The introduction to Hegel's Philosophy of fine art
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The introduction to Hegel's Philosophy of fine art
- Publication date
- 1886
- Topics
- Aesthetics
- Publisher
- London, K. Paul, Trench
- Contributor
- Robarts - University of Toronto
- Language
- English
xxxiii, 175 p
- Addeddate
- 2006-09-04 05:38:23
- Call number
- AAJ-9060
- Camera
- 1Ds
- Copyright-evidence
- Evidence reported by scanner-Liz-Ridolfo for item hegelsphilo00bosauoft on Sep 1, 2006; no visible notice of copyright and date found; stated date is 1886; not published by the US government; Have not checked for notice of renewal in the Copyright renewal records.
- Copyright-evidence-date
- 2006-09-01 13:18:04
- Copyright-evidence-operator
- scanner-Liz-Ridolfo
- Copyright-region
- US
- External-identifier
- urn:oclc:record:1046022941
- Foldoutcount
- 0
- Identifier
- hegelsphilo00bosauoft
- Identifier-ark
- ark:/13960/t5r78615s
- Lcamid
- 319802
- Ocr_converted
- abbyy-to-hocr 1.1.37
- Ocr_module_version
- 0.0.21
- Openlibrary_edition
- OL7185372M
- Openlibrary_work
- OL678550W
- Page_number_confidence
- 99
- Page_number_module_version
- 1.0.3
- Pages
- 320
- Possible copyright status
- NOT_IN_COPYRIGHT
- Ppi
- 500
- Rcamid
- 319804
- Scandate
- 20060901005234
- Scanner
- ias4
- Scanningcenter
- uoft
- Full catalog record
- MARCXML
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Reviews
Reviewer:
AMA Publication
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favoritefavoritefavoritefavoritefavorite -
December 20, 2011
Subject: Great book !!
Subject: Great book !!
For image base kindle version - http://amzn.to/vPPDgy
Amazon.com review
According to Hegel's account of Greek tragedy, Hegel did not view Greek tragedy as a collision between good and evil, but between competing goods. In addition, Hegel proposes in his interpretation of Greek tragedy, that the sufferings of the tragic hero are merely the means of reconciling the opposing moral goods--between two entirely ethical worlds that clash and cannot come together. Both Antigone and Creon have a moral vision or belief that they are destined to follow, which is the one-sidedness of their moral vision that clashes with the one-sidedness of the other character's moral vision. Both sides of contradiction are justified. Hegel finds that it is the conflict of irreconcilable yet justifiable moral worlds that will lead to the tragic death of the hero in Greek tragedy. This is an important point that Hegel makes, because I have found throughout my life that like Antigone, rarely am I given the opportunity to choose between good and evil. Usually I have been faced with the tougher moral choice of having to choose between moral goods. This is a great book that explores Hegel's philosophical writings, which opens up the world disclosiveness of Greek tragedy and the lessons they can still teach us today.
Amazon.com review
According to Hegel's account of Greek tragedy, Hegel did not view Greek tragedy as a collision between good and evil, but between competing goods. In addition, Hegel proposes in his interpretation of Greek tragedy, that the sufferings of the tragic hero are merely the means of reconciling the opposing moral goods--between two entirely ethical worlds that clash and cannot come together. Both Antigone and Creon have a moral vision or belief that they are destined to follow, which is the one-sidedness of their moral vision that clashes with the one-sidedness of the other character's moral vision. Both sides of contradiction are justified. Hegel finds that it is the conflict of irreconcilable yet justifiable moral worlds that will lead to the tragic death of the hero in Greek tragedy. This is an important point that Hegel makes, because I have found throughout my life that like Antigone, rarely am I given the opportunity to choose between good and evil. Usually I have been faced with the tougher moral choice of having to choose between moral goods. This is a great book that explores Hegel's philosophical writings, which opens up the world disclosiveness of Greek tragedy and the lessons they can still teach us today.
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