'THE -ANTHROPIC
S
ZB.
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This book is due at t the last date stampec be renewed by bring |
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OATE __ DUE |
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Digitized by the Internet Archive
in 2011 with funding from
University of North Carolina at Chapel Hill
http://www.archive.org/details/ariadneonnaxosopOOstra
MUSIC L!8*AR' UNC-CHAPa HH
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Copurijkt including rc^hl of ' fictfbrfnance 1^X% l^l6andl^22 (wAdo&ik-Ftif&ttt&0
A. 6366 F.
Das iiecktdeSf\ujffiih7wuj<s£ vorbekattiwi he cUvitde, TtfaresottJtati/m. est resented
LibraTy, Univ. of North Carolina
tta^Osrcl/O'fcxzuss. lA<^<rvvnrloS7tcuyt^z^thal.
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y_^ncvrajc£&r<s j/n the l^r-eluxle >
TheT^icyor Dome Sp-eaJdng pevrf.
A Teacher qfJ^luslc , . Baritone,.
The, Co7nfias<€/r' Softramxr.
The, T&rwr^ (Bcccchios) , . . Tenon
An Officer, Tvrwr-.
JK Dam,cvng J^lasC&r^ , , , Tenor-.
JkWtp M-oker-. High Bass
JK TjcccheM .......... Bass.
Zesrbt^e£tcv , . . High Soprano-.
Pr'iTna, Dorimxx, (Ariadne) , Sopi^ano:
j\7tlecchorva. . , Baritone.
Sca^ii^riLLCclO' ........ Tenor:
Truffalduruy. Bass.
BjHjghjella, High Tenor'.
A 6368 jr.
ARIADNE ON NAXOS
BY
RICHARD STRAUSS
PRELUDE
Very vivacious and cheerful
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31
31
Copyright ltllti and 1922 by_AdoIph Fiirstner. Adolph Fiirstner, Berlin W 10, VictoriastraBe 34a. Arrangement of the Prelude by Carl Besl.
6368 A. 7463 F.
Tous droits d'e'xe'cution,de representation, de reproduction, de traduction et d'ar- rangements re'serves pour tous pays.
reprJZcilon el any kind, orforthepur?*' o) sound films, without special Ucenu.
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2 tempo primo.
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poco piu moderato.
a furioso, quicker
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11
(Curtain rises.)
Enter the Major Domo.
Music Master.
(meeting him)
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mltii
g tf " "^ tgjgjf wgjygj^f IHH
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(A spacious, barely furnished hall in the town mansion of a great noble. Two doors R; two doors L; in the centre, a round table. Quite in the background can be seen the appurtenances of a private theatre. Paperers and carpenters have put up a back cloth, the back of which is visible. Between this part and the front a clear passage across the stage.
(in strict rhythm, but in the character of Recitativo Secco)
» 1, ,p P P ppp * p P I? ppp» Fpp a pM
M.M.
very excitedly
O, Sir Ma -jor Domo, o Sir Ma-jor Dorno!
I've scughtyouhigh and lowthis
t
as!
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spoken:
Major Domo: [L. y /
At your service, but permit one to observe that I have but scant leisure, the preparations for tonights great Assembly in the mansion of the richest man in Vienna, as I may well describe my noble master—
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fel
M.M..
1
half-hour!
one word,pray!
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6368 A. 745S F.
12
And that might be?
M.D.
M.M.
m ^ppp'pPppppeP iP' HP p
A messagehasreachedme,%vhichin-deedlfind hard to un-der-stand.
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Tell me briefly, please.
M.D.
M.M.
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A message, by which I am of course great-ly perturbed.
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That at his Lora-shipsRout,tak-ingplacethisevlning here, it is proposed thatthe O-pe-ra se-ri - a Qf my
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M.M.
pu-pil _ so mons4rous,I scarcebe-lieve it, is to be followedby — there is sure - ly some er-rorsome-where
•urt
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6368 A. 7453 F.
13
■u«p p p p pl'H p H g 1 1 p-b,ftf P ^ P jg P j Hi
mu-si-cal plays, orwhatyou'repleaeedto call rau - si - cal, some-thingcoarseandvul - gar, some-thing af-ter the
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Allow? Permit? Pray, how?
Your pardon.
M.D.
M.M.
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manner of I-ta-lian O-pe-ra Buf-fa forsooth! That I'll not per-mit!
Quicker.
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Must not!
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Who will not suffer? Did I hear right. I do not know, Sir who has to suffer, to say nothing of commanding, anything, except my noble master, in whose mansion you are, where you are about to have the honour to exhibit your tricks.—
M.D.
M.M. -^
That the com-po-ser will ne - ver, no, ne-ver suf-fer.
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6368 A. 7453 F.
14
M.M.
\Q sempre Allegro
:> % \ pp n p g g y^ j i p a g p p 7 1 pi m -^
It is an out -ra-geous breach of faith. The O-pera se-ria": A-riadne wascomposedfor to-night'sfes -
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The promised honorarium for which will be paid by me into your hands, together with a munificent sratu-
ia- ^__„
M.D.
M.M.
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ti-vi-ties expressly, and by de-sire.
I donotdoubthis a - bi - li - ty topay;he'sas
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For whom you and your pupil have had the privilege of provid- ing your crotchets and quavers. Can I serve you in aught else?
M.D.
MM.
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weal-thy as Mi-das
'Tis a work of serious im-port.Crot-chetsandqua-vers in-
deed. To us 'tis of vi - tal concern in what con-di-tionsthisgreatwork is pro-duced!
k
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6368 A. 7453 F.
None the less it rests,first and last and only, with his Lord - ship, my master, what kind of spectacle he is disposed to of- fer to his most worshipful 11 guests after the consumption of a most festive collation .
15
M.D.
M.M.
^
poco piu moderate
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A-mongtheenter-tain-mentswhich pro-mote di-gestion,pray do you re-ckon this great
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First that, and then the display of fireworks, commanded for nine o'clock precisely, and between the two the interpolated Opera Buf- (Exit) fa. With which I have the honour to wish you good evening.
M.D.
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0-pe-ra,this A-ri-ad-ne?
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How shall I break
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(exit on the opposite side)
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0 the news to my pu-pil?
(A young lackey introduces a young- officer, carrying lights before him.)
poco piu vivace
IB
Lackey.
(listens)
1 /F^ppp'-p \ p p p pp jPP,PPf PWiT p
Here will your Ex-cell-en -ey find Mam-sell Zer-bi - net-ta. Just now she's at her toi-let, I'll knock and
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Officer. 13
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(knocxs it the door front R.)
Do not dis-turbherand go to the de
vil!
Lackey.
FF^
say you're here.
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(pulls the Lackey violently aside and enters')
/
Off.
Lackey.
(Lackey staggers, just savy s the candle by placing it on a console R between the two doors, and arranges his dress.)
m
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That is the language of
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Lackey.
sin-ful love,
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that is by an un-wor- thy ob-ject in- spired
■ ji L-- -J flowing movement
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14 Composer (enters hurriedly from the back;
17
M | JiJ'frjrp'PIP'P j I ^JiJUiJi^
Mygoodfriend,pipa9e hurry and get my fid- dies.
Please let themknowfrom
■h Ji Ji Ji g | g I J) I i 1 1 ipig| 1 1 ^ p p j
Comp.
me^.heymusiallcome to me at once^ I want just a short re-hear-sa!, to make a few changes
Ll&Ckey (vulgar and insolent)
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Lackey.
don't see how the fid- dies can come; fid- dies have no feet; you see, and then
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Composer (naively, explaining; not noticing- that the oilier "] § is la
igning- at him.')
M J\ I J> 1 Ji P g ; Ji Jr^#P
When I caliedthern'thc fid - dies," I meant to say,"the
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Lackey.
se-cond - lythey'rein hand now.
18
Comp.
Lackey.
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Just look, and you'l! find them where I too should be
#
(naively, gently)
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Comp.
Lackey.
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And
m M I I F r iVp 1 rmrf g '■f^^te^
And where I soon shall be
in-stead of was - ting' time with your messages.
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^ Tl,Un^^ O
(agitated)
i
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Gomp.
Lackey.
,vhere, pray?
Croug-hly )
Now? When my O - pe - ra starts in fif-teenmi-nutes,
1 > r »p p ^E
At the ta - ble!
6368 A. 7453 F.
Comp.
Lackey.
fep
19
W^
ea-tingand drin-king?
^
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When I say, they're at din - ner, I mean ifs his Lord-ship and his
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Comp.
Lackey.
^^
(with contempt )
1 1 | b[HN^f j i p I p i jpg:Ju
What are you say - ing?
guests — that are di - ning, not the common fid-dler crew.
t^
p=£i
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;
17
^ LelH
t i | p j j g I P~g
Lackey.
Play-ing at din - ner.
D'youtake me? And so you must
M
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5 y £
Composer (excited, uneasy)
g JrJffr^ j I }) 1 jp|
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^=#
I think I'd bet-ter have a re - hear-sal of A - - ri-adne's mu-
Lackey.
I B p p p ^
wait till the din-ner's o - ver.
20 (moves to ranis the door front R)
Comp.
Lackey.
^^
f
sic with the la - dy —
(Prevents him) ^ ^ ^3
i j g g i' |i I'TMFi g r
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£#=fe
■
Your la - - dy is in a - no-therroom That's the wrong door
Lackey.
jFffi^PMpPPMi^r F«ppippg
IB 1 5 5 IMH
In thisroomthere'sa- no-ther la-dy, not yours at all, she will see no one,she too, is bu-sy.
You for-getyour-self. I canspeakat a-
- ny time to a - ny one of my own sin - gers
(laughs derisively)
W
£
^!
Lackey
,j — 30m
he, he
n y i
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( Knocks at the door R; gets no answer; then suddenly, purple with rage)
I
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Comp.
Lackey.
* Poco piu tranquillo.
g F?y y^ilfl^y je=
In-so-lentass! Shame
he! he he he!
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6368 A. 7453 F.
m
shouts after the retreating Lackey)
>19
21
Comp.
j-j p (i | i p m
Quicker.
S*
less — block-head,brain-less don - Key
The
Comp.
F^N>
Poco piu tranquillo.
m
Comp.
PPP
Z^EE^
ite
here by the door a - lone
and goes .
(His expression changes from that of anger to that of deep reflection)
6368 A. 7453 F.
22
i
Composer.
I
^^
m m
&
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I
At the e - le - venth hour there's much I
i
£
p -?p r pj'EW'r j ?i^pp iyi
Come
want to change; and ve - rysoonmy O-pe-ra
O the donkey! O
joy!
01 (He takes up again the melody that had just occurred to him)
(Thinks out his melody, looks in his coat pocket for a
M
m
g
m
Comp.
m
£
Thouomni - potent god! lJ.: a des 4/4
Peace, o my qui-ve-ring
piece of music paper-
finds one: crumples it up— strikes his forehead )
accelerando
Comp.
6368 A. 7453 F.
Piu vivace.
23
4
22
j) r A jh* ^fe a Jir j>b£#^
1
CODlp.
^
P ^l^)^g g
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?
To makethatBac-chus learn that he's immortal, e-ter-nal-ly youth -ful!
No
(Runs to the second door L and knocks— has
4 ^ un % P ^ ft^^r \M}w=T=^
Com p.
self conceited swag-g-'ring-clown drapedin a panthers skin! I think thatmustbe his door.
3
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23 captured the melody and sings it with full voice.)
fell
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Comp.
m
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Othousym - bol of youth, thouom-m - potent god!
Othousym - bol of
&
t^ iifCLf
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(The door flies open, the Wig- Maker staggers out, and receives a box on the ear
Quickly.
Comp.
m
¥
youth, thou om - ni - po-tent
god!
M q^&
rf furfr^r^^r
m
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6368 A. 7453 F.
24
from the Tenor, who is dressed as Bacchus but with a bald head, and with his wig of flowing- locks in his hand, rushes out after him, in a fu- rious rage.) . '
Tenor.
renor. 54
(kicks him)
£
That! Call that a Bacchus! To think that I could e-ver make my - self ri - di-cu-lous
m
w
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P=^
• 4*0 3
& >VpFP*r
Tenor
Take that,then,foryour pains!
I
Composer (springs backwards)
j y\^ J)JU_|'r p P P p- r J^p
£
S
My dearest friend. One word, I beg-you; 'tis most ur-g-ent
Wig Maker
m
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I can
$
accelerando
tempo primo
^
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Mr
dim.
P
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am 1 m
i *=e g g g » I
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piu moderate
Wig Maker.
*nmn
on-lysupposeyourcra-zy tantrums are due to weakness of in-tellect,in-he-ri - tedfrom lunatic an-ces-tors!
6368 A. 7453 F.
25
25 Composer (approachinc him ag-ain;
ji> v i ^^
My dearest friend!
(shouting- at the door.)
Wig- Maker
I J J ^ J j| 11^
H
(The Tenor bang-s the door. )
Let me tell you, Sir, I des-pise clowns and im-be
(approaching- him with naive modesty )
j,iV-^-S~)^
Comp.
Wig- Maker
May I ask for a piece oi pa - per, Sir?
nE p"ppipp#gfE§
-cileSjOn^vhombeau-ti - ful worklike mineis was -ted!
g
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Comp.
Wig- Maker
I've a shoe-king- me-mo-ry— just to jot down a fewnotes.
m
M
if0. (Exit running-)
mi
I have none, Sir.
is?
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f
6368 A. 7453 F.
26
Poco piii tranquillo
Zerb inetta (sUU very much in neglige, comes out of the rooni R. with the officer )
s i a >
We do not
jrfrfr^r-^
| p>j>>J>^J»yp p P P p |
p I i I p p p jl
Zerbin.
stait,un-til the cp-ra'sdone. I fear it will be no ea - sy matter to raise a laugrh_theyilnot
p^
ji i j> a i
H m P
^^
Zerbin,
P T J1 J'
*
feel in the hu-mour: they' want to sleep rJ> , — —
for the first play is ffiig-h - ty te - dious.
n
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14
K
(coquettishly)
j rjlililA
27
vT.he officer kisses her hand without speaking; they go to tne back of the stage conversing1)
w
I
y ft B B g ter-t"'
Zerbin.
P y P P P P 17
Ordoyoube-lieve I can be suc-cessful?
ft, s — ^ _
m
^
espr\.
1 gbjjS
JJ^OP]
6V B
A. 7453 F. 6368
1 rima Uoillia (comes out of the first door R. with the Music Master. She is wearing1 a wrap over the costume of Ariadne.
27
^*-hJ |jj J' JQiJfp'1! g 1 »Jl J* j ''p | bp_pLpJ J p ^ 1
Quick. mvdearfriend.Fetdimea. )nrUfvmnVk_ I must sneak to his Lord-ship this ve-ry mo-ment
1
Quick,mydearfriend.Fetehmea lackey, quick. I must speak to his Lord-ship this ve-ry mo-ment.
6
m
^^^
^^
mygjt
P
i=
^
(The Music Master is about to go.)
m
Music Master
28 (.detains him) it
i
» — »
:£EEr^nr^^
£
(The Composer has seen her: she shuts the door.)
You can -not speak to her now. The
imm ; rT^^rrr^g
He
^3
^THTJ
,r^r?
**
r-
-7
#
Composer (catching sight of Zerbinetta)
j) J) a
g g p
i
Dancing Master (coming- from the back of the stage, goes to Zerbinetta and the officer )
Who is that young- wo - - man?
(to Zerbinetta)
gig
*
%
Wg£
rTfc
^TTT
feE
It willnotbehard;be -
M.M.
i
hair-dres-sers with her
t^^
p?mespr.
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D.M.
M.M.
* lieve me, Made-moi - selle_ the op' - ra is wea - ri - some
oast all com-ore
9EE
F^F3
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P
Be as you al - ways are!
£
fe
^^
A. 7453 P. «3«8
28
ggggj .j)| j) j)j)j)p- j) p p p r i pi
D.M.
-hen-sion, and as fortunes and i - deas,
the heel of my left boot hasmorethanthewhole of this
t
I
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tv °
^
^
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£
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if-
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2g piu mosso
Composer
I ^S I p'pnJ) J) nil
Who is this most en-chan4ingryoung-
j*P PPPPP.PPPPJP I
D.M.
dull-wit-ted sen-ti-men-tal Ari-a-dne on Na-xos.
piu mosso
P
£
^
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#
h J>- i
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Comp.
D.M.
la - dy?
sr
i 1 i 1
( nonchalantly)
f%P g FTT1 PPuMPPPP P*»g i
H tf
Well, so much the bet- ter if you like her. IrsMam-selle Zer- bi - net - ta. With
¥
^
mm
%
£
3^^
r
6368 A. 7453 F.
29
D.M.
•>: I 8 B "l
i*\i m p
*
lell be sinarinfiranddan-cincr a small play afteryour o - pe-ra.
four of her com-pa - nions shell be singing-anddan-cing- a small play afteryouro- pe-ra.
34
on Agitato.
Composer (witha start) 3
i p up jj - j J>JiJiJ^Jir »nr Fitr r r j
^
Af - ter my o -pe-ra ?
A co-me-dy fol-lows:
Trills and low dan-cing;
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1 1 gg bf_4g
31
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I dare you Music Master (timjdly)
Tothemcomes re-ve-
30
Comp.
w — w — w — w
g=
m
■ la - tion of the ho-li - est
mys - te-ries of Life.
32 Allegro (vehemently;
M
m m
I
f'p p p j p
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P E P P'P
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and af - ter that they wish > >
a Jack -pud-
ding- co-me-dy that will
i y",n 7
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£
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^
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poco largamente
ttS
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Comp.
■ a
m
m
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drive the sac-red messag-e of e - ter-ni-ty fromtheir thought-less_ their un-spea - - kabfy
i
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as
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(laughs hysterically) 33
(Furious)
m
Comp.
£
E
£
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K m-Z — =j.
EH*-?
tt" a
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1
emp-ty brain-pans! What an ass am I? Music Master _.
Don't speak to me ofcalm;Sir!
m
feEE?
P
Praycalm your-self!
ft
pgelBipsP
i
quick, vehement
31
Comp.
i
1
p
FfTfT ?plp'-fJ 1 J> ^jH
A co - medytofol-low! To lead them back to e-v'ryday
/<
iff mJ Bin
I
j ^jiip Jip-pppr ppipg r P^MF
Comp.
gross - ness! This un - thin-kab-ly unculturedmob seeks a way for-sooth from my i - de - ai
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sphere, to its ma - te - rial life!
O you Pat - - rons! This ex •
i g p j i jr-Jii 1 1 1 b j I p j i i ^p
Comp.
-pe - ri-ence, like a dead-ly poi -son. stays ins - pi - ra - tion
I can
636S A. 7453 F.
32
Comp.
j p p ji Ji Ji j) p p p i g^
-^^^
£
How
fl > ^ > I L 3,5 -^
Comp.
can, in such a world a me-lo-dy soar on ai - ry pi- - nions?
±
trfH
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(with sudden change of tone quite g-enially)
I
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Half an hour a - g-o I in - ven - ted a tru - ly .o -
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i
(excitedly)
tffHw^ » >>iiJrw»jrj) 1 1 p p g p^
de - lig-tit - ful sub-ject!
I had just flown in a mighty rag-e with an in- so- lent lackey
in
3E£
3
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9S
ES
6368 A. 7453 F.
33
36
Corap.
P
P^JEJ
It came to me in a flash _
g 1 > I * T P P _P P P P ^Fpf
Then, out of thatcioor flew the wig-- ma-ker
«e=4
(quietly and with deep feeling)
ppffp piJ'J' i
Comp.
P p I M r Eg
had his ears boxed by the Te-nor,
then -then I held it fast.
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dim.
m
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fee: k*
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Comp.
fee-ling of love, that knowsno taint of pride, such as naught in this world in-spires or can
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37 J>= J>
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(Improvising* the text)
Comp.
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2
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me - rit_
Thou, Ve - nus' boy Dost give us joy, Sweet
34
Comp.
j) a i a r*-'
p
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re - compense for all 'an - guish: la la,-
la, la, la, la, la, My
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38
1 J>. Ji J' I *Uj
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heart,
re joice
Not long: in vain shaltthou Ian
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(Quickly, good iumouredly)
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potent god!
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Mu-sic-pa-per, ere I for-get.
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39
Moderate March- Tempo
(Arlcchino, Scaiamuccio, Brighella, Truffaldino come out of Zerbinettas roam in single file,. doing the goose-step) (Music Master gives him some The Composer writes, Zerbinetta laughs in the course cf h=r conversation.)
35
^■jrrr^.j^iTl
mf
■ ■ FS
J ^1>J*
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I
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to:
r
♦ »■«•
Zerbinetta (introducing- ihem) *n
3EE5
OiJrp
My com-pa-ny,
m
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Be
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Zerbin.
f
f
oldfriends and trus - ty col
leagues
Bring- me my mir - ror,
my rouge,
ik
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s if
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(The four run into the room, returning soon with a small stool, a mirror, boxes, powderpuff etc) 9 JT- « 41
jg
Zerbin.
and all the rest.
Composer (to the Mufe:c-Master) (with a glance at Zerbinetta suddenly remembers)
y 7
*
^S
±
gin
^S:
And you,
knew_ it
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(almost tragically)
Poeo pin tranquillo.
i
mm
3^
all!
m
You knew_ it all Music-Master. ^
,PYliT^rii.r^r rf i
My friend, I'm thir-ty long-years ol Poco phi tranquillo.
der,
M.M.
m
Composer.
42 Quicker
—^ S UQ
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All men that use me thus
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M.M.
st enau
what we can't cure we must endure
Quickej
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6368 A. 7453 F.
accelerando
37
i p g m i ; j i ip i » i i ff i v ^ . i
Comp.
W^
oast from me for e - ver,
for e - ver,
for e - ver,
for
J{
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£
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i
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Z
bi
tf
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i
Zerbinetta has seated herself on the little chair frontR.finishesmaking-
. - a tempo, moderately quick.
r nraa Donna (opens the door and makes a sign to the Music Master)
(advances a little:
i ji j» ji j fe^t
a \
(tears the music paper in a rag-e)
Have you sent for theCount,as I asked?
Comp.
ver.
a tempo, moderately quick.
herself up, with her partners helping her. Arlecchino holds the candle, Brig-hellathe mirror)
notices Zerbinetta and the others) (to the Music Master, not too softly)
lli n (i p 't piJ J'ipi? | ip- ^^
P. D.
Faugh! Who can thosestrang-eap-pa- ri-tionsbe!
We to be mixed up on the
p.D
38
44
"Vivace J = J des
Zerbinetta, (with an insolent look at the Prima Donna, purposely loud)
f \ p p Vi-f-^f-^
jv- i g i\ &
f i y
If that stuff is so ve-ry dull,
sure - ly, itwouldhavu
m
3E
P.D.
rr-r?
But how could the Count?
"Vivace
ipps
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been
the best
we shouldcomefirst, to cheer them,
fUfft
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in-stead of spoi-ling- all their "3
«l. ^W
42
m
J?g"l#i
s
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Zerbin.
^itj? mm g i *
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plea - sure. If these so - lemn owls for an hour have made them
p | ?gH i j Mr p
fet
LjL^Ua
Zerbin.
slee - py, howcan we e - ver make
3 .
them laugh .
and be
m rr
39
45
Zerbin.
m
m
Arietta
joi - ly?
#
Dancing Master (to zertinetta)
mt
f^£
£
i
On the con-tra - ry. When din - ner's done,
they feel op
m
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pressed,
and not in
clined to think;
in the dark they doze un
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3.M.
no - ticed;
then, when they wake they clap, just out of mere po- lite- ness.
• — •
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w — w
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0 — 0-
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Andthatwillmakethemquite rea - dy to lis -ten; and they ask "Whatcomes next? "
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47
| .vPffrrrjg
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"TheTale of Fic-kle Zer-bi-net - ta
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P
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and of her Four True Lo - vers" a lit - tie m-ir-ry en - ter-tain-ment,
gfe^
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M
i
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D.M.
light me-lo-dies,quite ea-sy to re-member, ac - tion clear as the day:
•^ 1 J.1__J> 11 J.1 _i i_ 1 l/T._„i.__--L _A T 1-1- 1 lH 11 __ -1„
D.M.
and that's all they want to know. "JustwhatI like best"
they re -ply,
D.M.
49
j tii Ji Jip- alp a- i | | 1 I g 1 | | g g P
41
They'rewide a -wake, a - lert and ail at - ten - tion. When they're rol - ling: home in their
m irrm
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e - qui - pa - g-es,
thev will think on-ly of one thing-,
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D.M
D.M.
42
Prima Donna, trying- to soothe her)
L'istesso tempo, poco lar-
51
M.M. 2
pp'T> J^ Ir p g fllpPT > Hr''' >' P P PP
£££
£
do not be an-gry for things of no ac-count.
i
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A - ria - dne is the e -
i i ?gfe
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espr.
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M.M-
Z g;
vent of the e
i
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v'ning, 'tis A
ria - dne that draws all who tru - ly love
gpe
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ft
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i kJ5?^
^
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g h I p ^r p pp |f
o g g I in
felg
M.M.
