ee SN sage Sole Peer eng sae, Se ed "8 ote, ee Toate PB ph mo pra Regen atta TN Arties 4A A Fore Le, S =[bete : \ me <7 AN : x a ‘i = a 5 = BaF : = oo U Z = < #6 J O = BIRD LIFE GLIMPSES A978 Ce Seat Mabe cB IR D Lee GLIMPSES BY EDMUND SELOUS WITH 12 HEADINGS AND 6 FULL-PAGE ILLUSTRATIONS BY G. E. LODGE LONDON: GEORGE ALLEN, 156 CHARING CROSS ROAD. MCMV [All rights reserved] . eat Ly b ~ wit “Bh My CD24 > open: faa WG = cf Wh oe Ba a . , ~ a ae “hij: ae ae i aes ous naa - D - . é _ _ Fa gscadithghihes ae vq pe ow Ae Nhe g7zet OF FLINT HOUSE, ICKLINGHAM PREFACE In the autumn of 1899 I came to live at Icklingham in Suffolk, and remained there, with occasional in- tervals of absence, for the next three years. During the greater part of that period I kept a day-to-day journal of field observation and reflection, and the following pages represent, for the most part, a portion of this. They are the work of one who professes nothing except to have used his eyes and ears to the best of his ability, and to give only, both in regard to fact and theory, the result of this method—com- bined, of course, in the latter case, with such illustra- tions and fortifications as his reading may have allowed him to make use of, and without taking into account some passing reference or allusion. That my notes relate almost entirely to birds, is not because I am less interested in other animals, but because, with the exception of rabbits, there are, practically, no wild quadrupeds in England. I am quite aware that a list can be made out, but let any one sit for a morning or afternoon in a wood, field, vi PREFACE marsh, swamp, or pond, and he will then understand what I mean. In fact, to be a field naturalist in England, is to be a field ornithologist, and more often than not—I speak from experience—a waster of one’s time altogether. Unless you are prepared to be always unnaturally interested in the commonest matters, and not ashamed to pass as a genius by a never-ending barren allusion to them, be assured that you will often feel immensely dissatisfied with the way in which you have spent your day. Many a weary wandering, many an hour’s waiting and waiting to see, and seeing nothing, will be yours if you aim at more than this—and to read a book is fatal. But there is the per contra, and what that is I know very well. Of a few such per contras—they were to me, and | can only hope that some may be so to the reader—these “ Bird Life Glimpses” are made up. EDMUND SELOUS. CHELTENHAM, JVay 1905. LIST OF ILLUSTRATIONS FULL-PAGE ILLUSTRATIONS “AT THE QUIET EVENFALL” Wood-Pigeons coming in to Roost THE RULES OF PRECEDENCE Hooded Crows and Rooks Feeding A GRAND DESCENT Herons coming down on to Nest A STATUESQUE FIGURE Snipe, with Starlings Bathing, and Peewits INDIGNANT Starling in possession of Woodpeckers Nesting Hole A PRETTY PAIR Long-Tailed Tits Building To face page CHAPTER HEADPIECES PHEASANT ROOSTING YOUNG NIGHTJARS RooKs AT NEST HERON FISHING Vij 8 54 80 119 131 198 Vill LIST OF ILLUSTRATIONS MALE WHEAT-EAR A “MURMURATION” OF STARLINGS . PEEWITS AND NEST COAL-TIT GREEN WOODPECKER MARTINS BUILDING NEST MOORHEN AND NEST DABCHICKS AND NEST. PAGE 106 129 163 194 224 239 261 296 PHEASANT ROOSTING Pie hate Gly Ses CHAPTER «1 IcKLINGHAM, in and about which most of the observations contained in the following pages have been made, is a little village of West Suffolk, situated on the northern bank of the river Lark. It lies between Mildenhall and Bury St. Edmunds, amidst country which is very open, and so sandy and barren that in the last geological survey it is described as having more the character of an Arabian desert than an ordinary English land- scape. ‘There are, indeed, wide stretches where the sand has so encroached upon the scanty vegetation of moss and lichen that no one put suddenly down A 2 BIRD LIFE GLIMPSES amongst them would think he were in England, if it happened to be a fine sunny day. These arid wastes form vast warrens for rabbits always, whilst over them, from April to October, roam bands of the great plover or stone-curlew, whose wailing, melancholy cries are in artistic unison with their drear desolation. The country is very flat: no hill can be seen anywhere around, but the ground rises somewhat, from the river on the northern side, and this and a few minor undulations of the sand look almost like hills, against the general dead level. I have seen the same effect on the great bank of the Chesil, and read of it, I think, in the desert of Sahara. These steppes on the one side of the river pass, on the other, into a fine sweep of moorland, the lonely road through which is bordered, on one side only, by a single row of gaunt Scotch firs. West- wards, towards Cambridgeshire, the sand-country, as it may be termed, passes, gradually, into the fenlands, which, in a modified, or, rather, transitional form, lie on either side the Lark, as far as Icklingham itself. The Lark, which, for the greater part of its limited course, is a fenland stream, rises a little beyond Bury (the St. Edmunds is never added hereabouts), and enters the Ouse near Littleport. It is quite a small river; but though its volume, after the first twelve miles or so, does not increase to any very appre- ciable extent, the high artificial banks, through which, with a view to preventing flooding, it is made to flow, after entering the fenlands proper, give it a much more important appearance, and this is enhanced by the flatness of the country on either side: a flatness, however, which does not—nor does CHARM OF THE FENLANDS 3 it ever, in my opinion—prevent its being highly picturesque. Those, indeed, who cannot feel the charm of the fenlands should leave nature—as dis- tinct from good hotels—alone. For myself, I some- times wonder that all the artists in the world are not to be found there, sketching; but in spite of the skies and the windmills and Ely Cathedral in the near, far, or middle distance, | have never met even one. It is to the fens that the peewits, which, before, haunted the river and the country generally, retire towards the end of October, nor do they return till the following spring, so that Icklingham during this interval is almost—indeed, I believe quite—without a peewit. Bury is eight miles from Icklingham, and about half-way between them the country begins to assume the more familiar features of an English landscape, so that the difference which a few miles makes is quite remarkable. Fifty years ago, I am told, there were no trees in this part of the world, except a willow here and there along the course of the stream, and a few huge ones of uncouth and fantastic appearance, which are sometimes called “she oaks” by the people. The size of these trees is often quite remarkable, and their wood being, fortunately, value- less, they are generally allowed to attain to the full of it. They grow sparingly, yet sometimes in scattered clusters, and the sand, with the wide waste of which their large, rude outlines and scanty foliage has a sort of harmony, seems a congenial soil for them. They are really, I believe, of the poplar tribe, which would make them “‘poppels”’ hereabouts, were this understood. These trees, with a® 4 BIRD LIFE GLIMPSES some elders and gnarled old hawthorns, which the arid soil likewise supports, rather add to than diminish the desolate charm of the country, and, as I say, till fifty years ago there were no others. Then, however, it occurred to landowners, or to some local body or council, that sand ought to suit firs, and now, as a consequence, there are numerous plantations of the Scotch kind, with others of the larch and spruce, or of all three mingled together. Thus, in the more immediate proximity of Ick- lingham we have the warrens or sandy steppes, the moorlands passing here and there into green seas of bracken, the river, with a smaller stream that runs into it, and these fir plantations, which are diversified, sometimes, with oaks, beeches, and chest- nuts, and amidst which an undergrowth of bush and shrub has long since sprung up. Beyond, on the one hand, there are the fenlands, and, on the other, ordinary English country. In all these bits there is something for a bird-lover to see, though, I confess, I wish there was a great deal more. The plantations perhaps give the greatest variety. Dark and sombre spots these make upon the great steppes or moors, looking black as night against the dusky red of the wintry sky, after the sun has sunk. In them one may sit silent, as the shadows fall, and see the pheasants steal or the wood-pigeons sweep to their roosting-trees, listening to the “‘ mik, mik, mik’”’ of the blackbird, before he retires, the harsh strident note of the mistle-thrush, or the still harsher and more outrageous scolding of the field- fare. Blackbirds utter a variety of notes whilst waiting, as one may say, to roost. The last, or the BLACKBIRDS AND PHEASANTS 5 one that continues longest, is the ‘‘ mik, mik”’ that I have spoken of, and this is repeated continuously for a considerable time. Another is a loud and fussy sort of ‘‘chuck, chuck, chuck,” which often ends in almost an exaggeration of that well-known note which is generally considered to be the one of alarm, but which, in my experience, has, with most other cries to which some special meaning is attri- buted, a far wider and more generalised significance. As the bird utters it, it flies, full of excitement, to the tree or bush in which it means to pass the night, and here, whilst the darkness deepens, it *“mik, mik, mile, mik, miks,” till, as I suppose, with the ne " ws i“ of all, the head is laid beneath the wing, and it goes peacefully to sleep. It is now that the pheasants come stealing, often running, to bed. You may hear their quick, elastic little steps upon the pine-needles, as they pass you, some- times, quite close. I have had one run almost upon me, as I sat, stone still, in the gloom, seen it pause, look, hesitate, retreat, return again, to be again torn with doubt, and, finally, hurry by fearfully, and only a pace or two off, to fly into a tree just behind me. This shows, I think, that pheasants have their accustomed trees, where they roost night after night. In my experience this is the habit of most birds, but, after a time, the favourite tree or spot will be changed for another, and thus it will vary in a longer period, though not in a very short one. This, at least, is my idea; assurance in such a matter is dificult. The aviary may help us here. Two little Australian parrakeets, that expatiate in my greenhouse, chose, soon after they were introduced, 6 BIRD LIFE GLIMPSES a certain projecting stump or knob of a vine, as a roosting-place. For a week or two they were con- stant to this, but, after that, I found them roosting somewhere else, and they have now made use, for a time, of some half-dozen places, coming back to their first choice in due course, and leaving it again for one of their subsequent ones. Part of this process I have noticed with some long-tailed tits, which, for a night or two, slept all together, not only in the same bush but on the same spray of it. Then, just like the parrakeets, they left it, but I was not able to follow them beyond this. It would seem, therefore, that birds, though they do not sleep anywhere, but have a bedroom, like us, yet like variety, in respect of one, within reasonable limits, and go ‘‘ from the blue bed to the brown.” Pheasants are sometimes very noisy and sometimes quite silent in roosting, and this is just one of those differences which might be thought to depend on the weather. For some time it seemed to me as if a sudden sharp frost, or a fall of snow, made the birds clamorous, but hardly had I got this fixed, as a rule, in my mind, when there came a flagrant contradiction of it, and such contradictions were soon as numerous as the supporting illustrations. I noticed, too, that on the most vociferous nights some birds would be silent, whilst even on the most silent ones, one or two were sure to be noisy, so that I soon came to think that if their conduct in this respect did not depend, purely, on personal caprice, it at least depended on something beyond one’s power of finding out. ‘The cries of all sorts of birds are supposed to have something to do with the PHEASANTS ROOSTING 4 weather, but I believe that any one who set himself seriously to test this theory would soon feel like substituting “‘nothing” for ‘‘something” in the statement of the proposition. It is much as with Sir Robert Redgauntlet’s jackanape, I suspect—“ ran about the haill castle chattering, and yowling, and pinching, and biting folk, specially before ill weather or disturbances in the state.” Every one knows the loud trumpety note, as I call it, with which a pheasant flies up on to its perch, for the night. It is a tremendous clamour, and continues, sometimes, for a long time after the bird is settled. But some- times, after each loud flourish, there comes an answer from another bird, which is quite in an undertone ; in fact a different class of sound altogether, brief, and without the harsh resonance of the other, so that you would not take it to be the cry of a pheasant at all were it not always in immediate response to the loud one. It proceeds, too, from the same spot or thereabouts. What, precisely, is the meaning of this soft answering note? What is the state of mind of the bird uttering it, and by which of the sexes slit. uttered ? )) It.as\sthe cock, that; makes the loud trumpeting, and were another cock to answer this, one would expect him to do so in a similar manner. It isin April that my attention has been more particularly drawn to this after-sound, so that, though early in the month, one may suppose the male pheasant to have mated with at least a part of his harem. One would hardly expect, however, to find a polygamous bird on terms of affectionate connubiality with one or other of his wives, and yet this little duet reminds me, strongly, of what one 8 BIRD LIFE GLIMPSES may often hear, sitting in the woods, when wood- pigeons are cooing in the spring. Almost always they are invisible, and it is by the ear, alone, that one must judge of what is going on. Everywhere comes the familiar ‘‘ Roo, coo, 00, 00-00,” and this, if you are not very close, is all you hear, and it sug- gests that one bird is sitting alone—at least alone in its tree, though answered perhaps from another. Sometimes, however, one happens to be at the foot of the tree oneself, and then, if one listens attentively, one will generally hear a single note, much lower, and even softer than the other which precedes it, a long- drawn, hoarse—but sweetly, tenderly hoarse—‘‘oo.” The instant this has been uttered, comes the note we know, the two tones being different, and suggesting —which, I believe, is the case—that the first utter- ance is the tender avowal of the one bird, the next the instant and impassioned response of the other. There is, perhaps, as much monotonous sameness —certainly as much of expressive tenderness—in the coo of the wood-pigeon asin any sound in nature, and yet, if one listensa little, one will find a good deal of variety in it. Every individual bird has its own intonation, and whilst, in the greatest number, this ‘‘speaks of all loves” as it should do, in some few a coo seems almost turned into a scream. Some- times, too, I have remarked a peculiar vibration in the cooing of one of these birds, due, I think, to there being hardly any pause between the several notes, which are, usually, well separated. Such a difference does this make in the character of the sound, that, at first, one might hardly recognise it as belonging to the same species. Even in the CAT eee Our hE VENEAL I” lVood- Pigeons coming in to Roost WOOD-PIGEON LANGUAGE 9 typical note, as uttered by any individual bird, there is not so much sameness as one might think. It is repeated, but not exactly repeated. Three similar, or almost similar, phrases, as one may call them, are made to vary considerably by the different emphasis and expression with which they are spoken. In the first of these the bird says, ‘‘ Roo, coo, 00-00, 00-00,” with but moderate insistence, as though stating an undeniable fact. Then quickly, but still with a sufficiently well-marked pause, comes the second, “© ROG, cd6, 00-66, 00-66,” with very much increased energy, as though warmly maintaining a proposition that had been casually laiddown. In the third, ‘‘ roo, coo,” &c., there is a return to the former placidity, but now comes the last word on the subject: ‘‘ook?” which differs in intonation from anything that has gone before, there being a little rise in it, an upturning which makes it a distinct and unmis- takable interrogative, an “Is it not so?” to all that has gone before. Considerable numbers of wood-pigeons roost, during winter, in the various fir plantations which now make a feature of the country round Ickling- ham. ‘They retire somewhat early, so that it is still the afternoon, rather than the evening, when one hears the first great rushing sound overhead, and a first detachment come sweeping over the tops of the tall, slender firs, and shoot, like arrows, into them. Then come other bands, closely following one another. The birds fly in grandly. Sailing on outspread wings, they give them but an occasional flap, and descend upon the dark tree-tops from a considerable height. The grand rushing sound of their wings, 10 BIRD LIFE GLIMPSES so fraught with the sense of mystery, so full of hurry and impatience, has a fine inspiriting effect; it sweeps the soul, one may say, filling it with wild elemental emotions. What is this? Is it not a yearning back to something that one once was, a backward-rushing tide down the long, long line of advance? I believe that most of those vague, un- defined, yet strongly pleasurable emotions that are apt to puzzle us—such, for instance, as Wordsworth looks upon as “ intimations of immortality "—have their origin in the ordinary laws of inheritance. What evidence of such immortality as is here imagined do these supposed intimations of it offer ? Do they not bear a considerable resemblance to the feelings which music calls up in us, and which Darwin has rationally explained?! ‘All these facts,” says Darwin, “‘ with respect to music and 1m- passioned speech, become intelligible to a certain extent, if we may assume that musical tones and rhythm were used by our half-human ancestors during the season of courtship, when animals of all kinds are excited, not only by love, but by the strong feelings of jealousy, rivalry, and triumph. From the deeply-laid principle of inherited associa- tions, musical tones, in this case, would be likely to call up, vaguely and indefinitely, the strong emotions of a long-past age. Thus, in the Chinese annals it is said, ‘ Music’ (and this is Chinese music, by the way) ‘has the power of making heaven descend 1 The late F. W. H. Myers explains music in his own way—in forced accordance, that is to say, with his subliminal self hypothesis—without even a reference to Darwin! Did he not know Darwin’s views, or did he think himself justified in ignoring them? POETS AND EVIDENCE II upon earth’; and, again, as Herbert Spencer remarks, ‘Music arouses dormant sentiments of which we had not conceived the possibility, and do not know the meaning’; or, as Richter says, ‘ tells us of things we have not seen and shall not see.’”’ I have little doubt myself that the feelings to which we owe our famous ode, and those which were aroused by music in the breast of Jean Paul and the Chinese annalist, were all much of the same kind, and due to the same fundamental cause. We may, indeed, say with Wordsworth that the soul ‘‘ cometh from afar,” but what world is more afar than that of long past time, which we may, yet, dimly carry about with us in our own ancestral memories? There is, I believe, no falser view than that which looks upon the poet as a teacher, if we mean by this that he leads along the path of growing knowledge ; that he, for instance, and not Newton, gets first at the law of gravitation, and so forth. If he ever does, it is by a chance combination, merely, and not as a poet that he achieves this; but, as a rule, poets only catch up the ideas of the age and present them grandly and attractively. ‘‘A monstrous eft was, of old, the Lord and Master of Earth,” &c. Yet this very ode of Wordsworth ‘ on intimations of immortality,” has been quoted by Sir Oliver Lodge in his Presidential Address to the Society for Psychical Research,’ as though it were evidential. I cannot understand this. Surely a feeling that a thing is, is not, in itself, evidence that it is—and, if not, how does the beauty and strength of the language 1 As reported in “ Proceedings,” March 1go2. Part xliii. i) BIRD LIFE GLIMPSES which states the conviction, make it such? In this famous poem there is no jot of argument, so that the case, after reading it, stands exactly the same as it did before. No more has been said now, either for or against, than if any plain body had expressed the same ideas in his or her own way. For these mysterious sensations are not confined to poets or great people. They are a common heritage, but attract outside attention only when they find exalted utterance. Suum cuique therefore. The poet's apti- tude 1s to feel and express ; not, as arule, to discover. Besides the grand sweeping rush of the wood- pigeons over the plantation, which makes the air full of sound, there is some fluttering of wings, as the birds get into the trees; but this is less than one might expect. It is afterwards, when they fly— first one and then another—from the tree they have at first settled in to some other one, that they think will suit them better, that the real noise begins. ‘Then all silence and solitude vanishes out of the lonely plantation, and it becomes full of bustle, liveliness, and commotion. The speed and impetus of the first downward flight has carried the birds smoothly on to the branches, but now, flying under them, amongst the tree trunks, they move heavily, make a great clattering of wings in getting up to the selected bough, and often give a loud final clap with them, as they perch upon it. Wood-pigeons are in greater numbers in this part of Suffolk than one might suppose would be the case, in a country for the most part so open. How- ever, even a small plantation will accommodate a great many. I remember one cold afternoon in PIGEON-TREES 13 December going into one of young oaks and beeches, skirting a grove of gloomy pines, where the rooks come nightly to roost. My entry disturbed a multitude of the birds in question, but after sitting, for some time, silently, under a tree of the dividing row, they returned ‘in numbers numberless,” almost rivalling the rooks themselves. Some trees seemed favourites, and, from these, clouds of them would, sometimes, fly suddenly off, as if they had become overcrowded. There was a _ constantly recurring clatter and swish of wings, and then gil) at’ once the’ great bulk of the birds, as it seemed to me, rose with such a clapping as Garrick or Mrs. Siddons might have dreamed of, and departed— quantities of them, at least —in impetuous, arrowy flight. I should have said, now, that the greater number were gone, though the plantation still seemed fairly peopled. Towards four, however, it became so cold that I had to move, and a// the pigeons flew out of all the trees—a revelation as to their real numbers, quite a wonderful thing to see. Some of the trees, as the birds left them, just in the moment when they were going, but still there, were neither oaks nor beeches—nor ashes, elms, poplars, firs, sycamores, or any other known kind for the matter of that— but pigeon-trees, that and nothing else. For wrens, tits, and golden-crested wrens these fir plantations are as paradises all the year round. The first-named little bird may often be seen creep- ing about amongst the small holes and tunnels at the roots of trees—especially overturned trees— going down into one and coming out at another, 14 BIRD LIFE GLIMPSES as though it were a mouse. It is very pretty to see it peep and creep and disappear, and then demurely appear again. Often it will be under- ground for quite a little while—long enough to make one wonder, sometimes, if anything has hap- pened to it—but nothing ever has. As soon as it has explored one labyrinth, it utters its little chirruppy, chirpy, chattery note, and flits, a brown little shadow, to another, into the first dark root- cavern of which it, once more, disappears. House- hunting, it looks lke—for the coming spring quarter, to take from Lady Day, it being February now—but it is too early for the bird to be really thinking of a nest, and no doubt the finding of insects is its sole object. The golden-crested wrens are more aerial in their search for food. They pass from fir-top to fir-top, flitting swiftly about amongst the tufts of needles, owing to which, and their small size, it is difficult to follow their move- ments accurately. ‘The pine-needles seem very attractive to them. I have often searched these for insects, but never with much success, and I think, myself, that they feed principally upon the tiny buds which begin to appear upon them, very early in the year. In winter they may often be seen about the trunks of the trees, and I remember, once, jotting down a query as to what they could get there on a cold frosty morning in December, when a spider, falling on the note-book, answered it in a quite satisfactory manner. Many spiders hibernate under the rough outer bark of the Scotch fir, often in a sort of webby cocoon, which they spin for themselves; numbers of small WARNING COLORATION 15 pupe, too, choose—or have chosen in their pre-exist- ences—the same situations, especially that of the cinnabar moth, which is extremely common about here. Its luridly-coloured caterpillar—banded with deep black and orange—swarms upon the common flea-bane, which grows something like a scanty crop over much of the sandy soil; and when about to pupate, as I have noticed with interest, it ascends the trunk of the Scotch fir, and undergoes the change in one of the numerous chinks in its flaky bark. I have seen numbers of these caterpillars thus ascending and concealing themselves, but I do not know from how great a distance they come to the trees. Probably it is only from quite near, for the majority, to get to them, would have to travel farther than can be supposed possible, and, moreover, fir-trees in these parts date, as I said, only from some fifty years back. Doubtless it is mere accident, but when one sees such numbers crawling towards the trees, and ascending as soon as they reach them, it looks as though they were acting under some special impulse, such as that which urges birds to migrate, or sends the lemmings to perish in the sea. These caterpillars, however, as I now bethink me, are nauseous to birds. I have thrown them to fowls who appeared not to see them, so that they offer, I suppose, an example of warning coloration. If, however, the caterpillar is unpalatable, the chrysalis probably is also, so that it would not be for these that the golden wren, or the coal-tit, its frequent companion, searches the bark in the winter. Coal-tits, too, feed much—xe m’en parlez point—on the delicate little buds at the ends of the clusters 16 BIRD LIFE GLIMPSES of spruce-needles, but they, likewise, pull at and examine the needles themselves, so may, perhaps, find some minute insects at their bases. They eat the buds of the larch, too, and, as said before, whatever they can get by prying and probing about, on the trunks of all these firs—especially that of the Scotch one, which they search, sometimes, very industriously. Whilst thus engaged they say at intervals, ‘‘ Woo-tee, woo-tee, woo-tee ” (or ‘‘ Wee- tee,” a sound between the two), and sometimes ‘““Tooey, tooey, tooey-too; tooey, tooey, tooey- too.” They flit quickly from place to place, and, both in this and their way of feeding generally, a good deal resemble the little golden wrens. The latter, however, are brisker, more fairy-like, and still more difficult to watch. Yet, do not let me wrong the coal-tit—he moves most daintily. Every little hop is a little flutter with the wings, a little flirt with the tail. His little legs you hardly see. He has a little game—not hop, skip, and jump, but hop, flirt, and flutter. His motion combines all three—in what proportions, how or when varying, that no man knoweth. How, exactly, he gets to any place that he would, you do not see, you cannot tell —he is there, that you see, but the rest is doubtful. He does not know, himself, I believe. ‘* Aber frag’ mich niir nicht wie,” he might say, with Heine, if you asked him about it. But if there is such a mystery in the movements of the coal-tit, what is to be said about those of the long-tailed one? Most unfair would it be to omit him, now that the other has been mentioned. Nor will I. Dear little birdikins! The naturalist must A TIT ACROBAT 17 be b/asé, indeed, who could ever be tired of noting your ways, though he might well be weary of following you about amongst the delicate larches, which are most your fairy home and in which you look most fairy-like. Such a dance as you lead him! For always you are passing on, making a hasting, running examination of the twigs of the trees you flit through, searching systematically, from one to another, in a sort of aerial forced-march, which makes you—oh, birdikins !—most difficult to watch. Like other tits, you—Oh, but hang the apostrophe ; I can’t sustain it, so must drop, again —and I think for ever—into the sober third person. Like other tits, then, these little long-tailed ones are fond of hanging, head downwards, on the under side of a bough or twig: but I am not sure if I have seen other tits come down on a bough or twig in this way—at any rate not to the same extent. Say that a blue or a great tit, and a long-tailed one, are both on the same bough, together. The two former will fly, or flutter-fly, to another, alight upon its upper side, and get round to its under one, by a process that can be seen. The long-tailed tit will jump and arrive on the under side, hanging there head downwards. ‘That, at least, is what it looks like, as if he had turned himself on his back, in the air, before seizing hold of his twig. Really there is a little swing down, after seizing it—like an acrobat on a trapeze—but this is so quick that it eludes the eye. It is by his legerdemain and illusion, and by his jumping, rather than flying, from bough to bough, that the long-tailed tit is distinguished. He often makes a good long jump 18 BIRD LIFE GLIMPSES —a real jump—without appearing to aid himself with his wings at all. The note of these tits is a ** Zee, zee—zee, zee, zee, zee,” but it is not of such a sharp quality as the ‘‘zee”’ or “‘tzee”’ of the blue tit. It is more pleasing—indeed, there is something very pleasing about it. What is there, in fact, that is not pleasing about this little bird ? But I have something more to say upon the subject of the coal-tit’s diet ; for he eats, I believe, the seeds of the fir-cones, and manages not only to pick them out of these, but to pick the cone itself to pieces in so doing—a wonderful feat, surely, when one thinks how large and hard the cone is, and how small the bird. It is not on the tree that I have seen these tits feeding in this manner, but on the ground, and the question, for me, is whether the cones that lay everywhere about had been detached and then reduced, sometimes, almost to shreds, by them or by squirrels. At first | unhesitatingly put it down to the latter, but I soon noticed that in these particular firs—not part of a plantation but skirting the road, as is common here—a squirrel was never to be seen. Neither were coal-tits numerous, but still a pair or two seemed to live here, and were often engaged with the cones. Half-a-dozen of these I took home to examine at leisure. Two, I found, had been only just commenced on, and the punctures upon them were certainly such as might have been made by the beak of a small bird, sug- gesting that the tit had here begun the process of picking the cone to pieces, before any squirrel had touched it. One of the outer four-sided scales had been removed, and as no cut or excoriation was COAL-TITS AND FIR-CONES 19 visible upon the surface thus exposed, this, again, looked more as if the scale aforesaid had been seized with a pincers—the bird’s beak—and torn off, than as though it had been cut away with a chisel—the squirrel’s teeth—for, in this latter case, the plate beneath would, in all probability, have been cut into, too, at some point, and not left in its natural smooth state. Another two of these cones consisted of the bases only, and from their appearance and the debris around them, seemed to have been pecked and torn, rather than gnawed to pieces. In five out of the six, the extreme base—that part from the centre of which the stalk springs—had been left untouched. In the sixth, however, this had been attacked, and presented a rough, hacked, punctured appearance, the stalk itself—represented by just a point—having apparently been pecked through, suggesting strongly that the tits had commenced work while the cone hung on the tree, and had severed it in this way. All round the basal circle the scales had been stripped off, and the exposed surface was smooth and unexcoriated—as in the other instance—except where a portion of it seemed to have been torn, not cut, away. Two seed-cavities were exposed and empty. It certainly looked as though these cones had been hacked and pulled to pieces by the tits, and not gnawed by squirrels, so as this agreed with the absence of the latter, and what I had actually seen the bird doing, I came to the conclusion that they had been. Perhaps there is nothing very wonderful in it after all, but, looking at a fir-cone, I should have thought it clean beyond the strength of a coal-tit to tear it to pieces. But what, now, is B 20 BIRD LIFE GLIMPSES the origin of the name “‘coal-tit,” which seems to have no particular meaning? Is it a corruption of ‘‘cone-tit,”’ which, if the bird really feeds on the seeds of the fir, and procures them in this manner, would have one? German Koh/meise, however, is rather against this hypothesis. YOUNG NIGHTJARS CHAPTER 11 One bird there is to whom these scattered fir plantations, with their surrounding, sandy territory, dotted here and there with a gaunt elder-bush or gnarled old hawthorn, are extremely dear, and that bird is the nightjar. Nightjars are very common here. If spruces and larches alternate with the prevailing Scotch fir, they love to sit on the extreme tip-top of one of these, and there, sometimes, they will “‘churr” without intermission for an extra- ordinary length of time. Sometimes it seems as if the bird would never either move, or leave off, but all at once, with a suddenness which surprises one, it rises into the air, and goes off with several loud claps of the wings above the back, and uttering another note—‘“ quaw-ee, quaw-ee ’—which is never heard, save during flight. After a few circles it may be 21 22 - BIRD LIFE GLIMPSES joined by a companion—probably its mate—upon which, as in an excess of glad excitement, it will clap its wings, again, a dozen or score of times in succession. The two then pursue one another, wheeling in swiftest circles and making, often, the most astonishing turns and twists, as they strive ‘ either to escape or overtake. Often they will be joined by a third or fourth bird, and more fast, more furious, then, becomes the airy play. No words can give an idea of the extreme beauty of the flight of these birds. In their soft moods they seem to swoon on the air, and, again, they flout, coquette, and play all manner of tricks with it. Grace and jerkiness are qualities quite opposite to each other. ‘Fhe nightjar, when..