Trondheim's second EP on Interdisco (after his 2005 release "Der erste Widersacher und sein Untergang") again features lots of distinctive piano sounds and a gently tentative melancholy enveloped in plunky sounds and theatrical strings. Here, Trondheim also reveals an as of yet secret admiration of italian western comedies. at the end of the EP, a fragmented voice emerges - at stake is nothing more than the finiteness of all mundane bliss. we're lucky pop music still has some hope in store: please push "repeat" now!
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