LINES OF COMMUNICATION annals of home, that for millions of creatures are the worth of life itself. Concert Party Somewhere in France. . . „ An old provincial theatre, its proscenium held up by full-breasted caryatids draped in cloth of gold: a red and gold curtain painted into artificial folds and mock tassels. . . . Filling the auditorium twelve hundred British soldiers—and I, trying to analyse their pleasure. More than anything they loved to sing a chorus, and they had an uncanny, collective talent for it. Ah air sung over once was theirs for ever and they were immediately capable of taking up the refrain. Quite often they indulged in two-part harmony. Nobody had asked them to do it. The two choirs were formed at once and instinctively. They never shouted, unless perhaps on some given note for comic effect. They were equally capable of a pianissimo if the words demanded it. Just before, the twelve hundred had been whistling an accompaniment to a dance turn: and they had followed the dancer attentively and taken care that the accentuated note should coincide with the fall of his feet: no orchestra leader could have been more adroit. It was a surprising thing, this spontaneous discipline of theirs: it is one of the strengths of their race. 131