Having spent some time creating cover artwork for netlabel artists under the alias Synflict, Marco Cervellin and Olliver Wichmann decided to team up together for creating music together for a change. Initially based on some sound fragments lying around, the tracks quickly evolved to what has finally become Prismatine, their debut release as Synflict. The music features huge contrasts (consonance versus dissonance, attack versus decay) and pauses as a means to interrupt a continious flow and could be filed under electroacoustic, but also reaches out to drone and dark ambient territory on occasion. Apart from digital processing artifacts, feedback, beeps and blirps, they also incorporate natural sound sources to create a dense soundscape of sonic events.

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