01: Drum Solo [2:33.16]
02: setting [0:30.12]
03: Konbanwa /kohn-bahn-wah/ (Good Evening) [1:08.60]
04: San Chome No Hito /sahn choh may no hee-toh/ (3rd Block Person) [2:11.42]
05: Jump [6:56.66]
06: Blabber [0:42.11]
07: Inochi /ee-noh-chee/ (Life Force) [8:05.05]
08: applause [0:09.37]
09: Death To Roy [3:51.46]
10: Arigatou, Issho Ni Yarete (with patch from digital source to cover tape flip
) /ah-lree-gah-toh ish-shoh-nee yah-reh-tay/ (Thanks For Letting Us Do It With You) [1:23.02]
11: Uuchi /oo-oo-chee-ee/ (6, 7) [2:29.24]
12: Outro [1:08.43]
Recorded from a platform directly above the mixing console. (OB?) This sounds gr
eat on paper, but the mixing desk is far house right against the wall and the co
unter is centered under the balcony seating. A theater set was installed in the
space for the production happening on either end of this show. The stage was two
tiered and shaped like an 'L' with one amp directly in front of the main mixer.
It was expected to be a packed house for Nisennenmondai's CD release tour date.
It was. The boom stand and mic clip elevators were employed the their best effe
ct possible to get the mics closer to the center of the room. The levels on both
the Yamaha mixer and the Tascam MTR were kept even and the recording balance wa
s achieved as best as possible with only mic placement. The band requested an an
alogue master which I backed up to the PMD660 CF card from the line out on the T
ascam. This recording is from a playback of the cassette.
![[help]](/images/question.gif "[help]")
)