S=ra
£=£
mu - sic,
all all Vien-na's no - bi - li - ty^s here to seeyoutri - umph to -
■b..g=l J*U> Wfl P- a
£=£
£
Si
night. A - ria - dne is on all men's lips. You are A - ria - dne, to
i
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mor - row all re-col-lec - tion of the o - thers
J* .
tvill have va-nished.
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g^tef
k«T crgsc. 3yl ft
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M.M. ^
f f
^
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Very quick
£
dne
3
that's the on - lytriing-willdwellintheii-rninds.
Lackey (runs across the back of the stage)
I m p b b p p^
I ifW>rr^f^
nasi'iW
nic ^w
a*
Thecom-pa-ny's ri-singfrom
Very quick
l.H. " 3 L— M
1
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MM. ZZZ
53
g an % £=M=£
(Exit)
To yourpla - ces, la
dies and
S
P r I P B I P' 1 1 p P i
Lackey
din-ner. Be quick, are his Lord-ship's or-ders.
i
ffl J' j i /T^
■£.#■ #
i
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P##
^
General commotion. The workmen at the back have finished. The Tenor, as uacehus, as well as the Nymphs, the Naiad, the Dryad andEcho have come cut of the door L. The Major Domo comes bustling' from the back, L. and goes to the Music Master.
M.M.
44
Maestoso
Major Domo I have the honour to inform you (spoken) an 0f a decision suddenly taken
by my noble master.
It has been done. We are pre-pared to start the ope-ra A - ri-ad-ne in two —
4 *jai * ^
p
i W F l *IP
Maestoso
(impressively) His Lordship has once again chang-ed his mind.
M.D.
M.M..
^
g V J g p p^
or three_ mi - nutes.
The
#
Maestoso
CN
^
gge-
r\
fcfc
f
wmm
54
Your pardon. Where is the / ,7 . Dancing' Master? I have a
impressive y) commari(j fIom his Lordship
for you gentlemen both.
M.D.
i
Prima Donna
6 i
ffl
What is
1 J'JiJlJ' Jipppppfl | P
that?
M.M.
order is changedand the O - pe-ra nowcomes se-cond
A. 7453 F. 6368
His Lordship has been pleased to decide that the programme drawn up by himself shall be altered _
45
M.D.
i
Dancing Master (hurrying- to join them)
g=g=£
J?L
±
±
And what isyour wish?
^
IT\
(alarmed)
WWV i g ^
Musikl.
SfllU » i
C\
Now, now just at the last? That
A
HSi
<a
pp
altered, and as follows. 55
M.D.
D.M.
M.M.
i
Cs
Piu vivace
S
&?
i
^
Re - ver - sing- the or - der: the
^TP-P PI?P P_g
C\
sure-ly is outofall rea-son!
fTS
Piu vivace
8 7 »J>
^
g — ,.„=
es
"A
&^m
y i \ 7 g
i
p 3 p
r — i
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ftppp"Pp'p 1 ig
img
1 ip p r M1^
D.M.
firstpiecewill be TheTale of Fic-kle Zer-bi - net
- ta,
then A - ria - dne. Ve - ry
A. 7453 F. 8368
E=*7
46
M.D.
Forgive me. The Dance Masquerade . will be neither the first piece nor the
Major Domo secondj but wiu bepiayed simultaneous- (General consternati0n.) ly with the Tragedy of Ariadne.
HE
*
S7\
Maestoso
Tenor
7 g 7 B
Ha! Is
fT\
^m
DM.
pro-per.
HI:
r\
pfaFT
^w
r\
JL
dim.
g^P^
-y— y-
-y— y-
Hi
xr #
Prima Donna
^
Is he
i
Tenor
0 0t
p^m
&2SE2
this rich gent - le-man de- men -ted?
m
Music Master
3
HHil JLir-MMMH
Is he try-ing to make fools of all of us?
i
m
^=T
=5
,56
(The Composer approaches,
I; A J) Jlhfr/ 7 | J) jg | [lJ ^ l;p g g P p »
Priraad.
quite
a luna-tic?
I must see his Lord - ship this ve - ry ins - tant!
in great alarm. Zerbinetta listens ecfcts) from the right.)
(nut %ftta2S2° Zt is Precisel7 as I ^y. How you will condescension.) execute your orders, that is your affair.
47
His Lordship is of the opinion, which is very flattering- to yourselves, that both you g-en -
(very consequential tlemen understand your business well enough to be able to carry out such a trifling altera-
and pompous.) tion in the twinkling of an eye.- It is the will of my master, to have the two pieces, the
merry one and the sad one, served up to him on the stage simultaneously, but just as he
had ordered them, and paid for them, with all the personages and the proper music.
M.D.
Music Master.
(in a hollow voice)
V in a uoiiow vuicey -^
Our af- f air_
fT\
SE
i±
1 I 7 I
r\
f 57
And it must be so arranged that the whole performance shallnot, in consequence be prolonged for one moment, for on the stroke ofnine a display of fireworks is commanded to begin in the garden.
=£
M.D.
Zerbinetta
(runs to her room)
JiJTHTnP Js
rr\
^^
Then I must not lose a mo-ment!
M.M.
m
w$
fe#
r\
tempo primo
3E
1
Why si-mul-ta-neous?
acceler.
And
iOi
| 7 I
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J-
^
w
pl
U?Z—ZZIV
6368 A. 7453 F.
48
i
Composer (quite to himself, softly.)
HBp JlJip' JiJiJl Jlit
'Twasforetoldatmybirthby spi-rit voi-ces
m h p
£
M.M.
H
be
^^2
how in heaven'snamedoeshis Lordship think such a thing" Can be done?
Major Domo
DMrh^hM
It is presumably not the business of his Lordship, when he has paid for a spectacle, to trouble his head as well how it shall be performed. His Lordship is accustomed tohavehis orders carried out when griven.
(Turning- back once more) Moreover, for three whole days his Lord- ship has been greatly displeased to think that in a mansion so magmificently equipped as his, a scene so poverty struck as a desert island should be set before him; and just now the idea has occurred to him to remedy this error to nave the scene decorated, at least, with some show of respectability by the characters out of the other play.
Comp.
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P*
m' m'm
Tsomedi-sasterlikethiswnuldun-do me ut -ter-ly.
rr\
^^
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m
B j3
£*
r\
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^=^
58
Comp.
m
Poco piu vivace
Dancing Master.
Master. v\ i . a . 'r.
| \ p ^ *p p \ nl 1 1 1 p HI CT g
Sf
E
I findthatve-ry pro-per. Theres no-thing showsmore wantof tastethana de-sert is-land.
1T~
^Sit11
*
JTS^i^
3E
s
6368 A. 7453 F.
49
Comp.
B B fl l'ff=fT ^^F=F=EEg
:g — er
E^
i
pTI iTTp ^
riad-ne on Na - xos, Sir, she is the sym-bol of Man-kind in So - li-tude.
^
5ER3
3E
*3
59
j P PIP P P
Comp.
P r p p t b
Dancing Master
(Quickly facetiously.)
Naugpht a-roundherbutrocks,
the o - cean, the
pTpp (n¥P
That is justwhy com - pany'snee-ded.
heftig1 bewegt
pocopiii largamente
7 j g m^m iJ J)Jj p ff^
Comp.
and E - chothatfecianot. Does she but see one human face,
* i &
aS
5^:
£
5^
f=
"/
gt— f £f~
I 7 |
60
ancora piu vivace
Comp.
^m
$=^f
m
my mu - sic has no mea-ning.
t
Dancing Master.
f m \ ji 7 i i p p
£
But it is live - ii - ur
W
tf^T
*
^P
yjs
r=W
for the au-dience.
T=^
m
ir r \?
nfc
f
3g
*
3=r
±=5
6368 A. 7453 F.
50
D.M.
(pirouetting-.)
Forg-ive me, but I must askyou to Major Domo. use the utmost despatch. The Com- pany will enter at once. (Exit)
m
_£v
poco rit.
z^_
tess
)l 7 K^t^
)7 7|)'^^
ci A little quieter
Music Master
music luas^i ^-^- -^ _-; — ^_ ■/ ' g^ ^ ^-^
g 7 j p |» 7 p p p i p r r v p p i p p p p p p i p p p
p
Mypoor head! What a quan - da- ry If they had on- ly justgivh us one hour to
#
pp
m
) 7 I
Composer
i — U ,1
p jn i i p a j^ i
On such a thingyoud waste a thought? When
*-p r m-h1^
l
M.M.
think out a so - lu - tion.
*»-
^fe
-35 =111
6368 V A. 7453 F.
Comp .
62
51
m
m^
crass vul - ga - ri - ty con
fronts you, like Me - du
sa, tur-ning- our
Comp.
M.M.
gain by stay - ing? The fif - ty good du
cats, in the first place, on
IF=
Composer. (to himself, gloomily)
m g p
it
*»J| j)g pptwih « p p * ^
This world and I have
M.M.
whichyou hopedto live at least sixmonths in plen-ty andcom-fort.
6368 A. 7453 F.
52
Comp.
accelerando
Moderato
D.M. Sj JV) j|J)^
£
-MM i^f^^W1 I >»p pip
that you two gentle -msn are so ve - ry strong- - ry op -
. pri - ses me
*rL^i££n$
s
/»»
s
dim.
D.M.
accelerando
65 tempo primo
i
pi^
1
s^g
D.M.
Music Master.
The ea - si-est thing.
The
t^TZT^ft^m
?=E=Z
Do you real-ly think it might be managed?
accelerando
f
tempo primo
a
Z
3
^
g
j ^ n
i
6368 A. 7453 F.
53
D.M.
| ji i J p | j>^
OT3
Ope - ra con-tains
does it not?
some wea
PP
ri-some
espr.
ki±
5fc
P;
^ ^
ih
"P
accelerando
h J)ii^J) jjhjtJUug
D.M.
formers knowhowto im - pro - vise v'e - ry
f-F^f
;iS3*
*F^
fc.
y i £
?-
g L L L . 66
D.M.
cle - ver - ly in ev
ry si - tu
a - tion
m
£
Music Master.
t-* \ m p p
» ■
Hush! If he should hear,
grw^r^^
##^
i
s
1— life i t
1
Quickly
i-a i i j ji j>>> P >a
D.M.
M.M.
Ask him at once whe-ther he pre-fers to hear his
i ? g g I T pg^j
he'll sure -ly kill himself.
Quickly
1
Se
1
r-
r..
6368 A. 7453 P.
54
D.M
^p-44-pq^Mi^
mm
sip
work with a few bars o - mit - ted just this once or had rather it ne - ver sees the light.
in
151
r
^
^^
^
§
fe
Efe
I
ap»:
H
fe
67
P
<r — m
FFFP
P" P F P
^
M.D.
tf— P— ¥
ft
Find him an ink-pot some.where,a pen and pen
cil andsuch-like. There
i
C0Dip0S6r (feverishly presses to his heart the sheets of music-paper that are handed to him from all sides) ^h
m
m
Far bet-ter burn.
t
^TT&JqJ^1 1 1
M.D.
is no o - therway to save his masterpiece.
t
Comp.
D.M.
£
plotzlich etwas ruhiger
^
them.
^
^fn \'f, \>
P T T PTfr-^M- bP Ji 0=6
Scores ofmigh-ty mas - ters to whom on our kneeswepay ho-mage,
A. 745 3 F.
55
fe%Vy^— jy-_ p 'T I j j 'T ^^^EfeJgJB
D.M.
havebeenfoicedto win their first hea-ring
by sac - ri - f i - ces far be -yond
digg J ,U jX-jj
31
-fi
jjJjJJjM) J.^TJ
Composer (pathetically helpless)
D.M.
Comp.
D.M.
i
May I then?
Must I then? (To the Music Master)
h jOi it i $ I
See that his cuts are suf -
I
S
s
b^ pp
^=zf
mm
±
'£
a=f
e^
(gently forces him to the table, where the musicis spread out. The candle is placed beside him.)
i yjJLjJp j p g ||Ji | p p S
I'll give Zer - bi - net - ta her or - ders.
D.M.
1
i-cient.
fa^
jag "v* 3
p
/>^5-7T
^
f^tfJ— «H?
a-fEj7
i>
56
T J* I }) i MnM J' Up p I * g e E p P-ff fff
D.M.
In twowordswe tellher thewhole of the sto - ry. She is a past mis-tress of im-pro-vi
u
m
£«p I p h p p 'f i'p p p r~~p p p n PP J—
D.M.
sa-ti6n:as she al-ways plays her - self, you see, She is al - ways at home in ev - ry
^
ftrr-fr
*^p r,?TTppi^PP'Htf^
D.M.
kind of scene. The o - thers know all her tricks by heart, so there can't be a - ny
* r i itt^=f
n ' i '
$
t
(The Composer begins to make cuts with feverish energy by the light of the candle.)
70 Allegro
feE^
D.M.
hit - ches. (He fetches Zerbinetta fromher room and speaksto her)
m
■Sjg
^
S^E
'"•'•Vl*
If
r
dim.
57
i
Prima Donna (to the Music Master)
71
Tenor (goes quietly to the Composer, leans over him)
PiFpppT p n
Wm
Now be sure that a great deal is ta-ken from
^
z=. a
£»
1
H
^
You must cut the part of Ari-ad - ne.
wifr~T~*
iJr^W 1
P.D.
Tenor.
Bac - chus,
he has far too much,
and his end - less
i
£=3=
^
Musie Master (whispering to the Prima Donna)
No one can sit
V
I
1
£EEE^
g^l
None.
of yours is al-tered. 5
M
m
PgFf
pp
0
4
W^n
irf^
P.D.
a
£^
high_ notes
just
madden the au
dience
j 5 g i i r f n f^H^#
gp^pp
Tenor.
£
still.
if she is
shou - ting with all her lungs the .?
^FU^fiS^
58
Tenor
| Up | j - ^
whole night long.
Music Master (to the Tenor, turning- to the other side)
Two
^
J.
ii
of her airs
di - sap - pear. You don't lose a
immer lebhafter
Dancing Master (to Zerbinetta, very merry and facetious)
¥
OJ)fe
g
£
(to the Prima Donna)
s
^S£
p j b j i *;t"p p v'pTip s m
Jg
This A - ri
*£
M.M.
y y
qua - ver.
I beg you hot a word.
He's ta-kinghalf of his part from
immer lebhafter
^MAAM^±i b
1
^s
£
£
»
73 Vivacissimo (J-= J of the 4/4)
»A
s
f
S^i^
3^
P£
Wm
ad - ne is a Prin - cess, who rash - ly ran off
, . PP.
one day with a
J.
fa h f-
^^
M.M.
Bac - chus.
Vivacissimo (JU J of me 4/4)
Do not b^ - tray my
6368
A. 7453 F-
59
D.M.
M.M.
$
k
Zerbinetta
^ ite-i
0 . hr m -HP "ft s
S v
She'll come to a bad end I'm sure.
tP^nnTi^1 iJ » j
D.M.
saved at the risk of her own.
Hff^r#|FM
J-TTP ^ gg tt^-r-J
Lir "P
gins
*
*F=fW
m
\£MM i
?
n
74
S
fr-JrTJ
fcfc
i^p
D.M.
*
^
*
*
The-seussoonhad e - nough of her. So he left her a - lone on a de - ser - ted
ipm
m
fw§
^7?m l^
^
/*»
u
y= jg.
J
2 7
^
S
jgg
£
§1
¥
%=^j£
^
^
^
6368 A. 7453 F.
60
Zerbinetta (siny) aisvoii)
£
Naugh-ty
I
£g *• "gkff4
\ y i i>r 7 ^=^
D.M.
£
IS
land one night. Music Master (to the composer)
m
i
# — w*
jj | I P
fep
I
That too: it must be.
i JM^&&
Zerbin
D.M.
$
75
^^£
£
man!
(mock heroic)
For
*
1 V?P g | [^
1
She's dis - trac - ted with year - ning-
and prays for spee-dy death.
p
S
te*
«
B
f^m
$
-7-^t-
P
f
espr.
^
-jjf'fv^
i<pag~jTa
£
^U
f^i
7
?
■* — *-
f
-^-7-
s
irr
*
J^r P I.J ^
*
Zerbir..
£
F
I
death!
They all say that, but what she wan - ted
Zerbin.
D.M.
4
k
76
61
B
■\±
was a - no - ther ad - mi
m
rer.
i y
$EEgE3t
?
And so it turns out, of course.
lT¥~a-p .f%5&
J,J.T,I,.% Comp
m
oser
Poco piu largamente.
as
|B
*
i
*
^s
2
£
P~P-P P
~£1
g£
5
£
No, no.
it is not so. For, Sir, she's a wo -man high souled, one that gives her heart.
Comp.
for e - ver to one man
knowing-no o -ther love —
— i , i ~\ji\ ul tap
Zerbin.
Comp.
(stares at her bewildered)
But death .
pas - ses her by. But
| J:> jifp f^pg
i \>o
un - til con - quered by
I
7L 3§
hi V
death.
Vivacissimo again.
S
1
I
tfesfe
^=^F
=£zz£
i^
^
S ' g r
oresc.
m
Life
as
wv
£
^
s
f=
f5
A. 7453 F. 6368
62
Zerbin.
iftpiiw^H^yp ^giffff
5 UJuJ) eeSe
p P "iJ)if
what do I wa-g"er there comes in-stead
pale faced young- lo - ver with_
y ^ i,iJ
fapH^frTii&iU^
^*^tep
Zerbin
(merrily, scoffing')
j v y il
Zerbin.
M.M.
P
a ir t
fh
is the god .
As
»rr if
K
£
i=i
of e-ter-nal youth, Bac - - chus, ans'-wring-her prayer.
m^T^q?
IfrRTj-J.-
^mM
3&
mm
iS
»
m
3
w »* Wjj«
6368 A. 745 3 F.
63
Zeroin.
M
l
W^^m&
^m
fjrf^rj
I
it*
if we did not know it! And so she has ev - 'ry - thing- that she
[3
^fjrff
fefe
ffM
Hita
^
^
^s
s
*!1
»«
P
y v
fefefcfe
79 Not slowly but with solemnity. J = J- of the %
Zerbin.
1
wants
a a uomposer r
i
*
iJ I jjfegj
§^
She thinks he is the God of Death
Not slowly but with solemnity. J=J.of the%
it.
is . Death .
she
'mjfi^r
•95L
^
iat
^
^
^^=
m
"R
ME
g 1 g
bJ.
2>«Ji
#pfj
JT2.
J bet
sempre piu scioltamente
^
bs
Comp.
ii
J-- J of the % Zerbinetta (from the door, very coquettishly)
ery coquettismy; vtm -m-
ii j v j i "p I
m
¥
Dear child, she is foo - ling- you.
Comp.
fe=^=
a
W
I
i
^s
SP5
- fore a - lone
Yea, therefore a- lone espr.
Wf^
Ml
i
Mi 1 f
6368 A. 7453 F.
64
Comp.
she goes with him on his ship
to die she dee -
nfrn
Ppf
P f
S
fei:
M
cresc.
UM
p
1
%
^
Z23
cr
espr.
Zerbinetta81 J-*1 <*«"*%
-^-y-
£E
( softly but impressively)
Pish, tush-
I
Comp.
£
*Ek
-meth
No!
she dies
tru
espr.^—
y *) !»<!•
PP
ys
S
i±±i
til
. 7. ?-■ pg^y ?
i
s
■#g
ZerM
Comp.
£
"pfr-fcr e i r p^b
*
soon youll know
what I am in my in - most heart of hearts
(g-loomily)
1 J y i
i y i
p
m
-iy-
Like her you ne
ifVrfa ,> -^-m
6368 A. 7453 F.
Much more quietly ^
(softly)
65
Comp- -j
*^ ^^*-» /-\ l«ri + 1i/-\n+ ~i nn^.o T^^rt^rt- rviil Imne >; tl c* IO ^ Vl a Hurt AtrJ"i^ r*~\ r\ v\r\\ f/-,*- n
Comp.
one, wi-thoutapeera-mong- mil - lions, she is the one who can-not for-g^et.
■j. ,. luff >~ffii*
Piu vivace.
0 0 Zerbinetta (she turns her back on him. To her partners who have come to her )
j-tt^v^
j 7,hJ ^iiJiili)i)i)J y^J
Nonsense.
m
At-tend, we are to join in the piece.- "A - ria-
$m
i J^J^
li
? , ,?
P
l*wm
m
p
w/*
#p
mf
J?^-
s
^fe:
s*
*o^
7~
I
very quick
1 J i)l)
m r »Jjjptj> j> JJiJiJiAJ^
Zerbin.
-dneon Na - xos'.' Theplot is this:There's a Prin - cesswhohasbeenjil-ted by her
$
k
^
•l j« K
m
%
i
i
F
J J-
S
1
1
s
6368 A. 7453 F.
66
Zerbin,
ffin-Jrtrfe&zs >T]>J3jug ^ J'' J>-^g=£m
¥
f
lover, and he leaves her, and no o - ther ad
mi - rer has as yet ar-
££m j j
w
I
sa
i>
«^^
pa J'- p p Ji m ji J>"^Hs^
f
Zerbin.
£
£
-rived to cheer her. The scenesthe beach of a de-sert is - land; and we area
M
$
fe
asa
y -
F
PPPPP p pppTprJiJiii^JrnrJ^flp y r
Zerbin.
live-ty band of tra-v'llerswhoby chance have come to vi- sit that de - so -late is- land. You
m i jj
^m
7
4V^ j j i ^ m
rr"Jl j)il jl M
Zerbin.
£
£
take your cues from me, and as soon_
as there's a g-ood chance to come for -ward,
*F*?
m til *> ' ^
m
*Ei
*=*
s
*
6368 A. 7453 F.
67
Zerbin.
84 accelerando
i — -wr-*>—
Ptrt— %
^2
then we ap - pear
and take our part in the
i ^^MB
PP
i^Q
Up
-ra y^ *r^J
^^
Rather slow.
Zerbin.
Comp.
Comp.
A. 74 5 3 F. 6368
86
(grandiosely)
fa .tffr b. "fe-fe
Comp.
- new - - ing
Thus he his g-od
rfe
;4=fe
fe
hood grains.
P'cresc.
a
f ft ki-
y. ti
itfgJS
a
*£
i^
p
§=
zee:
Hffc
lu-
j i I frJyh'y i 'r np-pi^NE
2Z2Z
Comp.
What o-therpowercould wa - ken to life a young: grod's be -
lag"
A. 7453. 7457 F. 63B8
Zerbin.
Comp,
Zerbin.
Comp.
Zerbin.
Comp.
*
¥^S
iR
88
I take a hand will it hurt you?
with his hand in the air )
l r g nr P 'Pr^P' P
God grant I
may not fall dead in this
i
^ ^
i
7 g j? t^ns
5^
W*
~w- Eg «ns«
r
^c
ws
esprx.
pgg
■£1
'T
cresc.
to:
•? 6368
A. 7453. 7457 F.
- t, : a *aU J sill ii«rr . rff ■ SgilSu^fci
»^W
y cresc.
m
iff * f
a
»^»
j
^
Composer (lost)
I - * a
2JC
S
fe
3ZEE
17*
¥W^
Comp.
What means it all,.
andwhyspeak thus.
to me
■ 3=^
*Hm
allmahlich ruhiger
Jf ify i
A. 7453. 7457 F. 6368
Zprbinetta (aPPareEt'y witQ 'he utmost simplicity; really with the utmost coquetry)
71
Zerbin.
A mo - - - - ment is a
Moderato (strong rubato: the changes of time enclosed in
g§ gj i
%r^-ua
-o-
fit- J
0
332
S
en
as P
Zerbin.
lit - tie thing- a mo
brackets to be only barely perceptible modifications)
merits glance means much: _ there are
Zerbin.
ma - ny think that they know me;
but they have eyes that are un-
m
£3
J J 1 g I
Zerbin. ■>
rxzi
-see - ing.
m
m
4- i i =f
EG BE
F ¥ —
J=a!
Not of my own choice do I play on - ly co -
(poco piu scioltaraente.)
f — -r
s
z:
IXZZ
-J^h
■S:
A. 7453 7457 F. 6368
72
Zerbin .
Zerbin.
Zerbin.
94
* is He J J i gj
$
Zerbin.
^
.me,
yet none is more lone - ly.
poco accelerando
6368 A. 7453. 7457 F.
«
s
Composer (naive fascinated)
73
^FF
Comp.
m
poco accel.
Sweet g-irl, past
a tempo (impetuoso)
Zerbin.
- man
Si i r i
19-2 1 &
Comju
£
all un - der-stan
ding".
(simple and tranquil)
SI ^rV
96 (very heartfelt)
4
±
P
S
1=^^
5
Zerbin. i
P
£
«T3«
you should call
me
^
hh Wu-tti
a
i>^
one too of - ten con - quered_ by the (molto scioltamente )
ib$fj
ftiii
PTF-
!m*t
i^ff
Ion - g-ing- for the
love, him to
j^g
bia^
^- ■•■
££
^m
r.H.
-Hjfr
*^
3s
te ' Vt&f
W
I.E.
PP
cresc.
m i. .. t-- r
^QrEr^F— — :;i
I Wl
l.H.
f lH- Af:
1
ZEE
PTT-
JP" • 6368
A. 7453. 7457 F.
74
Zerbin.
m
rt
whom _
she
could
be
i£
. ij. g ga
-i Lggj ^ , iic^^gr^ tf^iuk
s
i
p
^
^te
bi.'
