WEBVTT

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You ask for it.

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Yes you ask for it television's greatest all time request show brought to you by

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Skippy America's largest selling peanut butter if you like peanuts you'll like

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Skippy you ask for it but your genie with the light white hair Art Baker.

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Thank you very much and good evening my friends welcome to you ask for it this

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is the show you know you're right in to see the things that you might possibly

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ever never see again on any other television show the odd the unusually

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well the impossibility of as to for also the daring that I say unusual well I'd

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like to get this first one here it is indeed unusual believe me and in

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granted this request you will see a very unusual encounter between a man and one

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of the most feared creatures of the scene this was sent in by Walter Fett of

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St. Louis and Mr. Fett says dear Art Baker I have heard a lot about the

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octopus but I have never seen one is it as dangerous as they say it is I am

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asking to see an octopus on your show all right Mr. Fett you asked for it and

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when we open this and read your request immediately three men took off for

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Hermosa Beach in California to the famous Ocean Aquarium down there there

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were two cameraman and two cameraman and one expert diver now the cameraman were

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Scotty well born and Alan Stanswell and the the Ross McBride was the diver now

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they went down there for one purpose they had two cameras one was a newsreel

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type and the other was a very intricate one that you take pictures underwater

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and their purpose was to answer the question for you in your own mind are

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they as dangerous as they're cracked up to be and so they made an exclusive film

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for us that'll give an unusual encounter between a man and a huge octopus

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you have a leisure underwater camera I was talking about the octopus that

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starfish in the back is about 12 inches in diameter across that'll give you an

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idea in comparison of how big the octopus is

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those tentacles are about six feet long if spread out therefore there would be

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12 feet eight eight of course for the octopus and you'd have about 1200

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suction cups on those tentacles all right there's your diver now there's a

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picture being taken them in the underwater camera uh-huh

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there's a close-up of everything these isn't it

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there you have one danger that is coming up here because the octopus has what

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they call a beat it's a shark shell like affair that can rip and tear it got very

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close to his face

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kind of like jet propulsion they motivate themselves

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whether the closer

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if you get that camera isn't it I guess that at the one point there where it

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seems that was well enough to find them stop

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there again you get the size of the

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you settling down

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that on the bottom of the ocean the enforcement finding some among the rocks

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and you'd be very different

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there you have it yes that request mr. Fedders an unusual one and a very odd

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one to an unlad that you sent it in because there you have the utmost

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unusual thing I don't know what your mind says to you about how dangerous they

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are but I know mind reader but I can tell you this the farther away they stay

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from either happier I will be whether it be land or sea want to give our thanks

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very much to Alan Stensvall and the Scotty well-born of the well-born

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productions and Ross McBride our diaper and also to you mr. Pat because you asked

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for it

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for quite some time now I've been kind of telling you about the exclusive and

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patented process by which Skippy is made I'm amazed to find in the in the huge

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mail that comes in so many requests to see how Skippy is actually made and so I

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thought my little assistant here Mary Ellen and I would endeavor to show you

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as best we can we're not scientists yet but haven't got a diploma just how what

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goes into the making of Skippy now of course the the first thing the label on

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your Skippy jar says Skippy is made of u.s. grade one peanuts now that's what

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you are looking at right now here the very finest plump fresh roasted peanuts

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now the first step in the making of Skippy of course is the the removing of

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the skin or they fuss it has taken off and force I'm a little awkward doing of

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my hands here up in the factory it is done by an intricate machine of course

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the hall has taken off because it absolutely adds nothing to the flavor

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just kind of black and now the next thing is Skippy removes the nibs those

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odd little bits of the peanut when they split apart there that leaves a very

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bitter aftertaste in your mouth now the removal of the peanut and it may not

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seem very important to you but it is typical my friends of the extreme care

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that's used in the making of Skippy let's see what happens next well in any

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bunch of peanuts I don't care how much you pay for them how fine they may be

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there are bound to be a few that are kind of shriveled or hard or imperfect

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one way or another and they are very carefully removed very Ellen you take

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them out let us get them all at once mm-hmm one over there anymore no I think

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that doesn't fit of course you should see the women up in the factory they are

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at death at that if you ever saw let me see on our first lesson Mariana we've

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now got to one point that's important that way we have perfect peanuts and

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that's the only thing that is used in Skippy so I believe we'll end this first

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lesson later on I'll try to take you on from here and just end it with a famous

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statement of my assistant that says if you like peanuts you'll like Skippy.

