42 COLOR Mood. The mood of a room can be expressed in its colors. A dignified room may be done in muted eggplant, gray blues, rose, and grays; a delicate feminine room in light dusty pink, pale jade, and white; a masculine room in wine red, gray-brown, navy blue, and beige; a gay room in cerise, white, electric blue, and lemon. Style. The style of a room limits the choice of color therein, for each period in decoration had its own color character. Early American colors are generally subdued; Colonial colors are rich and of medium value; Federal colors are clear and light; Victorian colors are strong and pompous; Empire colors are bright and power- ful; peasant colors are clear and gay; French provincial colors are earthy; Modern colors are often neutral with brilliant accents. Fashion. Color schemes for our homes are definitely affected by fashion. Certain cycles or definite trends in taste produce types of color schemes which are used in nearly all the different fields of visual arts, for a limited period of time. The current fashion in color influences the decoration of any rooms, even period rooms which have traditional color schemes. Non-period rooms lend themselves well to change and should be kept up-to-date in color* One pleasing fashion is to employ off-white with umbers, beiges, browns, grays, or metallic colors, and to combine with them one striking, vivid, exciting color for contrast. Every home maker should keep up with color fashions by reading periodicals and visit- ing shops. Personality. Personal preference rightly influences a woman to use her favorite colors, particularly in her own room. Some color- ists advise blondes and gray-haired persons to adhere to cool colors and brunettes to warm colors for backgrounds as well as for cloth- ing. It is said that children prefer light colors, youth prefers vivid colors, and others prefer soft medium colors* Possessions* One's possessions limit the choice of colors. A novice who has to use her old furnishings might do well to add or subtract whatever articles are necessary to make the final scheme one of a definite type, such as adjacent, triad, or complementary. Among one's old possessions rugs are usually the most restricting factor In the choice of a color scheme. Troublesome Oriental rags can be bleached, however, and almost any rug can be dyed. Slip covers fot seating furniture are v&tful in transforming a color scheme*