“1’ the vein combines them with easy mastery, and to see this is almost to have a new sensation. It is as though Shakespeare’s Ariel were to dance in a pantomime,’ yet still be Shakespeare’s Ariel. As one watches such beings in the deepening gloom, they seem not to be real, but parts of the night’s pageant only— dusky imaginings, shadows in the shapes of birds. What glorious powers of motion! One cannot see them without wishing to be one of them. I have spoken of the nightjar clapping its wings a dozen or score of times in succession. ‘This is not exaggerated. I have counted up to twenty-five claps myself, and this was less than the real number, as the first tumultuous burst of them was well-nigh over before I beganto count. It is not easy, indeed, to keep up with the bird, and when it stops, one is, 1 Or in The Tempest as produced and acted at Stratford-on- Avon during the last anniversary. CLAPPING OF WINGS 23 generally, a little behind. The claps are wonder- fully loud and distinct—musical they always sound to me—and I believe, myself, that they are almost as sexual in their character as is the bleating of the snipe. The habit has, indeed, become now so thoroughly ingrained that any sudden emotion, as, say, surprise or fear, is apt to call it forth, of which principle, in nature, many illustrations might be given; but it is when two or more birds are sporting together—or when one, after a long bout of “churring,” springs from the tree, and, especially, in a swift, downward flight to the ground, where its mate is probably reclining —that one hears it in its perfection. Why so little has been said about this very marked and noticeable peculiarity, why a work of high authority should only tell us that ‘in general its flight is silent, but at times, when disturbed from its repose, its wings may be heard to smite together,” I really do not know. The expression used suggests that the sound made by the smiting of the wings is but slight, whereas one would have to be fairly deaf not to hear it. And why only ‘‘when disturbed’”’? Under such circumstances the performance will always be a poor one, but it is not by startling the bird, but by waiting, unseen and silent, that one is likely to hear it in its perfection, and then not alarm or disquietude, but joy will have produced it—it 1s a glad ebullition. The domestic habits of the nightjar are very pretty and interesting. No bird can be more exemplary in its conjugal relations, and in its care and charge of the young. Both husband and wife 24 BIRD LIFE GLIMPSES take part in the incubation of the eggs, and there is, perhaps, no prettier sight than to see the one relieve the other upon them. It is the female bird, as I believe, that sits during the day—which, to her, is as the night—and, shortly after the first churring round about begins to be heard, her partner may be seen flying up from some neighbouring clump of trees, and, as he comes, uttering, at intervals, that curious note of ‘“‘quaw-ee, quaw-ee,’’ which seems to be the chief aerial vehicle of the domestic emotions. As it comes nearer, it is evidently recognised by the sitting bird, who churrs in response, but so softly that human ears can only just catch the sound. The male now settles beside her, churrs softly himself, and then pressing and, as it were, snoozling against her, seems to insist that it is now his turn. For a few seconds the pair sit thus, churring together, and, whilst doing so, both wag their tails—and not only their tails, but their whole bodies also—from side to side, like a dog in a transport of pleasure. Then all at once, with- out any fondling or touching with the beak—which, indeed, I have never seen in them—the female darts away, leaving the male upon the eggs. She goes off instantaneously, launching, light as a feather, direct from her sitting attitude, without rising, or even moving, first. In other cases the cock bird settles himself a little farther away, and the hen at once flies off. There are infinite variations in the pretty scene, but the prettiest, because the most affectionate, is that which I have described, where the male, softly and imperceptibly, seems to squeeze himself on to the eggs, and his partner off them. A SOFT DUET 26 I have seen tame doves of mine act in just the same way, and here, too, both would coo together upon the nest. In regard to the two sexes churring, thus, in unison, I can assert, in the most uncompromising manner, that they do so, having been several times a witness of it, at but a few steps’ distance, and in broad daylight, I may almost say, taking the time of the year into consideration. The eyes, indeed, are as important as the ears in coming to a con- clusion on the matter, for not only is the tail wagged in these little duets, but with the first breath of the sound, the feathers of the bird’s throat begin to twitch and vibrate, in a very noticeable manner. Various authorities, it is true, either state or imply that the male nightjar alone churrs, or burrs, or plays the castanets, however one may try to describe that wonderful sound, which seems to become the air itself, on summer evenings, any- where where nightjars are numerous. But these authorities are all mistaken, and as soon as they take to watching a pair of the birds hatching their eggs, they will find that they were, but not before, for there is no other way of making certain. It is true that the churr thus uttered, though as distinct as an air played on the piano, is now extraordinarily subdued, of so soft and low a quality that, remember- ing what it more commonly is, one feels inclined to marvel at such a power of modulation. But it is just the same sound ‘‘in little ””—how, indeed, can such a sound be mistaken ?—and, after all, since a drum can be beaten lightly, there is no reason why an instrument, which is part of the performer itself, 26 BIRD LIFE GLIMPSES should be less under control. What is really interesting and curious is to hear such a note expressing, even to one’s human ears, the soft language of affection—for it does do so in the most unmistakable manner. Though, as we have seen, both the male and female nightjar help in the hatching of the eggs, the female takes the greater part of it upon herself, and is also much more au fait in the business—I believe so, at least. The sexes are, indeed, hard to distinguish, and, as the light fades, it becomes, of course, impossible to do so. Still, one cannot watch a sitting pair, evening after evening, for an hour or more at a time, without forming an opinion on such a point; and this is mine. We may assume, perhaps, that it is the female ‘bird who sits all day, without once being relieved. If so, it is the male who flies up in the evening, and from this point one can judge by reckoning up the changes, and timing each bird on the eggs. This I did, and it appeared to me, not only that the hen was, from the first, the most assiduous of the two, but, also, that the cock became less and less inclined to attend to the eggs, as the time of their hatching drew near. So, too, he seemed to me to sit upon them with less ease and to have a tendency to get them separated from each other, which, in one case, led to a scene which, to me, seemed very interesting, as bearing on the bird’s intelligence, and which I will therefore describe. I must say that, previously to this, when both birds were away, I had left my shelter in order to pluck an intervening nettle or two, and thus get a still clearer view, and I had A BIRD’S DILEMMA 27 then noticed that the two eggs lay rather wide apart. Shortly afterwards one of the birds, which I judged to be the male, returned, and in getting on to the eggs—which it did by pushing itself along the ground—it must, I think, have moved them still farther from one another. At any rate it became necessary, in the bird’s opinion, to alter their relative position, and in order to do this it went into a very peculiar attitude. It, as it were, stood upon its breast, with its tail raised, almost perpendicularly, into the air, so that it looked some- thing like a peg-top set, peg upwards, on the broad end, the legs being, at no time, visible. Thus poised, it pressed with the under part of its broad beak—or, as one may say, with its chin—first one egg and then the other against its breast, and, so holding it, moved backwards and forwards over the ground, presenting a strange and most unbirdlike appearance. The ground, however, was not even, and despite the bird’s efforts to get the two eggs together, one of them—as I plainly saw—rolled down a little declivity. At the bottom some large pieces of fir-bark lay partially buried in the sand, and under one of these the egg became wedged. The bird was unable to get it out, so as to bring it up the hill again to where the other egg lay, for the bark, by presenting an edge, prevented it from getting its chin against the farther side of the one that was fast, so as to press it against its breast as before—though making the most desperate efforts to do so. Wedging its head between the bark and the ground, it now stood still more per- pendicularly upright on its breast, and, in this 28 BIRD LIFE GLIMPSES position, shoved and shouldered away, most desperately. After each effort it would lie a little, as if exhausted, then waddle to the other egg, and settle itself upon it; then, in a minute or two, return to the one it had left, and repeat its efforts toextricate it. At last, however, after nearly half-an- hour's labour, an idea seemed to occur to.1t. “Jt went again to the properly-placed egg, but instead of settling down upon it, as before, began to move it to the other one, in the way that I have described. “If the mountain will not go to Mahomet, Mahomet must go to the mountain”—that was clearly the process of reasoning, and seeing how set the bird’s mind had been on one course of action— how it had toiled and struggled and returned to its efforts, again and again—its subsequent, sudden adoption of another plan showed, I think, both intelligence and versatility. It, in fact, acted just as a sensible man would have done. It tried to do the best thing, till convinced it was impossible, and then did the second best. Having thus got the two eggs together again, it tried hard to push away the piece of bark—which was half buried in the sand—backwards, with its wings, feet, and tail, after the manner in which the young cuckoo—in spite of the anti-vaccinationists "ejects its foster brothers and sisters from the nest. Finally, as it grew dark, it flew away. I then went out to look, and found that the bird had been successful in its efforts, to a certain extent. The two eggs now lay together, 1 The accuracy of Jenner’s observations on this point, was questioned, not long since, by his enemies : but most triumphantly was it vindicated. YOUNG NIGHTJARS FED 29 and though not quite on the same level, and though the piece of bark was still in the way of one of them, both might yet have been covered, though not with ease, and so, possibly, hatched out. How- ever, had I left them as they were, I have no doubt that, assisted, perhaps, by its partner, the bird would have continued to work away till matters were quite satisfactory. But having seen so much, and since it would soon have been too dark to see anything more, | thought I would interfere, for once, and so removed the bark, and smoothing down the declivity, laid the eggs side by side, on a flat surface. I must add that whilst this nightjar was thus struggling to extricate its eggs, it uttered from time to time a low querulous note. When the eggs are hatched, both parents assist in feeding the chicks, and the first thing that one notices—and to me, at least, it was an interesting discovery—is that they feed them, not by bringing them moths or cockchafers—on which insects the nightjar is supposed principally to feed—in their bill, but by a process of regurgitation, after the manner of pigeons. There is one difference, how- ever, viz., that whereas the bill of the young pigeon is placed within that of the parent, the young nightjar seizes the parent’s bill in its own. Those peculiar jerking and straining motions, which are employed to bring up the food—from the crop, as I suppose—into the mouth, are the same, or, at least, closely similar, in either case. J have watched the thing taking place so often, and from so near, that I cannot, I think, have been mistaken. There was, usually, a good light, when the first ministrations 30 BIRD LIFE GLIMPSES began, and even after it had grown dark I could almost always see the outline of the bird’s head and beak, defined against the sky, as it sat perched upon the bare, thin point of an elder-stump, from which it generally flew to feed the chicks. Never was this outline broken by any projection, as it must have been had an insect of any size been held in the bill. A more conclusive argu- ment is, I think, that the chicks were generally fed, in the way I have described, several times in succession. They would always come out from under their mother, as the evening approached, and, jumping up at her bill, try to insist on her feeding them. Whether she ever fed them, then, before leaving the nest, I cannot, for certain, say. I do not think she did, nor can I see how she could have had anything in her crop after sitting, fasting, all day. Asa rule, at any rate, she first flew off, and fed them only on her return. When she flew, I used to watch her for as long as I could, and would sometimes see her, as well as the other one, circling and twisting about in the air, in pursuit of insects, as it appeared to me. I never saw any insects, however, as I should have done had they been of any size, nor did I ever see anything, on the part of the birds, that looked like a snatch in the air with open bill. But if insects were being caught at all, the bill must, of course, have been opened to some extent, and this shows, I think—for what else could the birds have been doing ?—that it is very difficult in the dusk of evening to see it opened, even when it is. For my own part, I have found it dificult—not to say impossible—to see swallows FOOD OF NIGHTJARS 31 open their beaks, even in broad daylight, when they were obviously hawking for insects. The point 1s an important one, I think, in considering what kinds of insects the nightjar more habitually feeds on, and how, in general, it procures them—questions which, having been settled, as it seems to me, merely by assertion, are entirely reopened by the fact that the young are fed in the way I have described. For if moths and cockchafers are the bird’s principal food, why should it not bring these to the young, in the ordinary way? But if it swallows huge quantities of insects, so small that it cannot seize them in the bill, but must engulf them, merely, as it flies, as a whale does infusoria, we can then see a reason for its not doing so. How else, but by disgorging it in the form of a pulp, could such food as this be given to the chick? and if to do so became the bird’s habitual practice, it would not be likely to vary it in any instance. Now the green woodpecker feeds largely on ants, and, further on, I will give my reasons for believing that it feeds its young by regurgitation. The little woodpecker, however, I have watched coming, time and time again, to its hole in the tree-trunk, with its bill full of insects of various kinds, and of a respectable size, so that there is no doubt that it gives these to its brood, as does a thrush or a black- bird. What can make a difference, in this respect, between two such closely-allied species, if it be not that the one has taken to eating ants, minute crea- tures which it has to swallow wholesale, and could not well carry in the bill? When, therefore, we find the parent nightjar regurgitating food into the 32 BIRD LIFE GLIMPSES chick’s mouth, we may suspect that it also swallows large quantities of insects of an equally small, or smaller size. The beak need neither be widely nor continuously opened, for many such to be engulfed as the bird sailed through a strata of them; but even if it were both, we need not wonder at its not often being remarked, in a species which flies and feeds, mostly, by night, when it is both dark, and people are in bed. Still, I find in See- bohm’s ‘‘ History of British Birds” the following : “The bird has been said to hunt for its food, with its large mouth wide open, but this is certainly an error.” The first part of the sentence impresses me more than the last. Why das the bird its tremendous, bristle-fringed gape? Does it not suggest a whale’s mouth, with the baleen? Other birds catch individual insects as cleverly, without it. There is another consideration which makes me think that nightjars feed much in this way. They hardly begin to fly about, before 8.30 in the evening, and between 3 and 4, next morning, they have retired for the day. Now I have watched them closely, on many successive evenings in June and July, and, for the life of me, I could never make out what food they were getting, or, indeed, that they were getting any, up to at least 10 o’clock. For much of the time they would be sitting on a bough, or perched on a fir-top, and churring, and, when they flew, it was often straight to the ground, and then back, again, to the same tree. They certainly did not seem to be catching insects when they did this, and their longer flights were not, as a rule, round trees, and AN AERIAL WHALE 33 often resolved themselves into chasing and sporting with one another. That they occasionally caught moths or cockchafers seems, in itself, likely, but I never had reason to suppose that these were their particular quarry. It seems strange that I should have so rarely seen them catch any large insect—l cannot, indeed, remember an instance; but, on the other hand, they might well have engulfed crowds of small ones, as they flew, without my being able to detect it, and without any special effort to do so. That the air is often full of these— gnats, little flies, &c.—may be conjectured by watching swallows, and also bats. Indeed, one may both see and feel them oneself—ain cycling, for instance, when I have often had a small beetle, constructed on the general plan of a devil’s coach- horse, sticking all over me. For all the above reasons, my view is that it is the smaller things of the air which form the staple of the nightjar’s food, and that its huge gape, and, possibly, the bristles on either side of the upper jaw, stand in relation to the enormous numbers of these which it engulfs. The bird, in fact—and this would apply equally to the other members of the family—plays, in my idea, the part of an aerial whale. I have watched a pair of nightjars through the whole process of hatching out their eggs and bring- ing up their young, as long as the latter were to be found ; for they got away from the nest—if the bare ground may be called one—long before they could fly. It was on the last day of June that the chicks first burst upon me. I had been watching the sitting bird for some time, and had noticed that the 34. BIRD LIFE GLIMPSES feathers just under her chin were quivering, while her beak was held slightly—as slightly as possible— open. I thought she must be churring, but no sound reached my ear, so I concluded she was asleep merely, and dreaming that she was. She sat | so still and close that I never imagined she could have ceased incubating. I had seen her eggs, too, as I thought, yesterday; but in this I may have been mistaken. All at once, however, a strange little, flat, fluffy thing ran out from under her © breast, and, stretching up, touched its mother’s beak with its own. She did not respond, however, on which the chick ran back, disappointed. As soon as that queer little figure had disappeared, I was all eagerness to see it again, but hour after hour went | by, the old bird drowsed and dreamed, and still there was no re-emergence. It seemed as though I had had an hallucination of the senses, all looked so still and unchangeable; but, at last, as the evening began to fall, and churring to be heard round about, out, suddenly, came the little apparition again, accompanied, this time, with an exact duplicate of itself. The two appeared from opposite sides, and, with a simultaneous jump, seized and struggled for the beak of the mother, who again resisted, and then, suddenly, darted off, just as, with ‘‘ quaw-ee, uaw-ee,” the partner bird flew up. He settled himself beside the chicks, and when they sprang up at him, as they had just before done at the mother, he fed one thoroughly, but not the other, flying off immediately afterwards. The hen soon returned, and fed both the chicks several times, always, as I say, by the regurgitatory process. Between the ' THE GREAT GREEDY CHICK 35 intervals of feeding them, she kept uttering a little croodling note, expressive of quiet content and affection, whilst the chicks, more rarely, gave vent to a slender pipe. One of them I now‘ saw to be a little larger than the other, and of a lighter colour, and this bird seemed always to be the more greedy. The difference, in all three respects, increased from day to day, till at last, in regard to size, it became quite remarkable. The two parent birds were much alike in this respect, and as the two chicks had been born within a day of each other, it seems odd that there should have been this disparity between them. But so it was. It appeared to me that, as the big chick was cer- tainly the greedier of the two, so both the parents tried to avoid the undue favouring of it at the expense of the other. If so, however, their efforts were not very effective. It was difficult, indeed, to avoid the eagerness of whichever one first jumped up at them. As they got older, the chicks were left more and more alone in the nest, or, rather, on the spot where they were born. At first, they used to lie there in a wonderfully quiescent way, not moving, sometimes, for hours at a time, but gradu- ally they became more active, and would make little excursions, from which they did not always trouble to return. Thus, by degrees, the old nesting-site became lost, for the parents, though for some time they continued to show an affection for it, settled more and more by the chicks, or, if they did not see them, somewhere near about, and then called them up to them. This they did with the little 1 Or some days later. 