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Those hands are playing the strangest musical instrument in the world the only

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instrument that is not touched by hand this is an answer to a request here this

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comes from Joan Westbrook Atlanta Georgia. Dear Art Baker I have heard of a

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musical instrument that can be played without touching it if this is so I would

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like to see and hear it Joanne Westbrook. All right Miss Westbrook you asked for it

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and there it is the pheromone T H E R A M I N a very strange instrument that is

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played without anyone touching it at all and the artist who is playing the pheromone

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is one of the few pheromone soloists in the entire world

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a very charming and lovely

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instrument. Willa Merrick. I'd like you to tell us exactly what happens in an

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art instrument like this if you don't touch please. Well we have here these two

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antennas and this is an instrument of magnetic fields. This perpendicular

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antenna is the pitch control and watch me as I get close to the antenna the tones

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are higher.

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See in that manner and as I come away there they are lower. And with this antenna

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as I raise my hand the tones are louder.

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And lower it softer. See it has no strings or reads a keyboard of any kind.

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It's got a kind of a magnetic brain and there's a voice almost human.

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You don't believe me they say they say I have recordings in there but really I

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haven't. Now but any hands beside yours play this thing.

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With these things.

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Oh fine. I'm going to get the request down there. I'm going to play I love you truly.

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It's good.

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That's pretty.

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You may be a big problem. You without enough practice I found

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room

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that was a lot of fact that i thought was a fact is that it's going to be more

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years ago that i don't know if you're going to be a great respect for that

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delicacy of your attention the folks of this thing

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uh... would you please so hopefully or financial

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i'd like to think that i'm ready to

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from atlanta georgia john westbrook

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and we'd like to do for her

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and i don't know

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girl

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bar

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bar

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.

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The brain you just saw death on a movie lot because you asked for it as

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a man was killed the way they kill them in the movies and in order to show you how

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it was done we'll look at this request this is what started here this is from

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Harry Brandt from Houston Texas Mr. Brandt said Mr. Baker I like cowboy and

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Indian pictures those real shoot-em-ups as much as my grandchildren do so I

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would like to see how they shoot a man in the back and some of them other tricks

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and sincerely Henry Brandt all right Mr. Brandt you asked for it and we are very

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fortunate being able to grant you a request here in order to do so we'll go

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back to what would be a typical movie scene here and I have the privilege of

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having with me tonight one of the top special effects men of Hollywood what a

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great deal to do with the engine contributing special effects for Cyrano

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de Bergerac this is mr. Willis Cook

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other bastardly trick shooting him in the back there I saw it very well don't

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tell me you're another William Tell with deadly accuracy I don't know how how

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how was your accuracy engaged there please I think before we do that though

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we should think of our fallen comrades can you make it certainly I'm glad to

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see you and ladies and gentlemen other top special effects man who was

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considered to many major pictures and this is Maurice a

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I'm sure you're all right I'm positive now yes yeah all right now tell me how

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was that done please the accuracy part well I can't miss our it's not like

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William Tell we don't yes we just can't miss the wires fastening its back and

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runs back to this wide gun which is a glorified slingshot and the arrow

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travels down the wire so it has to go to a spot I mean it's threaded on there

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that's right and from here you got it back to your plate it has to go on as

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the accuracy but now how does it keep from hurting him is what I want to know

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well underneath his jacket here we have a false affair that has a metal plate

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on it huh huh I can go anyplace all about it so good huh and you got a big

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metal insured didn't hurt you all not a bad idea great well I know there's a lot

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of ramifications we'd like to have an hour by the way but what's that gun

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there with the wings on it man for our business

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problem has liquid rubber and that's what made this well you may have this afternoon on here

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there's that's a wrinkle of powder on what is this this is liquid rubber comes

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out of this gun it's spun out of it crack the side of the gun right now

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we're operating what do you know how to put powder on it so that you can see it

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stand out from the camera is just like that was our find out where it is and

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that's not anywhere from shooting a man in the back then to live to a spider

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web that's it well now what else would you say now is that

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a shot at me go through the night what is this only a gag gag

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I'm in the world behind here here's all you do the knife came from the back of

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the door didn't come from out there not at all no perfectly safe came from the

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back of the door in the front boom shot the things of what I want to know well

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Mr. Baker those are small garages of powder behind little box here you see and

