684 RENAISSANCES chronological horizon to 'the Predynastic Age' and our geographical horizon to the Lower Nile Valley, we could have made our point no less effectively by citing the contrast, in the archaeologist's historically mis- leading inventory, between the preservative powers of a dry-as-dust Sa'id and the destructive powers of a water-logged Delta; and, had we clinched our argument by adducing this illustration as well, we might have saved ourselves from what may prove to have been an hallucination in our subsequent interpretation of Egyptiac history. The premiss of this interpretation was an assumption that the emer- gence of the Egyptiac Civilization could be equated, for practical pur- poses, with the conquest of Lower Egypt by the Upper Egyptian militarist empire-builder Narmer; and this assumption was based on the fact that in our Modern Western archaeologists' Upper Egyptian 'natural museum' the earliest extant monuments of the apparatus of the Egyptiac culture—and, in particular, the earliest specimens of its script —are attributable to this epoch. The weak point in this chain of reason- ing is its unspoken and uncriticized prior assumption that an array of evidence derived almost exclusively from Upper Egypt can be treated with assurance as if it were good evidence, not merely for the local his- tory of Upper Egypt itself, but also for the oecumenical history of the Egyptiac World as a whole. This prior assumption ignores the possibility that a relatively mature Egyptiac culture which, in our Upper Egyptian 'natural museum', has left no evidence of its existence dating back appreciably earlier than Narmer's day, may have had a previous history —and this perhaps a long one—in a Lower Egyptian 'natural destructor* of the debris of human activities.1 And this possibility opens up the further one that the sudden appearance of, for example, an already mature Egyptiac script2 in the Sa'id at the transition from 'the Pre- dynastic Age' to Narmer's new era may be evidence, not- that the Egyptiac culture suddenly came to birth in Narmer's day, but that a more advanced form of the Egyptiac culture was suddenly introduced into Upper Egypt from Lower Egypt as a consequence of Narmer's sudden forcible political unification of the two lands. The magnitude of the possible error to which we expose ourselves in ignoring these considerations can be gauged by imagining, for the sake of the argument, that the unknown historical relation between the Sa'id and the Delta in the Egyptiac World may have been analogous to the known historical relation, in the Andean World, between the Plateau and the Coast. In the history of an Andean World that consisted, like the Egyptiac World, of two physiographically diverse cultural provinces,3 we happen to know that the Andean culture originated in the coastal province and 1 See Wilson, J. A.: The Burden of Egypt (Chicago 1951, University Press), p. 16. 2 In the earliest specimens of the Egyptiac script that had been discovered by Modern "Western archaeologists down to the time of writing, the characters were already being used, not as 'pictograms' giving a visual representation of objects or ideas, but as ^phonemes', in which the sound of the spoken Egyptian word corresponding to the original visual meaning of the character was associated with the character for the con- veyance of this sound in other contexts. *At the very beginning of history, Egyptian hieroglyphic writing appeared on stone and clay with this rebus-principle already accepted* (Wilson, op. cit., p. 38). 3 See II. i. 3*2-3.