432 THE RENAISSANCE MOVEMENT Cabinets and chests of drawers developed when legs were added to the low chests. The credenza, or domestic cupboard, is an elevated chest with doors—the forerunner of the modern side- board. The armoire is another interesting cabinet. The earliest tables were simple trestle tables; they were fol- lowed by refectory tables. Small pedestal tables and wall tables with drawers were also used. Beds were often placed on platforms. They had high paneled head boards and low foot boards in the earlier stage. Later four posts were added, and finally the posts were made high enough to support testers, from which hung rich fabrics. Well into the fifteenth century benches, stools, and chests were generally used to sit on. At first chairs were only for the digni- taries, but by the sixteenth century they were in general use. There are several distinct types of chairs. The sgabelli chair, which developed from the simple wooden stool, was used in northern Italy and its neighboring countries. The cross-legged or curule Roman chair developed into the Savonarola chair, which sometimes had many ribs, and also into the ribless Dante chair. These chairs were often covered with tooled leather. The out- standing chair of this period, however, was high-backed and of rectangular structure. It had fine proportions, restrained carved decoration, and beautiful upholstery edged with fringe. Fabrics, In the earlier Renaissance fabrics the small Byzantine patterns were used. When Italian weavers made their own designs they kept the ogee plan of arrangement but used large patterns of urns and conventionalized flowers. Many of these were made in rich red and gold velvet which was used with gold galloon. Later in the period came a change in design, Venetian cut velvets being made in small geometric or floral all-over patterns in two-color effects. Velvets, brocades, damasks, and cloth of gold were used throughout the Renaissance. Minor Arts* All articles, utilitarian or decorative, were well designed and perfectly made at this time. Cellini was the master goldsmith and jeweler working in Florence and Rome. The Delia Robbia family of sculptors made their famous enameled terra cottas in Florence, and in Venice glassware for service and fat decoration was produced and exported.