Maul Patyas has quite simply named his triology, „Einfach Schön“ (Bagger, Dwinni and Jessica) and denoted occasionally certain pragramatic Ideas, etraying their posterior Genesis, because of the multiplicity and inconsistency. When sometimes inside this summerly-beautiful triology particular points, for example the Electric Lemonade Cubix beginning, or the monoton bassprolongationline, suggest kind of naturevibes, but such asssoziations depending more on the instruments and with a certain outer assignment of it, than on a real conzept. The ordeal, wich Patyas „Einfach Schön“ trilogy over conception, numerous changings, endless compressions/limitations, as follow:
The first composed version (on the 9th of July 22 pm ) has been spaciously changed five minutes later, so that actually this second version (Dwinni) is the original one. The deep resonating „Orange“ has been updated, like the first 12 seconds, several times reworked, and brought to this finally form. This version of the following two seconds contains, additionally made by someone else, among other things a adjustment of the voicepart, textreductions and some instrumentretouching things, but not definite kown, if this revision has originally been made by Patyas himself. The playful drums, the multidude voice and the beautiful melodies occured during a Rainhard Fendrich concert, while Patyas watching the amazing firework, instead of the though compatible, but very static Beach-Pad, the amorphing Silver-Pad laminary warming up the eardrum. Also the Spectrale Snaregate degenerates in the course of the triology to an between seriousness and satire residing strange Super Modulation. This gentlebitter vibe remindes influences more than Billy Joel, than Beatles, develops in the second part „Dwinni“ to become special dimension. In this typical way of Patyas compositions, a circle closes, which underlines the unity, a beautiful unity, wich the easy listening recipient is allthough able to witness the enormerous depth of music ideas. Simply Beautiful!!