Sam Shalabi brought an unsuspected mood to the night, using mostly electronics. Philémon's use of an amplified metal box, added to A_dontigny's distorted cd skipping and Érick Dorion's signature audiomulch cataclysm, blended Shalabi's melancholic bleeps to form a dense and warm tapestry of noise. Live at the Casa del Popolo, April 2002.
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