ioo THE DESCENT OF BALLADS was the chief representative of the beaten German peoples at the Hunnish court. But, unlike his ancestor Ermanaric, he had no 'geste5 of his own until the late twelfth century, when he suddenly became the centre of a sub-Arthurian court, and the representa- tive of all Germany. The sagas of Weland the Smith and Widga helped to give the proper introduction to his feats, and the Vilkina- saga, Volsungasaga, Biterolf and Detlieb, Waltharius, Hildebrand, Ermanaric's Death, and other heroic pieces were annexed to provide the necessary incidents. His own part is chiefly to sally out against the most reputable enemies, for no reason at all, and prove his superiority. It is on this model that the Danish ballads are based, both those which come from the text of the saga, and those which are free. His confidence is overweening: King Diderik sits in Brattingsborg and out he looks so wide: *No man know I in all the world, that can be deemed my like.' Then answered Brand Sir VifFerlin, for he had wandered so wide: *E*en will I show you a champion good, that well with you dare strive.' That is how the raid on Berting's Land opens; as Berting's Land seems to be Bretagne, his achievements prove the superiority of the German Round Table over the Breton one. An unknown minstrel supposed he made an attack on Denmark in the same spirit. King Diderik sends King Holger word, and thus he bade him say: 'What, whether wilt thou strive with us, or wilt thou tribute pay?* Holger refused, and won his fight, as he had previously won his duel against the giant Burmand, who was also thought of as one of those powerful Germans who perpetually threatened the southern frontier of Denmark. The saga is interesting also for the notice it takes of the Russian hero Il'ja of Murom. He is called TFjas af Greka' and is supposed to be the bastard son of Hertnit ( =0rtnit), whose eldest son Osantrix ruled in Lusatia, and his second was Valdimar or Vladimir of Pulinaland. 'Ilias von Riuzen' is also mentioned in Ortnit; he