WEBVTT 00:00.000 --> 00:21.000 Gun smoke brought to you by L and M filters. This is it. L and M is best. Stands out from all the rest. 00:21.000 --> 00:31.400 Around Dark City and in the territory on West, there's just one way to handle the killers and 00:31.400 --> 00:56.400 spoilers and that's with a US Marshal and the smell of gun smoke. Gun smoke starring William 00:56.400 --> 01:02.760 Conrad, the transcribed story of the violence that moved West with young America and the story 01:02.760 --> 01:09.640 of a man who moved with it. I'm that man, Matt Dillon, United States Marshal, the first man 01:09.640 --> 01:16.200 they look for and the last they want to meet. It's a chancey job and it makes a man watchful 01:16.200 --> 01:39.480 and a little lonely. 01:46.200 --> 01:55.800 Matt. Oh Matt. Hello Doc. Where are you headed for Matt? Just left a note saying he was at the 01:55.800 --> 01:59.800 Alifraganza. I thought I'd go over and watch him squander his money for a while. Yeah, 01:59.800 --> 02:05.280 I'll just go with you. That bartender's owed me five dollars for a month. Why don't you hire a 02:05.280 --> 02:09.400 bill collector Doc? Then I'd have to spend my time trying to run him down. You know, 02:09.400 --> 02:14.720 you ought to make people pay in advance. The condition most of my customers arrive in, 02:14.720 --> 02:19.280 they'd bleed to death while I was making change. Well, a lot of them do anyway. Oh, 02:19.280 --> 02:24.400 they do. Well, that's not my fault. If a man's going to get himself all torn apart, 02:24.400 --> 02:30.120 fighting and brawling, you can't expect me to patch him up every time. You know Matt, 02:30.120 --> 02:36.000 there's men in this town whose lives I've saved two or three times. I can probably name them, 02:36.000 --> 02:46.200 Doc. Oh, there's Chester. Oh, he's sitting over there with some strangers. Why don't you get your 02:46.200 --> 02:50.560 money from the bartender and join us? Then the bartender would have it back in a half an hour. 02:50.560 --> 03:01.160 Yeah, I guess you're right. Well, I'll see you later, Matt. Okay, Doc. Hello. Hello, Mr. Dillon. 03:01.160 --> 03:08.000 Hello, Chester. This here is Mr. Reeves. Mr. Reeves? Franklin J. Reeves. How do you do, 03:08.000 --> 03:15.200 Marshal? Buy you a drink? No, no thanks. I don't think so. Yeah, where are you from, Mr. Reeves? 03:15.200 --> 03:20.360 Mr. Reeves come in on the stage from Denver last week. Oh, you live in Denver? Oh, good 03:20.360 --> 03:24.920 heavens no. New York, Marshal. See, he came out west a couple of months ago to invest some money 03:24.920 --> 03:31.520 in land and cattle and the like. Mr. Reeves is awful rich. I might be if Mother Nature holds out, 03:31.520 --> 03:38.440 Chester. His girl's come in on stage today. Oh, is that so? It's his fine sea, he calls her. He 03:38.440 --> 03:44.680 met her in Denver. Ah, you have been busy, haven't you, Chester? Oh, you don't know the half of it. 03:44.680 --> 03:48.720 He had to come head on business, you see. They're fixing to get married in St. Louis. Wow, 03:48.720 --> 03:54.560 congratulations. Thank you. Marshal, is the stage always this late? He's worried, Mr. Dillon, 03:54.560 --> 03:59.360 what with his girl on stage and all. It'll be a long, Mr. Reeves. I didn't tell him what we know 03:59.360 --> 04:06.080 about what else is on that stage. What? It's nothing important. No, it ain't your money, 04:06.080 --> 04:09.960 Mr. Reeves. But maybe that's why the