36 BIRD LIFE GLIMPSES croodling note which I have spoken of, and which the chicks, on hearing, would answer with a “ quirr, quirr,” and run towards it, then stop to listen, and run again, getting, all the while, more and more excited. If the old bird was at any distance, which, as the chicks got older, was more and more fre- quently the case, there would sometimes be long intervals between these summoning notes—if we assume them to be such—and, during these, the chicks lay still and, generally, close together, as if they were in the nest. When I walked to them, on these occasions, both the parent birds would start up from somewhere in the neighbourhood, and whilst one of them flew excitedly about, the other—which I took to be the hen—used always to spin, in the most extraordinary manner, over the ground, looking more like an insect than a bird, or, at any rate, suggesting, by her move- ments, those of a bluebottle that has got its wings scorched in the gas, and fallen down on the table. Whilst she was doing this, the chicks would, some- times, run away, but, quite as often, one or both of them would remain where they were—apparently quite unconcerned—and allow me to take them up. When, at last, the mother followed the example of her mate, and flew off, she showed the same superior degree of anxiety in the air, as she had, before, upon the ground. She would come quite near me, hover about, dart away and then back again, sit on a thistle-tuft, leave it, as though in despair, and, at last, re-alight on the ground, where she kept up a loud, distressed kind of clucking, which, at times, became shriller, rising, as it were, to an agony. The HABITS OF NIGHTJAR 37 male was a little less moved. Still, he would fly quite near, and often clap his wings above his back. I cannot, now, quite remember whether the male ever began by spinning over the ground, in the same way as the hen, but, if he did, it did not last long, and he soon took to flight. It will be seen from the above that the chicks are very well able to get about. They run, indeed, as easily, if not quite so fast, as a young duckling, and this power is retained by the grown bird, in spite of its aerial habits, for I have seen my two pursuing one another over the ground with perfect ease and some speed, seeming, thus, to run without legs, for these were at no time visible. The ground-breeding habits of the nightjar probably point to a time when it was, much more, a ground-dwelling bird, and as these habits have continued, we can understand a fair power of locomotion having been retained also. My own idea is that the nuptial rite is, sometimes at least, performed on the ground, but of this I have had no more than an indication.’ The nightjar utters many notes, besides that very extraordinary one by which it is so well known, and which has procured for it many of its names. | have made out at least nineteen others; but I do not believe that any very special significance belongs to the greater number of them, and I hold the same view in regard to many other notes uttered by various birds, which are supposed, always, to have some well-defined, limited meaning. Each, no doubt, has a meaning, at the time it is uttered, 1 The pursuit, namely, just alluded to; but the birds were soon lost amongst the nettles. Cc 38 BIRD LIFE GLIMPSES but I think it is, generally, one of many possible ones which may all be expressed by the same note, such note being the outcome, not of a definite idea, but of a certain state of feeling. Surprise, for instance, may be either a glad surprise or a fearful surprise, and very varied acts spring from either joy or fear. With ourselves definite ideas have become greatly developed; but animals may live, rather, in a world of emotions, which would then be much more a cause of their actions, and, con- sequently, of the cries which accompanied them, than the various ideas appertaining to each. Be- cause, for instance, a rabbit stamps with its hind feet when alarmed, and other rabbits profit by its doing so, why need this be done as a signal, which would involve a conscious design? Is it not more likely that the stamp is merely the reaction to some sudden, strong emotion, which need not always be that of fear? If rabbits stamp, sometimes, in sport and frolic—as I think they do—this cannot be a signal, and therefore we ought not to assume that it 1s, when it has the appearance, or produces the effect, of one. All we can say, as it seems to me, is that excitement produces a certain muscular movement, which, according to the class of excitement to which it belongs, may mean or express either one thing or another. Such a movement, or such a cry, is like the bang of a gun, which may have been fired either as a salute or with deadly intent. However, if the nightjar’s nineteen notes really express nineteen definite ideas in the bird’s mind, I can only confess that I have not discovered what these are. Some of the sounds, NOTES OF THE NIGHTJAR 39 indeed, are very good illustrations of the view here brought forward—for instance, the croodling one just mentioned, which, when it calls the chicks from a distance, seems as though it could have no other meaning than this, but which may also be heard when parent and young are sitting together, and, again, between the intervals in the process of feeding the latter. Is it not, therefore, a sound belonging to the soft, parental emotions, from which sometimes one class of actions, and some- times another, may spring—the note being the same ‘n all? From the number of sounds which the nightjar has at command, I deduce that it is a bird of considerable range and variety of feeling, which would be likely to make it an intelligent bird also ; and this, in my experience, it 1s. Two of the most interesting notes, or rather series of notes, which it utters, are modifications, or extensions, of the only one which has received much attention—the churr, namely. One of these is a sort of jubilee of gurgling sounds, impossible to describe, at the end of it; and the other—much rarer—a beatification, so to speak, of the churr itself, also towards the end, the sound becoming more vocal and expressive, and losing the hard, woodeny, insect-like character which it usually has. To these I will not add a mere list of sounds, as to the import of which—not wishing to say more than I know—I have nothing very particular to say. These are days in which the theory of protective coloration has been run—especially, in my opinion, in the case of the higher animals—almost to death. It may not be amiss, therefore, that I should 40 BIRD LIFE GLIMPSES mention the extraordinary resemblance which the nightjar bears to a piece of fir-bark, when it happens to be sitting amidst pieces of fir-bark, and not amidst other things, which, when it is, it no doubt re- sembles as strongly. If, at a short distance, and for a considerable time, one steadily mistakes one thing for another thing, with the appearance of which one is well acquainted, this, I suppose, is fair proof of a likeness, provided one’s sight is good. Such a mistake I have made several times, and especially upon one occasion. It was midday in June, and a sunny day as well. I had left the bird in question, for a little while, to watch another, and when I returned, it was sitting in the same place, which I knew like my study table. My eye rested full upon it, as it sat, but not catching the outline of the tip of the wings and tail, across a certain dry stalk, as I was accustomed to do, I thought I was looking at a piece of fir-bark—one of those amongst which it sat. I, in fact, looked for the eggs upon the bird, for I knew the exact spot where they should be; but, as I should have seen them, at once, owing to their light colour, I felt sure they must be covered, and after gazing steadily, for some time, all at once—by an optical delusion, as it seemed, rather than by the passing away of one—the piece of fir-bark became the nightjar. It was like a conjuring trick. The broad, flat head, from which the short beak projects hardly noticeably, presented no special outline for the eye to seize on, but was all in one line with the body. It looked just like the blunt, rounded end, either of a stump, or of any of the pieces of fir-bark that were lying about, whilst the dark PROTECTIVE RESEMBLANCE 41 brown lines and mottlings of the plumage, besides that they blended with, and faded into, the sur- roundings, had, both in pattern and colouring, a great resemblance to the latter object; the lighter feathers exactly mimicking those patches which are made by the flaking off of some of the numerous layers of which the bark of the Scotch fir is com- posed. This would only be of any special advantage to the bird when, as in the present instance, it had laid its eggs amongst pieces of such bark, fallen from the neighbouring Scotch fir-trees, and did it invariably do so, a special protective resemblance might, perhaps, be admitted. This, however, is not the case. It lays them, also, under beeches or elsewhere, where neither firs nor fir-bark are to be seen. Unless, therefore, it can be shown that a large majority of nightjars lay, and have for a long time laid, their eggs in the neighbourhood of the Scotch fir, the theory of a special resemblance in relation to such a habit, due to the action of natural selection, must be given up; as | believe it ought to be in some other apparent instances of it, which have received more attention. Of course, there might be a difference of opinion, especially if the bird were laid on a table, as to the amount, or even the existence, of the resemblance which I here insist mpon. But I return to the essential fact. At the distance of two paces I looked full at a nightjar sitting amongst flakes of fir-bark, strewed about the sand, and, for some time, it appeared to me that it was one of these. ‘This is interesting, if we suppose, as I do, that mere chance has brought about the resemblance, for here is a point from 42 BIRD LIFE GLIMPSES which natural selection might easily go on towards perfection. As I did make out the bird, at last, there is clearly more to be done. It is, perhaps, just possible that we already see in the nightjar some steps towards a special resemblance. The bird is especially numerous in Norway, as I was told when I was there; and Norway is one great, pine forest. However, not knowing enough in regard to its habitat, and the relative numbers of individuals that resort to different portions of it, to form an opinion on this point, I will suppose, in the meantime, that its colouring has been made generally protective, in relation to its incubatory habits; for the eggs are laid on the ground, and commonly at the foot of a tree, stump, or bush—in the neighbourhood of such objects, in fact, as have a more or less brownish hue. It is during incubation that the bird would stand most in need of protection, since it is then exposed, more or less completely, for a great length of time. One bird, as far as I have been able to see, sits on the eggs all day long, without ever once leaving them. Day, however, is night to the nightjar, who not only sits on its eggs, but sleeps, or, at least, dozes, on them as well. Drowsiness may, in this case, have meant security both to bird and eggs; for the most sleepy individuals would, by keeping still, have best safeguarded their young, at all stages, as well as themselves, against the attacks of small predatory animals. Flies used often to crawl over the face of the bird I watched daily. They would get on its eyes; and once a large bluebottle flew NIGHTJARS AND TIGERS 43 right at one of them. But beyond causing it just to open or shut the eye, as the case might be, they produced no effect upon the sleepy creature. The nightjar is a remarkably close sitter, and both this special habit and its general drowsiness upon the nest may have been fostered, at the same time, by natural selection. The more usual view of the nightjar’s colouring is, I suppose, that it is dusky, in harmony with night. But from what does a bird of its great powers of flight require protection, either as against the attacks of enemies or the escape of prey; and again, what colour, short of white, would be a disadvantage to it, in the case of either, when nox atra colorem abstulit rebus ¢ Questions of a similar nature may be asked in regard to the tiger, lion, and other large feline animals, which, fearing no enemy, and hunting their prey by scent, after dark, are yet supposed to be pro- tected by their coloration. These things are easily settled in the study, where the habits of the species pronounced upon, not being known, are not taken into account; but I may mention that my brother, with his many years’ experience of wild beasts and their ways, and, moreover, a thorough evolutionist, is a great doubter here. How, he asks, as I do now, with him, can the lion be protected, in this way, against the antelope, and the antelope against the lion, when the one hunts, and the other is caught, by scent, after darkness has set in? Of what use, for such a purpose, can colour or colour-markings be to either of them? On the other hand, these go, in varying degrees, to make up a creature’s beauty. Take, for instance, the leopard, jaguar, or 44 BIRD LIFE GLIMPSES tiger. Surely their coloration suggests adornment much more obviously than assimilation ; and though they hunt mostly, as I say, by night, they are yet sufficiently diurnal to be able to admire one another in the daytime. Darwin, who is often assumed to have been favourable to the protective theory of coloration in the larger animals, in instances where he was opposed to it, says this: ‘Although we must admit that many quadrupeds have received their present tints, either as a protection or as an aid in procuring prey, yet, with a host of species, the colours are far too conspicuous, and too singularly arranged, to allow us to suppose that they serve for these purposes.” He then cites various antelopes, giving illustrations of two, and continues: ‘The same conclusion may, perhaps, be extended to the tiger, one of the most beautiful animals in the world, the sexes of which cannot be distinguished by colour, even by the dealers in wild beasts. Mr. Wallace believes that the striped coat of the tiger ‘so assimilates with the vertical stems 1 I can see no reason why those who think the leopard’s spots and the tiger’s stripes protective, should hold the same theory in regard to the quiet and uniform colouring of the lion. To others, however, this and the obscure markings on the young animal certainly suggest that, here, sexual adornment has given place to harmony with the surrounding landscape. The male lion, how- ever, has developed a mane, and this, by becoming fashionable at the expense of colour and pattern, may have led to the deteriora- tion of the latter. The aboriginal colouring of all these creatures was, probably, dull, and to this the lion may have reverted. But if he is protected by his colouring, how can the leopard—in the same country and with similar habits—also be? The same question may be asked in regard to the puma and jaguar, who roam to- gether, seeking the same prey, over a vast expanse of territory. Again, if the lion was once spotted, and if his spots, like the leopard’s, were a protection, why has he lost them? DARWIN AND REVIEWERS 45 of the bamboo’ as to assist greatly in concealing him from his approaching prey.’ But this view does not appear to me satisfactory.’ (It seems opposed to the more usual habits of the creature.) ‘‘ We have some slight evidence that his beauty may be due to sexual selection, for in two species of felis the analogous marks and colours are rather brighter in the male than in the female. The zebra is conspicuously striped, and stripes cannot afford any protection on the open plains of South Africa.”* Yet, when naturalists to-day refer every colour and pattern under the sun to the principle of protection, the reviewers all agree that Darwin agrees with them. Truly, nowadays, “‘ Darwin’ laudetur et alget.” The fact is that for some reason—lI believe because it lessens the supposed mental gap between man and other animals—Darwin’s theory of sexual selection was, from the beginning, looked askance at ; and even those who may accept it, now, in the general, do so tentatively, and with many cautious expressions intended to guard their own reputations. This is not a frame of mind favourable to applying that theory, and, consequently, all the applications and extensions go to the credit of the more accepted, because less Jizarre, one; for even if authorities are mistaken here, they will, at least, have erred in the orthodox groove, which issomething. I believe, my- self, that it is sexual selection which has produced 1 In Indian sporting works one more often reads of tigers being located in “nullahs” or patches of jungle than amongst bamboos. The tiger, moreover, ranges into Siberia, and to the shores of the Caspian, where bamboos, presumably, do not grow, or are not common. 