286 ENGLISH SAGA many: he was not even wholly typical of those he came to embody. But the direct appeal of his poetry, the beauty of his appearance and the romance of his brief life caught the imagina- tion of a wider circle than those who ordinarily read poetry. Even before the tempest burst and the publication of his 1914 sonnets took reading England by storm, he was known to many as the personification of a new kind of youth, careless of appear- ances, generous, out-spoken, almost Elizabethan in its uncal- culating love of adventure, spiritual and physical. The dedication to death of one so much in love with life became momentarily the symbol of a whole generation's sacrifice. In the mood of 1914 he was youth going down with touched lips into the shadows • as an earnest of a nobler and a happier life for all men in the years to come. A greater poet than Brooke and a greater Englishman was Julian GrenfdL A fine scholar and a brilliant athlete, born to all the worldly gifts that any man could inherit, his sympathies —at a time when such sympathies were still unusual and regarded with disfavour-—were always with the revolutionary, the crank and the under-dog. It was not that he rebelled against order but that he instinctively comprehended the causes of his age's dis- content. A professional soldier before the war, he embraced the call to arms as a crusade—not so much against the German people or even their tiresome rulers as against the inertia and death that seemed to have fallen on the world. After enduring with astonishing happiness and cheerfulness the first harsh winter in the trenches, he fell in the spring of 1915. A few weeks before he died, looking over the April Flemish plain, he wrote one of the greatest lyrical poems in the language and which, so long as English is read, will remain the epitaph of himself and his generation: *The naked earth is warm with spring, And with green grass and bursting trees Leans to the sun's gaze glorying And quivers in the sunny breeze; And Life is Colour and Warmth and Light^ And a striving evermore for these; And he is dead who will not fight; Aud who dies fighting has increase.