stage is late all the same. What are you talking about, 04:09.960 --> 04:18.240 Chester? They're carrying $50,000 in gold, that's why. Well? Well, if somebody wanted that gold, 04:18.240 --> 04:24.060 they'd have to stop the stage long enough to get it unloaded, wouldn't they? Bandits? You mean 04:24.060 --> 04:28.760 bandits? It'll get here all right, Mr. Reeves. It's usually a little late. But it might have 04:28.760 --> 04:32.120 been held up. There might have been a shooting. Ah, that's just Chester's talking. Hey, wait a minute. 04:32.120 --> 04:42.000 Listen. Ah, there it is now. Ah, come on. The stage office is right next door. Well, 04:42.000 --> 04:46.920 I guess it wouldn't be here if anything had happened. Oh, it always gets here sooner or later. 04:46.920 --> 04:51.720 This is certainly the last time I'll let Laura travel alone. There it is. Everything's fine. 04:51.720 --> 04:56.240 Marshall! Marshall, come here! Who's that? That's Jim Buck. He's a driver. 04:56.240 --> 05:04.800 Now I'll go see what he wants. Marshall? What is it, Jim? 05:04.800 --> 05:08.320 Got held up, Marshall. What? Lost $50,000 in gold. 05:08.320 --> 05:10.840 And why did it happen? I couldn't withdraw, but... 05:10.840 --> 05:13.880 Anybody shot? Wasn't a shot fired. But Marshall... 05:13.880 --> 05:18.360 Where's Laura? Driver. Where's the girl who was on this stage? What's happened to her? 05:18.360 --> 05:21.800 I was trying to tell the Marshal. He took the gold and he took the girl too. 05:21.800 --> 05:24.320 That's impossible. Well, that's what happened, mister. 05:24.320 --> 05:26.840 He held a shotgun on us and there was nothing we could do. 05:26.840 --> 05:30.120 I don't believe it. Now take it easy, Mr. Reeves. We'll find him. 05:30.120 --> 05:34.720 How'd you recognize him, Jim? All I can tell you is he had two horses and they 05:34.720 --> 05:38.640 was both sorrows. My heaven, Marshall, you'd better get Laura back here at once or you'll 05:38.640 --> 05:42.680 never work for the government or anybody else again. What? 05:42.680 --> 05:49.680 You heard what I said. Chester, go get our horses. I'll pick up a couple of rifles. 05:49.680 --> 05:53.440 Yes, sir. Aren't you going to form a posse? 05:53.440 --> 05:55.960 No. There'll be too much shooting around the girls. 05:55.960 --> 05:58.880 Well, you'd better have her here by nightfall, Marshall. 05:58.880 --> 06:05.880 Mr. Reeves, would you like to come with us? No. No, I'll handle matters at this end. 06:05.880 --> 06:12.880 Yeah, that's what I thought. 06:36.160 --> 06:39.160 L&M's got everything. It's the best. 06:39.160 --> 06:46.160 L&M is best, stands out from all the rest. L&M's got everything. 06:47.160 --> 06:48.160 Everything? Everything. 06:48.160 --> 06:53.120 Best flavor? L&M stands out for flavor. The Miracle Tip draws 06:53.120 --> 06:56.080 easy. Lets you enjoy all the taste. 06:56.080 --> 07:00.760 Best filter? 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08:37.240 --> 08:39.240 Sit down. 08:39.240 --> 08:41.240 Thanks. 08:41.240 --> 08:44.240 You been a ride? 08:44.240 --> 08:46.740 I sure have. 08:46.740 --> 08:47.740 No luck huh? 08:47.740 --> 08:50.240 Yeah it's the big prairie kitty. 08:50.240 --> 08:52.240 Well nobody can blame you Matt. 08:52.240 --> 08:54.240 Yeah Reeves will blame me. 08:54.240 --> 08:57.240 Not that I care much. 08:57.240 --> 08:58.240 Reeves is no good Matt. 08:58.240 --> 09:02.240 Well I suppose it's pretty hard on him, his fiancee you know. 09:02.240 --> 09:04.240 I'll tell you why he's no good. 09:04.240 --> 09:05.240 Oh? 09:05.240 --> 09:10.240 He's been drunk most of the time you're away and he was bragging to one of the girls last 09:10.240 --> 09:11.240 night. 