A label based in Wellington, New Zealand, with an interest in all genres. We release improv, electronic, sampling, nasty blues rock, free jazz, country, punk rock, accoustic instrumental, poetry, folk, any combination of the above, and anything else considered worthy to be shared. If you like the music you hear, CD-Rs are available for purchase from the postmoderncore website. We also love to hear what you think, so send us an email and if you really have something to say, reviews are very much appreciated.

artists with postmoderncore releases are currently:
Grant Beran
Overdose Kunst
Jeff Henderson
The Shambolics
Richard Whyte
Craig Irie
Robyn Kenealy
Stark raving mad at the end of time (various artists)
Rick Jensen (Rick Jensen Trio)
Richie Rhinestone and the Insatiable Opium Cowboys
Voodoo T Savage and the Insatiable Opium Cowboys
The Unknown Rockstar
Tangent
Cyberphobe
Zombie Prom Queen
Tangent Precipitate
Starcrusher
Phallus

postmoderncore manifesto

postmoderncore is a New Zealand-based independent label.

postmoderncore has spent most of its existence (since early 2000) as a solely web based label.

The Negativland fan collective Snuggles has been a big influence on the philosophy of postmoderncore. I came to the conclusion that copyright was a tool used by corporations to make profits, and control artists and their music. The more I heard about sample music being squashed by copyright law, the stronger my decision that I should ignore copyright law in my own artistic creation.

postmoderncore is the flip side of my protest against copyright and the idea of music as a commodity. I decided that the best method for sharing the music and accompanying art with its audience was to offer free downloads over the internet. I also wanted to reach a wide and international audience.

When presenting either live or multitracked recordings, postmoderncore embraces the original happening as much as possible: environmental noise; limitations of the recording process and technology; and unintentional events.

As time has passed and my circle of associates and collaborators has grown, postmoderncore has matured into a label offering a variety of artists and music: free jazz; country; spoken word; noise; experimental electronics; drone; instrumental; and trash rock.

Postmoderncore sells CDrs for those who want physical artifacts, but we prefer digital formats for their low impact, both in terms of resources, and in terms of our effort

postmoderncore will keep following its own trajectory, and I look forward to being surprised by how it all turns out.