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they blow a hole in the front of the door just about the size of a bullet hole

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blow a hole in the door you see how much splintered out there I hope to tell you

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you could control any place you want to bullet hole all those gimmicks huh now

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suppose I were a director and I said now I want this to look very dangerous I want

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the bullish to skim right past his nose there up in his head area there could you

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do that oh I do not want any trouble I just get ready here like this here we go

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Rob that is that's too close for comfort even though I know how you did that

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that really is only thread believe me there you go from that to shooting and

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with knives and it's from the back of the door instead of the front at what else

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now you think we should know about in the brief time we have here well I know

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there's a breakaway window you mean behind the cobweb this is a phony too

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that's right that's the kind one that the only has rosin glass in it has also

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what a softener also one that's right and that's the kind of thing that the

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stuntman breaks through when he's cornered or something yes away in a room

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jumps through so you know it's stuntman sounds exciting to go always thought I'd

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like to be what I love your chance you mean here's my chance now that's right

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what if I bust through the thing when I think I could do it or I should I should

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have gone this way and no I'll come on tonight

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and you can do it why sure and I'm cornered in here cornered are you ready

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out there yeah well here I come

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oh yeah there's nothing to it if you have special effects men behind the job

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who know their work as well as these two gentlemen here believe me I appreciate

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very much Mr. Ed you're coming to an end this request was granted I know they're

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gonna kick out of that thank you very much willers book I was really something

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and also thanks to letter writer Henry brand from Houston Texas because you asked

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for it

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it reminds me nothing happened on this show I know unless you asked for it yes

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ask for the unusual ask for the odd ask for things that would interest you and

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interest somebody else this is the kind of show that you'll probably see

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something you couldn't see on any other television show may I ask you to jot this

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down use your thinking cap here's our address you asked for it box three two

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three Hollywood twenty eight thank you

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well how do you like my family I mean the family portrait here probably one of

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the biggest family porters ever taken any place especially on television

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they're not my family but they are relatives of someone we were quite

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surprised to find letter after letter after letter saying all right you asked

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water here's what I want to see I want to see my aunt my uncle my grandma my

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grandpa or somebody that moved out to California long ago that's what I would

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like to ask for to see them there and so we just kind of picked out at random a

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number of these call them up and said the folks want to see you back Eastern

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North or South and so they're gathered here and don't they make a beautiful

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look in photograph I love that the head is really a tin-tacket folks I love now

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look very pretty now and straighten up smile very quickly and fix your tie I don't

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like to watch the birdie there is the photograph now I think you ought to

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unlike a little bit better relax here and tell the folks back there by the way

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you look at them and they bright look in your eye the California has treated you

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very nicely and say hello to them and give them a real greeting and don't

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forget they asked for it

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yes that really was an old-fashioned didn't I was brought up to modern day

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wasn't it yeah I've been a little earlier here try to show you something

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about how stiff he was made because it is a fascinating thing there's only one

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thing I've got it made like this in the entire world I showed you how was if he

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removes the hospital the skin there's some of them there and as well as the

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peanut nibs they're all taken out because they leave a bitter aftertaste

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and also the imperfect nuts and a bunch of them there now let's see what happens

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next to these perfect peanuts that go into the making of the skipping we got

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that far less done now the next step is to extract this peanut oil from the

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peanut meats at this point some very unusual things happen the free fatty

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acids that they call them stalemakers they're removed from the peanut oil now

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only skippy does this is a very intricate process and specialized and

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developed machinery up there in the factory so the skippy will not become

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stale or rancid and will be easy to digest now the refined peanut oil is

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then the hydrogen eyes that's a $10 word I learned up at the factory there it

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means that the oil is actually converted into a solid form now there's exclusive

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processes done so that there'll be no oil separation in skippy and it's also

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responsible for that smooth creamery butter texture that you find only in

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skipping now this hydrogenated peanut oil is then mixed back in with the

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peanut meats which have been ground of course and here is the finished product

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for one peanut butter that tastes exactly like plump selected fresh roasted

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peanuts no other peanut butter tastes like skippy of course because well no

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other peanut butter is made like skipping and I'd love you to try skipping

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because I'll just make it simple if you like peanuts you'll like skipping

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yes I have the setting for this one it would be the Wintergarten theater about

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1929 yes with a Schubert production Cinderella on Broadway that's the

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setting for this next request here and it's most interesting this comes from

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Elsa Anderson of Minneapolis huh oh I see now Minneapolis it says dear Art

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Baker my favorite comedian and one of the favorites of many people I'm sure is

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that ever lovable Swede Elbren del I have seen Elbren del in many motion

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pictures but I have never seen him in person on television thanks Elsa

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Anderson all right miss Anderson you asked for it and we are very fortunate

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and be able to give you your request because we have with us that lovable

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comedian Elbren del but not only that we go back about 21 years and we have the

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famous team that was then on Broadway this is Brenda and Burt mr. and mrs.