09:11.240 --> 09:12.240 Bragging? 09:12.240 --> 09:13.240 Yeah. 09:13.240 --> 09:14.240 About what? 09:14.240 --> 09:15.240 Well has to do with his girl Laura. 09:15.240 --> 09:19.240 It seems her father got into a business deal with Reeves up in Denver. 09:19.240 --> 09:23.240 And Reeves got him tied up good somehow and then threatened to ruin him. 09:23.240 --> 09:24.240 Oh? 09:24.240 --> 09:25.240 Well what happened? 09:25.240 --> 09:29.240 He didn't ruin him, he took Laura instead. 09:29.240 --> 09:31.240 Ah. 09:31.240 --> 09:34.240 Well maybe she likes him kitty. 09:34.240 --> 09:38.240 You think a girl's likely to be in love with a man who got her like that? 09:38.240 --> 09:40.240 Yeah I guess you're right. 09:40.240 --> 09:44.240 There's not much to bring her back to is there? 09:44.240 --> 09:48.240 First Reeves steals her and then some outlaw steals her. 09:48.240 --> 09:51.240 That girl could learn to hate men. 09:51.240 --> 09:52.240 Yeah. 09:52.240 --> 09:54.240 Well what are you going to do about it? 09:54.240 --> 09:57.240 There's nothing I can do right now kitty. 09:57.240 --> 10:01.240 Just have to wait and see what turns up. 10:07.240 --> 10:08.240 I waited. 10:08.240 --> 10:10.240 I waited a week. 10:10.240 --> 10:13.240 Reeves was drunk the whole time. 10:13.240 --> 10:16.240 He didn't tell everybody how he was going to fix me up good. 10:16.240 --> 10:21.240 But not doing much about it except to stay out of my way. 10:21.240 --> 10:23.240 Things were quiet otherwise. 10:23.240 --> 10:27.240 And Chester and I spent most of the time in the office. 10:27.240 --> 10:30.240 Well he sure did fool me Mr. Dillon. 10:30.240 --> 10:32.240 What do you mean Reeves? 10:32.240 --> 10:34.240 He seemed like such a nice fellow. 10:34.240 --> 10:36.240 And so rich. 10:36.240 --> 10:37.240 Yeah he's rich all right. 10:37.240 --> 10:40.240 But poor in spirit. 10:40.240 --> 10:45.240 Chester have you been going to church again? 10:45.240 --> 10:46.240 Yes sir. 10:46.240 --> 10:47.240 Last Sunday. 10:47.240 --> 10:49.240 Oh yeah I remember it rained. 10:49.240 --> 10:53.240 Well now I like church Mr. Dillon but I hate to get all dressed up. 10:53.240 --> 10:54.240 Seems like it. 10:54.240 --> 10:56.240 Well hello Jim. 10:56.240 --> 10:58.240 Hello Chester. 10:58.240 --> 10:59.240 Marshall. 10:59.240 --> 11:00.240 How's the stage business Jim? 11:00.240 --> 11:02.240 Well we ain't been held up lately. 11:02.240 --> 11:04.240 That's something. 11:04.240 --> 11:09.240 The reason I come to see you Marshall is that I run into a fella back at the Rock Peak station this morning. 11:09.240 --> 11:15.240 He rode in there from the south and mentions he'd seen a man and a woman on the way. 11:15.240 --> 11:16.240 Oh? 11:16.240 --> 11:20.240 They rode off as soon as they saw him so he didn't get very close. 11:20.240 --> 11:25.240 But I asked him about it and he was pretty sure their horses were the same color. 11:25.240 --> 11:28.240 Sorrow? 11:28.240 --> 11:30.240 That's what he said. 11:30.240 --> 11:33.240 I want to go with you Marshall. 11:33.240 --> 11:34.240 What? 11:34.240 --> 11:36.240 Well he told me where he saw them. 11:36.240 --> 11:39.240 I know right where it is. 11:39.240 --> 11:41.240 Besides that woman's out there against her will. 11:41.240 --> 11:43.240 Sure but it's not your job Jim. 11:43.240 --> 11:47.240 Well I was driving the stage he took her off of Marshall. 