THE CYCLOPS as a "glib sharper" and "son of Sisyphus/7 Now, whatever Odysseus may be in Homer, he is never merely a "glib sharper/7 and his father is Laertes, not Sisyphus, To an audi- ence bred on Homer the distinction is revealing: at one blow Euripides deprives Odysseus of his Homeric paternity in order to attach him to Sisyphus, the proverbial type of cheat and thief, and thereby warns his audience of what they may ex- pect. Odysseus is in fact the familiar depraved politician of the Hecuba, the Trojan Women, and the Iphigeneia at AuKs; he stands, as he almost always does in tragedy, for that refinement of intellect and eloquence which makes civilized brutality so much more terrible than mere savagery. In the Cyclops, however, he is on the defensive, and there is irony in the reversal of roles as the man who refused mercy and nomos to Hecuba must now himself plead for it. If we sym- pathize with Odysseus at first, this initial sympathy is nonthe- less quickly alienated by the sheer, otiose brutality of his revenge and by Polyphemus' transformation into a drunken, almost lovable, buffoon. The gory description of the Cyclops7 cannibalism may perhaps justify Odysseus' revenge, but it does not thereby -redeem its barbaric cruelty. Just as the full action of the Hecuba consists in reducing both Hecuba and the barbarian Polymnestor to a common subhuman cruelty, so the Cyclops shows, not the distinction, but the identity, 'be- tween Odysseus and Polyphemus. Odysseus' -speech for nomos and mercy is the crux of the play. As Silenus recognizes, the speech is pure sophistry, but the sophistry has important consequences that we need io examine. The difficulty lies in the thoroughness of the anach- ronization and the allusions to the sanctions and background of the Pelopormesian War. It opens with a disclaimer of responsibility for the Trojan War: "A god was responsible; don't blame men." Such -dis- claimers in Euripides normally operate to damn those w&o make them, as, for instance, Helen's .disavowal of responsibil- ity in the Tro/