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Brenda known as the Elbren del now 21 years ago it happens that the great

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producer their motion picture producer Raoul Walsh found Elbren del bought him

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out here to Hollywood and says that time there's been no time for the old-fashioned

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things that we call them that we've done 21 years ago but right now we're going

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to recreate some of the highlights of the famous vaudeville act that was

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making them laugh 21 years ago we have friend L and Burt

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thank you and good evening ladies and gentlemen there 21 years you missed that

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is a long time ago that's a heap of years my goodness they're gonna have to

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need reach me back you know do you think you could remember some of those things

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we've done so many years ago sure I rehearsed all afternoon that's

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television and you're dressed for I love that suit oh you do this was made to

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order I don't know who for but I got it

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what's become the cute little bow tie you used to wear you mean the one I

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hooked in here well I lose him but I got one I could never lose again do you

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remember that song but you used to sing about the cowboy you remember him oh you

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know the cowboy who wanted to kick in the pants that was that one oh it's no

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run oh now I remember give me a boot in my saddle

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you let me see that general store let me ride the range once more give me my

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boots and my saddle oh let me ramble along the prairie

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whoo-hoo

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oh my body slim and thanks give me my boots and my saddle I got a hanker in

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the V with a banjo on my knee some in a pretty Western too there's a boy in

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Ter key way down for me wait beneath a Lexus

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Oh

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Take me back to my boot and my saddle.

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Oh, play here.

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Oh, play here.

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Let me sit, play, and moan on the ranch where I was born.

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Give me my boot and saddle.

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Oh, play here.

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Really, oh, play here.

26:47.760 --> 26:51.760
Really, oh, play here.

26:51.760 --> 26:56.760
Oh, yes.

26:56.760 --> 26:58.260
Well, you know.

26:58.260 --> 27:01.760
Ah, yes, you know, you know that that's a good old sound flow.

27:01.760 --> 27:03.760
Yes, sir, they're bringing back all the old things.

27:03.760 --> 27:04.260
Yes?

27:04.260 --> 27:05.260
Do you remember this, Al?

27:05.260 --> 27:05.760
What's that?

27:05.760 --> 27:07.760
Da, da, da, da, da, da, da, da.

27:07.760 --> 27:08.760
Hey, hey, wait a minute.

27:08.760 --> 27:10.260
What is that?

27:10.260 --> 27:11.260
That's Charleston.

27:11.260 --> 27:12.260
Well, you stand back.

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I'll show you Minneapolis.

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Oh.

27:44.260 --> 27:51.260
the

27:54.420 --> 28:01.420
word

28:01.420 --> 28:08.420
the

28:14.300 --> 28:17.980
i don't know what they're going to have been done by

28:17.980 --> 28:22.340
they were recreating for assembly in twenty one years and they have done that

28:22.340 --> 28:25.340
i want to tell you that take a look at the back on broadway and twenty one years

28:25.340 --> 28:28.140
ago it is awful funny tonight i think

28:28.140 --> 28:31.780
i think that that request and thank you very much else anderson of minneapolis

28:31.780 --> 28:32.620
because

28:32.620 --> 28:36.500
you asked for it

28:36.500 --> 28:40.340
like that it was next week was to be the world's largest selling peanut butter

28:40.340 --> 28:44.220
investment in the next week but i know you'll go for one is a new

28:44.220 --> 28:45.460
wire

28:45.460 --> 28:46.580
the other is

28:46.580 --> 28:47.740
our gang

28:47.740 --> 28:49.220
in person

28:49.220 --> 28:53.420
and said it's not the best you want to see our box numbers three twenty

28:53.420 --> 28:55.180
hollywood twenty eight

28:55.180 --> 28:56.220
california

28:56.220 --> 28:57.620
that's u

28:57.620 --> 28:59.620
all right now

28:59.620 --> 29:00.620
on the same

29:00.620 --> 29:29.620
goodnight