11:47.240 --> 11:49.240 For none of my mind something terrible. 11:49.240 --> 11:51.240 Ah. 11:51.240 --> 11:52.240 Alright. 11:52.240 --> 11:56.240 Chester you keep an eye on things here huh? 11:56.240 --> 12:00.240 We'll be back in a few days if we have any luck at all. 12:00.240 --> 12:11.240 The next morning Jim Buck and I cut their trail some fifty miles south of Dodge. 12:11.240 --> 12:17.240 We followed it for a way and then it turned northeast back in the general direction of Dodge. 12:17.240 --> 12:25.240 It was a hot still day and on the horizon there were occasional flashes of heat lightning. 12:25.240 --> 12:34.240 Then in the distance we saw the long low cloud of yellow dust that met cattle at Texas herd trailin' north. 12:34.240 --> 12:46.240 The outlaws tracks led straight into it and we soon pulled up beside a string of long horns that stretched several miles each way. 12:46.240 --> 12:49.240 We'll have to find a leg and cut through him Marshall. 12:49.240 --> 12:50.240 Yeah. 12:50.240 --> 12:53.240 Hold up! Hold up there! 12:53.240 --> 12:58.240 What's he yelling about? I don't know. 12:58.240 --> 13:00.240 You ain't aiming to cross that herd are you? 13:00.240 --> 13:04.240 You see anything of a man and a woman around here mister? 13:04.240 --> 13:07.240 I ain't seen nothing but cattle and cowboys for six weeks. 13:07.240 --> 13:11.240 Well we're standing on their trail. It leads right into your herd. 13:11.240 --> 13:15.240 I can't help that. That cattle have been dry since yesterday morning. 13:15.240 --> 13:20.240 That Kansas heat lightning ain't exactly soothing to them. Nobody's riding through there. 13:20.240 --> 13:27.240 Look mister I'm a US Marshal and your herd's crossed the trail of an outlaw. Now we've got to cut through here. 13:27.240 --> 13:33.240 No you don't. You'll have to wait a ride around the drive back there. It's only a mile or so. 13:33.240 --> 13:35.240 That outlaw's got a kidnapped woman with him mister. 13:35.240 --> 13:46.240 He has? Well I can't help that. I'm forcing this outfit and I got three thousand head of cattle here. They're too nervy now. Look at them. 13:46.240 --> 13:48.240 Yeah they're moving pretty fast all right. 13:48.240 --> 13:53.240 Too fast. And I sure can't risk you touching them off by riding through them. 13:53.240 --> 13:56.240 Yeah I know. But I hate to lose the time. 13:56.240 --> 13:59.240 You got more time than I got cattle Marshal. 13:59.240 --> 14:04.240 Well I don't know about that but I want chance to stampede. All right come on General. Ride around the drag. 14:04.240 --> 14:06.240 Okay Marshal. 14:06.240 --> 14:07.240 Say and dodge mister. 14:07.240 --> 14:09.240 Yeah yeah. All of the gangs are still running? 14:09.240 --> 14:13.240 Yeah it is. I'm mostly on Texas money. 14:13.240 --> 14:14.240 Adios! 14:14.240 --> 14:22.240 Come on General. 14:22.240 --> 14:30.240 We rode down along the herd and then back up the other side and finally found the trail again and followed it till dark. 14:30.240 --> 14:35.240 Next morning we saw that the outlaw was still headed straight for dodge. 14:35.240 --> 14:41.240 And all we could figure was that he must be new to the country and was just plain lost. 14:41.240 --> 14:47.240 By noon we were inside a town and soon after we rode up Front Street and got down at the jail. 14:47.240 --> 14:50.240 Chester saw us and came running out. 14:50.240 --> 14:54.240 Mr. Gillen we got him. They rode right in here early this morning. 