2 “Descent of Man,” pp. 543, 545- 46 BIRD LIFE GLIMPSES much of what is supposed to be due not only to the principle of protective, but to that, also, of conspicuous, or distinctive, coloration. ‘Take, for instance, the rabbit’s tail. I have never been able to make out that the accepted theory in regard to it is borne out by the creature’s habits. Rabbits race and run not only in alarm, but as an outcome of high spirits. How can the white tail distinguish between these two causes; and if it cannot, why should it be a sign to follow? One rabbit may indeed judge as to the state of mind of another, but not by looking at the tail; and if too far off to see anything else, it can form no opinion. Again, each rabbit has its own burrow, and it does not follow that because one runs to it here, another should there. Accordingly, I have noticed that white tails in rapid motion produce no effect upon other tails, or their owners, when these are some way off, but that rabbits, alarmed, make their near companions look about them. Of course, in the case of a general stampede, in the dusk, to the warren—from which numbers of the rabbits may have strayed away—it is easy to imagine that the rearmost are following the white tails of those in front of them ; or rather that these have given them the alarm, since all know the way to the warren. But how can one tell that this is really so, seeing that the alarm in such a case is generally due to a man stalking up? Would it not look exactly the same in the case of prairie marmots, whose tails are not conspicuously coloured? Young rabbits, it is true, would follow their dams when they ran, in fear, to their burrows ; not, however, unless they recognised FORM AND FASHION 47 them, and this they could not do by the tail alone. If they were near enough to recognise them, they would be able, probably, to follow them by sight alone, tail or no tail, nor would another white powder-puff be liable to lead them astray, as other- wise it might do. With antelopes, indeed, which have to follow one another, so as not to stray from the herd, a light-coloured patch, or wash upon the hinder quarters, might be an advantage; but as some of the kinds that have’ it are handsomely ornamented on the face and body, and as the wash of colour behind is often, in itself, not inelegant, why should not one and all be for the sake of adornment, or, rather, is it not more likely that they are so? No one, I suppose, who believes in sexual selection at all, will be inclined to explain the origin of the coloured posterior surface in the mandril, and some other monkeys, in any other way. To me, having regard to certain primary facts in the sexual relations of all animals, it does not appear strange that this region should, in many species, have fallen under the influence of the latter power. Can we, indeed, say, taking the Hottentots and some civilised monstrosities of feminine costume that do most sincerely flatter them into considera- tion, that it has not done so in the case of man? The protective theory, as applied to animals that hunt, or are hunted, by night, seems plausible only if we suppose that the enemies against whom they are protected, are human ones. But even if man has been long enough upon the scene to produce such modification, who can imagine that he has had 1 Darwin mentions one conspicuous instance. 48 BIRD LIFE GLIMPSES anything to do with the colouring of such an animal as, say, the tiger, till recently much more the op- pressor than the oppressed, and, even now, as much the one as the other—in India, for instance, or Corea, in which latter country things are certainly equal, if we go by the Chinese proverb, which says, ‘‘ Half the year the Coreans hunt the tigers, and the other half the tigers hunt the Coreans.” Tigers, indeed—especially those that are cattle- feeders—would seem, often, to kill their prey towards evening, but when it is still broad daylight. With regard, however, to the way in which they accom- plish this, I read some years ago, in an Indian sport- ing work, a most interesting account of a tiger stalking a cow—an account full of suggestiveness, and which ought to have, at once, attracted the attention of naturalists, but which, as far as I know, has never since been referred to. The author— whose name, with that of his work, I cannot recall —says that he saw a cow staring intently at some- thing which was approaching it, and that this some- thing presented so odd an appearance that it was some time before he could make out what it was. At last, however, he saw it to be a tiger, or, rather, the head of one, for the creature’s whole body, being pressed to the ground, with the fur flattened down, so as to make it as small as possible, was hidden, or almost hidden, behind the head, which was raised, and projected forward very con- spicuously ; so that, being held at about the angle at which the human face is, it looked like a large, painted mask, advancing along the ground in a very mysterious manner. At this mask the cow gazed A TIGER’S RUSE 49 intently, as if spell-bound, seeming to have no idea of what it was, and it was not till the tiger had got sufficiently near to secure her with ease, that she took to her heels, only to be overtaken and pulled down. Now here we have something worth all the accounts of tiger-shootings that have ever been written, and all the tigers that have ever been shot. So far from the tiger endeavouring to conceal him- self im foto, it would appear, from this, that he makes his great brindled head, with its glaring eyes, a very conspicuous object, which, as it is the only part of him seen or remarked, looks curious merely, and excites wonder, rather than fear. I know, myself, how much nearer to birds I am able to get, by ap- proaching on my hands and knees, in which attitude “the human form divine ”’ is not at once recognised. Therefore I can see no reason why the same prin- ciple of altering the characteristic appearance should not be employed by some beasts of prey, and long before I read this account I had been struck with the great size of the head of some of the tigers in the Zoological Gardens. The moral of it all, as it appears to me, is that, before coming to any settled conclusion as to the meaning of colour and colour markings in any animal, we should get accurate and minute informa- tion in regard to such animal’s habits. As this is, really, a most important matter, why should there not be scholarships and professorships in connection with it? It is absurd that the only sort of know- ledge in natural history which leads to a recognised position, with letters after the name, is knowledge of bones, muscles, tissues, &c. The habits of 50 BIRD LIFE GLIMPSES animals are really as scientific as their anatomies, and professors of them, when once made, would be as good as their brothers. Space, after this disquisition, will not permit me to say much more about the nightjars—only this, that they return each year to the same spot, and have not only their favourite tree, but even their favourite branch in it, to perch upon. I have seen one settle, after successive flights, upon a particular point of dead wood, near the top of a small and inconspicuous oak, surrounded by taller trees which had a much more inviting appearance, and on coming another night, there were just the same flights and settlings. It is not, however, my ex- perience that the eggs are laid, each year, just where they were the year before. It may be so, asa rule, but there are certainly exceptions, and amongst them were the particular pair that I watched. Rooks AT NEST CHAPIER | ill Tue hooded crow is common in this part of the country, during the winter; to the extent, indeed, of being quite a feature of it. With the country people he is the carrion crow merely, and they do not appear to make any distinction between him and the ordinary bird of that name, which is not seen nearly so often. He is the one they have grown up with, and know best, but his pied colouring does not seem to have gained him any specially distinctive title. For the most part, these crows haunt the open warren-lands, and, owing to their wariness and the absence of cover, are very difficult to get near to. Like the rooks, they spend most of the day in looking for food, and eating it when found, their habit being to beat about in the air, making wider or narrower circles, whilst examining the ground 51 Me BIRD LIFE GLIMPSES beneath for any offal that may be lying there. This is not so much the habit of rooks, for they, being more general feeders, march over the country, eating whatever they can find. They would be neglecting too much, were they to look for any class of thing in particular, though equally appreciative of offal when it happens to come in their way. ‘‘ The Lord be praised!” is then their attitude of mind. The crows, however, feed a good deal in this latter way, too, and, as a consequence, mingle much with the rooks, from whom, perhaps, they have learnt a thing or two. Each bird, in fact, knows and practises something of the other’s business, so that, without specially seeking one another’s society, they are a good deal thrown together. Were there never any occasion for them to mingle, they would probably not feel the wish to do so, but the slightest inducement will bring crows amongst rooks, and rooks amongst crows, and then, in their actions towards each other, they seem to be but one species. They fight, of course; at least there are frequent disagreements and bickerings between them, but these have always appeared to me to be individual, merely—not to have any specific value, so to speak. Both of them fall out, amongst themselves, as do most other birds. Rooks, especially, are apt to resent one another’s success in the finding of food, but such quarrels soon settle themselves, usually by the bird in possession swallowing the morsel ; they are seldom prolonged or envenomed. So it 1s with the rooks and hooded crows, and, on the whole, I think they meet as equals, though there may, per- haps, be a slightly more ‘‘ coming-on disposition ” on ROOKS AND CROWS 53 the part of the latter, and a slightly more giving- way one on that of the former bird. One apparent instance of this I have certainly seen. In this case, two rooks who were enjoying a dead rat between them, walked very tamely away from it, when a crow came up; and, later, when they again had the rat, a pair of crows hopping down upon them, side by side, in a very bold and piratical manner, again made them retreat, with hardly a make-believe of resist- ance. But one of these two crows may have been the bird that had come up before, and the rat may have belonged to it and its mate, by right of first dis- covery, which, in important finds, there is, I think, a tendency to respect, even if it needs some amount of enforcing. I have observed this when rooks and hooded crows have been gathered together about some offal which they were devouring. One or, at most, two birds seemed always to be in possession, whilst the rest stood around. For any other to insinuate itself into a place at the table was an affair demanding caution, nor could he do so without making himself liable to an attack, serious in pro- portion to the hunger of the privileged bird. As it began to appear, however, either from the latter’s languidness, or by his moving a little away, that this was becoming appeased, another—either rook or crow—would, at first warily, and then more boldly, fall to; and thus, without, probably, any actual idea of the thing, the working out of the situation was, more or less, to take it in turns. At least it was always the few that ate, and the many that waited, and a general sense that this should and must be so seemed to obtain. Always, at such 54 BIRD LIFE GLIMPSES scenes, there will be many small outbreaks, and when these have been between the two species, I have been unable to make out that one was inferior to the other. But such ebullitions have more of threaten- ing in them than real fighting, so, taking into con- sideration the incident just recorded, it may be that the crow, when really in earnest, is recognised by the rook as the better bird, though, if anything, I think he is a little the smaller of the two. Jack- daws, on the other hand, seem conscious of their inferiority when with rooks, and slip about de- murely amongst them, as though wishing not to be noticed. On the part of either rook or crow, a combative inclination is indicated by the sudden bending down of the head, and raising and fanning out of the tail. The fan is then closed and lowered, as the head goes up again, and this takes place several times in succession. If a bird come within slight- ing distance of one that has thus expressed himself, there is, at once, an affaire, the two jumping sud- denly at one another. After the first pass or two, they pause by mutual consent—just as duellists do in a novel—and then stand front to front, the beaks—or rapiers—being advanced, and pointed a little upwards, their points almost touching. Then, instantaneously, they spring again, each bird trying to get above the other, so as to strike him down. These fireworks, indeed, belong more to the rooks than the crows, for the former, being more social birds, are also more demonstrative. Not that the crows are without the gregarious instinct. Here, at least, in East Anglia, one may see in them SULPIA-T SYOOM PUY SMLOAD papooy “PS HONGdCHOUdd AO SHTNA AHL ROOKS AND ROGUE ELEPHANTS 55 something like the rude beginnings of the state at which rooks have arrived. They do not flock in any numbers, but bands of six or seven, and upwards, will sometimes fly about together, or sit in the same free. or croup of trees. On the ground, too, though they feed in a much more scattered manner than do rooks, not seeming to think of one another, they yet get drawn together by any piece of gar- bage or carrion that one or other of them may find. In this we, perhaps, see the origin of the gregarious instinct in most birds, if not in all. Self-interest first makes a habit, which becomes, by degrees, a want, and so a necessity ; for if ‘‘ custom is the king of all men,” as Pindar has pronounced it to be, so is it the king of all birds, and, equally, of all other animals. I think, myself, that their association with the rooks tends to make these crows moresocial. They get to feed more as they do, and this brings them more together. In the evening I have, sometimes, seen a few fly down into a plantation where rooks roosted, and which they already filled, and one I once saw flying, with a small band of them, on their bedward journey. Whether this bird, or the others, actually roosted with the rooks, for the night, I cannot say, but it certainly looked like it. On the other hand, if one watches rooks, one will, some- times, see what looks like a reversion, on the part of an individual or two, to a less advanced social state than that in which the majority now are. Whether there are solitary rooks, as there are rogue elephants, I do not know, but the gregarious instinct may certainly be for a time in abeyance D 56 BIRD LIFE GLIMPSES with some, if not with all of them. I have watched one feeding, sometimes, for a length of time, quite by itself. Not only, on such occasions, have there been no others with it, but often none were in sight, nor did any join it, when it flew up. Nothing, in fact, can look more solitary than these black specks upon the wide, empty warrens, or the still more desolate marshes—fens, as they are called, though, as I say, Icklingham is separated from the real fen- lands by some seven miles. These fens are un- drained, and unless the weather has been dry for some time, it is dificult to get about inthem. At first sight, indeed, it looks as though one could do so easily enough, for the long, coarse grass grows in tufts, or cushions—one might almost call them— each one of which is raised, to some height, upon a sort of footstalk. But if one steps on these they often turn over, causing one to plunge into the water between them, which their heads make almost invisible. These curious, matted tufts were used here in old days for church hassocks—called pesses— and several of them, veritable curiosities, are now in the old thatched church at Icklingham, which has been abandoned—why I know not—and 1s fast going to ruin. Rooks sometimes visit these marshes for the sake of thistles which grow there, or just on their borders, the roots of which they eat, as do also, I believe, some of the hooded crows, since I have seen them excavating in the same places. I know of no more comfortless sight than one or two of these crows standing about on the sodden ground, whilst another sits motionless, like an overseer, in some ROOK ECCENTRICITIES a solitary hawthorn bush, in the grey dawn of a cold winter’s morning. In the dank dreariness they look as dank and dreary themselves, and seem to be regretting having got up. There is, indeed, something particularly shabby and dismal-looking in the aspect of the hooded crow, when seen under unfavourable circumstances. They impress one, I believe, as squalid savages would—as the Tierra del Fuegians did Darwin. The rook, at all times, looks much more civilised, even when quite alone. I am not sure whether the latter bird, to return to his occasional adoption of less social habits, ever roosts alone, but I have some reason to suspect that he does. I have seen one flying from an otherwise untenanted clump of trees, before the general flight out from the rook-roost, two or three miles distant, had begun; to judge by appearances, that is to say, for the usual stream in one direction did not begin till some little time afterwards. A populous roosting-place drains the whole rook population of the country, for a considerable distance all around it —far beyond that at which this rook was from his— and in January, which was the date of the observation, such establishments would not have begun to break up. This process, which leads to scattered parties of the birds passing the night in various new places, does not begin before March. I had heard this particular rook cawing, for some time, before I saw it, and, on other occasions, I have been struck by hearing solitary caws, in unfrequented places, ata similarly early hour. Some rooks, there- fore, may be less social in their ways than the majority, and if these could be separately studied, 58 BIRD LIFE GLIMPSES we might know what all rooks had once been. The present natural history book contents itself with a summary of the general habits of each species, as far as these are known or surmised, or rather as far as one compiler may learn them from another secula seculorum. It is to be hoped that, some day in the future, a work may be attempted which will record those variations from the general mode of life, which have been observed and noted down by successive generations of field-naturalists. A collection of these would help as much, perhaps, to solve some of the problems of affinity, as the dissection of the body, and there would be this advantage in the method, viz., that any species under discussion would be less likely to leave a still further gap in the various classificatory systems, by disappearing during the process of investigation. I have said that rooks and crows meet and mingle together, as though they were of the same species, but is there, to the boot of this, some special relation—what, it would puzzle me to say—existing between them? I remember once, whilst standing under a willow tree by the little stream here, my attention being attracted by a hooded crow, which, whilst flying, kept uttering a series of very hoarse, harsh cries, ‘‘ Are-rr, are-rr, are-rr”’ (or “ crar’’)— the intonation is much rougher and less pleasant than that of rooks. He did not fly right on, and so away, but kept hovering about, in approximately the same