sometimes you are afraid, that a loud noise or a wrong chosen word could do harm to this music just the same way you could harm the wing of a dragonfly with an awkward move. nq's (who tells us his real name this time, but this doesn't really matter) world of sounds is fragile and narrowed. delicately woven rhythms made from tiny drumsounds and the reverberation of pads and voices blend to subtle sound formations, both disturbing and intriguing.
after his longplay-cd-release "recording syntax" on the tokyo-based label "progressive" forms nq is back at tonAtom with his e.p. "numbers of nothing", which is an overwhelming definition of his artistic position, from both the compository and the sound design view.