/-
i
k-
J,
M.}^—J: y
<&>#.
i
2jC
ton
3^
Zerbin.
Comp.
6368 A. 7453 . 7457 F.
Comp.
My '-p nr-> *[*=%
ai - - ry spi - rit, pi -
ning- in earth -
iy
%*f¥^£
ifctt
e
^hJTJ. j
bJ)
>W_lW
a
3jE
ifite
ggg
■=»:
rO-5
Comp.
Zerbin.
-press my dec
pest fee
i
1
M. A.
U 4hL^j3~3^
ling-s. (quickening- somewhat )
1
^
Ef
ggg
^
^P
m
^^y
?5i
A
A.
IK
* «.1 f
%rrnw\
ffi=
-€**-
fafc^p Mr- ^
(quickly)
Zerbin.
6368 A. 7453. 7457 F.
Zerbi
Zerbin.
Zerbin
A
3E
Gomp.
m
m
m
ten
m iff
mo
U
ments
be
for - g^ot
«•;
:gE=f=
m
!■«■'
mz:
ss
I
■rusuS'
PP
cresc.
f
Nfcg
ii
i
dim.
-Hi
^.
=9^
P
# tttf:
^fTr
-»s=
^=
st
6368 A. 7453 F.
'»
Comp
(Zerbinetta frees herself, and runs off)
The Music Master, acting- as stage manager of the opera,has during this dialogue directed the other characters, Oie Tenor cuid then the three Nymphs— to the back where the stage isassumedto be, and now comes bustling to the front, to fetch the Prima Donna who had again disappeared into her dressing room.
IS
Comp.
Quick J a little quicker than the d previously.
* 8~"\ ^~~
104 Music Master
WH
h
i
M
Please.to you
£
3^
v=^m
your pla - ces
3-^g
La - diesandgentle - men!
A - ria - dne, Zer-bi
tefe
** 1 1 i i ffsfe
—- £*
&
*
Musikl.
net - ta:
Sca-ra-muc - cio, Ar-lec-chi-no!
Take your
78
I
Prima Donna (to the Music Master) -| Q 5
£
» r M 1 N
Am I
*
B
to stand on the
MM.
pla - ces on the stage at oncel
in
4
P P ffP "P p
£
£
P.D.
M.M.
stage with com - mon girls like that?
What are you a-bout?
m
^^
m^
> > >
Let me im
^J^TOJW^
♦—- -4
5 :=?+«#■
M.M.
you!
Am I not
your old friend,yourtea - cher?
(a little more quietly)
m
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j j^ jttj iiCTOS p ^
&
y=sp
1M
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dim.
PP
106
Prima Donna
gJtAAf
P P I ¥ P P "P P P P / P
If that young per - son is not drivh (Quicker again)
from my pre - sence,
A. 7453 F. 6368
79
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(a little broader)
to-H1-^
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M.M.
op - por - tu - ni - ty to show than on this stage, what an in - fi - nite
m^
P
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tm
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Prima Donna (laughing- derisively)
s^
f
a
I ^ M'
Gulf indeed! ha ha ha
£
i p i )i ff | i
M.M.
EE2
gulf is fixed be - tweenyour great art, and a girl like that?
6368 A. 7453 F.
80
RD.
M.M.
M.M.
returns immediately to fetch the Composer, who embraces him rapturously)
Be my friend once
m
m
v£M
£
±
£
E£^
M.M.
^
a
seethem all fall at your feet in ecstasy! Molto Vivace
S
^
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more.
With eyes — new - o-pened I see.
whatwashid - den!
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82 111
1 ' ; (-with exultation in his voice)
t
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Very impetuously
and yet_
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Comp.
Comp.
113
\AH>
.J
83
Comp.
:2
j ■ — #J j
da - ring: heart.
And what then
^. #4
te-
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dim.
fe
Comp.
i-m A little quieter, but still impetuously and with enthusiasm.
1 1 \ ** ^^~- __: O k : 'J. I >
Comp.
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Comp.
m
&
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which u - nites
in sacred bonds .
all who dare,_
^3^py
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A. 7453 F.
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85
Comp.
(Zerbinetta appears at the back, ai.d whistles pertly, to eallherpartnerson to the stage. Arleechino bustles outof the room R., buckling' his belt as he runs onto the stage. Scaramuccio comes, also putting the final touches to his dressashe runs,Iiko Arlec-
J17 A little quicker
\>. a ' * ■» r- 1 ^ . 3 "7T- — th= — ■? ^ 3 #
Comp.
Comp.
Efci
:iS=p:
fr — |
^m
Comp
gpsp
^m
w
w
pit -
my ho -ly place with their lewd ' an -tics
oh!.
Music Master
gg
f-fW
*•
llMlJ
L But you have al •
6368 A. 7453 F.
86
Comp.
M.M.
119 Very quickly and passionately
m
PP P P \ IT 'i
It was — acrimeto al - low it:
M
lowd!.... Very quickly and passionately
r zSr iS y
5* t -
Comp.
U j
r zS r zJ
&
120
^ r ji
Comp.
?
1
Who
bade you drag- me,
fel
IDOi^d
gggjiigi
rf3
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rl
EE
BE
S
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$m
p •> i 7 J
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1 — i£
me
from my ownworld to this?
No, let me
i
(Runs off in despair. Music Master looks after him, shaking- his head) 3pf)
(Quicker again)
S
^1
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wm&mm
m^jrw i
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J (The Curtain falls quickly)
P
^ $
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^
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22.
End of the Prelude.
6368 A. 7453 F.
P&rscyruzg&s of the Ofi&ra,.
J^rr^cccl^ic- ,,.,,.... . , . . Softrc&nc.
Bcuz<ckits Tenor.
J\lczJcccl. ,,. H-^g-H /S<rp)rcvrixy.
Dt^i/ouI CorUralfo.
E&ho- k • • • Sofrrtvrio'.
Toko?*.
Bass.
, T&rwr
JK-rZeochtrixy.....
Ifo^a/doric?
H^rujh&llo'
A. 6368 F.
89
ARIADNE ON NAXOS
BY
RICHARD STRAUSS
Overture.
Vocal Score by Otto Singer.
Andante. Metr. J - 76
-l r^T*^,
Piano.
Copyrig-ht 1912 1916 and 1923 by Adolph Fiirstner, Paris.
Adolph Fiirstner, Editeur de musique, Paris, IS, Rue Vignon (9^
A. 6303. 7453 F. 6368
Eerlin-W. 10, VictoriastraBe 34?
Tous droits d execution, de representation, de reproduction, de traduction et d'ar- rangements re'serve's pour tous pays.
90
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E
Ariadne is discoYere.1 lying motionless on the ground, at the mcuth of the cave.
Naiad on the left. Dryad on the right Echo at the back, by the wall of the cave .
Lento.
(The Curtain rises)
•' Allegretto.
M. *-=52
to
^
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If
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Naiad.
Dryad
fe
i^J Itij-j
1
Hear her wee - ping!
Bpi "yp;
Dryad.
Naiad.
Dryad
6368 A. 6303. 7453 F.
95
Naiad.
Dryad.
13
£
mf
Naiad.
Dryad.
^
SE
WE3EEBE
-&*-
V p u
lies.
Waits in vain.
for his re - turning.
I
i^ipr
lies.
S
espr.
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iai4
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m
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a
te-
Dryad
6368 A. 6303. 7453 F.
96
Naiad.
Dryad.
#
t>p U 7
■*f—> l\hf
fe - ver bur - ning,
ver
bur
i
35-
ning
P&
^E
Woun - ded heart .
m
that
dW " r m t r
i
»
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~"2T>,
J. J
ail
(9-r-
Naiad.
Dryad.
il
15
dim.
JP
Naiad.
5
Echo.
fate de - fies.
g i 7r
7 j 7 —lr-^F£
7 ? 7
»
e - - ver
e - - ver
I
£
dim.
fate de- fies.
#
Dryad.
i
£
s
fate
H
fc
*
f6/tt;
de - fies.
tempo primo
iff i
r-^7
as
itii jg
j^ dim.
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16 ruhig m. J- = 66
Naiad, tranquillo
2^ (expressionless)'
*
\ m t+t J)r p i r
m
noch ruhiger
/>?« tranquillo
j^o-a-i
Now the mar - vel scarce.
i
Echo
sur - pn
J)f expressionless)
- seth! But like
5
5
£
— * —
seth!
Dryad.
Now the mar - vel scarce.
sur - pn
i
-M-
(expressionless)
W
m
w^m
sur - pri
Now the mar vel scarce.
ruhig
tranquillo
seth!
noch ruhiger
piu tranquillo
i
17
22i
¥^
m
Naiad.
Dryad.
3 — £
ebb and flow of o- cean.
i
m, =,
I 7 7
n £ J-3
Like the
;^¥
Like the tree - tops' gen - tie
mo - tion,
31
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T
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6368 A. 6303. 7453 F.
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i
p
m
tree - tops' gen -tie mo - tion
I
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a'^r ^'icJP
?
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s
Like the tree - tops', Like the tree - tops' gen- tie mo
tion
Dryad.
3E
*=j-w
7 1
8^
£
Like the ebb and flow of o
Dryad.
Naiad.
Echo
Dryad
fliefiender piu moaso cresc
g I g T
ding not we pass it by.
m
f^^f
*
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f
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by.
not we pass it
Hee - ding not .
we pass it
i
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pas? espr-
by.
fliefiender /??'« mosso
p
k
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k=±^
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ft
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Naiad.
Echo
Dryad.
. I j r l i J j »J j i J ^p
Ma - ny a day now in this fa -
§6e
99
* ., by-
shion
4
¥
p
l j r j it p <r JtJ'i "
Ma - ny a clay now in this fa
p&i
• B K
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juj igj^
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&
cresc-
Naiad.
Dryad.
, , oi wieder ruhiger <.'<iUuin.o *'jneno mosso
$M^
if-- p-
^=^
it - ter en
Ah!
i
Echo.
Sf^S
^
Ah!
Dryad.
i
*=
dim-
m
-&
))>
P
i
r=w
^
-ir-^^
yart
ler bit - ter cry.
calando
Ah!
wieder ruhiger
we»o mosso
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a.' dim.
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6368 A. 6303. 7453 F.
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Naiad
Echo
Dryad
Naiad.
I fTrr/3/3
22
^^
Dryad
i
m
$
m
p
ppi
fr.fU
i i »
mm
a
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^
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r
6368 A. 6303. 7453 F.
Naiad .
Echo
Drvad.
Naiad.
Echo
Dryad.
Naiad.
tree -tops' gen-tle mo-tion, gentle mo
tion Scarce .
i
#=
^
-fe
5*
^^
I i j1^
^
-tops' gen-tle mo-tion, gentle
tion Scarce
Dryad.
SEEE=5
:fe
J' ' 1A
1 *^ — *
o - cean, Like the tree -tops' gentle mo
— r — *
tion Scarce
^ri
6303. 7453 F. 6368
102
Naiad.
llBi ju?
24
dim-
PPP
$
jj wlj^m
m
$
we heed her bit - ter cry.
dim. - - , PPP
iPN*
Si
Echo
Dryad
SP
5
5
I
^=5
m
we heed her bit - ter cry.
dim.. - PPP
£
^J'l 7
^
£
we heed her bit - ter cry.
i#Sp
£
s
Hi
s
£
iH^f ft
f
mfespr" "f
^|
Lento. ^
W
Van
r
<7S
Ijs ' jj5 t*
^
7>
^
^ M.J = 66
Ech0 ffi
(on the gTOund )
Ariadne-^ ^
Ah'
fe
25
Ariad.
^I'^iiJ'ij oi' Vnr p
-» — tL_J' Yet li -
ving breathe a - gain .
and see the sun?
m
S
?pZ
5£
JL
Lf.
^
£=£
lr,
6368 A. 6303. 7453 F.
103
Ariad. £25
i=
w
s
I live, but yet, ye gods, I live not tru ly!
#
-JL
B
ff
m
5=
St t J4
dim- -
% *
* *
^•1,1,^ J J >^
^
g?=;
a J J Jv-^hN^
¥■
■m
26
Ariad. \JLy
^
P
— v — r
Thou shattered heart,
cease thy
zs
=|1
1 I hi
Pi
S=
I
r^Ti
r
r
>_ >>
B # J J J'-lfebfe-^ J J |
jj TJP tJP
r^~>
3P
W
3F
*|CZ
27
sehneller
Ariad. ^^
-bing!
^ E
—o
throb
boot
less
m
i
*&
i
s
#»
X*
^
S3
r
if
> >.
tM W i®
iji ill gJS
a
^
^
y=a
3F
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»?
ttp
(Half raises herself)
6368 A. 6303. 7453 F.
104
m
28 ritard
langsamer
piu lento
Ariad.
dream?
Fled, and for-got - ten ! I faint, re - mem -
mm
tf • ^fr
a
£
g^^
^^
§i
ffli'i'T^
^
PP
fo^p i;d; Tj ^R
mi i
i^=5
29
* gj|
^
^^
Ariad.
£
b'ring naught!
A world.
^
of sha-
3J
P
n
£==t
«r*
^
PP.
Ja:
&
i
cJrcrr-
fe g j p I 1 1 bP
* \ l l YlJ
Ariad.
-dows where one great sha - dow broods.
But
£
3
~~ jo cresc.
.^JqF Pes *&
espr.
f
espK- . g
r
MB
Ariad.
30 accelerando molto l^
Tempo primo
m
hor- ror! see yon quiv- ring light that pains me sore!
Ah!
/T\
j!'""JLr,bw-^
1 f 8
o I* .9
m
■s-
3 , ^ I | ? r | t|p> L. g-~r-l'
r-. ^
cresc. molto
*
i
6368 A. 6303. 7453 F.
E Ch.0 ( The same sounds as the cry of A r i a d n e , but soulless )
105
d*
^31
etwas fliefiender
un poco pill mosso
m
£
Ah!
/ZS
ArleCChinO (in the win^s)
m
sg
£
i/?N
kS&
etwas fliefiender
un poco piu mosso
How young
Zerbinetta (in the wines)
r i a j iT~f^
How child - like is her face, yet grief hath
Arl.
32
17 — TJ
m
s
Zcrbin.
marred her fea-tures!
m*
Si
J it pnm
f
e
And hard, most hard the task, to comfort her.
Truffaldin
i H j l ti J p
^P
5
E p r > b
35
And hard, most hard the task, to comfort her.
6368 A. 6303. 7453 F.
106
33
Andante sostenuto
73^"
3
;zz
m
&
jop ntfm(j)lto esprebsivo ' >
gg > J Jl
f
B
"2:
5:
f-
f
AricLdllG (without heeding- them in the least, to herself, soliloquising-
Ariad.
*- And
36
M
1 f*F |t£
S
K
Anad.
went their way, in light — and life re - joi-cing, and
iU=fe
r r r- -r i tig g
is
Q3£
jlfljra
£1jb
s
1
§3
Jlj_j^_
^=^
ff=
6368 A. 6303. 7453 F.
107
Ariad.
m
#
-^w* F —
37
r 7 p
J. i
»
s
went.
their way in light and life re - joi-cing.
m
-j. iiJ-^
w
s
i
P^
3^r — ~?
IS
1>/1
I
»/V
dim.
:J- i
J*2
espr
s
77^~
r
« *
g
(with great expression.)
*^
38
poco
£
Ariad.
£
£
f
How beauti - ful were
- riadne
H
ite
fefe
^
*
p^
:&
Ft
UoesprT~
f r
S£
£.
-«J0i
ja
*
s
:zz
5F^
~B. '•
^IS
accelerando
Ariad.
tempo prinio
J. J, U J> liT^
Ariad.
in light and life re - joi-cing.
BBP
Ff
is-'
cresc.
J-
znz
i
s^=-
63U8 A. 6303. 7453 F.
"»■ 5
108
Ariad.
etwas breit
un poco allargando
(Fainter.)
40
fe
j j \ p
^^
A - riadne.
The
seus_
fr J= ^
g j- m
7-
dim.
Ariad.
m
(Vehemently.) a tempO 1
I
accelerando
£
3^3
tfcEES
Why knowl aught_ of them?
Let me for ■
&
m
'^zJM
^7>jSjfT*
/
^
£2E|E
B
-r
i b^
Allegro
(A new thought flashes across her- poor distraught brain.)
41
'At N^
Ariad.
nr p p p^m^
s
get them!
One question must I answer:
^pm
1*
: j -
iS
**
§
W^i
) M.
I>* J 7 p
i
||
fe=!
§5
1
^53
Ariad.
6368 A. 6303. 7453 F.
109
42
Ariad.
fe P J> ) ^
1 1 g j g ^
rouse me:
Yes, whi-ther has she va - nished,
Andante
nfr'l. i j Up p ''P | Pi hJ j i 8r KP'/ii
^^
Ariad,
^
The maid that once was I!
know.
I
£
i
^a
g&
^
s
s
i
?
¥
p^p
S
^p^^Vp y^r
5M#srf
| |g||
espr.
%
ffig
i^A
9a
*
43
B i r'^U 5 i ^ o I'T-^l'r i — i
Ariad.
E
Hear me, let me not for - get, ye gods!
\?A-
fa\M:
-A W
^ \>Ad ii
g btgri — d
^
*
bjs
J"~JiJ J. J
*UJ
IPTjjn
m
e
p
44
&
p p- a T i > j > p
Ariad.
^
Nay_not the name.
the name is with its
pjj ^ 1 Mt" ggfjjTf
i=*
35
It
f^*
gs ilj J
/7p
£±fE
nn /P
s^
P^r
E
6368 A. 8303. 'J453 F.
110
Ariad.
\h r ^ M i i"r p i j)
45
i
£
fel- lowgrownin-ter - twi - ned so close - ly: One thing.
3
^^
with a se-cond
as
Naiad. 46 ^
m
EJ
(as if trying1 to remind her, to waken her) A - riad - ne!
Echo f.
i
S
&
A- riad - ne!
P
Dryad.
a r i r if \
A - riad - ne!
I rpbr i i ^7
( motioning* them awayO
> i ga
Ariad.
ming - les soon,
Hor - ror!
Nay,
I
^
42.'
lM
►«5H
™[j£lTI
s
^
espr.
Mfe
Hi
tolto Andante m. J = 92
<5^\ 6368
A. 6303. 7453 F.
Ill
Ariad.
i
w
47
n i r i f- i
i
I
fes
lone .
And light is her breath, and light- her step. The
£fc
48,
frr It fir
S
E
Ariad.
m2
*
?
grass— it moves not where she treads, Her sleep — is pure se -
miCJj^\r-^f^4^
jF^fjf
B
J*^2.
^- ^
M-i
Sg
i>
L
b'i.7j)JJU
m
s
^
^
Si
* - T*
#f^
JgPPf
Ariad.
rene her mind- Her heart un - tain
ted as the
I
m
m
m
32
fe
se
f
cJ-^
r
EtJ*1
li_l
^
p
5"?
Ariad.
6368 A. 6303. 7453 F.
112
Ariad.
m
•Tg~r
50
3fe
W
will she greet the day.
tm
-«-§
s
BE
nil
j^M
T
^^
dim.
nzm
*r
When joy •
h*i
mm
r
pp
^m
im
tnsrv
^— *
b'-|,-ff 5 i I ^
pp
Ariad.
fill - ly
wrap - - ping her cloak a - round her,
^
l^BI
xJi
a
sfe
^^
¥
Ffi
§te
^
?
g^
zc
^
51
g jj 1 j ^^
Ariad.
Shrou - -ding her face,
she will a - wait de - li - v'rance.
And
h Jjj Hi ribf r i* "pp p HHi
Ariad.
thus in peace for e
Among the dead_will rest.
6368 A. 6303. 7453 F.
113
;. 52
m
Zerbinetta
^m
*—l++¥
%
ArleCCMnO (in the wines)
JL
%\ i «Tm m j r 1 1 i j 7 g p 1 1 p- p_fj
Try rau - sic's hea-ling
I fear me grief and pain
hermindhave quite o'erthrown.
m
p
aJ
kJ=i
1
I
?4e
w.
as
**
i
^=^
t^ vp
s
^
t*
r
Ariadne (without turning- her head, to herself,
53
m
£
»
Mad, but she
im
Zerbin.
powr,
Scaramuccio (in the wing-s)
I
B gg p p ij| I i ^a
She surely is quite mad!
TruffaldinO ( in the wing-si
y\\ vip pnii
j: >
Shesure-ly is quite mad!
t*
ii
Se&a
B
ar'ifa
-***!>■(
E
^^
k&
*%■
m
m
p
W
m
£
BP
K
0 0 0 0
t ■+
as if the last words had reached her through her dream)
^m i j ^
liicht schleppen
, wow slentando
r tir Mr il
Ariad
6368 A. 6303. 7453 F.
114
Ariad.
m
ttr tgr tfJ
^^
*^ I ^^
To hearts ia sor - row.
I I \ I IjJ J | I |
cru- el fate de -
54
poco acceler.
Allegretto
§§=3:
*:
Ariad.
ni - eth. Zerbinetta (in the-win^s)
i vf1 p-p^^p jip't h I m
poco acceler
Aii! from her sor- row woo her with a song-
^
Allegretto
M. J=S2
Arleechino
55
p- pf I IP PE$=fg
s
#ip
s
m
i
Love and hate and e - v'ry plea - sure,
.k-
i jjjij
ip^
s
ffl?j^
5
gbjQ
M:
i
ffiQ^
i
#%£
?
&
rs^
r
Harlk.
6368 A. 6303. 7453 F.
Qr~*Qr
115
Echo (Pcepeats without soul, like a bird, without text")
etwas zogernd -_ ruhig
3D tranauii
poco rit.
Arl
tranquillo
*!■ P 1 g P p B
i»
Once and ma-nya time a - gain.
etwas zogernd
poco rit
ruhig
tranquillo
"iHfrifrfjigpi
^*
m
pa
she
^jp
4BE
^
^
^H
i=N^
fr
i
WP
e#3
?p
s
tempo primo
Q> 7 j
Echo
(.more emphatic) u_ _ A -A <*-
£
s m 1
But bereft of sense to Ian - guish,Pain
tempo primo
espr.
lessjoy - less numb and cold,
yp?f fUiL\r g y ip ? 'fp pTpp n^
Arl.
Who can bear suchcruel an - guish, Worse than_ death a hundred-fold?
6368 A. 6303. 7453 F.
116
Arl.
57
m j i iiis^
p- i e/p. i p- ;p p I
^iil
Wrest thee from such gloom and an- guish, Wake, if bat to fier - cerpain!
£
i^^
Sp
- -7 jj g JT7
"^
p
fcs
r
. . C7-.
cresc.
^
^W
1^1
^^
fjfl
Arl.
Live,
for joy may come to - mor - row, Live, and wake to
%^
a
^
W
^ 7 f
«/
2
^
jfflj
rir
7
Echo (wie vorhin)
(Ariadne unmoved, dreams on)
f '^' P ' 3
ijEgj
• #
*>:■ g
§
Arl.
love .
gain!
poco calando
^b i *
s
»
f
f
-*» — »
r^
*=*
r=r
m
PP.
*tWJ
3§E
S3
dim.
PP,
m
*
$&■
7
Zerbinetta (aside)
'fca. «a
1 yJ^Jnig p p
*
59 tempo primo
Shedoesnot e - ven lift her head.
(the same)
i P p p S
^
3E
Arl.
tempo primo
All in vain is our
6368 A. 6303. 7453 F.
Echo
117
Zerbin.
Arl.
fefc
PP
3*<-
tnt
(quickly)
JfJlJlJMg JUti
S P Jip p' p p p p p ip^t
Say^vhathasmovedyouso deeply? (quickly) V
g
£
la-bour. A- las! all our singing was fruitless.
Ne'er
tm
m
*3
^S3
IS
m
^a
z>p
i^^
i
n
I
Echo
Zerbin.
fc£*
^lppbpj
£
| fr? pbp''gir g p irTp-fr
'Tis thus with ev'- ry wench you see.
1
m
%
has the sight of great sor - row un - manned .
3 .
3
me so.
60
Do you not feel thus for ev' - ry ma
Andante mosso m. J = 96
(J nearly j) of the |)
m
fcE
]EE*
Arl.
6368 A. 6303. 7453 F.
118
Ariadne (to herself)
i
j j,j> i j j i^^n
^E
^f^
^
^
There is a land,
fromwhenceare ba - nished All things un-clean andun-ho - ly.
i
M:
+—m-0
+— *
PJ 1 1 1
m=^;
*k"
^
^**?
g§l
m
W^H
m
(rises from the ground)
Ariad.
(She draws her cloak close around her )
a
P5^p
Ariad.
^=^z
cor-rup- tion.
poco cal.
#
I, i rri-i- i
"d j j ':
k=2!=f
I
w
rnud. ^
SfW
UP
SB
dim.
£
-9-
P=P
z:
r^
e« etwas ruhiger m. J;= 84
■ «» poco meno mosso
i=a
4t
ggpp
*
?§£?
Ariad.
