-30 ( check for other copies)
- Topics
- Audience, Marcus Buick, Joe Noel
- Collection
- GratefulDead
- Band/Artist
- Grateful Dead
- Resource
- DeadLists Project
Wang Dang Doodle
Row Jimmy
Big River >
Maggie's Farm
Ramble On Rose
Just Like Tom Thumb's Blues
Bird Song >
Promised Land
I Know You Rider
Samson & Delilah
Ship Of Fools
Saint Of Circumstance >
Dear Prudence Jam > *
Drums > *
Space >
The Last Time >
Stella Blue >
Turn On Your Lovelight
Encore:
The Weight
Bob Weir - Guitar
Vince Welnick - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Airto Moreira - Percussion *
Related Music question-dark
Versions - Different performances of the song by the same artist
Compilations - Other albums which feature this performance of the song
Covers - Performances of a song with the same name by different artists
Song Title | Versions | Compilations | Covers |
---|---|---|---|
crowd - tuning | |||
Touch of Grey | |||
Wang Dang Doodle | |||
Row Jimmy | |||
Big River -> | |||
Maggie's Farm | |||
Ramble on Rose | |||
tuning | |||
Just Like Tom Thumb's Blues | |||
Bird Song -> | |||
Promised Land | |||
crowd - tuning | |||
China Cat Sunflower -> | |||
I Know You Rider -> | |||
Samson & Delilah | |||
Ship of Fools | |||
Saint of Circumstance -> | |||
Dear Prudence Jam -> | |||
Drums -> | |||
Space -> | |||
The Last Time -> | |||
Stella Blue -> | |||
encore break | |||
The Weight |
Notes
Production Notes by Marcus Buick (2019-04-29)
Night 3 of 4. My 1st show was 12-30-1985, so technically, this was my sixth Deadversary! The 30th fell on a Monday night, and recovering from the weekend was occurring for some, while others were just getting ready to ramp it up for New Year’s! Any four-day run of shows in the Bay Area took a certain stamina, but New Year’s shows always took that little je ‘ne sais quoi!
Priority tickets (and the people who wait in line to get them) are required for getting ‘the spot’; most who que in line for these rarities are gunning for the rail but the most ardent tapers know that to get FOB DFC, priority tickets are an essential part of the equation. In addition to securing ‘the spot’ the recordist’s support crew are equally vital; That barrier between the mics and the unknowing public, for who taping is usually a non-consideration more than a nuisance, is a primary concern for capturing the accuracy of the music with absolute minimal distraction. Balloon pops, claps, yammerings-on, and laughing are the sounds to minimize, which only a support crew can do, once mics have been hoisted. The reason I point this out is even though I am a recordist of this event I was, in no way, alone. The amount of people that had a hand in making this recording is easily a dozen (if not two). I won’t name everyone here; They know who they are!
The main reason I got into taping the Dead was for the sonics; The accuracy of a Meyer Sound PA (in Quad) on a good night cannot be beat. I believe the Drums & amp; Space performance this evening reaches a level of dynamics uncommon in most human experiences; This recording demonstrates acoustics that can test high performance reproduction systems as well as bodily organs due to bone conduction! The performance is strong, there are no technical issues, and this is a fine capture of this event!
Additional Notes:
- Thanks to Marcus Buick for sharing his Master DAT
- Thanks to John Ammons for coordinating these efforts
- Thanks to Pete Oshman for the use of the SV3800
* w/ Airto Moreira (drums & vocals)
- Addeddate
- 2020-07-11 19:09:25
- Identifier
- gd1991-12-30.150304.FOB.DFC.BK4011.Buick.Noel.t-flac1648
- Lineage
- Transfer: Master DAT > Peter Oshman's Panasonic SV3800 > S/PDIF(16bit 48kHz) > Edirol R4 > WAV48/16; (Set 1-tape 1 transfer: 2019-07-14; Set 2-tape 2 transfer: 2019-06-11)
- Location
- Oakland, CA
- Run time
- 3:04:31.113
- Scanner
- Internet Archive HTML5 Uploader 1.6.4
- Transferred by
- Edited & Mastered by Joe Noel April 30, 2020
- Type
- sound
- Year
- 1991
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