14:54.240 --> 14:56.240 What? Did he give himself up? 14:56.240 --> 14:59.240 Yes sir. I got him locked up and the money is over at the bank. 14:59.240 --> 15:00.240 How's the girl Chester? 15:00.240 --> 15:03.240 Oh she's fine Jim. A little tired but fine. 15:03.240 --> 15:05.240 Oh that's good. What's his story? Who is he? 15:05.240 --> 15:08.240 Says his name is Jack Fitz and that's all he'll say. 15:08.240 --> 15:11.240 I swear I give up honey Mr. Dunne. Maybe you can get something out of it. 15:11.240 --> 15:16.240 Alright I'll talk to him. And I want to see this Laura. Where is she? 15:16.240 --> 15:20.240 She's over at the dodge house with Reeves. He made her go but she sure didn't want to. 15:20.240 --> 15:21.240 Well I'll talk to them later. 15:21.240 --> 15:39.240 Yes sir. 15:39.240 --> 15:43.240 So you're Jack Fitch huh? You're new around here aren't you? 15:43.240 --> 15:46.240 If you've got anything to say Marshal say it right out. 15:46.240 --> 15:51.240 Alright. Why did you give yourself up? 15:51.240 --> 15:55.240 Why do you care? You got the money back and... 15:55.240 --> 15:58.240 And what? 15:58.240 --> 16:01.240 Nothing. 16:01.240 --> 16:10.240 Marshal I'm ready to serve my time but I don't have to talk. Not for you. Not for nobody else. 16:10.240 --> 16:12.240 Okay Fitch. Have it your own way. 16:12.240 --> 16:16.240 Marshal? 16:16.240 --> 16:19.240 Yeah. 16:19.240 --> 16:24.240 I don't suppose you'd let me out of here long enough to kill Reeves would you? 16:24.240 --> 16:26.240 Laura told you about him huh? 16:26.240 --> 16:29.240 I wouldn't mind hanging. It'd be worth it. 16:29.240 --> 16:32.240 What makes you think what you did is any better? 16:32.240 --> 16:36.240 You wouldn't understand. 16:36.240 --> 16:41.240 Look. Do what you can for her will you? 16:41.240 --> 16:44.240 Anything else you want to tell me Fitch? 16:44.240 --> 17:03.240 No that's all. 17:03.240 --> 17:04.240 I've got L&M. 17:04.240 --> 17:05.240 I've got L&M. 17:05.240 --> 17:07.240 I've got L&M. 17:07.240 --> 17:10.240 And L&M's got everything. 17:10.240 --> 17:18.240 Best Filter. No filter compares with L&M's pure white miracle tip for quality or effectiveness. 17:18.240 --> 17:24.240 Best flavor. The Miracle Tip draws easy. Lets you enjoy all the taste. 17:24.240 --> 17:31.240 Best Tobacco. Highest quality tobacco. Low nicotine tobacco. L&M tobacco. 17:31.240 --> 17:33.240 Light and mild. 17:33.240 --> 17:40.240 Today buy L&M. It's sweeping the country because it's America's best filter tip cigarette. 17:40.240 --> 17:46.240 Yes today why don't you get L&M? Because L&M's got everything. 17:46.240 --> 18:05.240 This is it. L&M filters. L&M's got everything. It's the best. 18:05.240 --> 18:30.240 Who is it? 18:30.240 --> 18:32.240 Matt Dillon. 18:32.240 --> 18:34.240 Some other time Marshall. 18:34.240 --> 18:49.240 Open this door before I kick it open Reeves. 18:49.240 --> 18:50.240 What do you want? 18:50.240 --> 18:53.240 Nothing from you. 18:53.240 --> 18:55.240 Laura. 18:55.240 --> 18:57.240 I'm Marshall Dillon. 18:57.240 --> 18:58.240 How do you do? 18:58.240 --> 19:01.240 I'm sorry to bother you this way. 19:01.240 --> 19:02.240 That's alright. 19:02.240 --> 19:05.240 It's about Jack Fitch. 19:05.240 --> 19:08.240 You want my help to put him in prison is that right? 