SE
Soon comes from heavn.
a he - raid, Her
mes call they his
PP
—&
-s-
j
5 rJ I jg
^
dolce\ marcato
i
&
s=
pS^P
ei
^^
ifel
fr
6368 A. 6303.6333.7453 F.
*
119
Ariad.
P
In gentle movement. Ecstatically.
Movimento piano, estatico 63
name.
jug j pU'i
i
Hiswinged wand the spi-rits compel - -leth:
col Ped.
mm j
pi^
y^s?
Bi
Ariad.
££
Like birds affrigh - -ted,
Like wi-theredleavesbe- fore him they fly.
Thou
8=1
pi
-rjra -yn Jh j- — Q3
ap
*£Zi
dim.
P
^m
u
w
g r pvJ- is
64
£
^^E
Ariad.
^^
beauteous,peaceful god!
iL
Lo!.
Ari-ad - ne wai-teth
Ah! Frompain,from
m
-rj3W?
g ran
espr.
fe ^
^^
P^
8
P
iiS
S
cresc.
#:
M
r=e
^^
33a
ffi JuJ- S
Ariad.
£
fied
life's hot fe - ver, Must my heart be pu
fe^
^ «M^ j)
jJ-' .-Jl
^1: ii J
irrr
-i
^^
lb-
" — &
r:$T: t
M
£
PfibfM
F
a
n:
gE
63G8 A. 6303. 6333. 7453 F.
120
Ariad.
g ! bfl g j i J»q
65
Then thy face to me in - cli -
^=M^
i£
iP
- nmg, Thouwilt fly to this my ca
"1
fe^SjN
^P
*
'ifahM*
Ariad.
I
EE£
PJ. PIW'P
Dark-
- nesswill en-shroud my be -
m
ing, On my
WM^t
piu espr.
calando
rit.
66 a tempo
^
a i j ib
g p i ""
fc»
Ariad.
heart .
thy kindly hand-
._ thou'lt lay.
In the
t3
ipm
M
1
a=a
F
?
« — 0
^
J:
^
l
^
^
r
p m m m
m m
0 *
Ariad.
S
fc?
re - gal fes-tal gar - ments That my motherwroug-htfor me,
I will
S
2C
r
^S
b*
s
±\<yW±
b^
4Z>
te
S?
331
zsc
sosten.
6368 A. 6303. 6333. 7453 F.
121
Ariad.
M
wrap ony wea- ry
f i M r I I r-+^-
bo- dy, And my tomb this cave will be.
P ji 3 J J i
§5
ee!
d j=^gjl 'H
g£
*"3
espr.
ff
m
a. I «.
JMNN
/?>
~ty
te — v
Ariad.
m
67
> fl- J'l
P" JJ J
*
?
> J J> J> I I I
But my soul in so - lemn si ■
lence
PPW
pg^g
p si- j
~Q-
iigpr-cjtr
'feTM?3
Fol - - lo-weth its
u
J-
esp
•$r-
68
m
w?m
^^
mis
Ariad.
£
f
£
new- - - - -made lord,
Like a leaf by ze - phyrs dri - ven
n-jTJj^E}
^i
^m «r?-rj
wieder etwas ruhiger
o ^/oco wewa mosso
Ariad.
Full of rap - ture
m
jffipij^a
fol - 3
- lo - weth.
.gLaj
i
r y^r
3
1=1
T
gg^
U£
dim.
#==
;
* r
«^^
£
T=
6368 A. 6303. 6333. 7453 F.
122
Ariad.
m
6 J> J j J' JO' I i
On mine eyes there falls a dark- ness
Peace will fill my heart for aye, And wi
P
I
is
tt
w*
¥*
I I I
<%
■ ■
# — • — *
m
1
te
=3
J:
M
3T
P^i3
*
"69
[|p i j vp^^^
calando a tempo
Ariad
r r r r
i
■ : ■
-o-
•thin this cave my bo- dy Rich - ly dight a- lone will lie.
M-
g j »J J
§m
mm
4
^
0 — #
as
b
&_
J:
Hi
^
Jtg;
3E
^m^sy
^
ps
s
^r^^VTi
cresc.
i
^
-J"^g i-iTj
g
Sfi
"XJ"
r
Arisidlie (with growing- rapture)
■9-
6368 A. 6303. 6333. 7453 F.
123
Ariad.
m
£fl Us^-
cap - tive soul free - ing,
m^E$E£
This bur - den of be - ing
;#
m. ±. *: R:
P=§
\±) J; -: S
a
■=¥
IS
g M
M
t
£
J*
71
rising to a great climax
FF?
^a
Ariad.
XSI
¥
Lift thou.
it from me .
Lift!
Lift.
it from
#
J^
^g
J J J3.J
'f f f
r ^cj/ r- — c^
dim.
Wfr Uf
m
i
M^
•L-*
^
-J-ytSti
-cr
TT
Ariad
v me!
Lift,
£eS
g
lift — it from me;
WmW
fcif P bf
a
A^lt^l
%
> o
a rrrrP
tisitjijf
£*&£*>
This bur- den of be- ing,
J .-4 :♦
mm
MM
a.- Q' -^
72
Ariad.
* l r r Pte
Lift.
p
?1^
Lift it from me;
m
m
This bur ■
den of
ft . ^^^m
te
w
elzB
&&
?
it-it
if^
s?1
^
J
^m
*^
? >■ *b^l
?
6368 A. 6303. 6333. 7453 F.
124
Ariad.
i j B
be - ing,
Lift, lift .
73
I g ^ Tf V
it from me.
To
^
^r^3 ^
51
:= 42-
j^ a (few.
^^
8=
g^d^
*£
it
3
SX"£
¥
?
i
It — g
m£
^
g
Ariad.
thee.
link'd in u - - nion e - ter -
-nal,'With thee will Ari-
2==§:
fe^>
*
k
pjWp
y \>rP
mm
?
t
5^
/> — v
H
dim . -
fart
rfz'w.
f
TT
etwas ruhi-
poco a poco
Ariad.
ger werden
, meno mosso
75
(she stands as if in a trance)
aceeler.
fes
E fe f'~ P l^°
g
Ariad.
6368 A. 6303. 6333.7453 F.
125
(Echo, Naiad, Dryad have vanished during Ariadne's monologue) (come to the stage from the front, and proceed to try to enliven Ariadne by a dance. Zerbinetta remains in the wings )
Allegretto Brighella
s
is
j m ' i p p p p ig g p 1 1 P p bp p
^
This la- dy is too much in - clined lb yield to hea-vi Scaramuccio .
\ v 1 1 1 1 g 1 1 in & i i 1 1 j ^ g
ag
Arlecchino
SS
This la- dy is too much in - clinedTo yield to hea - vi
l — i-y\9 p MH-P" I P P I I I j
E
S^
p&
This la- dy is too much in-clinedTo yield to hea - vi Truffaldino p
i i Jmp j p g I jig p p i^^ffT
^
This la-dy is too much in - clinedTo yield to hea - vi
Allegretto m. J = 84
in der Kulisse )
te tip- | p 7 1 7 ^ i p p pTT^Xg- NH^p i
Brigh.
Scaram.
ness of mind.
What- e'er mis-for- tune may be- fal, In time its tra-ces
A*-A J>Jit|t i I iVp^f^iy JM^^ra'^i
ness of mind.
What - e'er mis-for- tune may be- fal, In time its tra-ces
'-m jg g^ Hi v p I P P fr PIP P P ^
m
Arl.
Truffld.
- ness of mind &
What - e'er mis-for-tune may be- fal, In time
its
W& Crj" g J' v I v ^ ip J'i|A"Ji?i^rp"ip7' ^ -"
What - e'er mis-for-tune may be -fal, In time its tra-ces
6368 A. 6303. 7453. F.
126
a little more deliberate
poco comodo
i
kfe
n
7iVp Q})frdr^^f
Brigh.
Scaram-
va - nish all.
True love's me-lan - cho - ly Can move com-
m f \f Lr 1 r J
Eg 5&
va - . nish all.
^ *
^>^fCrP' i
H
tra-ces va - nish all.
SB J
TruffM
H
va - msh all.
a little more deliberate
/woo comodo
M>=>;
S
o-p p Qt-tiCp p p $$ j
:^£E?
J)jl.^p g
Brig-h.
Scaram.
S8d
- passion But oh! what fol - ly To pine in this fa- shion. True love's me-lan- cho - ly Can
m
JK
a=
l j g l(fJl>^BPlp- 9
^ j | jg I? ''P P g p P
Trus love's melan- cho- ly Can move com-pas
jarfL
^^$
^
But oh! what fol - ly To pine in this fa- -shion.
True
m *P Wt lj'' i:JiJlJ^
Truffle! .
£
$
But oh! what fol - ly Topineinthis fa- -shion
63B8 A 6303.7453 F.
127
Brigh.
Scaram.
move com-pas
sion, But
oh! what fol
sion, But oh! what fol
iy
m J3j)>J?J'p ifcjreTP P^g
^
£
love's me-lan-cho - ly Can move com-pas- sion, But oh!
ig
i
^3
what fol ■
-ly To
^S
Truffld.
p i m ji a g m
True love's me-lan-cho- ly Can move.
--N^-jr^r^
Brigh.
Scaram.
Arl.
Truffld.
i
dim.
78
W"yp |) Jj>JI> p I
noch etwas ruhiger
ancora piu tranquitlo
ly To pine in this fa-shion. dim... ^_ - p
i Jjihj i
^p,
^§
a
To
gg I -r ~Hi
pine in this fa - shion.
dim.
^E
This beauteous
as
pine in this . dim.
fa - shion.
i tj>Ju
WM gig J
l^U P p
com - pas-sion.
To try to cheer thee
noch etwas ruhiger
ancora piu tranqutflo
6368 A. 6303. 7453 F.
128
Brigh
Scaram.
Arl.
Truffld.
fe^
Stands humbly near.
L? p p fr 'PI ^
thee with all her friends.
U> g J> Ji JiinJ^TTjji^Fi
mai - den she and all
PP
her friends.
m » ? | p «r"g==TD' j i j l i v i
Stands humbly near.
thee with all her friends.
gffi^F
I | 1 1 | 5 5 | g 1 g eej
Comes this fair mai - den with all her
friends. ,fP
^,rflg
m
#^q
s
3
f
?ffii#
Jfe.
te
^5
tempo primo, still somewhat deliberately
tempo comodo
0
+mm
Brie
Scaram.
Arl.
To stay thy wee-pingsincewordsallfail us:Will dan-cingrand sin-ging Per- chance a-vail us?
P
I 7 W
(They begin to dance)
Sffi
The
ft
j v 7
S
P
tempo primo, s*iU somewhat deliberately
tempo comodo
ffegl
ijgfWWjij
gi^
trw
j=£
m
*
The
*A
&=
C7t7
dim.
s§ *^l
p
ii
s
^^
6368 A. 6303. 7453 F.
(Brighella (beg-ins to dance)
Sraram
Arl.
«J c.,r,'o „~ ,DC- ,™ Art i Za.J— 1 !.„ '
80
129
suns ca- res- ses, All tears they soon ba-nish
g HHpi iinr?— rrM
§5
sun's ca- res-ses, All tears thev soon ba-nish.The wan-ton bree-zes Dis - pel.
lo stay thy weeping, since words all fail us, Will
Pig^
i
^
^
*
s
s
^
S
. E ^
u
^
£
&
~E?
W^
^
^
-P-
Scarain
Arl.
Truifld.
Will
m
^=&+
the tear
dan - cing and sin - ging Per - chance
espr.
$
Brighella ^f
\ V gj
$
%E§E
To
S
7MZ
Scaram.
dan - cing and sin -
la
s hr 1 I
ging Per - chance <
bff a ; i h
vail
| P |iT
Arl.
Truffld.
dan - cing and sin
0 m 0
ging Per - chance a
to
vail
f^-M
I g I v 'Tt 1
.v:b 1 j j
fc=2
rhe wan
- ton bree
zes
dis - pell
^^
1
2me
■ *
tt
n
^0~k v
r
^^^^
5^
£
fcqe
^
£
frr r as
m w
636S A. 6303. 7453 F.
130
81
p p g p pip p -^-frp I p p p p pp lc ff p p
Brigli.
stay thy weeping Our words all fail us; Will dan-cing and sin - ging Per - chance a- vail us.
£
^E
Scaram-
J^EESE
'HT fp
^
The
£fc
us.
The
Truffld-
^
the tear.
*f 82
S
2PC
«
Brifrh.
Scaram.
Arl.
The wan
ton bree - - zes Dis
n^P H p i ^|_p P_g
suns ca - res- sesAll tearsthevsoon ba-nish_
»r# mp iiijidp | g [ j j^ggjii ^
sp
suns ca - res- sesAll tearstheysoon ba- nish.
The wan -
- ton
*
m
s
Truffld.
fe
g F I
^0
The wan - ton bree
I
i
zes Dis-
s
iL^i
E
zpc
« bg fel — *
S3
C-J £J
"t-3
6368 A. 6303. 7453 F.
131
dim.
Brigh.
Arl.
Truffld.
^
1
pel.
dim.
0. ^n aim. -
bree - zes Dis - pel. dim.-
the tear. ^f fr-P
— ^ '
the tear.
~-t&=-
pel.
the tear.
83
grazioso m. J =84 Zerbinetta
bfl i , I;,
J*
^P p p p bP l-p — up p rTTpfr j PTM''P g rn
m
See them now dan- cing, See their feet glan - cinglShouldshe not, be - hoi- ding, Find here a
p, '
I
^B
Pf3 ^ ^fe^ff^
SS
X
^rr i rr
iyyy
■E
K
E£fcf-|g
4^P j g lbPP v^injTilffpJiJip
84
*
Zerbin.
lo-ver, a lo-ver, a lo - ver, a lo-ver to her mind?
6368 A. 6303. 7453. F.
132
Zerbinetta
la
i 7 i % i p p P p
To stay tliy wee-ping Since words all
Arlecehino jP
g (t a i1?
g 1 1 g I g g 1 1 P bS
"1
^
^^
To stay thy wee-pingSince words all fail us
m
Truffaldino PPi
^m
The wan - ton
|J> J>
WB
ifcS
Jot*
W^Jl,
15
^h
^^
&
i { \>?n
E^E
^2-
f=
#
#~
85
sm-lt p^-^i i p p p g
allmahlich etwas f liefiender
^oeo b jooeo jp«w mosso
Zerbin.
^
fail.
us, Will dancing and sin - gingPer - chance
Scaramuccio
I J -y^plp p PpplPp «rg
To stay thy wee-pingSince words all fail us,
m
Arlecehino P
£
^E^
The sun's ca -
Jg
V=b p P i p-^^
Truffld.
breezes Dis-pel the tear.
#
i
allmahlich etwas fliefiender
poco a poco piu mosso
k
^m
w
^
H
m
tt-
irt
:£
1»— <•
:s:
£
P
6368 A. 6303. 7453 F
133
$
dim. .
0
.86 -
m
-p
x
p \ 1 \ p j , p 1 p p j
Zerbin-
- vail us?
The sun's ca - res-ses All tears.
i
Brighella /"
V g P 1 P P g P P 1 P^=
!>EEfe
jy
To stay thy wee-ping Since words all fail.
us,
P tfp p P r'P 1 tff P
Arl.
res-ses All tears they soon ba - nish.
j. dim.
*s
m£_
p i 1L3" 7 i ^M1 p i ^ p
*
Zerbin.
they soon ba - - nish.
Scaramuccio mf
The wan -ton bree-zes The tear_
PP
b j j i I i ^ frp *p | p 1 1 tip
=*
^
To stay thy wee-ping Since words all fail .
rfm. o
Zerbin .
L
cresc.
p1? p iP i p '"pp "ip " iMa
#
g 5g pf-
dis - pel. Seethemnow dan-cing, See their feet glan - cing; Sure I would a •
@
IB
e=s
rrfr
cresc.
^Hr^g
W
A. 6303. 7453 F. 6368
134
s
(gradually returning to the former tempo)
(poco a poco ritornare al tempo primo)
~ J i
£
£
Zerbin
i i g g "WJ " g j
mong-themfiudA lo-ver to my mind. ' , Scaramuccio. (Loud)
*=£
i£=
ft I g g M rtjSJ M IP ^
The la-dy is too much in - clined To yield to hea
Arlecchino. {Loud)j>
I i 7 I bP g | g cf | % 1 1 g§
HI
The la-dy is too much in- clined To yield to hea
mm
Truffaldino. {Loud)
^
w
^ P p 1 cl^5 I p 1 1 I
The la - dy is too much in - clined To yield
(gradually returning to the former tempo)
(poco a pooo ritornare al tempo primo)
to hea
i
gg tempo primo, a little roughly Brighella. ff tempo primo, un poco robusto
m i g p p p p i g j ill I p i M p g p p
&
To stay thy wee-ping Since words all fail us, Will dan-cingandsin-gingPer-
iP 1 s
dim.
w
3E
Scaram.
Arl.
Truffld.
vi - ness
1>-
>):,? | »rJn
of mind.
%
vi -
M I
ness >>■ — >~
of mind.
dim.
E
^
$PiF^
S
^'J
- vi - ness .
of mind.
To stay thy wee-ping- Since.
tempo primo, a little roughly
tempo primo, un poco robusto
ftmy
p=*
w t-r
£3=r
P^
6368 A. 6303. 7453 F.
135
Brigh.
Qe g i
-chance a -vail us?
X
Pi M I P=g=^^
£
it*
P
Scar am.
The sun's ca - res - ses All tears they soon ba - nish
as
/.
I | J J J ^-tl-|-*(HI P p ^
Arl.
The sun's ca - res - ses All tears theysoon ba - nish
% a I J
.a
Truffld.
E£
words all fail us_
The
(
* 8
^Tft *
m n^i
a
g — m
^F
S
> i
/
^^
=£^
t^
89
Zerbinetta leggiero e grazioso
| | jjj ff H
^£i
See them now dan-cinpr See their feet g-lan ■
dim.
f (I P g P ^^
Scaram.
■^F1^
The wan-ton bree - zes The tear dis - pel. dim. I - . . . . LP
gj ^Mirhj
fe*
Arl.
The wan-ton bree - zes The tear dis - pel. dim. .
m
E
f=fe£
Truffld.
iEEflEEa
?
@e|
• 4 f
wan-ton bree - zesThe tear dis - pel.
leggiero e grazioso
*
n
'iH ji i i^n
<• *
=■?=
a. _ — -
dim.
P
| 1'?
&
r^t>
6368
A. 6303 7453 F.
136
Zerbin.
£_
*
ft-*
£
*5*
i ' mi*1
£
cing: Sure I woulda-mong
Brighella
1
S
i i i
^^
W=F
*
The sun's ca
- res - ses all tears they soon ba-nish,
H I i i i i p p p i 1 p B I u I i
Searam. -
£
j» «ft'»t. -
To stay thy weeping-Since words all fail us,
% v 1 1 7 1 1 1 1
fe
Will dan - cing-
i r>ii i»i;
Arl.
w
To stay thy wee - ping- Since words.
all fail us,
m
espr.
to
Will dan.
n
■^1=^
*«^
5
^m
±S i
.j-j/1
JE.
£i
^
* m.
j.k
T
P
W
m
90
H i^j'iijiiiir^P Jiij>p "pppir I
Zerbin.
Brigh.
Scaram
Arl.
them find a lo - ver, a lo-ver to my taste.
r »p «p ijrif =?
The Wan-ton bree - zes All tears dis - pel.
i
^m
$ i j ^
per - - chance a - vail us?
w
nf^J
9 i I J§ ^
cing
and sin - - ging Perchance a - vail us? Truffaldin. mj
The wan-ton
r-M'jii, j^'-m
s
To stay thy weeping Since
pmm
i i K
£
Pg
I
I!*
H^M
.(2.
Hij
m\
*f
-f
MJtJl
^g
6368 A. 6303. 7453 F.
Zerbin.
Brigh.
Scaram.
Arl.
Truffld.
fTf fffYif i
137
See them now dan-cing, See their feet glan-
I
A
i 7 j 1 1 fJ9-P-H
£
/>
To stay thy weeping- Since
v ij a jj
3Zp=
S
To stay thy wee - ping- Our
fc*—
a
i an i if
^^
£
bree zes All tears
dis - pel.
Our
S
£— £
i>
E^E
E
^
words all
fail
US;
Will dan - cing- or
WJ
+ AU ±
£
*s^
^Tj^r-:
Be
g
"~r
i rrrr-
dim.
\
91
i>
p m p j p i i i> i ^ p j
Zerbin.
Brigh.
Scaram.
Arl.
Truffld.
cing; Sure I would a - mong
them find a
m
words all fail as, PP\t
t
£
S*
^M^-J>
The J2B
j ^1
words .
all fail us;
m
-fc>
§
2ac
The
1
3EEEEE*
tears
dis
pel.
The
^ P
dim.
£
^3>
*
^
sin - ging Per - chance a
vail
us?
A. 6303. 7453 F. 6368
138
Zerbin.
Brigh.
^m
Jt
92
lo - ver, a lo - - - - - ver to my taste
1 g up s > ggl PPbpp
But yonder la - dy Dis ■
fe^#i
4
wan - ton bree
m
p p 1 1 1 \
zes All tears dis - pel.
Scarain. -
Bi B Ji
5
iiJ | bp | Jhj g l J^je=|
wan - ton bree
B "P— »y
2es All tears- dis - pel.
Qjfr | | £tpp b, | | j ^
Arl.
wan - ton bree
zes All tears dis - pel.
Wr-rfr
p ^ p p *-? p i p 1?p^ it i re
t
Zerbin.
dains to -regard themThe song doth but vex her* All their toil they waste.
f
^W
Scaram. -
To
Truffaldino.
m
/
% i i 5 g
BE
9"jM P ^ P^
To stay thy weepingOiir
An
6368 A. 6303.7453 F.
(Advancing' between the dancers) I
139
m
?^—t h f"pp^
£
93
Zerbin.
Scaram
±JUB— |
Leave us,
ceasenow!
She fain wouM have peace!
(still dancing')
m i "p p p i p-p — ■ ^
^
stay thy wee-ping6ur words all fail us.
Arlecchino. fi - i -•- P-l
4,
g i PbP I p § i^Tri'r i^
/,
i
^^
To stay thy wee -pingOur words all fail us.
She
P\
g^g J gp
g^ I z-gfi
ip^SS
ft
Truffld.
words all fail us.
She bade us cheer thee,
7 ^=: ¥[£ *
^^
£
Zerbin.
Brighella. *%£
^ l>4
Leave us
p i p BpfTT'Fp »p | ir i
±Et
And we stroveher bid - ding- To do right well.
mf
Or
4
J gfr j g
fe3E
I 5 I B B
Scaram
Arl.
Truffld
And we stroveher bid Ri-
ding To do right well.
m H p bP r> s 1 1 kp i g VTp ^ »^^t^-i
bade us come near thee And wc stroveher bid mi
ding To do right well.
And we stroveher bid
fee
i
ding To do right well
fe
4
*
&
3£
$
I
r^^
^ff
yb j J Jf
7
'/
i=^;
i^
«2f " fe#
f
6368 A. 6303. 7453 F.
140
Zerbin.
Brigh.
Truffld.
calanrin g^empo primo,behabig
Ldiduuo "^ temvo vnmo. comodo
tempo primo, comodo
b p | (TTl p j i
she fain would heave peace.
To stay thy wee-ping-Our words all fail us; Will
calando tempo primo, behabig
tempo primo, comodo
ft | Jrj=g
Brigh.
E
±
i
our dan - cing Our songs en - tran
Scaramuccio. P
\ i Hi g P Mpi^p ppP p
The sun's ca - res- sesAll tears theysoonba-nish, Arlecchino. p» H^ m. Pi
Iff! ff f Pg|Hp I pp g
m
The sun's ca - res-sesAll tears theysoonba-nish,
■H g ppP JiJilC-JP P p
Truffld.
dan-cingwillsin-g-ingPer - chance a-vail us?
6368 A. 6303. 7453 F.
Z^
Zerbinetta (forcibly pushing- them away) 95 cantabile
141
i
%
r LTc/iMMi
£
J? gpiillgllg
Then cease your dan -cing,Cease your
Brigh.
Scaram
Arl.
cing She deigns not to smile.
dim. - . - - pp.
^=^
3
g-^H? |!J' p B J) p III
The wan - ton
bree - zes Alltears dis - pel.
CttJIl. - _ _ itf)
^y^_;> p J) i I ggjEg|g|
The wan-ton bree - zes Alltears dis - pel.
cantabile
| jgfegEjfejj
Zerbin.
Briffh.
Scaram
Arl.
^
sin
g^ng"
Cease
//(,
C
fc^-^P— w-^
your sin - gingLeave us a -
£
^
g^^T'f^l^g^
E
In vain our la » bour, Vain our dan cing,
ini
Vain our song's en
Bj£_
S
1 ^ ^
Ff^
^F^
SEE3E
e^
In vain our la - bour, Vain our dan - cing", mf
Vain our songs en
E^gj i j, 1 1 i p i
P 1 j v *
ipfe
In vain our la - bour, Vain our dan
Truffaldin. y> , L t dim. Si
cmg,
iter j n *M*S=m
2
g j P 8 E3
^?
