104 On the Making of Music, remembered that no work is required to be more than right as far as it goes; the greatest work cannot get beyond this and the least comes strangely near the greatest if this can be said of it. The more I see of academicism the more I distrust it. If I had approached painting as I have approached bookwriting and music, that is to say by beginning at once to do what I wanted, or as near as I could to what I could find out of this, and taking pains not by way of solving academic difficulties, in order to provide against practical ones, but by waiting till a difficulty arose in practice and then tackling it, thus making the arising of each difficulty be the occasion for learning what had to be learnt about it—if I had approached painting in this way I should have been all right. As it is I have been all wrong, and it was South Kensington and Heatherley's that set me wrong. I listened to the nonsense about how I ought to study before beginning to paint, and about never painting without nature, and the result was that I learned to study but not to paint. Now I have got too much to do and am too old to do what I might easily have done, and should have done, if I had found out earlier what writing Life and Habit was the chief thing to teach me. So I painted study after study, as a priest reads his breviary, and at the end of ten years knew no more what the face of nature was like, unless I had it immediately before me, than I did at the beginning. I am free to confess that in respect of painting I am a failure. I have spent far more time on painting than I have on anything else, and have failed at it more than I have failed in any other respect almost solely for the reasons given above. I tried very hard, but I tried the wrong way. Fortunately for me there are no academies for teaching people how to write books, or I should have fallen into them as I did into those for painting and, instead of writing, should have spent my time and money in being told that I was learning how to write. If I had one thing to say to students before I died (I mean, if I had got to die, but might tell students one thing first) I should say :— ts Don't learn to do, but learn in doing. Let your falls not be on a prepared ground, but let them be bona fide falls in the rough and tumble of the world ; only, of course, let them