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Leo Alves Vieira & PangeaLeo Alves Vieira & Pangea - Post-Sleep Paths (December 30, 2007)

All Compositions by Leo Alves Vieira & Pangea

Leo Alves Vieira: Clarinet in Bb, Flute, Acoustic Guitar and Electroacoustics

Pangea: Programming, Sampling, Electric Guitar, Percussion and Electroacoustics

Artwork and design: Pedro Pagnuzzi

String Quartet on track 3 composed by Leo Alves Vieira and played by Quarteto de Cordas da Grota. Recorded at Tomba Records Studio.

Other acoustic instruments recorded by Olavo Vianna. We can hear on track 2 Paulo Autran reciting a Fernando Pessoa's poem called Autopsicografia.There are also extracts from O Bêbado e a Mulher, composed and recited by Leo Alves Vieira. On track 5 we have Júlia Mendes Selles on voice and violin at the end of it.

Quarteto de Cordas da Grota is:

Tiago Cosmo (violin)
Felipe Caldas (violin)
Luiz Ricardo Vidal (viola)
Zé Carlos "Katunga" Vidal (cello)

Special thanks to: Markus Åberg and THLOTRA Records crew. Marcos Campello (for entitling the tracks, based on his audition), Paulo Dantas, Quarteto de Cordas da Grota, Júlia Mendes Selles, Alexandre Caldas, Olavo Vianna, Bruno Marcus & Tomba Records crew, Hudson Leroy Barros, Fernando & Menthe de Chat crew.

Mixed and Produced by Pangea

tracklist
1 Tuning Leaves (3'04'')
2 Atmossoa (4'47'')
3 Sleep Depravation (16'08'')
4 Noiselips and Becoming (4'04'')
5 Mil Pulsos (8'33'')


This audio is part of the collection: Two left hands on two right arms
It also belongs to collection: Netlabels

Artist/Composer: Leo Alves Vieira & Pangea
Date: 2007-12-30
Keywords: avante garde; electroacoustic; experimental; spoken word

Creative Commons license: Attribution-Noncommercial-Share Alike 3.0

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Reviewer: ZH27 - - January 3, 2008
Subject: Fine places to send my ears and mind
This work takes control in a subtle manner. Things emerge and take hold, usually in a musical manner and just as comfort sets in there's been an unexpected shift of focus, style or mode. What's interesting is how subtle the changes of mood and manner settle in. The range of musical expression and the gentle experimental touches are neither too conventional nor excessively unapproachable.
I'm glad I spent time letting this work take over my world.