^^
To stay thy wee-pingOur words all fail us,
Will
$
fi-J- C-J*
££#
ff>-F=3
^
f
m
^
p
&
0 d m d
^^
7^
T
r-
T
6368 A. 6303. 7453 F.
142
Zerbin.
Brigh.
Scaraiu.
Arl.
Truffld
while.
f-
fefc
96
dim, pp.
m
mm i pTf
So cease your sin-ging,ceaseyour
f^=p
1=?
m
not to
tran - cing She
deigns_
\^^=\
*
not to smile. dim, ppi
g mm j j
£
*
§S
tran - cing She p^-
deigns-
not to siriile . dim. pp
i j pph? p
=6
She
deigns- not to smile
gj t? P p v p 1 1 ii^ up 'iJ i i v *
sin-ging\VIll dan - cingPer - chance a — vail us
Zerbin.
Brigh.
Scaram.
Arl.
Truffld
dan
cing
So cease your dan- cing, Cease your
In vain our la - bour, Vain our dan - cing,
fee
HhlMM If
s=fe
In vain our la - bour, Vain our dan - cing,
P
n ? g
1 I 1 if I g 7 LP |
In vain our la - bour, Vain our dan - cing,
a^_jAzM^U I I p | 1 1 I i
In vain our la - bour, Vain our dan - cing,
*5«a. 6368
A. 6303. 7453 F.
97
143
Zerbin.
Brigh.
Scaram
m
1
1
-^
nr^
f * 1 1 g f=g
I j s M
s
P P ^ P
1
In vain our
la-bour, Vain our dan-cing, In vain our sin-ging,Vain our
mz
I ^ a g g 1 1 p g p i p p p i gnni
E
^
In vain our ia-bour, Vain our dan-cing, In vain our sin-ging,Vain our
P
H^£
| jj | I p 5
Arl.
Truffld.
In vain our la
bour, ln va;n our ,jan
v:b j ? j| i ^ J^
S g J) 1 Jr-Js
In vain our la
bour, In vain our dan
m
f g t-1"
^
•af
i
J»i
i
s
/>
s
l
^
r
<$&
*
E
* 5a
etwas nachlassen
jpoco calando
98 poco tranquillo
j 7 g
Zerbin.
Brigh.
Scaram
Arl .
Truffld
gmg.
Then cease.
#
^
I
i 1 1 p j it
.dim.
r b
«
dan-cing, Our.
songs en-trancing,
1
i
» »> v
F3S
S5
*' ■
She deigns not to smile. dim. . - - jpy?
5=5
**'!_*
dan-cing, Our.
songs en- trancing,
9#N
| J) | j p | i
She deigns not to smile. dim. . - \- VP
z l'/y
i «hfr j
cing, Our.
songs en-trancing,
She deigns not to smile.
ift
m I p j ^M^fe
k/jOJidU=H T^
cing,
In vain our dan
^y*
cing, In vain our sin - - ging.
poco tranquillo
etwas nachlassen
poco calando
6368 A. 6303. 7453 F.
144
Zertiin.
m
£
— your dan
$
cing, Leave
fit
us
r- h g I Of m
Brigh.
Our songs en - trail - cing-,
M
J p pi r ^^
Scaram.
Arl.
Truffld.
s I vfJi|r J, r | |p J> g Jm? ^
Our songs en - tran - cing-,
^ V,
w
m
In vain our la - bour, Vain our dan-cing, Our songs en - tran - cing,
$
&
pp
m TJ>
^
f
n n
i
^^
=S
She
S
X
»p^
r
r
r
(She grets them out ol the way) QQ
1
*
Zerbin.
Brigh.
Scaram.
Arl.
while.
Then cease.
your
m
^
i
p
She deigns not to smile.
JiJU i
fc I I
*
She deigns not to smile.
^^
S
She deigns not to smile.
HH p p
Truffld. -
deigns not to smile.
i
i If
e^or.
J.
i
sw
:3'
&T — «f
^z
?/«.
#p
f
3§E
f=^
S
iS
^
-J.
a|i3^:
T
r
*p
n<
iTF
6368 A. 6303.7453 F.
145
100
Zerbin.
Brigh.
Arl;
qr=F
sin
g™g,
mm
0f~]t tXca
cease.
Brighella
your dan
(As he goes)
ne goes; ™
* ^1 If pH|
*
Arlecchino(As he goes)
In vain our sin-ging
n ,yjip iir ^ J^T-Jy j ^g g ?P
In vain our singing,Vainour dan - - cing,
She deigns not to
=±
a
^i— pi j^
?
^
r~T
Hf
PP
MM
<s>^=
^
"T
7~
Efe
^
i
1
Zerbin.
Brigh.
Scaram.
cing
£&
Leave us a - while.
(Exit to the right)
dancing.
Scaramuccio (as he goes)
\ I 7/iilff J^ff j j Jjjjl
(Exit to the right)
I
In vain our song,our dan-cing.
(Exit to the left)
m r j
Arl.
Truffld.
smile. Truffaldino
V
te J^b J>J»ip Ji
(Exit to the left)
S
j WJ'lf J|) JJIp Jflji
To slay herweepingOurartsall fail us.
6368 A. 6303. 7453 F.
146
Recitative and Aria Moderato, in strict time throughout
Moderate, senza alcuna licenza
Zerbinetta (taking- a deep obeisance to Ariadne)
*-' AJ/->o + n-mn,'niir.nmw»,;™ 1„ J,, .„!.« 1,..l 1„„ £.11 11 T<1. _ i. - K - J ' V ^7 '
i*
Zerbin.
Most gracioussovereign la-dy, who but knows full well, Thatpainandsor- row of ex-al
M. J = 84
$ Tp n i O p fy- p p p g p p p-p p ^ ^ p p^^
Zerbin.
tedkinglyhearts_ and souls likethir.e,Canneerbemea-suredorweig-hed byrulesandlawsthatguide The lot
(Approaching- a step nearer-But Ariadne pays no heed to her)
f * p 'rH^j % g I g j i j p fe » p j j ji iippg
Zerbin.
of com - mon mor- tal folk
*3g
m
Jr
But yet.
Are we not wo -men, both of
fT~T
321
Zerbin.
101 ^
us, And does not in each bo-som beat a heart of wo-man that pa - sseth un-der-
£
|P
^^
JM
■Ti * Iflf^^g
V
r
^^iim
w
¥
&
f
5^
S
6368
A. 6303.6335.7453.7458 F.
147
(still neaver. with a courtsey)
(Ariadne in order to avoid seeing- her, veils her face)
^m
^m
I
^31
Zerbin.
stan - ding?
To tellhowweak, how frail we are,
^
i . , \ f& ^rrWTTj
iH
;Vff-3- 5
H
^
^#
S
«
ci<
« — •— « — «
«=
atata
/>
!H
if
ff?
TR
E
aft>».
„— 102
Zerbin.
To cpn-fess the truth to our- selves,
Is it not bit - ter
Zerbin.
m
t y iiiiitj) JMefJii
P
Zerbin.
ff
You will not deign to hear me_
6368 A. 6303.6335.7453. 7458 F.
148
Zerbin.
in- etwas gemessen «"d un poco misurato
\ J- i)
4*j I .u .h I J) i> i Ji I Ji
?
f^^F,
Fair and proud and mo - ving not, As if you were an ef - fi - gy
^m
h-fruM^
*E±
B
P
Zerbin.
$m
*
m
Onyourownmo - nu - ment.
'ibu wouldhave none to share
i
m
*** **ti
l 7 g
gg^j^S
s2^
&
123
*»
^
^
Ifo
is n
ggg ^
>3
l.:5
^j0W^i i ^ ^ r ~p i A? r^i W1'^
Zerbin.
yoursorrow'ssec - - ret But yonderrocks And ttnntvling- waves
of o-cean?
^itijtfi | j^flffi
j ; n ^""pf|
§ | jjji
i^
«p
*
s
^^
^
-^^ftk
i
7 p * 7 pFT
^T^
b*
lebhafter
piu mosso
(Ariadne retreatsto the mouth of the Cave*
104
^'Wfipr-iriPrpur ^u ^M M
*
Zerbin. ffm \> *■
Mostnoble la-dylendan ear: Not thou a - lone all women,
M.J: 100
yea all women, All have
fA
T^m
i
IS
3E=fc
ifcE
'■It jl 1 lit
m mm
/b
^
I
fafe
Jgk.
g^f"
^
6368 A. 6303.6335. 7453.7458 F.
Zerbin.
i te 7ppf
Mfe^
*
suffered it, there is not one,
i T B i 1 i
149
iPft¥6-a
That by the same grief hath not been smitten.
)oco ritard.
105
Ziemlich rasch
Allegro assai
!Hg g p j f-f+F-r — j 1|mV I
Zerbin.
Deserted! And a - ban-doned!
De - so-late!
X \ \.^gs^
T*
S
a
te^
£^ v
^
*£
^
a
jti
^
l iT Ft^P
in^ j pit p ^ppfra
Zerbin.
Yesl of such de
IpiiEiEitf
sert islesthere is a mul - ti-tude ev'n in thehauntsof
" " |£> -
wSm i
BE
I t fj rfe
i
j
^
3
Wmsi
as
ill
*«
> =»>
106 , ^ ^
Zerbin.
man-kind:
I my-selftoo have known them, have dwelt in many a one
^Efr
fe±
3E£
&i^Et
m
^Srt^r
wficr
/
//•
^
^=*
£=^=^=£
SS^Si;
6368 A 6303.6335. 7453. 7458 F.
k(*jgj*
150
Zerbin.
accelerando
(At this point Ariadue retreats quite into the cave, and Zerbinetta addresse
ritard.
\ ^'-p^-pr iVtpp p pij^i^r $ ^ §pp
j>
And yet I did not learn to load all men with cur - ses. Faith-less are they, past
if
p*t
^s
) i baa
Efe e:i^£
1**=*
te
ht
a
* nB*
/
•^b^v
^Fp3
~o~
%
*
zrre
J
1*1
the rest of her consoling- speeches to an invisible listener.) fgsteS ZeitlTiaiB
1Q7 al rigor e di tempo
M.J:
FfWi^ gfcJH* w >r^J^=^
Zerbin.
believing, wi-thout mea
sure!
A few hours of night,
a fe - ve-rish
Hi ?% p g"p *p-p^p
2)C
^
Zerbin.
s
day, The sigh of a breeze, a Ian - guishing glance.
And lo! they are
1flR
feJr j JW^r^p'^'p *p rlhp p pi I g i ? ijl ^ i
Zerbin.
changed! But are we — are we im-mu-ne Againstthese pi-ti-less en - chant-ments, these
fe gj^jQkJJ
<f^f#
jjg
s
Si
*
3
iMg
EHi
:z:
*
S^
^ijjj^ >Jljj
6368 A. 6303. 6335.7453. 7458 F.
151
(free)
>rMp^?pif>rtTribrP'y
ip a
Zerbiii.
Lf FW
changes, that passall under - stan
4^4p^
ik
ding?
j g§ g M|g
J
CT6SC '
tc*7# If
/
*
*
^
3 #P-
as
E^
r ^7i
1
Allegretto mosso m. d-:4o
Hig iJ-.-pj^p
*
i=i
Zerbin.
IZZ
#Ff¥
Full oft,— when I think, for e - ver un - sha-ken, My cons-tan-cy
(singend}_
il
i
i^
PI
3
»
j» cantando
m^m
jo^i
^
j- ji.jj
Itt
*
£
fe
ft^f-- g r i r^
109
hj I a
W
Zerbin.
fj wm
«
e-v'ry at - tack will re - pel, Strange promp
tings as - sail me.that
m ?■■ \ p
i'iw^i
*=i
a
ft
SF
^
f=
^*
^.^W
J7 f
*jjg»
s£
tfjlj^ hjj
s
?
*
f^Et
ffiHtr — li
tfr?reF-m
Zerbi:
in
me a - wa
ken,Forfree- - domtoo long
un -
f#Ff
m
ft;
y
j^
^f
f
N^
a- u
j>ti
ifeff
i
left: n>
^03
EG
^
^f
6368 A. 6303. 6335.7453. 7458 F.
152
Zerbin.
tas - ted a year
110
mz
Tr ^r tfr -j-^f
:£
ning; And soon 'tis a new love in
.\»r p«r i fTP»r 1 1 1 "r i*r j
se
ere - cy bur - ning, Holds
my heart
fast in its
& JlJ>
m iir-fp
fe*
«^«
A
cresc.
^m
Mm H
t^SML
^
111
Zerbin.
con - que-ring spell. Though de - ceit sche - mingln ac - tion_ not
U'lKjti- m
^PF
ft a i
*
rap
«j
'H'hiP^
t&t-*
^
%
£
Zerbin
0-
& ,,m a
s
H
■HUP ' it J
I I =iEa
sm
nmg,
Though
6368 A. 6303.6335.7453. 7458 F.
153
112
Zerbin.
irH
*
£
i
;^r tjf jfr-j
true to all see - ming, False is my will
^^
M
y,k iJ^r j
^y
IE
jffi I gj
F
p
^3B
^P
le J
,bJ- ^J"3
aift
a=
»/
•^
113
SP
^
* *
Zerbin.
#
M. 3
m
lUityrffffii;
Like one who with
3
\&E
1 7 j j
te a»
/
«?«?«.
^
p ? < j
:P^5£
m
fT1
Zerbin
6S68 A. 6303. 6335. 7453. 7458 F.
154
Zerbin.
adM
114
*
base-ly de - ceive him,
fe^
^m
ife
^m
#=^
£=g
I
4
J} (3 &
i
*
^ri^
Though lo - ving him 8-
I
WW*
i
mt
A f
#
3
j^
a
p^^fi:
P
s=HI;
:TY
rr^f
?
kfc=i
SB
r iM^YYr^^
Zerbin.
still— Though lo - ving him still.
allargando a tempo
Z> rbin.
Full oft when love seems for e-ver un - sha - - ken, Longings for
W^.
j^hfl
%
i
^M=g
m
&L
Jr
m
4
P^S
i^f
Igj
dim.
si
H
MM
r
^i
m
w
Zerbin.
6368 A. 6303. 6335. 7453.7458 F.
Jl
K^jy<r3^-
155
Zerbin.
p% j | r i r
(Breaks off suddenly)
se - cre-cy bur
rung...
t
& iuT3TT
ggrafe
¥
ii
Ht
W
^
h-te
y
a b
Allegro scherzando
m
Zerbin.
ifc
PS
\^M ni^
■>>-_ -L^^.
^
S
Sowas_
ir
it with Pag-
JlftyiiiiN,^ *^
I imiPp m ^gB^^iffl g i g ?p g i
Zerbin.
i§
lia - - zzo andMez-ze - ti-no;Then it was Ca- vi
cchio, then Bu- rat -
i
^m
«-= — «
9%=£
«r i
i
117
*
N^-^- I i tirtgJ j> i > j
£
Zerbin.
ti - no, ThenPas-qua rjej
-*
lo! Who could be - lieve
p$m
it? Some-times to all
^S- 4L
J-—PP
r± mm
^-j* n
£
g
^^
s
-ft-£f
^E
i^.
*
i
aEa
m
f
6368
A. 7453. 7458 F.
156
Zerbin.
ffiLjSF^ m
Zerbin.
"ll J a M B -UL_yJi
J»J J 3 J-'r S
P P P PI g IP P J) J' I J- Jtt
PP
Zerbin.
ling,Half ter-ror un - won-ted,Halfwon-der de - li
i
^
S
< ., a
i=*i
Si
m vj 3 ¥
p
S3
i
dim.
«^
^
^
F
2ZZ
Zerbin.
6368 A.. 7453. 7458 F.
157
Zerbin.
Zerbin
Zerbin.
^^
cret should read so _ ill ah!.
S
as
Hill
ns
ns c\
$&
J
5 5
/T\
*
Zerbin.
— 1 n *n * — H H— "*-;
[#n
/T\
si
/CN
6368 A. 7453. 7458 F.
158
Zerbin.
Rondo. Allegro, m. d= 54
mi
120
£
Like a god each one did I wel - come.Dumbwhen first he
!7 "-V
1 u i w>p
Zerbin.
B
=£=£
wm
gree - ted my sight;
By his first kis-ses en - rap - - tured,
*
*
^=^
U
^
31
cxr-T
S
s^fT" ^jfei
*
^=fc
^m^
-o-
» p p m i-^ri
e ■
Q
m
^s
Zerbin.
By the god soon was I cap -tured; By his arts.
trans - for - - rned
W£
£ti£M^JM
mm
iS^M
fcsa
f¥g
espress.
m
&
j=i
"•^-^
*
Eg
dim.
?
5^
Zerbin.
6368 A. 7453.7458 F.
159
Zerbin.
Zerbin.
Zerbin.
%m
■? *£
^
iV-T T
gflg r> gg S
r
r^a
Zorbin.
LCj* ciJ -^W^lJ I
less cap -tured quite.
Like a
6368 A. 7453. 7458 F.
160
123 molto vivace
x
I
^B^i
h
fT^Jjrp
Zerbin.
god.
each one didi. I
^M:
&
I H i A I*
M
l£
*^n
1
f
Jfe
w
C.p.
*=-
^m
feSEE*
W"!
0
Tranquillo
P
i Be fe ^
i
I
Zerbin.
f=S^
wel - come.
Each one soon trans-formed me quite,.
124 Still more quietly
Zerbin.
Zerbin.
XT
6368 A. 7453. 7458 F.
Zerbin.
Zerbin.
Zerbin.
Zerbin.
cap
r
m
tfU
^mm
3 r=
cresc. _~_
tti
>"~ > > > >' > > >
i»
£
6368 A. 7453. 7458 F.
162
Zerbin
Zerbin.
Zerbin
Zerb
'> J I \ I
¥&
^=$
1 i i j>Sa,
P » Wm0<
6368
A. 7453. 7458 F.
poco ritenuto
163
k-^lX
?£> > > >
a tempo
rilard.
r r rli
Zerbin.
> > >
> > > ;>-
TTT2STJ-3.
129
acceier. 1^0 j^
Zerbin.
fr*
f 1
Zerbin.
^
^75 rff I if
rit.
tempo primo
vgri:
S
^
<U4
* * £
i
:S
^
IX^
y
/
^
;E^
■^ —
a
f
feE
i j I
130
# g
c /|i- g
Zerbin.
As a god each one_ did I wel - - come,
1 f 1
s
w
» — g g C g
L1"J d-jj"
6368
A. 7453 F.
164
Zerbin.
poco calando
^m
sogh cap - tured
was.
1 1 rrrrrrrr,
£g£§E
S
Mm**
m m m m-m
13k
m
PPmT^
a
* # *
i
# it *
^^
I
a tempo, molt o vivace 144 Recitative-, in strict rhythm'
y*
r i J i
m
Zerbin.
SOOn, SOOn. ArleCChinO (leaping- from the wing-s)
SI
t i Fpp pTP^tf
*
p^b
5 »>• * j
Pret-ty sermon,but you preach to
ggfc^±=^: i ill
tf.
£
W
3=2
i»*
a j g
it
HH
^
m
u
g^ps
(Turning- quicklyto him) 3
^^
p S p p ? p p 1
Zerbin.
f^»
Yes, itseemsthat la-dy and I, each have a dif - fe-rent lan-guage.
-jiMlv "p j
Arl.
deaf ears.
hk nffiM
I Hf I b i J
fegg
3
m
^" £J
W
^;y - 1 ifa
i
i
*»
«^
r— r~ i 145
^jiJiFp^V'ii'^^i^irPp^
Zerbin.
(Drily)
fe
'Twouidnotsur-priseme, if be-fore longshelearnsthatmineis far thebest for a
gj v jgj ^
It seems so.
P *>fir w
PI
n
i n i
$
T=£
6368 A. 7453 F.
165
Zerbin.
TfuPl'l'Hpt ''PPTPIf ^p'pif~?* V'P g P
u
o^> I
j * J'Hp p-pii
tste
woman.
For whom do you take me?
(With one bound, he is at her side) 1
We must wait pa-tient-ly.
*A^
SB
Butthere'sone thing forwhichl won'twait. 3
Far an en-
:^^
ȣ
£U iBll
f
W^ff
*^7
mf
SB
I
tes
<fo»z . ■?
^
(She frees herself) 3
(Tries to embrace her ) 1AR (She frees herself)
Arl.
-chanting' youngwoman, with whom'tis my ear
nestwishto im-prove my slight ac
3 *-
'iifi'rfffi
&*-tfM i wSm 1 1 j' W8 g "p p g
E^S
Zerbin.
Whatpre-sump-tion!And,worstof aii.here! Two steps from the ro-yal lady's man-sion.
sa^i
teb
. g ?Tfl^
E
quaintance.
Pooh! Mansion; 'tis
^yfg^Jg
feJH
i
^
6368 A. 6303. 7453 F.
166
u
(Energetically frees herself/
i \ gp p ^y
g i v ? ggp
Zerbin
Whatmat-ters that?
I real-ly believeyou
9#Pf^#E
I.
('Tries ag-ain to kiss her)
I f aPPBifr ^
W3,
on-ly a ca-vern.
Why much, ithas no win - dows. Vr9t
Zerbin.
Arl-
i^mm
festes ZeitmaB
in tempo fermo
(Looks him up and down. half to herself)
^m
would be ca-pa-ble
* -r-jt^m^^^^
To think that there are wo - men, to
mm
w^rnm
Do not doubt, of ev'rything!
testes Zeitmafi
n strict time
I
a
mm
gft
^tefe >
*«
g|tV>r-yp p i! fnp
Zerbin.
whom for this ve - ry rea-son he's plea-sing.
3gt
^^fr
Arl.
Z 2
And to think that you are from top to
f *C^v
6368 A. 6303. 7453 F.
m
(Has got away from Arlecchino, runs to the front )
148
167
(To herself, yet almost to the audience)
m
I ^B
Zerbin.
Arl.
I
•pypf^ftr^r |fft
Oh Providence! If it is
*tti
toe just such a wo - man!
Brighella
-JL
m
i
W
-y-r-
&m
(Putting- there heads out of TT.t TT., n , ■ l i
the wings left and right ; hi! Hi! Zer-bi- net - ta!
it tL Scaramuccio ( | j j^
iii
*
-7. 7 g | | |gg
5
Truffaldino
ggjl|l=ll
Hi! Hi Zer-bi -net -ta!
1 \ ' r^y'g | p l|M
Hi! Hi! Zer-bi -net - ta!
s»:»ifr'T r r r^
'44
rU | g i^g @g 1 vF 3 pup p JMtpfy g 1 7^gy^iJi J^
Zerbin.
real-ly your in-ten-tion that we should re-sist the men in ear-nest, O why_ then were so
mmmm
Zerbin.
S&%>.
6368 A. 6303.7453 F.
168
Zerbin.
Brigh.
Scaran
Arl.
TFuffld.
Allegretto
149
■a-ted.
A
(at the front, Left)
i 5 7 •? ii
S
i*
^
(at the front, Ripht)
To con-
I 5 •pf^hJ
s
SB
(at the back)
Tocon-
S
j ■/nnfl
^m
(at the front, Left)
Tocon-
I 77 7
P-
m
Allegretto m. J. = 60
lb con-
tf
a
i ^ P g P i i
Brig-h.
Scaram.
Arl
Truffl.
MM' ' P
"r=r
-sole this moo -dy la - dy Try no more, 'tis la-bour lost!
4*
S
F^
frS^
PP
7 J S
P g Jl p I P
-sole this moo -dy la - dy Try no more, 'tis la-bour lost!
Hi g g g b ^^
^ii
^
7 | EE
-solethismoo-dy la - dy Try no more, 'tis la-bour lost!
ggk
&
iff ph Jl *r ^
7 j EE
PPgs
-solethismoo-dy la - dy Try no more, 'tis la-bour lost!
6368 A. 6303. 7453 F.
169
Brig-h.
Scaram.
Arl.
Truffl.
u
mfy m f- ft . m P- tip
a-aJi p j l r 1 1 r | j g 1
**
e^
»p
If all comfort she re - fu - ses, Do not
P
\ p Mr i r pi r g ^ bf> g
If all com
y^rr
3
fort she re - fu - ses, Do not
\ f Blf g ,fejg
M P •/ j
2|£
If all
com
fort she re - fu - ses, Do not
'>¥« WP'^'tHf-p-H
F IH !i
If all com-fort she re - fu
ses. Do not baulk.
a
ite
y j i <
1j
pi
Spfi
^-
tf«)'lW * fesU^
g§g jl^tJrV~7
it
m
m
-jCfl (Zerbinetta dances from one to the other, cajoling' each one)
u.
r4^k
150
grazioso
j ifggilplgig a
M'FfT fU
3rig-h.
Scaram.
u
baulk her of her will! ml
(In a stupid tone) t\j0 m0o-dy lad am I
» » bJ Jg
#
§ I 7
P 8 T
baulk her of her will!
gj tr hP %fe
_aj 5
baulk her of her will!
9tfi
¥* jp p j j
s
5 I 7
Tfuffl.
4H- 0-
her of her will!
£
grazioso m. J ■ = 69
^E
W^
a^
E5
^
ig.iii. g "-• .,g|
*
6368 U A. 6303. 7453 F.
cJ CJ
/
170
Brifrh
stets leicht fliejBend
sempre mosso grazioso
Brig-h.
bask That is all that I ask.
