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Understanding 9/11Grateful Dead Live at Boston Garden on 1994-09-29
Audio With External Links Item Preview
Hell In A Bucket, Peggy-O, Wang Dang Doodle, Ramble On Rose, When I Paint My Masterpiece*, Brown Eyed Women, Let It Grow
Set 2
Playin' In The Band- > Eyes Of The World-> Estimated Prophet-> He's Gone-> Drums-> Space-> Spanish Jam-> The Other One-> Wharf Rat-> Sugar Magnolia, E: I Fought the Law
* Weir on acoustic guitar
Related Music question-dark
| Song Title | Versions | Compilations | Covers |
|---|---|---|---|
| [crowd] |
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| Hell In a Bucket |
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| Peggy-O |
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| Wang Dang Doodle |
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| [tuning] |
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| Ramble On Rose |
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| [tuning] |
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| Masterpiece |
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| Brown-Eyed Women |
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| [tuning] |
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| Let It Grow |
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| [tuning] |
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| Playin' In the Band > |
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| Eyes of the World > |
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| Estimated Prophet > |
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| He's Gone > |
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| Drums > |
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| Space > |
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| Spanish Jam > |
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| The Other One > |
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| Wharf Rat > |
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| Sugar Magnolia |
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| [crowd] |
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| I Fought the Law |
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Notes
General Notes:
- Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their prior efforts.
- Both sets are seamless.
- It's all about the second set with this one. Gotta love the "Eyes." Real laid back. And the "Other One." Not laid back at all.
Technical Notes:
This matrix was extremely difficult to make. The soundboard source is riddled with serious problems. First, it's slow. Second, the speed fluctuates throughout both sets. Finally, in a number of places the audio jumps *back* and repeats the same section. These jumps can be small: after "Hell In a Bucket," the source repeats a single second. Or they can be more substantial: during "Brown-Eyed Women," the source repeats about 42 seconds of the guitar solo; and during "Drums," the source repeats about a minute (an extremely difficult-to-locate minute, I might add).
All of this means that I had to put *a lot* of work into this matrix, in particular in trying to sync the SBD source with the AUD sources. (Both of the AUD sources were virtually identical, speed-wise.) The result is far from perfect, but it's the best I can do at present.
Despite my many hours of fine-tuning, the speed-fluctation in the SBD source is still audible, especially if you listen for it. I urge you *not* to listen for it.
- The sources were remastered and mixed in Logic Pro 9. Final mastering and clean-up was done in iZotope RX 2 Advanced. The sets were split in WaveLab LE 7. SBE's were fixed using Trader's Little Helper.
- The SBD source was split into numerous sub-sections, each of which was speed- and pitch-corrected individually using the iZotope Radius alogithim (via Adobe Audition). The corrections range from +0.11% to +0.37%. Much further fine-tune syncing was done in Logic Pro 9.
- The SBD source is missing approximately 10 seconds of "Space."
- A few digital artifacts remain. They proved resistant to my considerable charms. Nothing too bad, though. The vast majority of the little 'pops' you might notice are actually clapping (from the Sobel source).
- I ran Set 2 of the Pujol source through iZotope RX's Declip function prior to remastering it.
- I resampled the Sobel source from 48kHz to 44.1kHz using iZotope RX.
Roger Eichorn
reichorn@gmail.com
September 6, 2013
Reviews
Subject: Gahden gold
This shows takes that experiences and brings it even closer with this matix hybrid.
The first thing you notice is the closeness you experience to the music and the richness and clarity of every instrument, including Phil who really shines on this show and along with Billy and Mickey who give this entire performance that extra high test octane.
Then there are the vocals and you really will thoroughly enjoy this very strong show.
Yes there are some blemishes, the biggest one being the bridge on He's Gone but they make up for it at the end with the New Orlean's inspired funeral march.
Set one is sharp and fun which are highlighted in just about every song with Peggi-O, Wang Dang and Ramble on Rose really standing out.
Set II is all about how they played it as it is very text book, except the Playin'> Eyes, which I was lucky to see 3 times over the years and was played together less than a dozen maybe?
The sparks really fly with Estimated which is a tour de-force and the band really soars. Bobby is perfect the entire night driving every song he sings with that assured passion but not getting to the point of cheese.
The D/S are very fun and this leads into a slithering Spanish jam that is quite good followed by a strong Other one into a stupendous Wharf Rat>Sugar Magnolia closah!
Sorry I could not resist as Boston was my home town for 8 years starting in 1985.
IFTL is played perfect with that 3 minute spunk that had many heading for the exits but we had three more shows to go in this run and Jerry ended five out of six these shows on this run and would play 14 encores total on this tour so who could complain.
Big kudos to Roger for painstakingly putting this one together, well done brother!
Happy trails
Subject: Thank You From the Bottom of My Heart to the Height of My Soul
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