place, and still continuing his clamour. I fancied I heard an answer to it from another hooded crow in the distance, and then, all at once, up flew about a score of rooks and joined him. MYSTERIOUS RELATIONS 59 For some minutes they hovered about, over a space corresponding with a fair-sized meadow, the crow making one of them, and still, at intervals, con- tinuing to cry, the rooks talking much less. Then, all at once, they dispersed again over the country. What, if anything, could have been the meaning of this rendezvous? All I can imagine is that, when the rooks heard the repeated cries of the crow, they concluded he had found something eatable, and, there- fore, flew up to share in it, but that, seeing nothing, they hovered about for a time on the look-out and then gave it up and flew off. I can form no idea, however, of what it was that had excited the crow, for excited he certainly seemed—it was a sudden burst of ‘“‘are”-ing. He did not go down anywhere, so that it can have had nothing to do with a find, and I feel sure from the way he came up, and the place and distance at which he began to cry, that he had not seen me. This, then, was my theory, at the time, to account for the action of the rooks; but on the very next day something of the same sort occurred, which was yet not all the same, and which could not be explained in this way. This time, when a crow rose with his ‘‘crar, crar”’ and flew to some trees, a number of rooks rose also from all about, and after circling a little, each where it had gone up, flew to a plantation, where shortly the crow flew also. Here, again, there was no question of the crow having found anything, for he rose from where he had for some time been, and flew straight away. Nor could the rooks have imagined that he had, for they all rose as at a signal, and, without going to where he had been, flew to somewhere 60 BIRD LIFE GLIMPSES near where he had gone, and here they were shortly joined by him. Certainly the rooks were influ- enced by the crow—the crow afterwards by the rooks, I think—but in what way, or whether there was any definite idea on the part of either of them, Iam unable to say. Birds of different species often affect one another, psychically, in some way that one cannot quite explain. I have seen some small tits flying, seemingly full of excitement, with the first band of rooks from the roosting-place in the morn- ing, and, evening after evening, a wood-pigeon would beat about amongst the hosts of starlings, which filled the whole sky around their dark little dormi- tory. He would join first one band and then another, seeming to wish to make one of them, and this he continued to do almost as long as the star- lings remained. Peewits, again, seem to have an attraction for starlings, and other such instances, either of mutual or one-sided interest—generally, I think, the latter—may be observed. We need not, I think, assume that every case of commensalism amongst animals has had a utilitarian origin, even when we can now see the link of mutual benefit. Rooks, when once introduced, are not birds that can be lightly dismissed. The most interesting thing about them, in my opinion, is their habit of re- pairing daily to their nesting-trees during the winter. Two visits are paid—at least two clearly marked ones—one in the morning, the other in the later afternoon, taking the shortness of the days into consideration. The latter is the longer and more important one, and, to give a general idea of what happens upon it, I will describe the behaviour of CHRISTMAS GATHERINGS 61 some birds on which I got the glasses fixed, whilst watching, one Christmas, a small rookery, in some elms near the house. It is always stated that rooks visit their nests, during the winter, in order to repair them. The following slight but accurate account of what the birds really do during these visits, is to be read in connection with that statement, which, as it appears to me, is either inaccurate, or, at least, not sufficiently full. Towards 3, then, as I have it, like Mr. Justice Stareleigh, in my notes, the rooks flew in, and of these a certain number settled in the largest elm of the group. This contained, besides other nests, two, if not more, that were built close against each other, making one great mass of sticks. One rook perched upon the topmost of these nests, whilst another sat in the lower one. ‘The standing rook kept uttering deep caws, and, at each caw, he made a sudden dip forward, with his head and whole body. At the same time he shot up and spread open the feathers of his tail, which he also arched, becoming, thus, a much finer figure of a bird. The action seemed to express sexual emotion, with concomitant bellicosity, and the latter element was soon manifested in a spirited attack upon the poor sitting rook, who was, then and there, turned out of the nest. Shortly afterwards, a pair of rooks peaceably occupied this same lower nest, and continued there for some time. One of them sat in it, and, looking long and steadily through the glasses, I could see the tail of this bird thrown, at short intervals, spasmodically upwards. Then, as the raised and spread feathers were folded and lowered, the anal portion of the body was 62 BIRD LIFE GLIMPSES moved—wriggled—in a very special and suggestive manner, about which I shall have more to say when I come to the peewit. Whilst the sitting bird was behaving in this way, the other one of the pair— which I put down as the female—stood beside him, and as she occasionally bent forward towards him, the black of her feathers becoming lost in his, I felt assured that she was cossetting and caressing him, much as the hen pigeon caresses the male, whilst he sits brooding on the place where the nest will be. There were also several other combats, and more turnings of one bird out of the nest, by another. At 3.15 four rooks sit perched on the boughs, all round the great mass of sticks, but not one upon it. One of the four bends the head, with a look and motion as though about to hop down. Instantly there is an excited cawing—half, as it seems, remonstrative, half in the tone of “ Well, if you do, then I will, too,”—from the other three, which is responded to, of course, by the first, the originator of the uproar, and then all four drop on to the sticks, a pair upon each nest. By 3.20 every rook is gone, but in ten minutes they are all back, again, with much cawing. Four birds—the same four as | suppose—are instantly on the great heap, but as quickly off it, again, amongst the growing twigs, and this takes place three or four times in succession. Two others, though they never come down upon the heap, remain close beside it, and seem to feel a friendly interest in it. Sometimes they fly away for a little, but they return, again, and sit there as before, their right to do so seeming to be admitted. Thus there are six birds in all, who seem primarily LOVE IN WINTER 63 interested in the great heap of sticks, which may, perhaps, indicate that it is composed of three rather than of two nests. Once, however, for a little while, another rook is associated with the six, making seven. At 3.45 the rooks again fly off, but return in another ten minutes, and this time the tree with the great communal nest in it is left empty. There is a great deal of cawing, mingled with a higher, sharper note, all very different to the cries made by the rooks, at this same time of the year, in their roosting-places, or when leaving or returning to them in the morning or evening. It was for this latter purpose, doubtless, that the final exodus took place at a little past 4. During the last visit no nest was entered by any bird. Do the rooks, then, come to their nests in winter, in order to repair them? Not once, so far as I could catch their actions, did I see one of these lift a stick, and their behaviour on other occasions, when I have watched them, has been more or less the same. On the other hand we have the combats, the clamorous vociferation, the caressing of one bird by another, the raising and fanning of the tail, with the curious wriggling of it—bearing, 1 in my mind, a peculiar significance—everything, in fact, to suggest sexual emotion. To me it appears that the nests are visited rather for the sake of sport and play, than with any set business-like idea of putting them in order. The birds come to them to be happy and excited, to have genial feelings aroused by the sight of them— *¢ Venus then wakes and wakens love ”’ 64 BIRD LIFE GLIMPSES They come, in fact, as it seems to me, in an emotional state a good deal resembling that of the bower-birds of Australia, when they play at their “runs” or ‘‘ bowers”’; nor do the nests now— though in the spring they were true ones—differ essentially, as far as the purpose to which they are put is concerned, from these curious structures, of which Gould says: ‘‘ They are used by the birds as a playing-house, and are used by the males to attract the females.” This latter statement is cer- tainly true, in the case, at least, of the satin bower- bird (Piilorhynchus violaceus), which I have watched at the Zoological Gardens. That the mainspring, so to speak, of this bird’s actions is sexual, no naturalist, seeing them, could doubt. But was the “bower” originally made for the purpose which it now serves? Dhid the idea of putting it to such a use precede its existence in some shape or form, or did it not rather grow out of something else, because about it, as it then was, certain emotions were more and more indulged in, till at last it became the indispensable theatre for their display? Then, as the theatre grew, no doubt the play did also, and vice versa, the two keeping pace with each other. I believe that this original something was the nest, and that when we see a bird toy, court, or pair upon the latter—thus putting it to a use totally different from that of incubation, but similar to that which is served by the bower—we get a hint as to the process by which the one structure has given rise to the other. Wonderful as is the architecture and ornamenta- tion of some of the bowers, as we now know them, ROOKS AND BOWER-BIRDS 65 especially the so-called garden of amblyornis, their gradual elaboration from a much simpler structure presents no more difficulty than does that of a com- plicated nest from a quite ordinary one. All that we want is the initial directing impulse, and this we have when once a bird uses its nest, not only as a cradle for its young, but, also, as a nuptial bed or sporting-place. In a passage of this nature, the nest, indeed, must remain, but why should it not? Let us suppose that, like the rooks, the bower-birds —or, rather, their ancestors—used, at one time, to use their old nests of the spring, as play-houses during the winter. If, then, they had built fresh nests as spring again came round, might they not gradually have begun to build fresh play-houses too? The keeping up of the old nest—but for a secondary purpose—would naturally have passed into this, and the playing about it would, as naturally, have led to the keeping of it up. That duality of use should gradually have led to duality of structure—that from one thing used in two different ways there should have come to be two things, each used in one of these ways—does not seem to me extraordinary, but, rather, what we might have expected, in accordance with the principle of differentiation and specialisa- tion, which has played so great a part in organic evolution. It is by virtue of this principle that limbs have been developed out of the vertebral column, and the kind of advantage which all verte- brate animals have gained by this multiplication and differentiation of parts, in their own bodily structure, is precisely that which a bird of certain habits would have gained, by a similar increase in the number and 66 BIRD LIFE GLIMPSES kind of the artificial structures made by it. It is, indeed, obvious that the ‘‘ bower,” in many cases, could not be quite what it is, if it had also to answer the purpose of a nest, and still more so, perhaps, that the nest could never have made a good bower. The extra structure, therefore, represents a greater capacity for doing a certain thing—just as do the extra limbs—which makes it likely that it has been evolved from the earlier one, in accordance with the same general law which has produced the latter. Thus, in our own rook we see, perhaps, a bower-bird iz posse, nor is there any wide gap, but quite the contrary, between the crow family and that to which the bower-birds belong. ‘The bower-birds,” says Professor Newton, ‘“‘are placed by most systematists among the Paradiseide,” and Wallace, in his “*‘ Malay Archipelago,” tells us that “the Paradiseide are a group of moderate-sized birds allied, in their structure and habits, to crows, starlings, and to the Australian honey-suckers.” It is, surely, suggestive that the one British bird that uses its nest—or nests, collectively—as a sort of recreation ground, where the sexes meet and show affection, during the winter, should be allied to the one group of birds that make separate structures, which they use in this same manner. Of course there are differences, but what I suggest is that there is an essential similarity, which, alone, is important. Pro- bably the common ancestor of the bower-birds was not social in its habits like the rook, and this difference may have checked the development of the bower in the latter bird. As far, however, as the actions of the two are concerned, they do not appear SUPERNUMERARY NESTS 67 to me to differ otherwise than one might expect the final stages of any process to differ from its rough and rude beginnings. The sexual impulse is, so it seems to me, the governing factor in both, so that, in both, it may have led up to whatever else there is. In regard to the rooks, they did not, when I watched them, appear to be repairing their nests. I think it quite likely, however, that they do repair them after a fashion, though I would put another meaning upon their doing so. That, being at the nest, there should often be some toying with and throwing about of the sticks, one can understand, and also that this should have passed into some amount of regular labour: for all these things—with the emotional states from which they spring—are interconnected through association of ideas, so that one would glide easily into another, and it is in this, as I believe, that we have the rationale of that amount of repairing which the rook does do. Personally, as said before, I have seen little or nothing of it. When we consider that many birds are in the habit of building one or more supernumerary nests —not with any definite purpose, as it seems to me, but purely in obedience to the, as yet, unsatisfied instinct which urges them to build—we can, perhaps, see a line along which the principle of divergence and specialisation, as applied to the nest structure, may, on the above hypothesis, have been led. Given two uses of a nest, and more nests made than are used, might not we even prophesy that one of the re- dundant ones would, in time, serve one of the uses, supposing these to be very distinct, and to have a tendency to clash with one another? Now courting 68 BIRD LIFE GLIMPSES leads up to pairing, and I can say positively from my own observation that rooks often pair upon the nest. This is the regular habit with the crested grebes, and I have seen it in operation between them after some, or at least one, of the eggs had been laid— possibly they had all been. But this must surely be to the danger of the eggs, so that, as these birds build several nests, natural selection would favour such of them as used separate ones for pairing and laying. It does not, of course, follow that a ten- dency to make a secondary nest and use it for a secondary purpose would develop itself in any bird that was accustomed to pair or court upon the true one; but it might in some, and, whenever it did, the evolution of the “run” or ‘‘ bower”? would be but a matter of time, if, indeed, it should not be rather held to exist, as soon as such separation had come about. There would be but a slight line of demarcation, as it appears to me, between an extra nest, which was used for nuptial purposes only, and the so-called bowers of the bower-birds. As for the ornamentation which is such a feature of these latter structures, the degree of it differs amongst them, and we see the same thing—also in varying degrees —in the nest proper. The jackdaw, for instance— and the proclivity has been embalmed in our literature—is fond of putting a ring “midst the sticks and the straw” of his, and shags, as | have noticed, will decorate theirs with flowers, green leaves, and bleached spars or sticks. It seems natural, too, that an esthetic bird, owning two domiciles, one for domestic duties and the other for love’s delights, should decorate the latter, more and NESTS AND BOWERS 69 more to the neglect of the former. We see the same principle at work amongst ourselves, for even in the most artistic households, the nursery is usually a plain affair compared with the boudoir or drawing-room. As bower-building prevails only amongst one group of birds—not being shared by allied groups— and as birds, universally almost, make some sort of nest, we may assume that the latter habit preceded the former. If so, the ancestral bower-bird, from which the various present species may be supposed to be descended, would have built a nest before he built a bower. Is it not more probable, therefore, that the new structure should have grown out of the old one, than that the two are not in any way con- nected? The orthodox view, indeed, would seem to be the reverse of this, for we read in standard works of ornithology that the bowers have nothing to do with the nests of the species making them; whilst, at the same time, complete ignorance as to their origin and meaning is confessed. But if we know nothing about a thing, how do we know that it has nothing to do with some other thing? One argument, brought forward to show that the nests of the bower-bird are not in any way connected with their bowers, is that the former present no extraordinary feature. But if the bower has grown out of the nest, in the way and by the steps which I suppose, there is no reason why the latter—and the bird’s general habits of nidification—should not have remained as they were. As long asa single structure was used for a double purpose, the paramount importance of the original one—that of incubation—would have kept it from changing in any great degree, and when 70 BIRD LIFE GLIMPSES there had come to be two structures for two pur- poses, that only would have been subjected to modification which stood in need of it. For the rest, as incubation and courtship are very different things, one might expect the architecture in relation to them to be of a very different kind. For these reasons, and having watched rooks at their nests in the winter, and the breeding habits of some other birds, I think it possible (1) that the bower has grown out of the nest, and (2) that the sexual activities of which it is, as it were, the focus, were once displayed about the nest itself. On the whole, however—though I suggest this as a possible explana- tion—it is perhaps more likely that the cleared arena where so many birds meet for the purposes of court- ship—as, e.g. the blackcock, capercailzie, ruff, argus pheasant, cock-of-the-rock, &c. &c.