Mb
(With a cunning" Expression)
Scaramuccio p
\ i i $^}U — &$
33*g
Here in this isle are sweet nooks in
Uk p
m
it
g I p t i m p 1r Pi-'-
Scaram.
plen - - tyTherelet me lead you, I know them all.
152 TruffaldinO (Loutishly amorous)
Hi "p i i Hi p I S ^^
I I iw g§§
Did I a cha-riot and two hor-ses own,
Soon with this char- mer
6368 A. 6303. 7453 F.
ArleCChinO (discreetly in the background)
A 1M
171
?Hk i i '^=ff
M-P-P
p p P P
Whileher sly an - tics Fool them com-plete - - ly, I stand here
gj s 1 1 r
Truffld.
I'd fly a - lone.
i*=S
S
2\ espr^-^-
f?s
^
F^
f
/>
4*:
Zerbmetta (dancing- from one to the other)154
m
z
Some
thing com
■nA r p-p-M m i
Arl.
wai - tingWat-chingdis - creet - ly!
rt
fig
> ^z« > >
;p i s 1 1
Zurbin.
£
^£
pel
^?7
ling
Ne'er ca
6368 A. 6303.7453 F.
172
Zerbin.
Fjdgj
ir
i
t" 7 | |T
cious,
Al-ways a
j— ?^ rrTig
te iirrrrfr
<fm. -P
^4
155
1 pHH i i i urns g j '7 i ^j^ g g ^g
Zerbin.
der, new won
-der de
4*
N^P
/"l^rjra
tftog.
T
ftp p i
T*
r
±=d=M
nh m p rrj
i
SI
^3^
S
p
tf
e
Zerbin.
li - - cious!
yg^l | g -^^^^
«
I am not moo - dy_
m
Scaramuccio
^m
aB
Arlecchino
I g git
I'd fly a I I 7
S
Ji?-^-
*%
Jft J. JB.
I watch here dis - creet - ly.
m — 0 — »
9 9-
9 •-
r
«
7 7 7
3
S^
.' J ^ 3
f
f^f
6368 A. 6303. 7453 F.
173
Zerbin.
pi
156 ^
Sowas it with Pas-qua-riel
lo and Mez-ze •
H rr? I
Scaraiu
lone with her.
gag
,a
> ^ p
>M P
Arl.
While her sly an
tics Fool themcom-
Truffaldino
ggi j g j p g 1 1 j ^
And I know them all.
V'JU/OT
IF
H
) •> ?!
j r -^CJ
Zerbin.
u.
&
tin!
p p p iJffi^r^ mm f ir -'r e
Then with Ca - vi
cchio andBu-ra - ttin! Ne'er ca-
| g | | 1 g fa
Arl.
plete - ly, I stand here wai
ting,Wat-chingdis - creet-ly!
6368 A. 6303. 7453 F.
174
Zerbin.
cious,Some - - thing com -
H*
Brighella
fe§
mm
H
m
m
i i
Nomoo-dy lad am I.
^fe
y i pp
Arl.
7 7
I wait here dis-
U.
m
i p m a
is
Zerbin.
fe*
**
ES
pel - - - ling And there were some
Scaramuccio i?
times • not one but
^
S
$
j 5 £
I'd fly a - lone.
with her.
Arl.
^^
E
7 7
creet
6368 A. 6303. 1453 F.
Zerbin.
u
m
two..
¥
I ; a
*r~
A - las!
but some
m
3A
Brighella p
175
- times, but
S
ft
Sweet nooks in
m
Scaram.
p=r
Sweet nooks in
P
£
r it
pym
7 7 IV
I stand
^m
here Truffaldino p
still
^
*
Sweet nooks in
Zerbin.
Brigh.
Scaram.
Arl.
Truffl.
some
times, but some
u
a r i
7 7
g »P P
£
plen - - ty,
and I know them all..
U
'■r—t*
MP g I
£
7 7
plen
ty,
and I know them all..
9BJjfc£
S
i i g
wai
- ting, wat
ching dis
^¥Fi
£
g I g
7 7
• f— *
plen
ty,
and I know them all.
fc*
I . 3
0-^
3 3,
^frr 4Kjp=
m
ft J IgF^y
6368 A. 6303. 7453 F.
176
Zerbin.
Brigh
sehr lebhaft
motto animate
(While dancing", she seems to lose a shoe)
¥rt££rrf f f p pfp \ \
(Scaramuccio, quickly seizes the shoe and kisses it)
times, yes, there are
two.
*»
8B
fete
Scaram.
^^
feS
creet
iy-
»>tftf g
Trnffl.
sehr lebhaft m. J • = 84 #w#<? animate i ^--t — ;
(She allows him to put it on and whiie he does so, she leans on Truffaldino, who had fallen at her feet.)
w
m t j \ i i
I 't fr Pt"^
£
Zerbin.
9
How he stoops,
to con - quer try - ing!
6368 A. 6303. 7453 F.
*
u.
1 Rfl ^^e nas 6"iven Scaramuccio the palm of her hand to kiss, I OU and beg-in s to dance ag-ain)
177
m
i
Zerbin
m
»
7 y
a
^
If of them I make him
& ifc
i ^ j ^ 1
nj. «L 5 J
*
P^S
fe:
as r
^
iii
£
V^f \^f jgj
7 7 7
¥r UlJn i
163
Zerbin.
*ft
jea-lous, Brighella ^^»»^>
P j 7 7-f^
Hr iv
■pr |
5
fo- 'h
^Pinp-yp.T"?
ss
«
a
If of them shemakes me jea - lous, See how nim - bly, see how
Scaramuccio (dancing-)
7 p pV^j^
Mf of him_
Jlj,«LJ
SI ^Sffif^
HP
^tt
semprepp
B^ ;=
tfC
¥r j-y-y1;
£
it
. IRA Metr. J. = 73
Zerbinetta. b^^ ( s^y^oi
^m\m<\
m
I 7 7
Soon you'll see the coy young-
zea - lous, see how nim - bly, how zea - - lous, Round a-bout her
Brigh.
m iJw dtr\fl i'^
*.-it \ fr j jg lJ>l
ScaraTi.
- shemakes us jea
lous,
ski
See how nim - bly round a
TruffaldiriO (dancing-) i
PS
fe
How the hus - sy
_ r ^ ^ "~^ ^ l^HM —
~£~i .MhiMh* i^l^, bfeQ^
&
gg§|
gg
^
gi iyr l,r
cresc.
^r a
tea
^
/>
&
.»
■§
6368 A. 7453 F.
178
Zerbin.
Brigh.
Scaram.
A^'flf ^ * pup 1 trVp'r | if 1
-y-y-
fel - low Nim-bly round me pi - rou - ette!-
g
fr=fc
¥
pi - rou-ette!
^njn^pr m "pibr "c^spf
1 7 y
W^
-bout
her, All of us will pi - rou - ette! .
HjMpT
-V
^ b
&
2Pt
Ba bp*
fc2
5EE3E
?
B
Truffld.
=£=
32*
makes them nim - bly;
Each of all the o - fhers jea - lous,Rounda-
ife
a
cresc.
%
A
m
t
Zerbin.
y i
£
£
If of them I make him jea - lous, Soon you'll
a
mm
%
Truffld.
P I r
m
7 7
-bout her
pi -
rou
ette!
6368 A. 6303. 7453 F.
179
165
uM^\^f^^r^yr l]P jj *^
Zerbin.
S
»
see the coy young- f el - low Round a - bout_ me pi - rou - ette!
Brighella ml
gg Up j ^ | | l lyfeE^
See how nim-bly see how zea - lous,
P
Scaramuccio
-2%
&
jJH ft y l,i> J) | y | J) J) J J)
See how nim-bly, see how zea - lous
S*
y g P ES
bck
y'vp p I
Truffld.
2
See how nim-bly, see how zea -lous,
J^l^J*
yi^p y r jj
^,w^
(While the three are making- their pirouettes, Zerbinetta throws herself backwards into the arms of Arlecchino, and hurriedly disappears with him.)
3M
~ m v'T "p r p i y *p tf^rni i
I will round her pi - rou- ette.
P m jg 1 p | ^^
set
Scaram
Truffld
I willroundher pi - rou- ette.
aa I'pfrr jlMs
Si
E^F*
I willroundher pi - rou -ette.
m
f^
y
u , -H
%
r 't 7ej
1^=^
9#np
sempre f
i
£ :v
fc£
^fe
r^P^
*£,
bi
b5
6368 A. 6303. 7453 F.
180
t
m
166
etwas lebhafter Metr. J. = £8 pocopiii mosso
M
\ y E
Brigh.
Scaram.
Mine the
■ft*
(trie three find themselves alone)
&
a
Mine the shoe.
»
| »fi|T j j
Truffld
V V
Mine the hand,
etwas lebhafter
iffflVYj
j! B j r S
I I g % § I
Brigh
Scaram.
Truffld
glance.
I have sue -cee- ded!
il 1 1 i
h J) jg | | 3
m
I have sue - cee - ded !
I have sue - cee - ded !
>>% l 1 j g | I fr 'IB v j p- g | Up j | g ^P V
I have sue - cee -ded!
Mine the hand.
I have sue-
fffiHil .it ja #if #»y
P >n^ ra
^H
iU
1 i§ §
il^nTq
6308 A. 6303. 7453 F.
181
Brigh.
Scaram
167 P
$kPC{t j 'pp i j »rr 1 ^ *p i»r r^
I am her love 'tis me.
she ex - pec - - teth,
ste
p"[3rP p pi
Hrr-~7rlr[
I g g i r :EEE^»
I am her love -'tis me.
she ex - pec - - teth,
StiM a i
je.
Truffltf,
£
£
-cee-ded!
Now "must
I quick
^?P
Brigh
Scaram
Truffld
m o I ii
cj-esc.
m
sr
3 . J> i r fe 'i
^m
£
8 y
Me she has cho -
»
sen,Them she re - jec cresc.
teth!
J "J1 m
bJ> J) J) j> IV 7> p j
Me she has cho -
sen/Them she re - jec - - teth!
ft|
#=#
!E
y y
iy
creep off un - hee - ded!
6368 A. 6303. 7453 F
182
Brigh. Scaram. Truffld.
168
m
Z-
f
*
^m
:1
■i
i
*
B:
£!
Me she choo - seth, Them she re-jec - teth! I'm her love,_ -'tis
tUr-
p p Pi FFf
P P P P
*
Me she choo - seth, Them she re-jec - teth! I'm her love,_ 'tis
J.
gB I r g i p p p r i i r pp^
Me she choo - seth, Them she re-jec - teth! I'm her love;_ 'tis
m
m p j i g
Brigh.
Scaram
Truffld.
me she ex - pec - teth!
4
m
BB^
(all three slink into the wing's)
I
*
me she ex - pec - teth!
-M-B p p *r m
me she ex - pec - teth!
s
I
^»
?J3l
a
i
i
fe ytt « *
m
i
Hl^
p ^ffmv
mk
kj
(Immediately afterwards Scaramuccio reappears first of the three, from the right, in front of the stage disguised.)
mm
j j y y \ =¥=
6368 A. 6303. 7453 F.
Scaramuccio
(Softly)
183
(Looks around)
P
Hush! where can she be? where has she gone?
m § §
,,» n
Sraram
U
ft
170 ti • l. 11 (Coming' from the left
v Brighella (Disguised) stupidly cunning-)
p j -7fl P S I > ^ p *P P
(Turns to the right
7 j y
Hush! where is she?
where can she be?
be?
Scaram
m gig v ^=*^
y^yj^ u?J^
i# >*. i*. jjilA >A >.
j P g
%
%
aft
il
= i
^JEgB
i ,-f ... I
n
W
and runs into Scaramuccio, who is just returning)
"' -J
6368 A. 6303. 7453 F.
184
Truffaldino
(Disguised)
172
(Coming, from the left, at the upper left hand corner, just Brighella is taking his first step to the right)
P
173
(Runs into the two, who are running into each other. All three stagger to the centre of the stage)
Truffld
|l
Brighella (To himself)
% i >r ft
g^f
174
j i » I y
4
M
m
O, curse the fel - low! Scaramuccio ^ob^^)
^m
±=5t
f3^£
O, curse the fel - low!
(To himself)
Si
(To himself) p
Truffld.
O, curse the fel - low! But I carit be
pjjgi EJgp
•\if^ |
iH Jiw beH
ZB=
P»
JPI3H
^
y W
h&^.
m
m
h ^
hh
i
pp
i
B5
y ^ R#+
aaes
6368 A. 6303. 7453 F.
185
«
B
,__ 3/ etwas gemachlicher 1/0 'iunpoco comodo
ZerbinettSt (Invisible, at the back) jf — ~*-^
m
i
That a heart its own
*&■ jgS
ftp ifrr
<#>».
m
But I cant be
— dim^
re - cognized!
|S
h i as y a y:
Scaram
Truffld
«M *
But I cant be
re
cog-nized!
ass
s
*
jot
re
cog-nized!
JS»
3/ etwas gemachlicher /4a« yoco comodo
m m m
ss
si
^
£
££=^
SS
rii'ii
r±*
a ^3^3
i?p
9gji
P3
J) y j§j r fliW [ g pip
y fly y
h„i „->
::»
r
I
u
(Brighella, Scaramuccio, Truffaldino look at each other)
EE
Zerbin.
B
£
se-cret should al-waysread so ill,
Its own
w3"^. Einm ij^^
^
f
g 7 p 7 g
Ft?
*r r t k
1
fc ?*;?
r— 7
J>y JlrJ)
P
^
lr r r
Zerbin.
ajifa^
#
17C 6/ wieder lebhafter
I/O %<piu animato
£
se - cretshould read.
so ill!
ArleCChin.0 (Also invisible)
> j rpP
I I vP''lp|'l
rr=^
Formand fea - ture praise de - fy - inj
JHrwie_der lebhafter
- — t — , fiflj^ piii animato
6368 C-SjDr.
A. 6303. 7453 F.
186
Zerbin.
Bri^h.
Scaram.
u
I v v ^- up 1 1 g i y |
is
Hands that clasp me, lips that
tf
gj j 7 'in | i p |"p s j j
Oh, oh, oh, oh!
ii y \ iiip 7 1 nip \ y m
Oh, oh, oh, oh!
gg||j 7 7 S p S ff 1 j 3 j g
Truffld. ■
Oh, oh, oh, oh!
jjgg
W
Zerbin.
kiss!
P
ftp "P » P I *P
Sitt
7 7 £
Brigh.
^^
tt
Oh, oh, oh, oh!
7 7 i?p \>p i m | Up 77 j
E*
Scaram.
^ft
Oh, oh, oh, oh!
4
v *Hf I 7 p gg 7 7*
S
Truffld.
Oh, oh, oh, oh!
^ ^7J5 MTJ:
A
8S
t^f df n
m
ft
pa
W
mg
te- I
y§
fe^~^- *
1 bf ; q£, f
/
f fa; g
S
SfF^
6368 A. 7453 F.
178 tempo primo aber stets ,?ehr lebhaft
m
(sempre molto mosso)
187
1
Zcrbin. 1
£
Hands — Arle- ^ cchino
that
clasp, _
m
1 — § i f r
lips.
^^
that
Hands
that
clasp,
tamTin nTMmn aber stets sehr lebhaft icnipo |)nmo feemp.„. molto mosso)
i
lips
a: ~
that
gg-
l^S
£0
i*
#
^
J> B @ I
r
r
Zerbin.
Arl.
fa-1^
181
poco piu mosso
Zerbin.
Harlk.
heart .
mM
in
blissi
i=£
=#=
heart.
bliss!
Scaramuccio
h h <, »
m
Oh, oh!
Truffaldino
I
7 7 7
A. 7453 F. 6368
188
Brigh.
*H * g P g ^ ^ g
Oh, oh, oh, oh, the thief!
777
Oh, oh!
7 7 y =¥=
The
s
Scaram.
V 7
7 7
Oh, oh!
gfi P 7 7 ^^^
7 j 7 l-y-P"^ !>ff 5^?
Truffld.
£
oh!
The thief!
Oh, oh, oh, oh, the
^WPiiiP
^?gay
| yUryyrn^
^
gjp l|y *p^*P
y-vr^.iJlfii
^
■ J B s g i
3^E
r *r
P tf'r^_ r *p
f
IS
te=F^
M[T B
g
7 7 7 *?
Brigh.
thief!
The wic
ked, wic - ked thief!
m
W
ZP='
Scaram.
7 7 7
wm
%
The wic
ked, wic - ked thief!
WL
m
m f P
I
5
:s?=sF
Truffld.
thief. The wic - ked, wic - ked thief!
The wic - - ked,
SB
tJJi.JJhJit^"r 1 1 ^
fS^r^rfc^^Jrm^
!>*•
Si
it
I
g
5
^F
6368 A. 7453 F.
189
Brigh.
Scaram,
P v i Up
182
^
J — J^ r g
y y
The wic - ked, wic - ked, wic - ked thief!
m
The
*
£
B g 1
£
y 7 J)
p r P
The wic - ked, wic - ked, wic - ked thief!
The
*Mr p f" I 1 1
¥^£
fc£
Truffld.
wic - ked, wic - ked thief!
The wic
i
Zerbinetta
183
I P r I g i r 1 ^
j_ j rJJi^EjE
S
Form and fea - ture praise de - fy - ing, To ca- Arlecehino
i
lnn
E
t
Form and fea- ture praise de-fy - ing,
gg j r i
s
Brigh.
*— y-
wic - ked, wic - ked thief!.
*
£
"77
Scaram. -
E
ic - ked, wic - ked thief!-
#k~rfr a
*e
i
Truffld.
iEE^P
■y— y-
ked,wic - ked thief!.
6368 A. 6303.7453 F.
190
Zerbin.
Arl.
|Hmgnd^ m &\*Q v€M
Nfe^
ess ca-ress re - ply- ingHands that clasp and lips that kiss, Bin - ding-
•>:h ^ ^Htp ["r P"r a m 1 1 i^
To ca-ress ca - ress re -ply- ing, Love that binds.
184
j^r^W
=£
^=F
e a
ZcrMn.
lo - ving heart to heart,
Bin - ding heart.
§8
?r if r
§
to heart.
in
i ■> ffqf
Arl.
heart to heart,.
Lo - ving heart-
to heart.
3righella
j ' 7 r^-»k
7 yp
^S
The thief,
the thief,
the
Scaramuccio
gEEES
^
7 7 l.5
■*— y-
The thief,
Truffaldino
the thief,
the
m
PMfU
%
£
-*J—^~
y y
Oh, oh, oh, oh, the thief,
the thief,
the
pm
«
IP
■ * * m
&
cresc. .
&0k
v=m
m
r&Ml
Jjftg
ik$n
T
6368 A. 6303. 7453 F.
Zerbin.
Arl.
Brigh.
I
Iff*
185
19i
-yr
s
100 S+-Am
in bliss.
Bin-dingheart to heart in bliss.
1?
s
1^N£
felj_ f»r 1 Eg
5EE*
in bliss.
Bin-ding heart to heart_
in bliss.
ih J p | lb ir g g v g l J gj » itP p p p g
wic - ked, wic - ked thief. Oh, oh, oh, oh,
oh, oh, oh, oh, oh,
te i J iiJ'u I p y Pi J 1 Hvt I p ti g i
Sea ram.
wic - ked, wic - ked thief. Oh, oh, oh, oh,
oh, oh, oh, oh, oh,
m
I I r P
j£
Truffld
ZP=
R^
5
^^^
3==t
ic - ked, wic - ked thief. Oh, oh, oh, oh,
oh, oh, oh, oh, oh,
t
.?♦:'
H r m ir^gf
j*
I
a^ »
^
/
#,
fff^K W
el
X*i
ib.
^s^s
#^t
fg
*
»» n p nr p n
0 \t
Zerbin.
Arl.
Brigh.
Scaram.
Truffld.
Hands thatclasp_ lips_
that kiss,.
Bin - ding heart to
ap T Tiii£jf Orfiip mmmz
£
Lips that rain_
kiss - es, Bin - ding heart to
t
fc=»
it r M i
m
m
-y— y-
3=?t
£
jyt
oh!
I
The thief! The thief!
The wic
1 r a
^
I
-?-*-
^3z
£
^^:
oh!
The thief! The thief!
The wic
V:fy r \ i^^1
§
gi
V V J)
zfcfc
±2=
oh!
#
teg
# *■
4*. 4
= 8*
The thief! The thief!
'# V
The wic
W
s
f=F=*
»-••
a
SI
id
§
P
£1
ae
si
636S A. 6303. 7453 F.
19:*
Zertrin.
fe#
M
186
heart.
m
£
TT"> g if
heart .
to heart-
Brig-h.
Sear
Truffld.
ked, wic - ked,wic - ked thief!
to
I
S^^g
ked, wic - ked,wic - ked thief!
m 1 r p^*g=g
s
i
ked, wic - ked, wic - ked thief!
The three, as they dance off
is
*
Zerbin.
heart.
m
m
angry and disappointed)
fr^ff
k Thiisfi iai}ah~iTFt
i ^^^^inl^p
PP?
*
I
i J Ji
=F=i
p
P8f
g m
w.
V
m
r
dim .
PP
6368 A. 6303. 7453 F.
187
£=
Brighella
i
193
F^Ff
*
Oh, oh, oh, the thief!
Scaramuccio
') g 7 | |l>p 7 ^=^
7 7
Oh, oh,
oh, oh! Truffaldino
ai
P ^g P v P
Oh, oh, oh,
It*
(Exit)
i^
Brigh.
7 7
7 7
Oh, oh.
*
(Exit;
1> Ji i J'
Scaram.
Oh, oh,
oh, oh.
-Exit)
3S
7 7 g g 7 7
Truffld.
thief!
Oh, oh.
6368 A. 6303.7453 F.
194 SCBflB III (The Naiad, Dryad and Echo run on, almost simultaneously from
188 a i ■■ -.■» the rig-ht, the left, and the back respectively.)
Sehr schnell.
ifrFrpace.
m
sm
Naiad
yyy
Dyrad (In great agitation)
Si
==£
Z3I
35Z
«
Sehr schnell. m. d = i38 Vivace.
gj^r-B
A ra - - diant mar
g —rr
^m
^
T3Z.
m
pp jpp
nhMh:^EE
^3
r>
o
?e
fife"
«
khAJL _g_*
as
^
Nai.
iAi
boy, oh how come - ly!
Echo.
You
si
0 — m O-
ite
A youth - - ful god!
Fr^F
M- Mp
9 0
w
*
Dry.
. - vel! ^ youth - ful god!
His name then...
'fatl'lf it
^m
a
g$§f
^
*s=^B
?c
%
%
m
2=
i>
-TT"
ifefc
Wr n
189
Nai
Echo
Dry.
know it?
Bac - chus!
mm
*£
TV
p
a
A youth
ful god!_
A youth - ful god!
m
ASH
Bac chus!
A. 6303. 7453 F.
195
Nai.
%4
Em
ifa
A boy, oh how come - ly!
Pay
heed.
BS
*y
i
;Pifr^-p7
t
Pay heed to my words!
His
E§
£
' mf
tBE*
t
fc£*
33
n
pg
^
*l
|p-J»-«:
S^
=£:
jdt
3^
fe
as
190
Nai.
Dry.
■ *
Born of king - ly li-neage!
y*5ft
as
wm r
^s
32
mo-ther died gi-ving him birth!
ftti.f 1:
Wrf
gi
^
trfl
w
A great
igp|
t^jF 1 ft
f
*=*
f?f
*fa
as
p
*
B=t
pp
M^
Mff-E-4*f-
e
£
i&*
si
>IF=F1'
■ ■
5fc
Nai.
Bern of ro - - yal li-neage!
<W^
S
Dry.
===*
O-1-
god's
be - lo - ved!
EEI
w
A great god's
fe>il># ill1
1
4fc
^r=FT
be
¥
cresc.
nhh M
fs
<-iW
^t^*
6368 A. 6303. 7453 F.
196
Nai.
Hi
191
£
■ i p
M
m
Who the god that loved her?
( with enthusiasm ) 3
m
k
J2Z
Echo
Dry-
%k*
A great god's
be - lo - ved!
SB
m
22Z
zz:
lo
ved!
ias i,vi i,i 1
myrif s
But the young wean
ling.
:w um x
*
H
ft?
i!
s
w
m
ftnda
/
.p
%r" ^
iff
w/-
«fz
jg^
3a
IP?*
P
If
192
1>
STF
%>.
«
ite
tr
E
£
£EE£
reared.
and ten
Ha
ded by Nymphs.
'm^4
( Carried away )
zz:
ZEE
Echo
Dry.
Am
A great god's be- lo-ved!
'TwasbyNymphshewas reared.
^3
m j
*
#
Lis - ten! ,
ST*
y#t?n
Twas by Nymphshewas reared!
I
it l£ ?
8F frl
is
1
#-
3»
«
/
£^nm
p
S:
F=^
Ite
^
i
Nai.
Echo
Dry.
m
m
i&t
Guar - ded by Nymphs was his boy - hood di -
§1 r r r
IE
Twas by Nymphshe was reared!
m
p
K
M
H
1^ *#*
Guar
ded by
l% %f% B
(■l-gS^T: I
£
3te
H^O
#p
^
j «ai <
r
3
^
tH
^
331
f=
6368 A. 6303. 7453 F.
^
197
Echo
Dry.
