68 RENAISSANCES think that this thing which we call "the Modern World" was the product of the Renaissance—the inelasticity of our historical concepts, in fact— helped to conceal the radical nature of the changes that had taken place.'1 If, in the light of Butterfield's and Bury's reasoning, we give judge- ment in favour of the Spenglerian thesis in the issue between Spongier and Collingwood, our verdict will be that, before the close of the seven- teenth century, the Western World did exorcize a ghost of Hellenism which it had conjured up some two or three hundred years curlier, but that, before the ghost was laid, this revenant's hold upon a living society's imagination had become so strong that another two or three hundred years had to pass before the epigoni of the victors in a seventeenth- century Kulturkampf could become fully alive to the truth that Queen Anne was dead.3 The issue between a ghost of Hellenism and the native genius of the Western Civilization had actually been decided before Queen Anne's accession to the throne; for a counter-attack that had been opened cau- tiously by Bodin (mvebat A.D. i53o-<)6),3 and been curried on more boldly by Bacon (vvuebat A.D. I56i-i626)4 and Descartes (vivebat A.t>. i596-i65o),s was pressed home to a decisive victory for the living Western culture's cause, and an irretrievable defeat for the Hellenic ghost's, by Fontenelle (vivebat A.D. i657-i757)6 in France and William Wotton (mvebat A.D. i666-i727)7 in England, The two telling shots to which 1 Butterfield, op. cit, p. 173. 2 The writer of this Study would be guilty of odious^ ingratitude to HdUinwm itaelf, as well as to the Late Medieval Italian Humanists who raised ils tfhoat to huxmt u Modern Western World, if at this point he forbore to acknowledge and cont'wHN how thankful he •was that one of 'those surprising overlaps and time-lags which «o often UiMguiMG tho direction things are taking* (to quote Butterfield, ibid.) hud inhibited the arbitcrd of educational fashions in his own country from laying sacrilegious humlx on \\w humane study of Greek and Latin letters for more than two centurion ttftcr thin twe muTOHtinet curriculum had been implicitly condemned, as a logical consequence of th« clvtVnt that had overtaken *the Ancients' in their seventeenth-century content with 'the Modern**'. Whatever might be the verdict, from other points of view, on the VlaHHU'til' t'ducttlioa, instituted by the fifteenth-century Western Humanists, this w»8 unqut:ntion»bly tho best education conceivable for a Westerner who wanted to be an historian; for u study of LitteraeHumanioresvfa.s the one school of education open to a Westerner in the Modern Age in which he could learn to look at the society into which ho happened to httve been born with the alien eyes of an outsider whose spiritual home wa» H?llmt» not Uewpcriaj and, for an historian, no training could be more valuable than, this, »in«e the iim accom- plishment that is required of an historian is an ability to jump clear of his own fortuitous Here and Now. In having been born just in time to ahare in this boon, the writer might count himnelf fortunate indeed, considering that, by the date of his birth, the Ic&vcn of Ktmtenella't Digression had already been working in Western minds for no ICON than aoi y«m, Though pedagogues are notorious for being arch-conaervjitivsm, even they do eventually respond to influences that have been in the ascendant for a very lonff time in the rent of the body social, and in England the bastions of a traditional Lute Medieval Italian system of education in the Greek and Latin Classics at last duly be^an to crumble under the fire of Fontenelle's seventeenth-century batteries only a few yean ttfter the preaent writer's fifteen-years-long education in Latin and twelve-year*-long educntitm in Greek had been safely completed in A.D. 1911. In later life he thanked hiu star* for having per- mitted him to be so felix opportunitate nat&s, s See Bury, J. B.: The Idea of Progress (London 19*4, MacrmllarO, p, 43. In the precise form of a comparison of merits, the controversy opened in Itely in A.O. l6ao, and in France in A.D, 1635 (see ibid., pp. 80-1). * See ibid., pp. 53-56. s See ibid., pp. 67^9. 'He was proud of having forgotten th« Greek which he h«d learnt as a boy. The inspiration of his work was the idea of breaking iharpiy with th* Past, and constructing a system which borrows nothing from the dead.' 6 See ibid., pp. 98-126. 7 SM ibid,, pp, 1x9-33,