19:08.240 --> 19:10.240 Yeah that's right. 19:10.240 --> 19:14.240 He gave himself up. He returned the money and me. 19:14.240 --> 19:17.240 Yeah sure but I'm going to need your testimony in court. 19:17.240 --> 19:20.240 Forget it Marshall. It's all over. We're leaving Dodge on the next train. 19:20.240 --> 19:21.240 No. 19:21.240 --> 19:23.240 Don't tell me no. I said we're leaving. 19:23.240 --> 19:24.240 Reeves. 19:24.240 --> 19:25.240 What? 19:25.240 --> 19:27.240 Why don't you get out of here? 19:27.240 --> 19:35.240 Get out of here? 19:35.240 --> 19:40.240 You heard me. Now outside. 19:40.240 --> 19:41.240 Now look here Marshall. 19:41.240 --> 19:51.240 Then I'll throw you off. 19:51.240 --> 19:53.240 Look Laura. 19:53.240 --> 19:55.240 Yes? 19:55.240 --> 20:00.240 Will it help if I tell you that I know about you and Reeves? 20:00.240 --> 20:03.240 About why you're going to marry him? 20:03.240 --> 20:06.240 I hate him. 20:06.240 --> 20:09.240 Why did Jack Fitch give himself up? 20:09.240 --> 20:14.240 He gave himself up because we decided we didn't want to be hunted down the rest of our lives. 20:14.240 --> 20:17.240 Well that sounds like you were in on it with him. 20:17.240 --> 20:20.240 I never saw Jack Fitch before he held up that stage. 20:20.240 --> 20:25.240 No? Well then I don't understand. 20:25.240 --> 20:28.240 It's very simple Marshall. I love him. 20:28.240 --> 20:29.240 What? 20:29.240 --> 20:31.240 I love Jack Fitch. 20:31.240 --> 20:33.240 An outlaw who kidnapped you? I don't believe it. 20:33.240 --> 20:34.240 Don't you? 20:34.240 --> 20:35.240 No. 20:35.240 --> 20:37.240 Well it's true. 20:37.240 --> 20:40.240 Marshall Jack doesn't know why he took me with him. 20:40.240 --> 20:43.240 All he can figure is that he saw something he wanted and he took it. 20:43.240 --> 20:45.240 It's still kidnapping. 20:45.240 --> 20:48.240 Jack's been wild and he's done wrong. But he isn't evil. 20:48.240 --> 20:50.240 Like Reeves? 20:50.240 --> 20:53.240 Jack's going to straighten out with my help. He's already started. 20:53.240 --> 20:59.240 Look, Laura, maybe you're right. Maybe you'd be better off with Jack Fitch. 20:59.240 --> 21:04.240 But I'm a lawman and I've got to hold him under arrest and get him up for trial. 21:04.240 --> 21:07.240 Now what you do is your business. 21:07.240 --> 21:12.240 I'm afraid Marshall. You don't know Frank Reeves. He'll kill me. 21:12.240 --> 21:14.240 He already said he wouldn't. He means it. 21:14.240 --> 21:16.240 Unless you go on to St. Louis with him and marry him. 21:16.240 --> 21:20.240 Yes. Please, Marshall, you've got to help me. 21:22.240 --> 21:30.240 Well, I may be making a mistake, but you come on with me. 21:30.240 --> 21:31.240 Where? 21:31.240 --> 21:32.240 You'll see. 21:32.240 --> 21:46.240 All right. 21:48.240 --> 21:50.240 Out of the way, Reeves. 21:50.240 --> 21:53.240 Where are you going? Where are you taking Laura? 21:53.240 --> 21:54.240 To jail. 21:54.240 --> 21:55.240 What for? 21:55.240 --> 21:57.240 She's under arrest. 21:57.240 --> 22:00.240 I never heard of such a thing. I won't stand for this. 22:00.240 --> 22:03.240 Laura, you go back in that room. 22:03.240 --> 22:05.240 Go on. 22:05.240 --> 22:06.240 Let go of me. 22:06.240 --> 22:07.240 Frank, let go of me. 22:07.240 --> 22:09.240 Reeves. Reeves. 22:09.240 --> 22:31.240 All right, just step over him, Laura. Let's go. 22:31.240 --> 22:32.240 Mr. Dillon? 22:32.240 --> 22:33.240 Yeah, what is it, Chester? 