-o-
vine!
£
£
0 — m — P-
1
His_ boy-hood di - vine,
his- boy-hooddi - vine!
m
Up
pqg
IE
3E
§&£
ggg
Nymphs his boy
TV
H&i
M4
hooddi - vine.
i
^
^i)
»-»
Ejg
£
¥
^ff
aiB
faF^
g I B
»/
P
Pfg*
I
*»
<Hi^
i^
r^=t
193
#
% a 't *r i t i *r i je ^teJ
m
Nai.
Echo
Dry.
am
Would that so gra - cious_a task
m
hadbeenmine. <In a birdlike voice)
Would that so
J ^ | jg frppl'1
Would that so gra - cious a task
hadbeen mine.
Echo
Dry.
gra-cious a task hadbeenmine.
ate
e
^^
i
He grows, like a flame soft bree-zes
BIB
ww
i
i
^
p
ip
a»
faES^
^iE
jMI
/>
cresc.
jl^#
I
HjjSt
g^
T5~
6368 A. 6303. 7453 F.
198
Nai.
ife
m
[{* m m I RP t|a>
A boy no long - er,
»pc£
See*
a m-
a youth a
M
**
*E
*
* ■
Echo
Dry.
A boy no long - er,
s
3
fan,
Uti
»
g S^ ctf
p
*
:5r
ft tarn. ' \»
iz
m
ffff
5
aSl
Are*
o-
tel'
qp. ft"
l.n.
r — is
r^
s^
^ 1
195
$&.
HftiM".' »
Wst
as
to
Dryad.
^\Vr- I \r\>* I
Dry.
*fe£
Wild com-pa-mons he sum - mons to aid him,
^m
fe
196
* — •
Trim - ming his sails To the fa - vou-ring breeze!
Dry.
^-jJJlJ j>->g
iiJa;J
T I
"XX"
*
6368 A. 6303. 7453 F.
199
Nai.
Dry.
i
v
m
i*c
Dan - - gemot hee - ding!
i
2ZZ3
fef=jF
^
¥
helms - man.
Dan - - gemot hee - ding!
JU
E
gfeefe
SM
*&
II
H§1
fe£i
pi
WB?
^
•)■ g g
I
r ^r-
^
#
^
^
3E2
197,
t fr M
l
Nai.
_ . Tin a birdlike voice)
Echo.
k
To_
his first ad - ven
ture
£
Dan - - ger not hee
USh
*fc
^
3
^ 1
»
^U
ding!
mm
£ — M
33=1
/
\>o *
■jal iJ J
zp=
Nai.
spee- ding!
B=B
Echo
Dry.
7^Z
Dan - gemot hee - - ding!
^r I jg
igc
4EZ
The
»
g: da
b=£
accelerando
^mmm
sp
»
first? Ye_ 1^
know what it
it *
fc| Ji3/7P^
3
«
cresc.
kg 1,
_fe
s
£a — ^
P
ggg
g h
espr.
6368 A. 6303. 7453 F.
200
Nai.
Echo
Dry.
noch schneller.
Nai.
Echo
^ ha-ven they reach, Straight -way to her
pa - lace the path
he
m
&*
g
Right soon_
her is
land ha-ven
they reach,
Nai.
Echo
-e-
6368 A. 6303. 7453 F.
201
200
Echo
i
*
~TT~
treads.
Tor - ches are fla-mins:_
*4
m
Dry.
^
On the thre - shold she
M. o =69
J ~ appassionato '.— '.zfL'tt
m
3J
Dry.
wel
»AT^f>
comes him,
fesi
To the ban - quet.
leads.
SJtl
I
iffc
!PP
S
legato
73 73 -IS -O
72 a 73 73
Dry.
73 73
6368 A. 6303. 7453 F.
202
*
Echo.
□E
HE
EC
2)2=
«
Meat she gives-
him,
m
Dry.
him,
m
S
jMj tp
^^
rJ^^^
to=
^p
~*0-
appassionato
HS
^
fe b b;
rs
n ra
b a
*
-©
r^
M
U^=4
n
-o-
>M
Naiad. 202
(eagerly)
m
¥=#
i
trrr
Bc
*t
The ma
g-ic wine.
m
ftp'
Echo
Dry
91.
The ma
g-ic
sa
=t
533=
Gives him wine
Tj2 ^T
tts — =fcrrr= rfl — ars 1 — r-s — ~i - M- — 1
Nai.
wine,
- get
Dry.
P
the sweet - ness
(Triumph in her voice)
hid
*=f=*=
-J r ttr
^' A ft
I
Then by her
fa
the
i
£
i
s=
cresc.
fe
^ftfp
«P Sf2
Jrjr?
«P sF
«P S(2
«f= eP-
JJ5_
S^^
^|S
g^£S
6368 A. 6303. 7453 E
Nai.
4A
203
J2-
203
gic!
Echo
Dry.
I
||g| | |
- den!
ifc r i i
r i- t fy i|r'~^'~~ ^ if I
god is bid - den, Naught, she proud - - ly deems, can
o=§
* te S
3«f
,•— , TT
gfliiJLLi: i-^~^
ItTrVr-p
^~
/
•to. ^^
##gg
s,
dim.
m
41
e
i
Dry.
3T
MXM
3E
him, Prone_
to fall in swi
u
JE§gj jg
iUOi
«E» "—
«
-J„j-T^-
*
-jujijjt
?
n3f
^r^
5
~TJT
?«/*
gj g ^J
& — ,. f?
*
i)^'
P
3E
&-
Dry.
6368
A. 6303. 7463 F.
204
Dry.
i#
|S^
*
£
¥^
P
spells are vain,
5
None can en - slave him, All her arts the god de-
^
H fe
^^1
P
?
esjsr.
^^
X
m
«
aim.
m
^p
8^
3S
*4
S
205
Naiad.
©
hi) I
&
But her spells,-
But her spells_
*4
m
Echo
m
^r=^^
^
£
¥^£
But her spells,
But her spells-
WtESE
Dry.
- ^^T^^^P i J ^^ Ig ^
ties.
All_ her art de - fies
For_ her spells do
$m
B \W~f i fc 1 jgj Ejj !■
irMT"gJ
g=B
^
Lj Eg
g^g
tnTf^llffi
^B
*gj^|
cresc.
£
B3
^
S
we
?«/*-
jte
fe nit
fe
¥ — I
3F=^
^^
Nai.
Echo
Dry
Do not en - slave him,
Do
not en-slave him,
All her
fftfy .) p Phr 'if i ifr
Do not en -slave him, Di
2Z2=
til I
not en- slave him, Do rot en-slave him,
All her
I
M
tip §
£
Rtf — 1 —
All her
not en
slave_
him.
u
as Urn
p=b^
^iT""? ip i ijllli i H
Fg
•a
Qt
w
cresc. -
f
Sjjg
ff^g*
^^
fc=B
P
^
^
«s
6368 '^ A. 6303. 7453 F.
««
Nai.
Echo
Dry.
* arts
Step
arts
**
arts
p —
the god de - fiesi
1^
the god de - fies!
P 1 p
the god de - fies!
206
205
A*
ft
&S
ft
*
#
p
From the dead
ly arms that bound-
dim.
g-etragen " sostenuto
*»
rue
&^-
ft
~rr-
&^-
rw-
207
F=T*
a p
P
-o-
Dry.
f
^
— him,
Pale,
mazed.
be - hold.
him freed, 'Mid the
m
-zz
m
-^$
^
^
=^
^F
*S
^
?£
T&
pp sostenuto
HE
-e^
-o5
50-
2SE
3E
208 Echo
m
Stands re
Dry.
P3
£
beasts that gro - vel round him, Stands re - vealed a god in
deed!
ffi P tfJ
*v-
3pl
H
m
s
^-
s
*J: g fe
z^:
i>
-©-'
-o-
-e-
^&^
3E
3T
331
6368 A. 6303. 7453 F.
206
Echo
-I©-5-
2XSZ
^=f=£
vealed_
stands re - vealed, Stands re - vealed_
god in
• 209 Naiad. (At the Entrance of the cave
53T
=^S
^
£
£
iJPw
na
fin % birdlike voice, entranced;
dne!
Slee
¥Pn.
i
Echo
deed! God in - deedL
Dryad. (At the Entrance of the cave I
Nai.
Echo
Dry.
A. 6303. 7453 F.
t <£&.
207
Nai.
Echo
Dry.
mar - vei!
I.
r i r k
f.
m
God-
in - deed-
Re
I
^P=^
£
beau - teous mar - vel!
i
»«!
w
rHT ,#^u> eLfe
I
&
M
££5£fcs
Sg
P=P^5**
*
;b@?
i£
#p
cresc.
- pp' ' vf
w
&
*
211 a"
r Of
■* 3~*
s
Nai.
Echo
Dry.
god!
*
5E
ft
£
vealed!_
(still speaking- into the cave)
m
^
?=^
Yes
ter-day the
Echo
Dry.
6368 A. 6303. 7453 F.
208
*i
m
212
Naiad.
^
Echo
Dry.
H 1 r
Hi
£
vealed.
a god!
Mk - i
Quaf
fing of the ma
znr
g\c wme_
ife
&
fftf or^
fc/#f# g
i
te&;
a
7^V
i
M
213
H
fe
>~~y
Nai.
Dry.
therhashe come to - day!
Hear'st thou,
A - ria
fete jg
214
S
Nai.
Dry.
dne?
m=»
m
a I
ria
dne?
piUgi
-dri
^-^
m
i? ., p
zz:
TJ"
p _. p
zzr=zz
^
@ — e
J - S
=^==^
gzz: r?
2>
Je-
S
is
v
i
s
p
dim.
■— ■ TJ ^—
zj*
6368
A. 6303. 7453 F.
-2
ruhiger werden calando
209
Ariadne, as if drawn by mag-ic, comes, listening.out of the cave.
The three Nymphs, also listening-, withdraw to the sides and the back.
GemaUigter, aber immer noch schnell (0) Metr. J = 104 Meno nwsso ma sempre Allegro (0)
/I J (Young-, supernatural, dreamy)
ji ti&iCChXLS (His voice behind the scene)
m
m s>\r cr 1
3E
i
» — 1
^=r
T
^
Cir - ce,
Cir - ce.
M
8
Canst thou hear me call to thee? What thou.
-~ * A 3
m
w=m
s
ft*
»
THrHr' J"1
fp^
zz:
*-#
«-#
*i
216
wm
iL^.
£
Baech.
didst to me
is naught,
But those now held.
A
fm±^
it. £1
Wj-7
tM
tf
I
aP w;
s
^^f
■/rtrTrf
dLi
sempre pp
mm
te^E
fWW
*i
&
m
■m
Bacch
thrall.
$$$$£
to thee,
For them,.
what
fflgES
m
■»
££
:&yr-
hast
JIT.
thou
P
»
S
ff
=£?
HB
yi
j2.
^£££
ja
/
Ji£
4^P#
ffWf
A. 6303. 7453 F. 6368
210
Bacch.
i
tf
n=f=r
p.
m
■ZJZ
Bacch.
I couldes -cape thee. See, L
can smile with all my soul
at
u
g
<*-:
e?:
-©-
"cr
fc
•£• *
MS
sn
A" ■#■
33=
?=c£
s^-
«o» legato
H
218/
g tt
Bacch.
peace.
Cir
Cir
I
*A
pi
ff o g g fe
w
*
ce, What though-test
.accelerando
tf^^fr^l;
g — as
3E
*r p
^tf
y <&>».
i5»
s
p
fc^
to
5p
01 o Schneller. ' P/i mosso
Bacch
6368 A. 6303. 7453 F.
211
m
Al'iadlie (Breaking- into his song', to herself, softly.)
Through all my woe
hear it: brin - ging
*4
mf
Half as fast Metr. J = 48
o 91 Mezzo Mo vimen to
n j. j I g
$&
wrfc
Ariad.
heart en - thralls.
U
m
Naiad.
(softly, timidly)
BS
#
*==
i*
Echo
Pause not,
(softly, timidly)
pause r.ot, voice.
apt
1
* a
IZZ
I
u
s
Dryad.
**
Pause not, pause not, voice en
(softly, timidly )
sp
H
3^
W
ifig g
i jg LP
^
£
Pause not,
Half as fast
Mezzo Mov/'/nento cantando^.
pause not,
*.
Wf^r
«
i>W
*r
Sgg
£&
ffH^
in511
JFeF
ffip«s
^r
ro-
>
IE
6368 A. 6303. 7453 F.
212
a
kfe
g rJ
m
ZSl
5
ster sad - ly,
chan - ting,Sing on, mys - tic song:
m
Echo
f
p o "3"
a p
chan - ting,Sing
rr.ys - tic song - - ster sad - ly,
I -I J J
g
Dry.
£
pa -£■
* i ■
chan - tingSing on, mys - tic song - - ster sad - ly,
222
22=
Nai.
V 5 a
z2
-F
La - men - ta - tion
so me
lo - dious, Who its
5fc
a
£
Echo
7 B a
22
La - men - ta - tion so me - - lo - dious, Who its
*fc
1
j a
Dry.
m
¥
La
f
f
27~
men
ta - tion so me - - lo - dious, Who its
6368 A. 6303.7453 F.
213
Nai
Echo
Dry.
Mrr=rr-
m
i
223
ca - dence hears not
glad - ly? Who its
m r p
eg ;;
2Z
ca - dence hears not
glad - ly?
Who its
£g
a
IZZ
ar-
ea - dence
hears not
glad - ly? Who its
M
^
,mffl
i
j^
^
is
Jf3,j^-
BS
331
ir
C
\>)kr m \f~%
it
Nai
Echo
ca - dence hears_ not
glad
- lyl
m^Ji
-1 - ~?y
§
a
B
zsz
ZEE
ie:
ca - dence hears_ not
glad
ly!
MrJ, m iJ-^
t&
Dry.
IE
ca - dence hears_ not
glad
- ly!
totefes
M
£
!^E|
5£
h*
&
m
M
*-»*
^
m
e
n
Si
^a
^
S
^
^
ttg
£
ir
■ i a
r- fr
._ . Friiheres ZeitmafJ, doppelt so schnell.
^^ Tempo primo. Doppio movimento.
The Voice Of BaCChUS. (Melancholy, sweetly.)
itei
?ZE
IE
I
*£
s
But
9-espr.
no change I suf
i
m
£
fered, Dh
±=Jz
£
£
I
m
:l#-r<r
^^5
rf?>».
^J^g
^*T}<<&
ZEE
IE
IE
A. 6303. 7453 F. 6368
214
Bacch.
I
A
Xg
t i Hr T
o
£
I
Bacch.
heart and my sen - ses
Cer come with hea - - -■-..- - vi
M
ww=\
tlM^T^
wmimm
~A_A J-
g§=g=
^
S^S?
*$
pespr.
$m
iJZt
ttJ- SB
p g
ft
Bacch.
Bacch.
num - bed by venom's pain
Must then their fate
#1#
^
P^J.J. J)
IP
g B
e — e
&g fea r:
v re
#p
SHE
JBSj. J>
ll=i
^i
Hi
tj(v» -p F
m
UT
6368 A. 6303. 7453 F.
215
Bacch.
Noch schneller. Metro z 56. Ariadne. ancora piii allegro
Bacch.
Ariad.
is thy sin ... gingl (Beat whole bar) _
go
ss
J*
*: ,\>
G?
m
u ,%
ft
«ftf-
w
nj
i>
JW^
^H^-
pmollo espr.
lH"
o=£=
^^=fe
-»-
"F5F
i
^=^
229
- §
E
I
That
brin-gest peace.
and hea - lest
fe^
tMiLfi^
$
^$
I
m
m~m
£
bt^
SB
^
frF=£
JS-fE
F
Si
4i £
b, n _
an;
HB
JE3CE
H^lhUX
psempre ft
b
1
*fc
t*
6368 A. 6303. 7453 F.
216
A rind.
Half as fast. Metr. J = 48.
Mezzo movimento
Naiad, (softly ) (as the voice seems to die away)
Bi
^m
£
£
Pause not, Dryad, (softly)
pause not,
voice en - chan
ting; Sing on,
s
m
e
$
s
i
Pause not, ryade (softly)
pause not,
voice en - chan
ting; Sing on,
B
Pause not, pause not,
Half as fast. Metr. J r 48. Mezzo movimento
voice en - chan
ting; Sing on,
iigp
|p
5
s
mr-
w
m
■=*
^J
j>
i
j^i^
^pe
331
m
1
3
230
S
Nai.
Echo
Dry.
£
P
mys - tic
songs
ter sad - 1}'. La - men - ta - tion
p^r gi
P
122
S3-
men
mys
tic
songs
ter sad - ly.
La
ta - tion
y~ E^
#
^^CJ3
"2T
La
tion
mys - tic
songs
ter sad - ly.
men - ta
2=FM
^g
j bj j g
S
^
FFf3
I
^?P
PS
JTO
i
«
w
r
* ^*
6368 A. 6303. 7453 F.
Nai.
i
^m
-&-
217
> g I _-*' "m
so me - lo - dious, Who its ca - dence hears not
&
m
■• ~~m~F7
f P P
Echo
£
£
£
32
22
so me
lo - dious, Who its ca - dence hears_ not
M
WW
Dry.
w
f
so me - lo - dious, Who its ca - dence hears not
*E
jigs
S
i
iPW
g£j»LLgJ'
2
S
^
JT
t ' «-
#
1
Nai.
w
£
^
glad - ly! Who its ca - dence hears_ not glad
3fei
~pr w~y
Echo
-— — - a
glad - ly!
Who its
ca - dence hears_ not glad
#
Dry.
22
^
glad - ly!
Who its
dence hears_ not glad
6368 A. 6303. 7453 E.
218
S
Twice as fast (fasterthen the first verse) 231 Doppio movimento (piu mosso che la prima volta)
E
Nai.
Echo
Dry.
F=5=
ly!
E
331
ZZ
lyt
S
BaCChUS VOice. (Nearer and louder)
(a) I
±sh
(a)
S
f
&
ce,
Cir
(More joyous, with a ^ir -
little gracious irony)
Twice as fast (faster then the first verse)
Doppio movimento (piii mosso che la prima volta) Metr. o = 56.
w
-A
^i
w
s
g o '
>7*
,.|p Eft
g
k=&k
i JJ
0=9
tag I p7
3faft
Bacch.
ifft
ce,
Cir - ce, I could es - cape.
thee!
Bacch.
6368 A. 6303. 7453 F.
Bacch.
-O-
u
233
219
naught.
^m
m
wt
#
Cir - ce, I could es - cape.
m
i» N? ' cresc.
m
H
stacc.
gjg gPfjgg
ffi^H
i^teMMJI
^ttpf
/:
s
^ •■
IE
*2?
S>v-
I
*A
fe
m
Bacch.
thee, See
I can smile with all my soul
at peace.
*ft
m
PP
-©-
^^
"CT"
ag
rfs
p
gfi^
«ow legato
Ariadne, with closed eyes, raising hands in the direction from which the voice comes.)
Bacch.
Such la - vish " gifts be - stow not Of joy of
M
n - -f
Bacch.
To do
to . me?
&£l
**
£
$ jte M
&
5
^£ft^
#P /
~o~
PW
3T
t£
^
TT
4
fel*
6368 A. 6303. 7453 F.
•Sa.
220
Ariad.
'U
236
j f' Up 1 r^~
I
B |C
~r*~
death, of dark - ness On my_
my
3*
dis
Ariad.
Ariad.
Ariad.
6368 A. 6303.7453 F.
221
Ariad.
_o_
274 Molto vivace.
Bacchus enters
^^
mm j M
^¥h£
^ il
4 1% h fe
^Ji
!><
Bg
rf
■*•/ lyinnrrnt.n
?P
marcato
fifea
fe^2
to:
B
^
e^f
If
f^-
f-
^5
i
S
*_S
p^
r te * if
fe
?l
^~ *
cresc.
FP^EJ
73-S •-
*g±
*L
^ sQ
J?
^
PS
P
P
Bacchus stands before Ariadne.
Sehr schnell (whole bars; M J. = so ifo^o allegro 0.)
Ariadne (In frantic terror, covers her face with her hands.)
5
k
m
M Tf
The
seus!
M
£* !*1*S ^ |* fc
I?
j^ iJ^L^L
St
/j?*
^^
y
ij ^
M- j^-jbj
i
^
r
(Naiad, Dryad, Echo retire, making- deep obeisances.)
fe^
J*
.-t
- |ft
r- — -» — i — • — > — »~
^
Sffi
iL^
j iU
T5
"F
r
r
r-
r
6368 A. 7453 F.
222
276
*
Ariadne
s=a
No, no! .
g fe*
i
^ *. * ha £ % *u
Ie
ifc=
Jw-
II
^
'S^^
Pi
w
§
^3 a?
r-
ta.^1
»r-
S=*
J = t
r cr =
81 *
noch schneller ^wiw allegro
Ariad.
It
IS
*•■
ft'
lx
U
S
m _* a^2.
€
s
^g
§ =
M
^^
3
dim.
gag
r en
2 1 ■#■
r = ^
r
kffl£
Anad.
the
beau -- ------ teous
peace -
&
fcSU
SE
M
■M
i
V
==&
e?
fe^d" l,Pg
^^
P
» — yg
S
i
te^
TVT7
"■«-•
r
r c/e
r
rtr= "5 r
Ariad.
6368 A. 6303.7453 F.
278
Maflig langsam (J = d-ofthef/4) M.JsM
223
Moderato
i^fefe
*
M
i
t&
« = =■:•= 5
St
g 9Q
^
*T*
s
"0= _: — »
;3:*
~: — o=~
f
£&$±
i
45£
i
-©-
^-
Ariadne
±
£
wel -
H
a3
^a
Hfi i-ITj
H^rtll
a
Tf
1^
jfrifr
y=
Wj
/.#
?2J0
±=i
m
I
£
cspr
w
279
Ariad .
come'thee,
thou
p=&
«
jj= -^-JiH
j^srwij~"sJw
7
J! £
rf^f^f.
mm
ipim
^
•— 0-0
r
i
280
( Bows before him.)
Nochruhiger M.J =66
piu tranquillo
E
*
Ariad.
he - raid Of the im - mor - - tals! BaCChuS (very youthful) (in the tenderest tone.)
m
fee
^H
1 iir^jg 3-tj
j^iji j?j|o ==
Thou beau - teous
No eh ruhiger
piu tranquiuo
J
^
i
-e-
636S A. 6303.7453 F.
224
Bacch .
fefe
=
be
&
ing!
[> ^irrrrJg ,*
Art thou the god
dess of this
1
ifi
P
SM
te^f gf-gfg^
S
281
^-rirnr
fe
g iV i r pibr ^ ^S
Bareh.
is- land? And is this ca - vern thy a - bode? And these,aretheythy
g „ #
^
-fflV^
EEi3
E^
*£
B
ffi
■=t
s
^t^ ijg^B
ijgg£ bjgl^
poc^cresa
y^gai bjgih
^p-ppP- ii
282
(Bacchus, timid, his
4>
g
JB
Bacch.
serving wo- men?
Chan - test thou, wea - ving, songs of
?A
j 1 1 | iE
be -i*
fc*
F¥ F P r H F
Iffii^r^ml-^
i
3EtI
|B|^ag
dim^.
£$mLsiTi
w
m
E
H
ISl^IH
s/*r
IMI1I77&
£
r- p i
innermost being- confused by his adventure with Circe, the first in his life.)
P P P I g
5^
Bacch.
£E^EEF£
ma - gic? Dost take the stran - ger to thy cave, And dost thou, at the
| 'fejTj' p 8
^Ipffo l-ffiff
^1
fc£
1^5
I
P
«s
Ufe
w=f
ma
«^ro
i
#e
Sil
j^jffi^
*=
6368 A. 6303.7453 F.
'Z-
225
Bacch .
feEfe
1 p nim»p p 1 1 j "M^i *Hr^
feast re - clining- By his side,.
pour out the ma - gic wine?
pi
mt
*
■Mr^m gj g
gg J 'I
J^j^t^
^
anJESBflia
^frt
■»
i
r
p^^
rs:
283
S
b*.
v I r P B g B
g g i
Bacch.
^
f=FP
stacc.
And those. who yield themselves
to thee, Dost change them
i^g
3=^*
■=*
Jr
ff
P
» »
e=»
jfip
M
l.A
pono cresc.
— -*—■*■ — ■* — j
3E
I
fe*
-fc.
^^
Bacch.
too?
las! Art
£
ii^-
JUL
thou too .
such a
IS
jj*
e=*=*
*=f
E»
as
jS
a ' m
:r C ■:
i
t/n-nn
dimin.
•,rm~m
g
^o-
~n-
r
fe^
ii
Bacch.
sor
*
■ ce - ress/
te'
rt
£i
g^
m
i
*=&=*
i
i£§
^aWSfg
4
^i¥l/¥7
sp
i.
dim.
^a
^
m
-&-
6368 A. 6303.7453 F.
226
284 Ariadne (full of tenderness, ready to die.?
fe
l M I i r Wfe
^^
si
I know
espr.
not what thou say- est. Art thou then but come to
espr.