22:33.240 --> 22:34.240 I just been over to the Oliver Ganzer. 22:34.240 --> 22:35.240 So? 22:35.240 --> 22:38.240 It's that cussed Reeves. He's buying liquor for everybody, making a lot of talk. 22:38.240 --> 22:40.240 There's about 20 men with him now. 22:40.240 --> 22:41.240 What's he up to? 22:41.240 --> 22:45.240 Oh, he's got that crowd with him because they don't like the idea of you putting a woman in jail. 22:45.240 --> 22:50.240 They're getting all worked up about it, and Reeves has about got them ready to come over here and bust her out. 22:50.240 --> 22:51.240 You better do something about it. 22:51.240 --> 22:56.240 Man, I could stand them off, but I think I got a much better idea. 22:56.240 --> 22:57.240 What? 22:57.240 --> 22:59.240 Those horses still out back? 22:59.240 --> 23:00.240 Yeah, sure. I was going to put them away later. 23:00.240 --> 23:06.240 I'll leave them. And you get back to the Oliver Ganzer and stall those men as long as you can. 23:06.240 --> 23:08.240 Without getting killed. 23:08.240 --> 23:10.240 Yes, sir. I'll do it. 23:10.240 --> 23:12.240 Well, go on. 23:12.240 --> 23:14.240 Yes, sir. I'm going as fast as I can. 23:30.240 --> 23:32.240 All right, come on out, Fitch. 23:32.240 --> 23:33.240 What's this, Marshal? 23:33.240 --> 23:34.240 I'm turning you loose. 23:34.240 --> 23:36.240 Turning him loose? 23:36.240 --> 23:42.240 That's right, Laura. Reeves is about to come over here with a mob to get you out of jail. 23:42.240 --> 23:45.240 And I'm sure he's going to see that Fitch is killed while they're doing it. 23:45.240 --> 23:47.240 Can't you stop them? 23:47.240 --> 23:49.240 Oh, why should he try to stop them? This way I'd go free. 23:49.240 --> 23:52.240 Jack, you're forgetting everything we talked about. 23:52.240 --> 23:57.240 No, no, no, I ain't, Laura. But if I don't have to stand trial, we've got nothing to worry about. 23:57.240 --> 23:59.240 You don't understand, Fitch. 23:59.240 --> 24:00.240 Don't understand what? 24:00.240 --> 24:04.240 I'm turning you loose now to save your life, but you'll still be wanted. 24:04.240 --> 24:06.240 You'll have to stand trial someday. 24:06.240 --> 24:10.240 As soon as you give yourself up again or as soon as somebody catches you. 24:10.240 --> 24:14.240 Oh, I was going to take you up to Hayes City for trial. 24:14.240 --> 24:17.240 I was going to take Laura there, too, as a witness. 24:17.240 --> 24:19.240 I told you I'd refuse to testify, Marshal. 24:19.240 --> 24:22.240 Well, the court can't make you, but they can hold you in contempt. 24:22.240 --> 24:24.240 All right, then I'll lie. 24:24.240 --> 24:26.240 That's worse. That's perjury. 24:26.240 --> 24:28.240 I thought you were going to help me, Marshal. 24:28.240 --> 24:30.240 I can't help you, Laura. 24:30.240 --> 24:32.240 Hey, wait, I've been thinking. 24:32.240 --> 24:36.240 Marshal, have they got a preacher in Hayes City? 24:36.240 --> 24:39.240 Well, they had the last time I was there, yeah. 24:39.240 --> 24:43.240 No. No, it wouldn't work. 24:43.240 --> 24:44.240 What wouldn't? 24:44.240 --> 24:47.240 Well, I was thinking you let Laura go with me. 24:47.240 --> 24:52.240 Why, we could get married before I turned myself in, then she wouldn't have to testify. 24:52.240 --> 24:53.240 Jack? 24:53.240 --> 24:55.240 No, no, Laura, I can't do that. 24:55.240 --> 24:58.240 It looked like I was only trying to keep out of jail. 24:58.240 --> 25:01.240 And that ain't true. I want to marry you. 25:01.240 --> 25:03.240 Do you really, Jack? 25:03.240 --> 25:06.240 I've told you a hundred times. 25:06.240 --> 25:09.240 What difference does it make when we get married? 25:09.240 --> 25:11.240 You men can be so stupid. 25:11.240 --> 25:14.240 Of course, that's the way we'll do it. 25:14.240 --> 25:16.240 Well, I guess that settles it, Fritz. 25:21.240 --> 25:23.240 All right, come on, Laura, then you better hurry. 25:23.240 --> 25:27.240 This is what you had in mind all the time, isn't it, Marshal? 25:27.240 --> 25:30.240 I'm a lawman, Laura, not a matchmaker. 25:30.240 --> 25:34.240 Seems to me you do both pretty well. 25:36.240 --> 25:40.240 Fitch, there are two horses out back. Now get going. 25:40.240 --> 25:45.240 Will we see you later on, Marshal, in Hayes? 25:45.240 --> 25:47.240 If you get there, yeah. 25:47.240 --> 25:49.240 We'll get there. 25:49.240 --> 25:51.240 Yeah. 25:51.240 --> 25:54.240 I kind of think you will. 26:10.240 --> 26:13.240 And now our star, William Conrad. 26:13.240 --> 26:15.240 Thank you, George. 26:15.240 --> 26:19.240 Mild and plenty quick on the draw. That's L&M for you. 26:19.240 --> 26:24.240 And the pure white miracle tip on the business end of every L&M 26:24.240 --> 26:30.240 filters out everything but the taste of the world's finest tobaccos. 26:30.240 --> 26:35.240 All you have to do is pick up a carton of L&Ms, and you'll see what I mean. 26:35.240 --> 26:50.240 L&M stands out from all the rest. 26:50.240 --> 26:54.240 Gunsmoke, produced and directed by Norman MacDonald, 26:54.240 --> 26:57.240 stars William Conrad as Matt Dillon, U.S. Marshal. 26:57.240 --> 27:01.240 Our story was specially written for Gunsmoke by John Mustin, 27:01.240 --> 27:04.240 with music composed and conducted by Rex Corey. 27:04.240 --> 27:07.240 Sound patterns by Tom Hanley and Bill James. 27:07.240 --> 27:10.240 Featured in the cast were Lawrence Dobkin, Harry Bartel, 27:10.240 --> 27:14.240 Frank Gerstel, Gene Bates, and Clayton Posts. 27:14.240 --> 27:24.240 Marley Bear as Chester, Howard McNair as Doc, and Georgia Ellis as Kitty. 27:24.240 --> 27:27.240 Put a smile in your smoking. 27:27.240 --> 27:31.240 Next time you'll buy cigarettes. Stop. Remember. 27:31.240 --> 27:36.240 Only Chesterfield is made the modern way, with Accuray. 27:36.240 --> 27:43.240 This amazing quality detective electronically checks and controls the making of your Chesterfield, 27:43.240 --> 27:48.240 giving a uniformity in smoking quality never possible before. 27:48.240 --> 27:53.240 For the first time, you get a perfect smoke column from end to end. 27:53.240 --> 27:58.240 From the first puff to the last puff, Chesterfield smokes smoother. 27:58.240 --> 28:03.240 Chesterfield smokes cooler. Chesterfield is best for you. 28:03.240 --> 28:08.240 Next time you buy cigarettes. Stop. Remember. 28:08.240 --> 28:12.240 Chesterfield is made the modern way, with Accuray. 28:12.240 --> 28:17.240 Put a smile in your smoking. Just give them a try. 28:17.240 --> 28:22.240 Light up a Chesterfield. They satisfy. 28:22.240 --> 28:25.240 You'll also enjoy Chesterfield's great radio shows. 28:25.240 --> 28:31.240 Perry Como sings all the top tunes on CBS Radio every Monday, Wednesday, and Friday. 28:31.240 --> 28:42.240 Jack Webb stars in Dragnet on Tuesday nights. Check your local listings. 28:42.240 --> 28:59.240 Listen to Gunsmoke again next week, transcribed for L&M Filters. 28:59.240 --> 29:19.240 Music plays. 29:19.240 --> 29:37.240 Music plays. 29:37.240 --> 29:52.240 Music plays.