*s
Hi
•> * 5 r r r-
S5
Sfc
fe^
»6 ,? A, — ^
3tz
y- __ zs ,
tTff-^
285
?Tr * J UWW^^M
Ariad.
$
question me? Mazed is my mind with wea-ry wai-ting here a - lone.
£
bg=ij;
espr.
w
m
§
p^
fs
si
0 0 0
%&
JiiJj3Jj:
Eg
^ *r *r'n
jRP
^
l£L
nz
b* tfQ- If
286
E i 6 g ^ 1 fe
br 'r ^ i E in fl-i^
^^
Ariad.
In dull des - pair
I wait thy co - ming, Wait for naught but thee,
Ariad.
tJ Tr
*
^S
i
287
TV"
£E£
The nights of watching, the tear la - den days,
1
Their num-ber
pg=^
PP
i
P |P
r
r
6368 A. 6303.7453 F.
Ariad,
1
227
who knows/
*J-
j j-^nJ
=£*
1 1 1 g
I
^
m m
^m
¥
¥
£
FS
^nr
%
ppgp*
Jte^
ir
-J.-
S3
1 1 1 r I
I
m
?
se
ruhig beginnend
Bacchus 288 tranquillo da prima
m - 1 "J m P p r T^7'~pppp ir pp jj
How? Know'st thou me then? trem.
A name I heard thee call when thou didst
I
Ariadne 289- PQ°o «ffeler.
m
g
^
No,
Thou art not he,
i J. ^ -
Bacoh.
greet me.
s
poco acceler.
I
l^=^iT2
m
^
^
i=
cresc.
s
U flj:
I
f Fijft
V"
3g
£
&
1=1
cresc.
\?J >'n
Tempo primO (tranquillo) M. J = 76
i r'PT vP 1 H^eeS
Ariad.
Bacch.
¥
my mind
is quite o'er- thrown. c,aietiy.)
*P r I i j j
A=dbfc
i
J$S fe ,e te
li
I?
Who then am I? Tempo primo (tranquillo)
te an- l. J
fa
# B fa.
P
f^P^
■frg~"g
i?P
fefjj
Stfjg
*3E
iH f I
6368 A. 6303. 7453 F.
228 290
Ariad.
P 1 Pff'f I r hflUr- 111' hr Li J J. J I J. il^^
Captain art thou, lord of a sa - ble ship, That sails un -to night and gloom.
11' *J' IM
^^
"a-
¥
U.
W3$
s^B
*f ^
^=*
r
cresc.
¥
*£=
£¥l
5Z33i^-
i
>— *;
Ariad.
I
^
291 lebhafter
jtmi animato
(impetuously) L
m
m
%
s
BaCchllS (nods assent)
Take
me! What boots it here with
g i J>J*J» r- U^#?
Yes,of a ship I am the lord. lebhafter
piu animato
i
^n
$5k-
W
n^.
$
\r
il
I
un
PP
^*^
m
fee
=ff
firr/ti£
WW
TfeBfe^iii
M ^ I r~p- P hgj J j I J^ p up ''p tj_> pgi J
Ariad.
bro - ken heart to tar - ry? Whom can it serve or pro - fit in this
p^gg g>jiTj
Ariad
^ world poco ritard
BaCChuS (gently)
My pur-pose
A | BaCCnUS gently) __ ^_
25C
S2
Wilt thou then go with me u-ponmy ship?
6368
A. 6303. 7453 F.
Z29
(Bacchus shakes his head )
Ariad.
Ariad.
m
293 ^ *n suPPressec* terror)
JJlEEE
How wilt thou
m
then trans-
(t=e
\>*'
% r j
t^tr^a
t*=¥
i
±s
2J2I
feU
M
eW£=
se
^
^
m
¥
f=
r
i
*
frpV I m ^ w ^iM.ppp
i
# — *
Ariad.
IF
■form me? Wilt thou touch me? or wave thy wand? How? oris't ma- gic wine
rffil,,, j E
(ft b NT
b*
t* + *
j * a
s
k
P
±
£
-F
j| ?lJp pfr J^r I ^m^^
r
294
Ariad.
-»-
That thou wilt give to me?
V
i i ijg r7¥
Thy words wereofma-gic wine!
J2i
dim.
.tj "J b^j J
5t
636S A. 6303. 7453 F.
230
iim
sehr ruhig
motto tranquillb
BaCchuS (Half dreaming' as lie g-azes on her.)
^
£
S
^^5
I
Spake I
of ma - gic wine?
I know
no.
m
ta
§=
mMa^miijm
i
*
fc=pa i-f
=&3i
r^r^JI}
i#?
^
2
^
ui
fc
s
^=s^
^e-
"O-
ro~
i
Ariel Q116 ( nods assends )
fc
uJ^t
$E
m
I know,_
i
so will it be yon - der_
^
m
Baech.
JE5
more.
i
tempo primo m. J = 69
i
^
jaJ7]^73
"W^
<2m».
^p
PS
sfe
£^
fel
1
s
"XT"
i
g 5 r->
Mir P
EfeEE^
Ariad.
£
f
where thou lea- dest me.
All who a - bide there
as
gg||gl|
6 j jgbj bg ?T~~^
S
is
I
I
^p
~rr
=£=^
Ifj ■ I;
5a.
i
(softly)
296
j ?>
fe II r r^
£
B
im
Ariad.
«|>>lf J'P
in a trice_ for - get:
Of speech, of breath bereft, they cease — to
i
*=
SI
PrtifrltJ
Si
^^
^a
#gf
ctrr ccr
FSF?
ffl
See
sr
r
J W)J*
^
m
^
A. 6303. 7453 F! 6368
Ariad.
i
m
fe^
be.
297
And peace.
231
m
to
M ^ jg
yff^
i -iimm
M
*- -m
iH~~%iX
%
p
l=A
A-
^m
%
g | H* £
298
fes^
£
^^
Ariad.
P
all
is
ter - ni-ty their lot, Forthere none weep, and none are wea
£*S
feii
*
a
*-n-*
?
i
fe
^
-o-
-<S^'
£ r^^
~rr
xsz
i
s
E
^p if ^p r^^
Ariad.
ry; For all for - get
. what here had brought them an-guish:
All
i
jeeej
■ ■
^m\r *r it..
«oq Dasselbe ZeitmaC, etwas feierlich geraessen.
"a L'istesso tempo, un poco solenne. m. J = 69
If
(She closes her eyes)
m
Ariad.
there is naught that nereis prized, I know.
m
**
DaCChUS (Deeply moved with unconscious solemnity.)
^
m i ?-plp j g
*j
As I am a god.
jfejl
eft
%
Dasselbe ZeitmaB, etwas feierlich geraessen.
L'istesso tempo, un poco solenne. _
rJrJrJ^
3
y-1^
-e-
#r*
p
i?
ygQ5
y^
!=J=i
^^
^
9 3 *
A. 6303.7453 F. 6368
232
Bacch
iltl
wm
m i r p r r psi
m
J!
s son of the gods, As thun - ders and lightnings my mo - ther con -
i2 ^13
3 _
3
r'fT'M
I
fcfc
^
eTri ik
mi ^
*=*=Wt
300
j r i it^
B
PPPrr I* P
*
Bacch.
sumed
When clad in his glo-ry my fa-
^¥ » J 1 ipjpr- I
n
Is
IS
ther ap- proached her,
n.«fe i
« — #
w/1
dim.
i
H
i
* 3 *
■=r»^
SS
Bacch.
s
^
s
As Cir - ce's fell ma-gio left _
me unscathed, For ve - ncm I
i
u% y
«£
J2.
-9-
J2. -9-
jjfiL
S
^^
s
iip if
m^^^t
m
yi
n iff
§^i
Bacch.
?
True blood
of god - hood
m tJHfc- ,,H ft
11 ^ 5 3:
fe J»
§1 jg
.^—fo tgg
^
^
^
6368 A. 6303. 7453 F.
233
Bacch.
5fe
m
fc
^
^
Flows pure in my veins by no
I
tf
S
iigg
mor - tal taint marred.
m
f
f
«F
32
gg^
jjyjlij J'
ffi^ ^ *»J>
^
•r r -
*i
303
-a &■
pp P»T PIP |
fcjtaafe
i B T 1-nfP
PP
Bacch.
p T B
Hear me thou mor - tal standing be- fore me,Hear me thou
that pray st for death,
i
*£»
^ >i j.'iA'^ ^ra^i^
,J.irvrJ
1
foS
rjrJrJH- °
gn
e
>g — m
I
W*
z?p
cresc.
^W
I
W
*
it
*
^
£
^S
S
^^
Bacch.
Soo - ner will pe
rish the stars.
i§i
g*g gj
n
in their pla - ces,
• f-e^iF*
^
fefe
.P
£
I
304
cresc.
m
S*^|
*^=
i£#F£
^
*
a i^ppr j
a
38
Bacch.
?
Than that Death should in my arms.
^g gi
o'er-take thee!
3 .
f
mat
H
&m-^^
fi
^»4
^
«-=-
3jB
^
^JLJt,|J\J
jyurjrj
331
J^jaiiiiJ^
?3
# L|9-
i dim. .
«
B
tt
6368 A. 6303. 7453 F.
234
etwas bewegter m. J = 84 305 unpoeopiii mosso
Ariadne (Retreating in fear before the majesty of his tone.)
0* P p p T- Ptfim
g^^a
^m
Dread words of in - can-ta- tion!
Ah! So soon!
Now is there no.
m
T*
W
M
£Jt
»
PP.— g-s
J
;?
^=E
s
zxz
I
0..
m
\ ip'pp >r p'r i j | p^
s=
s m W p
Ariad.
S
re - turn!
Qiv'stthou o - bli - vion thus, Ere I can close an
<? .9
a a i m r a
I
3
#i
i
P ■ ja iH ' gjp w t]
J 'itf^ lie
Ariad.
i
tt
ff
■if i pt
a
307.—
mmm
Ariad.
£
£
star -
light'
l¥»J-W p-^
*
from my-s-3lf 3
m ~»tJJM~5tm
mB
too? Is all my pain Frommy
j I I 7
1=1
§
esnr.
Aj
-i
*
^ — tg
^
«tt
^75^35
SB
£
T
6368 A. 6303. 7453 F.
235
Ariad.
I
«
: ■
1
# » 3
j 5 Xh
k i J r
heart now lif - ted for - e - - ver, now and for e - ver?
Ah!
J.
fe
ifi
¥
*
^^
cresc.
W
Jt^J3lLfat>a3;
4^j
tt^P^TT^P
£
s
^
f
(as if breathing- her last )
m j \
zzz:
« ^P g f
r y y-J
Ariad.
Dies all
of A - riad
ne but
1% ,tJ-/T3jJ^
<9 B K BEg
hJ—J"J"3 j>j
^j-;t3 y
tifp ^8
^ \r~itt
4
rfm.
a*
l
jjljl
te " i>f
^S
aae
I
*ft
8
i
308 Feierlich getragen.
sostenuto e solenne
(She is about to fall: he supports her)
Ariad.
3*
breath?.
is - j
BaCChUS (Deeply moved, not loudly)
wmm
p j (i p M p f g p
*
i >.' rj
I say to thee, now, on - lynowdoth life be-g-in For
Feierlich getrag
sostenuto e solenne
poco calando Feierllch getragen
0—±-m
m - .»
(•-= — (*
rf= rf= rf: c^z = rfz c*
F*
*=«
*=F*
P
/Fi* 3
9
pnon legato
•-WT +
&m&
*^P?^ 'N
^
^
*□:
nr
6368 A. 6303. 7453 F.
236
**
309 poco piu mosso
(Frees herself from
6
I, J J^JhJ- JM^ ]'?Pf
Ariad.
Bacch.
Lay not the worlds whole weight onmyheart
££n
m
thee.
and me! ( He kisses her.)
poco pmmosso
^
J-— JOT
^if^ffp
=fc
p
HI
^
^_
^r
r
tf
T
him, half unconsciously: looks around her in fear and wonder.)
310 friiheres Zeitmafi
tempo primo
Ariad.
Bacch.
A
(She points to the cave, in childlike fear.)
E
m
Ariad.
Bacch.
£
j> w J> J> ' P i
-fir «^_ Wi-thin,
cast Lay grov'- lling a - lone
i g 1 1 r !!
iH
thatcavethe_ mourning out
3
4
f
now doth
thy sor
- rows ho
li - est
*l
IS
• ^3*3 * 5 J
5^£f
fl
^J
6368 A. 6303. 7453 F.
237
Ariad.
Bacch.
$
tt
I
m
a
$
0 0
^
s
*
s
£
^
1
uch of net - ties, 'Mid loath - ly rep - tiles, and poo- rer than they .
g
^^
£
s
joy-
with hope_
tri - um
m
3=-^
l=-
• 3*3 • 3 -*
^
ass
^E^
^-*r^
311 poco accelerando
mm
m
m
±
Ariad.
Bacch.
S2
Thou mas
ter of spells that
phant fill
our hearts!
A
J
poco accelerando
id
#~~~
CT J' VT5 , a: «:
f*
^g « 3 * 3 1
«
■^rj
p
cresc.
^ffi
|j
J
^J^/P^
JlE
¥
f
f1
. tit i-
(Still in terror, like a timid child.)
I
p . ippy i j j g *r" j j
change all
the world! See I not
from the sha - dow
Ui
Si
dim.
SB
#J ^<^7p ^^F*
^
m
?
p
6368 A. 6303. 7453 F.
238
Ariad.
sArt
1 br Ttpfr- p i «p-»-h'r ypp^i" j^r^^
Ariad.
shine? Is this thy sha-dow-land? Is all here so bles - sed? So free from
M
*'* tempo primo
SB
i r g g g
*
Ariad.
Bacch.
need of the things.
IX
of our world? Bacchus.
ffj | !g )
s
£
En
chant - - ress! tempo primo
'Tis thy
M
i»
^
i*~
£4
ill ^
te'
as5
^^
vO3^ ?i,Hia
li
m
F
if
Hj"
6368
A. 6303. 7453 F.
239
Bacch.
.¥» m r i %
tfJ i
self that art now
r p r *
So free from earth-ly needs!
ifis
4
e&p?\.
J^JJJ ^
*^=
3
^T-^
-»^
— — tM-
^
i
/
3gr
S
=±
S
-o-
-o-
3^4 ruing beginnend Metr. J =42 Ariadne , l tranquillo da prima
i
m
m
Ariad.
¥
Is this the goal?
How was it ac ■
Fl
F^F^F^F^^g-y-g-F
1
P
i
swgffiaaia
^
^Q-
3?
-r-j
sempre >pp
3Dt:
IE
^
315
^ppg
Ariad.
£
f=^
are
comp-lished?
Q •P"_L1rJ1*'..-P'J,.'P'^1*"_1*"_
Is this E - - ly - si-um?
a
1^V*-*
m
Be - hold, my
±*\*
fcg=B=B
6368 A. 6303. 7453 F.
240
Ariad.
r pp
m
\m
£
ca - - yern's no - - - ble vault!
W>t'*tFt¥ t . WPtwtwtw* V**
See how a
316
co/%i.
*
SD=
e ■
i i p g pi
Ariad.
couch, meet for a god
dess
Is spread be-
allmahlich f liefiender
po co a poco piu mosso ma
Ariad.
i
Thy
^45 &
gic art,
i
»
£ fti
what changes hath it
3.
U
M. M.
7~x
id
**
E2Z
0 0
dim
f
mpi
£
m
*e
3E
tf
3E
636S A. 6303.7453 F.
*fc
ziemlich bewegt Metr. J= 48 con moto
241
TV
Ariad.
**
wrought! Bacchus.
£
m
Thine,
thine is the ma - - gic!
Quite o -
ther
ziemlich bewegt con moto
ffHtp
:£[3^ — VJ5
P
i^^^
EiS^
Jfe
yai i
a^
f^,^
u
F
?
¥
Bacch.
Bacch.
6368
A. 6303. 7453 F.
242
Bacch.
I
u
*EE^
^m
god-
■ like rap
*fc
ture now burns— my soul!
- ^- -^-« .
*
^
WE
m.
if
g^fE*
^
1
vreau. ; «i r-»l
g
Hsd
$JW: |
&$
^
3E
^^
320
i3§i
#
i t B
£
Bacch.
PL
#^jf
piu accelerando
The ca - vern there,
4
¥
3g
S
1m > ■
bJ
i±!4
±±
jfo^ ^J
b^J~^
3E
tf >^r >
fefc
¥^
- JmJ S
Let meL
The
m
*
%
s%
4
M
&s=
S5
ff
S
?:yH;
^
gg^
cresc.
>-o-
s
SS
Feierlich bewegt, aber ziemlich breit Metr. J = 48
"' Moderato con moto e solenne
Bacch. lf<K g \r
(9-=-
t
ca - vern of
thy sor
pm$
m
a bow'r of
^?"""^.
m
W^
§^
y? appassionato '?-f"~H T *| J
rrm
ti^k
m
TT
\ T5
6368 A. 6303. 7453 F.
243
fe
m
£
322
( A g-ust of air carries
«E
-o-
Bacoh.
shall be-
for thee and me!
g g i f M
I
t £
■9- fcr
i
" Si
9-
:s — BJc
4
* i
9\
m
Tt
ff
-o-
HO-
-o-
■R
"tf;
"O"
him, and Ariadne with him, headlong to the mouth of the cave.)
&
umd
i
IMAUi
m
W
«
^
r
?s
-o-
-o-
3E
s^
tr
-O-
-«fc
-o-
3E
3E
weich f lieiJend, sehr gesangvoll
dolce con seiolto, molto cantabile
Ariadne (clinging to his arm.)
323
What is't of
m
Naiad.
-£
£
m
All three invisible behind the scenes ; Not prominent, only sounding with the solos.
Echo
Pause not,
£
pause not,
t
Dryad.
Pause not,
pause not,
£
&
£
Pause not,
pause not,
weich f lieftend, sehr gesangvoll
dolce con sciolto, molto cantabile
6368 A. 6303. 7453 F.
244
Ariad.
Nai.
Echo ^
Dry.
i
#F
&
-■-»»-
that clings to thee?
4rp-
S
What se - cret was it of my
te
«
£
£
■ ster
voice.
en -
chan - ting, Sing on,
hid - den
soner
V
te
^
voice.
en •
m
m
chan - ting, Sing on,
hid - den
song - - ster
m
m
?
voice.
en - chan
ting, Sing on,
hid - den
I
rrT"S] =; ^ i i» te
| JP^
K
t»=;
P=^
Si
3^^
Jj
AM
?m - a
i^^
f=*i»
r
p
r r r Nr
ST
£#F^
324
S 5 J J
%
£^
s
be
I
±E£
ing That, in one brief dy - ing kiss, I could to tJiee.
m ^ —
im
m
B&
m
Nai-
Echo o
Dry.
¥
~~a —
sad - ly
h
eS
La - men
2?f
ta - tion
so me
lo - dious
m
*
~S — sad
iy-
La - men
ta - tion
so me
lo - dious
m
mt:
m
f
La
f
— S3 —
men
sad - ly.
ta - tion so me
lo - dious
m*
-r r
f r
T5
6368 A. 6303. 7453 F.
«45
Ariad.
Nai.
fe£
part?
What
i
M
I | "
Still
cresc. _-—
s
^
lives of A- ria - dne?
I
■-Ml
£
^
E
22
Who its
te ,) -i
^
dence
cresc.
hears not
glad - ly,
IWho its
M -+
rf:
w
^l?F^
I
Echo u
3Z
Who its
ca - dence
hears not
glad - ly,
Who its
cresc. -
s£
z£
Dry.
£S
a
3
£
f
f
22
its
Who
ca - dence hears not glad - ly,
Who its
*
>,b. e
J^*
P
i*
g
**
^*
mm
^SM
&J1
,Jg,Jg
P3
i^
j^qg
a?p
-»
^-o-
3E
IT-
TT
poco calando 325
m
3E
ruhig'er
meno mosso
m a r ^^
^^
Ariad.
Nai.
Echo '
Dry.
What lives, what lives
of A - ria -
m
m
^
~Q-
fi?2>». .
. dne
m
ca - dence
hears not
glad
K\>. P
m
i
dim.
ly?
^
£
3E
ca - dence
hears not
glad
\K J. i
B2f
§£
i
s=
dim.
ly?
*~J*
-o-
3Z
ca
dence hears not
glad
ly?
«"
poco calando
ruhig'er
sg
s=*
i
*Ng
p
P3
SM
m
^LM
3E
IE
f
It!
6368 A. 6303. 7453 F.
246
te
Metr. d = 84
326
(Zerbinetta appears from the wings,
a
^^
HE
t
Ariad. "
rzz
Let not my sor - rows
un - re
qui
ft
I
■*L» JJU.vlJgUJ
1
g
J
-ted
ruhig
f
T
dim.
#H^UL,I
I
£g£
l4
£
^
points with her fan over her shoulder at Bacchus and A riadne.)
Zerbinetta. (Softly and discreetly.)
§
^
g r j fi r i
§s
^^
end._
When a new god comes to woo us
afe
9-=-
tete^
Zj
i%t Kervortrett
m
as
d- £££ i
Sife
^i
ii^ 4 si
It:
^h* " r
^
h* '• g
£=
?
S=g
£?,
Sa.
&
E&i
a i g
E2
^S
&
Zerbi
¥
Cap -
• tive are we,
help
te
«-
i
less, dumb-
i
s
£□>:
/(, <?' ^
«-• ' 2
S3
S3:
tit
ii
££
m
•ftH^
ps
1^*=*
£
a etwas weniger breit
™ poco wewo fera^o
32 /l (Disappears again.)
^m
m
Zerbin.
dumb.
m
EBB a- 3" a*
«>fer~^
rf
i
BE
si J
si
fiB
sgi
uyy
^
sfe
it*
bjjj
*
s
fg
p
6368 A . 7453 F.
328
Ariadne (invisible)
247
te
H^
s
£e=2
Bacchus (invisible) Let not my
te
c?pr m
m&
Pas - sing- great was my
ifei
igf^
1 jg^jjji
i
Ariad.
Bacch.
#-=-
rows un
qui
-ted
Hi
§p g 1 r"~wP
m
0 m 0
m
6
gg ti«L>'#
*'hJ ■*
need.
j^f, ^ fj
of thee! Now o - ther am I than erst -while I
fci:
J
h tfe m?
&
^
cresc.
^
i^i^j^sra
*'YS **
jjhv^fervi"?
i
j^m jr^rgg
f
^
?
329
breiter werden
allargando
0 0
0 0
I
S ^_^'tt
Ariad.
Bacch.
S3P
end, With thee.
with thee.
let.
%m
f=te^
was! Great .
i
"i *:
tt
pas - sing, pas -sing
breiter werden
allargando
great
was my
I
e
£$=
1
S
/;
wxa Jr^ra
is
j^rh^Ti
cresc.
J— Jl^TJ J j-V^
P
S£
f
£
6368 A. 6303. 7453 F.
248
£*
oogSehrbreit
,;1 "3U Largamente
is
wr p^
-o-
Ariad.
• hd »
na -
dne be!.
P^-Ff
±m
-©-
-»-
Bacch.
need, my need of
ritard.
thee!.
te IT j T^
Sehr breit
Largamente
Si=j
5 '
* i. c
F=^
w — ; j^n jJ— Ol
*=^:
#•
as
^=^
^j
ffip
^r' g
dZ22=
r
*T
Noch breiter (Very expressive,
331 jp/a largamente (with great intensity.)
sehr stark
ark -f — ■*-
Bucch.
m
By thy great sor- rows rich am I
I rTUf 1 j
fXiHL
«#^
i
£&/ restrained, so that the voice of the singer may still stand out, radiant. ) non troppo forte) _ /^~3~
*
C^TTrp i"p I j> jtV'pp 1 1 r p 1
m=^
Bacch.
made, .
.With god - like rap - -turenow burns my soul!'
I
m
i
3/
m
cresc.
BfeiS
r^
fl>
sm
3T
?=
l@
t
f
; f r t
St
~Ti-
^
6368 A. 6303. 7453 F.
249
Bacch.
*=>=£
mm
IS IT i %
a Opgi j ^M
And soo - ner shall die_ the stars — in their places, than Death.
8 , ....
to
f>'fjfr
I
«
^ «?
a
imi f
*
i#3ljMi
apt
^r
s=
f
T
f
/
r
cresc. .
ff
St
3E
-O-
*=
~o~
xr
shall tear thee
Bacch.
j ft «rJ J p w5*3*
i
from my
«
i , vla hi^rn
n«> > i
»
>-j JTbPi^
J>
3Sp
3QC
3E
332
Very broad and SOlemn . (The Canopy doses over Ariadne and Bacchus.)
Bacch
6368
A. 7453 F.
250
M
ste " m *hj a ant
s
£
g — te
O-U
«p
.#.
g£
zz
I
i
*
^■-i
i3flp
gffl
B
*5=fc
Bg 1 «=
^ — w
f
te=&
jggj
) S:
.«. ^
i£
aim. ' ■*■
Sempre piu tranquiUo 334 J
F
r
-m,
m l i
dm. '
^
ikr
£
i
TTJ
(The curtain falls.)