—is the start- ing-point from which the bower-birds have proceeded, especially as one species of the family has not got so very much farther than this, even now. Rooks, then, to leave speculation and return to fact, are swayed, even in winter, by love as well as by hunger—those two great forces which, as Schiller tells us, rule the world between them. ‘They wake, presumably, hungry; yet, before they can have fed much, make shift to spend a little while on the scene of their domestic blisses. Hunger then looks after them till an hour or so before evening, when they return to their rookeries, and love takes up the ball for as long as daylight lasts. And so, with birds as men— « Erfiillt sich der Getriebe Durch Hunger und durch Liebe.” PAP isn Le ea SLEEP 77 But there is a third great ruling power in the life of both, which Schiller seems to have forgotten—sleep —and as its reign, each day, is as long, or longer, than that of the other two conjoined, and as it long outlasts one of them, it may be called, perhaps, the greatest of the three. HERON FISHING CRAP TER «Tv THERE is a heronry on an estate here, into whicn, in the early spring, I have sometimes crept, coming before dawn, in silence and darkness, to be there when it awoke. What an awakening! A sudden scream, as though the night were stabbed, and cried out—a scream to chill one’s very blood—followed by a deep ‘‘oogh,” and then a most extraordinary noise in the throat, a kind of croak sometimes, but more often a kind of pipe, like a subdued siren—a fog-signal—yet pleasing, even musical. Sometimes, again, it suggests the tones of the human voice— weirdly, eerily—vividly caught for a moment, then an Ovid’s metamorphosis. This curious sound, in the production of which the neck is as the long tube of some metal instrument, is very character- istic, and constantly heard. And now scream after 72 AN AWAKENING 73 scream, each one more harsh and wild than the last, rings out from tree to tree. Other sounds—strange, wild, grotesque—cannot even suffer an attempt to describe them. All this through the darkness, the black of which is now beginning to be “ dipped in grey.” There is the snapping of the bill, too—a soft click, a musical “‘pip, pip’’—amidst all these uncouth noises. On the whole, it is the grotesque in sound —a carnival of hoarse, wild, grotesque inarticulations. Amidst them, every now and then, one hears the great sweep of pinions, and a shadowy form, just thicken- ing on the gloom, is lost in the profounder gloom of some tree that receives it. Most of the nests are in sad, drooping-boughed firs—spruces, a name that suits them not—trees whose very branches are a midnight, as Longfellow has called them,' in a great, though seldom-men- tioned poem. Others are in grand old beeches, which, with the slender white birch and the maple, stand in open clearings amidst the shaggy firs, and make this plantation a paradise. Sometimes, as the herons fly out of one tree into another, they make a loud, sonorous beating with their great wings, whilst at others, they glide with long, silent-sounding swishes, that seem a part of the darkness. Two will, often, pursue each other, with harshest screams, and, all at once, from one of them comes a shout of wild, maniacal laughter, that sets the blood a-ting- ling, and makes one a better man to hear. Whilst sweeping, thus, in nuptial flight, about their nesting- trees, they stretch out their long necks in front of 1 “ As the pine shakes off the snow-flakes From the midnight of its branches.” —Hiawatha, xix. E 74 BIRD LIFE GLIMPSES them, sometimes quite straight, more often bent near the breast like a crooked piece of copper wire. A strange appearance!—everything stiff and abrupt, odd-looking, uncouth, no graceful curves or sweeps. The long legs, carried horizontally, balance the neck behind—but grotesquely, as one gargoyle glares at another. Thus herons fly within the heronry, but as they sail out, en voyage, the head is drawn back between the shoulders, in the more familiar way. As morning dawns, the shadowy “‘air-drawn”’ forms begin to appear more substantially. Several of the birds may then be seen perched about in the trees, some gaunt and upright, others hunched up in a heap, with, perhaps, one statuesque figure placed, like a sentinel, on the top of a tall, slender larch, the thin pinnacle of the trunk of which is bent over to form a perch. Other, and much sweeter, sounds begin now to mingle with the harsh, though not unpleasing screams, and, increasing every moment in volume, make them, at last, but part of a universal and most divine harmony. The whole plantation has become a song. Song-thrush and mistle-thrush make it up, mostly, between them, but all help, and all is a music ; chatters and twitters seem glorified, nothing sounds harshly, joy makes it melody. There is a time—the daylight of dawn, but not daylight— when the birds sing everywhere, as though to salute it. As the real daylight comes, this sinks and almost ceases, and never in the whole twenty-four hours, is there such an hour again. The laugh, and answering laugh, of the green woodpecker 1s frequent, now, and mingles sweetly with the loud cooing of the wood-pigeons—not the characteristic A MEETING 75 note, but another, very much like that of dovecot pigeons, when they make a few quick little turns from one side to another, moving the feet dancingly, but keeping almost in the same place: a brisk, satisfied sound, not the pompous rolling coo of a serious proposal, nor yet that more tender-meaning note, with which the male broods on the nest, caressed by the female. But the representative of this last, in the wood-pigeon—the familiar spring and summer sound—-is now frequently heard, and seems getting towards perfection. So, at last, it is day, and the loud, bold clarion of the pheasant is like the rising sun. The above is a general picture of herons in a heronry. It is almost more interesting to watch two lonely-sitting birds, upon each of whom, in turn, one can concentrate the attention. They sit so long and so silently, such hours go by, during which nothing happens, and one can only just see the yellow, spear-like beak of the sitting bird point- ing upwards amidst the sticks. Only under such circumstances can one really hug oneself in that ecstacy of patience which, almost as much as what one actually sees, is the true joy of watching. But at length comes that for which one has been wait- ing, and may wait and wait, day after day, and yet, perhaps, not see—the change upon the nest. It comes—‘“‘Go not, happy day.” There is a loud croak or two in the air, then a welcoming scream, and in answer to it, as her mate flies in, the sitting bird raises herself on the nest, and stretching her long neck straight up—perpendicularly almost, and with the head and beak all in one line with it— pours out a wonderful jubilee of exultant sounds. 76 BIRD LIFE GLIMPSES Then, standing on the nest together, vis-a-vis, and with their necks raised, both the birds intone hoarsely, and seem to glare at one another with their great golden eyes. Then the male bends down his head, raises his crest, snaps his bill several times, and, sinking down, disappears into the nest ; whilst the female, after giving all her feathers and every portion of her person a very violent shake, as though to scatter night and sleep to the four winds, immediately flies off. The whole magnificent scene has lasted but a few seconds. As by magic, then, it is gone, and this quickness in departing has a strange effect upon one. The thing was so real, so painted there, as it were—the two great birds, with their orange bills and pale-bright colouring, clear in the morning air. It did not seem as if they could vanish like that. They looked like permanent things, not vanishing dreams. Yet before the eye is satisfied with seeing, or the ear with hearing, the one has flown off silently like a shadow and the other sunk as silently into invisibility. Now there is a great stillness, a great void, and the contrast of it with the flashed vividness of what has just been, impresses itself strangely. It is as though one had walked to some striking canvas of Landseer or Snider, and, as one looked, found it gone. That, however, would be magic. This is not, but it seemsso. One feels as though “‘ cheated by dissembling nature.” I have described the welcoming cry raised by the female heron on the arrival of her mate as ‘“‘qa jubilee of exultant sounds,” which indeed it is, or sounds like; but what these sounds are— or were—their vocalic value—it is difficult to JOY WITH THE MORNING 77 recall, even but a few minutes after they have been uttered. Only one knows that they were harshly, screamingly musical, for surely sounds full of poetry must be musical. The actions, however— the alighting of the one bird with outstretched neck, the leaping up at him, as one may almost say, with the marvellous pose, of the other, the vigorous shake, in which inaction was done with, and active life begun, and then that searching, careful contemplation of the nest by the male, before sinking down upon it—all that is stamped upon the memory, and will pass before me, many a night, again, as I lie and look into the dark. It is the female heron, one may, perhaps, assume, who sits all night upon the nest, being relieved by the male in the morning. The first change, in my experience, takes place between 6 and 9. The next is in the afternoon—from 4 to 5, or thereabouts —and there is no other till the following day. Well, therefore, may the mother bird shake herself before flying swiftly off, after her long silent vigil. Perhaps, however, as darkness reigns during most of this time it is the male heron who really shows most patience, since his hours of duty include the greater part of the day. It must not be supposed that the above is a description of what uniformly takes place when a pair of sitting herons make their change upon the nest. On the contrary, the actions of both birds vary greatly, and this is my experience in regard to almost everything that birds do. Sometimes the scene is far less striking, at other times it is just as striking, but all the details are different—other cries, 78 BIRD LIFE GLIMPSES other posturings, all so marked and salient that one might suppose each to be as invariable as it is proper to the occasion. The same genera] character is, of course, impressed upon them all, but with this the similarity is exhausted. This—and it is largely the case, I think, in other matters—makes any general description of little value. My own view is that, in describing anything an animal does, it is best to pick a case, and give a verbal photograph. Two advantages belong to this process. First, it will be an actual record of fact, as far as it goes, and, in the second place, it will also be a better general description than one given on any other principle. There will be more truth in it, looked at as either the one thing or the other. The particular pair of herons that supplied me with this particular photograph had a plantation to themselves for their nest—at least, though other herons sometimes visited it, they were the only ones that bred there. I watched them from a little wig- wam of boughs that I had put against the trunk of a neighbouring tree, from which there was a good view. ‘They had built in the summit of a tall and shapely larch, and beautiful it was to look up and see nest and bird and the high tree-top set in a ring of lovely blue, so soft and warm-looking that it made one long to be there. The air looked pure and delicate, and the sun shone warmly down upon the nest and its patient occupant. But the weather was not always like this. Once there was a hurricane. The tree, with the nest in it, swayed backwards and forwards in the violent gusts of wind, and now and again there was the crash and FROM A WIGWAM 79 tearing sound of a trunk snapped, or a large branch torn off. But the heron sat firm and secure. There were several such crashes, nor was it much to be wondered at, the plantation being full of quite rotten birches that I might almost have pushed over, myself. Ina famous gale here, one Sunday, the firs in many of the plantations were blown down in rows and phalanxes, falling all together as they had stood, and all one way, so that, to see them, it looked as though a herd of elephants—or rather mammoths— had rushed through the place. A tin church was carried away, too—but I was in Belgium during all this stirring time. A close, firm sitter was this heron, yet not to be compared with White’s raven, since the entry of any one into the plantation was sufficient to make her leave the nest.. Unfortunately, the nest almost hid her, as she sat, yet sometimes, as a reward for patience, she would move the head, by which I saw it—or at least the beak—a little more plainly. Sometimes, too, she would crane her neck into the air or even stand up in the nest, which was as if a saint had entered the shrine. When she did this it was always to look at the eggs, and, having done so, she would turn a little round, before sitting down on them again. Very rarely | caught a very low and very hoarse note —monosyllabic, a sort of croak—but silence almost always reigned. At first, when I came to watch the nest, I disturbed the bird each time, and again on leaving: afterwards I used to crawl up to the Wigwam, and then retire from it on my hands and knees, and, in this way, did not alarm her. Once 80 BIRD LIFE GLIMPSES in the wigwam, her suspicions soon ceased, and she returned to the nest, usually from sailing high over the plantation, evidently on the watch, but, sheltered as I was, I was invisible even to her keen sight. On one occasion she flew out over the marshlands, and went down upon them. I left the plantation almost at the same time as she did, and, on my way home, I saw her rise and fly towards it again. Half- way there she was joined by her mate, and the two descended upon it, together, most grandly—a really striking sight. Slowly they sailed up, on broad light wings that beat the air with regular and leisurely strokes. Mounting higher and higher, as_ they neared the plantation, they, at length, wheeled over it at a giddy height, from which, after a few great circling sweeps, they all at once let themselves drop, holding their wings still spread, but raised above their backs, so as not to offer so much resistance to the air. At the proper moment the wide wings drooped again, the rushing fall was checked, and with harsh, wild screams, the two great birds came wheel- ing down, in narrower and narrower circles, upon the chosen spot. Perhaps the swoop of an eagle may be grander than this, but I doubt it. The drop, especially, gives one, in imagination, the same sort of half-painful sensation that the descent part of a switchback railway does, when one is in it—for one substitutes oneself for the bird, but retains one’s own constitution. Earlier in the year—in cold bleak February—I used to watch this same pair of herons pursuing one another, in nuptial flight, over the half-sandy, half- marshy wastes, that, with the moorland, lie about the A GRAND DESCENT Herons coming down on to Nest p. 80. “A SIGHT FOR 'SAIR EEN ” 81 lonely, sombre spot that they had chosen for their home. This, too, is “‘a sight for sair een.” How grandly the birds move “aloft, incumbent on the dusky air,” beating it with slow measured strokes of those ‘‘sail-broad vans” of theirs. They approach, then glide apart, and, as they sweep in circles, tilt themselves oddly from one side to another, so that now their upper, and now their under surface catches the cold gloomy light—a fine sight beneath the snow-clouds. With a shriek one comes swooping round upon the other, who, almost in the moment of contact, glides smoothly away from him. The pursuer plies his wings: slow-beating, swift-moving, they pass over the desolate waste, one but just behind the other. Again a “wild, wild” cry from the pursuing bird is answered by another from the one pursued, and then, on set sails, they sink to earth, in a long, smooth, gently descending line, reaching it without another wing-beat. Queer figures they make when they get there. One sits as though on the nest, his long legs being quite invisible beneath him. The other stands in varying attitudes, but all very different from anything one ever sees repre- sented, either in a picture or a glass case. That elegant letter S, which—especially under the latter hateful condition—the neck is, of custom, put into, occurs in the living bird less frequently than one might suppose it would. When resting or doing nothing in particular, herons draw the head right in between the shoulders—or rather wings—which latter droop idly down, and being, thus, partially expanded, like a fan fallen open, cover, with their broad surface, the whole body and most of the legs. 82 BIRD LIFE GLIMPSES The thighs, so carefully shown in the cases, are quite hidden, and only about half the shank is seen beyond the square, blunt ends of the wings. The beak points straight forward, or almost so. It is a loose, hunched-up pose, not elegant, but very nice ; one can smack one’s lips over it; it is like a style in writing—a little slipshod perhaps, like Scott’s, as we are told ;* but then give me Scott’s “ slipshod ” (!) style—I prefer it to Stevenson’s, though Stevenson himself did not. Then, again, when the bird is alarmed or thrown on the alert about anything, the long neck is shot, suddenly, forward and upward, not, however, in a curve, but in a straight line, from the end of which another straight line—the head and beak—flies out at a right angle. The neck, also, makes a somewhat abrupt angle with the body, and the whole has a strange, uncouth aspect, which is infinitely pleasing. One might suppose that, with its great surface of wing, and the slowness with which it is moved, the heron would rise with some difficulty—as does the condor—and only attain ease and power when at some little height. This, however, is not the case. It will rise, on occasions, with a single flap of the great wings, and then float buoyantly, but just above the ground, not higher than its leg’s length—if this can be said to be rising at all. A single flap will take it twenty paces, or more, like this, when, putting its legs down, it stands again, and thus it will continue as long as it sees fit. From the length of time which herons spend out on the marshes, or adjoining warrens, they must, I 1 By inappreciative asses. THE HERON ACTIVE 83 suppose, feed a good deal on frogs, or even less aquatic prey—moles, mice, shrews, as I believe, for I have found the remains of these under their trees, in pellets which seemed to me far too large, as well as too numerous, to be those of owls, the only other possible bird: yet I have not observed them in the pursuit of “‘such small deer,” and herons look for their food far more, and wait for it far less than is generally supposed. See one, now, at the river. For a minute or two, after coming down, he stands with his neck drawn in between his shoulders, and then, with a stealthy step, begins to walk along under the bank, advancing slowly, and evidently on the look- out. Getting a little more into the stream, he stands a few moments, again advances, then with body projecting, horizontally, on either side of the legs—like the head of a mallet—and neck a little outstretched, he stops once more. At once he makes a dart forward, so far forward that he almost—nay, sometimes quite—overbalances, the neck shoots out as from a spring, and instantly he has a fair-sized fish in his bill, which, after a little tussling and quiet insistence—gone through like a grave formal etiquette — he swallows. Directly afterwards he washes his beak in the stream, and then drinks, a little, as though for a sauce to his fish. There is, now, a brisk satisfied ruffle of the plumage, after which he hunches himself up, again, and remains thus, resting, for a longer or shorter time. In swallowing the fish, the long neck 1s stretched for- wards and upwards, and, when it has swallowed it, the bird gives a sort of start, and looks most comi- cally satisfied. There is that about him—something 84 BIRD LIFE GLIMPSES almost of surprise, if it could be, at his own deedi- ness—which, in a man, might be expressed by, ““Come, what do you think of that, now? Not so very bad, isit?’’ A curious sort of half-resemblance to humanics one gets in animals, sometimes—like, but in an odd, dizarre way, more generalised, the thing in its elements, less consciousness of what is felt. They wear their rue with a difference, but rue it is. It is interesting, too, to see the way in which the fish is manipulated. It is not tossed into the air, and caught, again, head downwards, nor does it ever seem to be quite free of the beak, at all points; but keeping always the point, or anterior part of the mandibles, upon it, the heron contrives, by jerking its head about, to get it turned and lying lengthways between them, ez ¢rain for swallowing. The whole thing has a very tactile appearance; it is wonderful with what delicacy and nicety, in nature, very hard, and, as one would think, insensitive material may be used. How, in this special kind of handling, does the human hand, about which so much has been said, excel the bird’s beak? The superiority of the former appears to me to lie, rather, in the number of things it can do, than in the greater efficiency with which it can do any one of them. It is curious, indeed, that the advantage gained here is due to the principle of generalisation, as against that of specialisation, which last we see more in the foot. In its manipulation of the fish the serratures in the upper mandible of its bill must be a great help to the heron, and this may throw some light on the use of the somewhat similar, though more pronounced, ones in the claw of its middle toe. Concerning BROWN-PAPER PARCELS 85 this structure, Frank Buckland—whose half-part edition of White’s ‘“‘Selborne” I have at hand —says: ‘The use of it is certainly not for pre- hension, as was formerly supposed, but rather, as its structure indicates, for a comb. Among the feathers of the heron and bittern can always be found a considerable quantity of powder. The bird, probably, uses this comb to keep the powder and feathers in proper order.” Why ‘‘certainly”? And how much of observation does “ probably” contain? This is what Dickens has described as making a brown-paper parcel of a subject, and putting it on a shelf, labelled, ‘‘ Not to be opened.” But, ‘‘ By your leave, wax,” and I shall open as many such parcels as I choose. It is possible, indeed, that the heron’s serrated claw may not be, now, of any special use. It may be a survival, merely, of some- thing that once was. If, however, it is used in a special manner, what this manner is can only be settled by good affirmative evidence, and of this, as Frank Buckland does not give any, we may assume he had none to give. Instead we have “certainly ” and ‘‘ probably.” But I, now, have “‘ certainly ”’ seen the heron use his foot to secure an eel, which had proved too large and vigorous for him to retain in the bill, and which he had dropped, after just managing to fly away with it to the mud of the shore. Here, therefore, ‘‘ probably” the serrated claw was of some assistance, and the fact that this heron flew to the shore, whenever he caught an unwieldy eel, and dropped it there, goes to show that this was his regular plan, viz. to put it down and help hold it with his foot, or two feet. There 86 BIRD LIFE GLIMPSES was always a little water where the eel was dropped —it was not the shore, to be quite accurate, but only the shallow, muddy water near it—and there- fore it was only on one occasion that I saw the foot used in this way, with absolute certainty. But as I did see it this once, I cannot doubt that it was so used each time, as indeed it always appeared to me to be. It is the inner side of each of the two claws that is serrated, and one can imagine how nicely an eel, or fish, thus dropped into the mud, could be pinched between them. This, then, is affirmative evidence. Negatively, I have seen the heron preen itself very elaborately, without once raising a foot so as to touch the feathers. On these occasions the bird often, apparently, does something to its feet, with the beak, what, exactly, it is difficult to say, inasmuch as a heron’s feet are hardly ever visible, except while it walks. But the head is brought right down, and then moves slightly, yet nicely, as a hand might that held some long, fine instrument, with which a delicate operation was being performed. Were the extreme tip of the bill to be passed between the serratures of the claw, the motion would be just like this, at least I should think it would. People about here talk of a filament which they say grows out of one of the heron’s toes, and by looking like a worm in the water, attracts fish within his reach, in the same way as does the lure of the angler-fish. In Bury, once, seeing a heron—a sad sight—hanging up in a fishmonger’s shop, I looked at its feet, but did not notice any filament. This, indeed, was before I had heard the legend, but my idea is that it has sprung up in accordance with the popular view that the heron always waits, “like AS FROM A WATCH-TOWER 87 patience on a monument,” for his prey to come to him ; whereas my own experience is that he prefers to stalk it for himself. I suspect, myself, that when the bird stands motionless, for any very great length of time, he is not on the look-out for a fish or eel, as commonly supposed, but resting and digesting merely. Certainly, should one approach, he might find himself under the necessity of securing it—his professional pride would be touched—but why, if he were hungry, should he wait so long? Why should he not rather do what, as we have seen, he is very well able to do, set out and find his own dinner? It need not take him five minutes to do so. One use, probably, of the long neck is that, from the height of it, the bird can peer out into the stream, as from a watch-tower, which is the simile that Darwin* has made use of in regard to the giraffe, an animal whose whole structure has been adapted for browsing in trees, but which has thereby gained this incidental advantage, with the result that no animal is more difficult to approach. I have given a picture—or, rather, a photograph —of how a pair of sitting herons relieve each other on the nest. It is interesting, also, to see one of them come to it, and commence sitting, when the other is away. Alighting on one of the supporting boughs that project from the mass of sticks, he walks down it with stealthy step and wary mien, the long neck craned forward, yet bent into a stiff, ungraceful S. Upon reaching the nest, he stands for some seconds on its brim, in a curious perpen- dicular attitude, the legs, body, and neck being 1 Or the man he quotes—and absorbs. 88 BIRD LIFE GLIMPSES almost in one straight line, from the top of which the snake-like head and spiked bill shoot sharply and angularly out. Standing thus, he raises himself a-tip-toe once or twice, as though it were St. Cris- pin’s Day, or to get the widest possible view of the landscape, before shutting himself out from it, then stepping into the nest, and sinking slowly down in it, becomes entirely concealed in its deep, capacious cavity. Both here, and, still more, in alighting, one cannot but notice the strange rigid aspect that the bird presents. ‘‘Cannot but,” I say, because one would like it to be otherwise—graceful, harmonious - but it) 1s) ‘nots‘There are no, subtle |. bendainas curves—no seeming symmetry—but all is hard, stiff, and angular. Even the colours look crude and harsh, as they might in a bad oil painting. Nature 7s sometimes ‘‘a rum ‘un,’ as Squeers said she was. Here she looks almost unnatural, very different from what an artist who aimed at being pleasing, merely, or plausible, would represent her as. This shows how cautious one ought to be in judging of the merits, or otherwise, of an animal artist. There are many more human than animal experts, and the latter, as a rule, are not artistic, so that, between critical ignorance and uncultured knowledge, good work may go for long before it getsa justrecognition. ‘Those who talk about Land- seer having stooped to put human expressions into his animals, seem to me to be out of touch at any rate with dogs. Probably the thought of how profoundly the dog’s psychology has been affected by long intercourse with man has not occurred to them, it being outside their department. Sure I am GENIUS AND FASHION 89 that the expression of the dog in that picture, ‘“‘ The Shepherd’s Chief Mourner,” and of the two little King Charles spanicls lying on the cavalier’s hat, are quite perfect things. Even in that great paint- ing of Diogenes and Alexander—removed, Heaven knows why, and to my lasting grief, from the National Gallery—though here there is an inten- tional humanising, yet it is wonderful how close Landseer has kept to civilised canine expression— though one would vainly seek for even the shadows of such looks in the dogs of savages. As for Diogenes, the blending of reality with symbolical suggestion is simply marvellous. Never, I believe, will any human Diogenes, on canvas, approach to this animal one. Yet this masterpiece has been basely spirited away from its right and only worthy place—its true home—in our national collection, to make room, possibly, for some mushroom monstrosity of the time, some green-sick Euph- rosyne or melancholy, snub-nosed Venus (the modern-ancient Greek type has often a snub nose), However, no one seems to mind. I think some law ought to be enacted to protect great works against the changes of fashion. Has not the view that succeeding ages judge better than that in which a poet or artist lived, been pressed a great deal too far, or, rather, has it not for too long gone unchallenged? If something must be gained by time in the power of forming a correct estimate, /much also may be lost through its agency. It is true that the slighter merit—that dependent on changing things—dies in our regard, whilst the greater, which is independent of these, lives on in it F go BIRD LIFE GLIMPSES and may be better understood as time goes by. But this better understanding belongs to the élite of many ages, not to each succeeding age as a whole. And what, too, is understanding, without feeling? Must not the one be in proportion to the other —in all things, at least, into which feeling enters? But if an age sinks, it sinks altogether, both heart and head. We know how Shakespeare fared in the age of Charles the Second, when time had run some fifty years. It would be very interesting, I think, if we could compare an Elizabethan audience with one of our own—full of languid press critics—at a Shakespearean play—King Lear, for instance. Should we not have to confess that the age which produced the thing responded to it—that 1s, understood it— best? And this, indeed, we might expect—it was in Moliere’s own day, and he himself was on the stage, when that cry from the pit arose: “‘ Bravo Moliére! Voila la bonne comédie!”” But all Shakespeare’s excellences—Molitre’s as well—were of the per- manent order, the high undying kind, so that it was of this that his age had to judge, and judged, there can be little doubt—for King Lear, as he wrote tt, was a popular play—much better than our later one. If we will not confess this with Shakespeare, take Spenser, the delight of his age, whose glorious merits none will deny, though few, now, know any- thing about them. Why, then, must we think that time is the best judge of men’s work, or dwell only on the truth contained in this proposition? ‘There is a heavy per contraagainst it. At the time when a man’s reputation is most established, his work may be quite neglected, showing that there is knowledge, THE TEST OF, TIME gI merely, accumulated and brought down through the ages, but no real appreciation—a husk with nothing inside it. That best judgment which we think we get through time, even where it exists, is too often of the head only, whilst more often still it is nothing at all, a mere assurance received without question— as we take any opinion from anybody, when we neither know nor care anything about the subject of it. How easy to agree that Milton’s greatness is more recognised, now, than it was, when we have never yet been able, and never again intend to try, to read the ‘‘ Paradise Lost”! It is the same with our detractions. If all the inappreciative, silly things said about Pope are really meant by the people who say them—as they seem to wish us to believe, and, as for my part, I do not doubt—if they really cannot enjoy ‘The Rape of the Lock,” ‘The Dunciad,” or the various ‘‘ Essays,” then, in the matter of Pope, what a dull age this must be, compared to that of Queen Anne! And are we really to believe that Goethe, Scott, Shelley, with the rest of their generation, were mis- taken about Byron, whilst we of to-day are not? What was it that Scott’s, that Shelley’s organism thrilled to, when they read him, with high delight, if some microscopic creature who reads him now is right when he finds him third-rate? It is very odd, surely, if the most gifted spirits of an age do really “‘see Helen’s beauty in a brow of Egypt” in this way. ‘To me it seems less puzzling to suppose that successive generations have, as it were, varying sense organs, which are acted upon by different numbers of vibrations of the ether, so that for one to belittle the idol of another, is as it would be for the ear to 92 BIRD LIFE GLIMPSES fall foul of millions in a second, it being sensitive, itself, only to thousands. We do, indeed, admit the “« Zeitgeist,” but if ever we allow for it when we play the critic, it is always in favour of our own perspicuity—and this against any number of past spiritual giants. This is an age in which most things are questioned. Is it not time for that dogma of what we call “‘ the test of time ’’—by which everybody understands his own time—to be questioned, too? “In April,” says the rhyme, “the cuckoo shows his bill.” Somewhat late April, in my experience, at least about this bleak, open part of Suffolk, which, however, contrary to what might be ex- pected, seems loved by the bird. Almost opposite to my house, but at some little distance from it, across the river, there is a wide expanse of open, sandy land, more or less thinly clothed with a long, coarse, wiry grass, and dotted, irregularly, at very wide intervals, with elder and hawthorn trees and bushes—a desolate prospect, which I prefer, myself, to one of cornfields, unless the corn is all full of poppies and corn-flowers, which, indeed, it is here, and I am told it is bad agriculture. If that be so, then, 2 das the good! Part of this space, where the sand encroaches on the grass, till it 1s shared, at last, only by short, dry lichen, which the rabbits browse, I call the amphitheatre, it being roughly circular in shape. One solitary crab-apple tree—from the seed, no doubt, of the cultivated kind—growing on its outer edge, is a perfect glory of blossom in the spring, and _ be- comes, then, quite a landmark. This barren space is a favourite gathering-ground of the stone-curlews ; THE CUCKOO PLAY 93 whilst cuckoos seem to prefer the more grassy expanse, flying about it from one lonely bush or tree to another, and down a wild-grown hedge that tops a raised bank on one side, running from a tangled plantation standing sad and sombre on the distant verge. Beyond, and all around, is the moor- land; whilst nearer, through a reedy line, the slow river creeps to the fenlands. I have seen sights, here, to equal many in spots better known for their beauty, not meaning to undervalue these; but as long as there is sun, air, and sky, one may see almost anything anywhere. Take an early May morning—fine, but as cold as can be. Though the sun is brilliant in a clear, blue sky, the earth is yet white with frost, and over it hang illuminated mists that rise curling up, like the smoke from innumerable camp-fires. A rabbit, sitting upright with them all around him, looks as though he were warming his paws at one, and cuckoos, flitting through the misty sea, appearing and fading like the shades of birds in Hades, make the effect quite magical. Nature’s white magic this—oh short, rare glimpses of a real fairyland, soon to be swallowed up in this world’s great tedium and commonplace! It is in the after- noon, however, from 5 o’clock or thereabouts, and on into the evening, that the cuckoo playground is best worth visiting. Quite a number of cuckoos— a dozen sometimes, or even more—now fly continu- ally from bush to bush, or sit perched in them, sometimes two or more in the same one. They fly irregularly over the whole space, and, by turns, all are with one another, and on every bush and tree that there is. Two will be here, three or four there, 94 BIRD LIFE GLIMPSES half-a-dozen or more somewhere else, whilst the groups are constantly intermingling, the members of one becoming those of another, two growing into four or five, these, again, thinning into two or one, and soon. But during the height of the play or sport, or whatever we may term it, there is hardly a moment when birds may not be seen in pursuit, or, rather, in graceful following flight, of one another, over some or other part of the space. This space —an irregular area of about 1100 paces in circum- ference—they seldom go beyond or leave, except for good, and as they repair to it daily, at about the same times, this makes it, in some real sense, their playground, as I have called it. But, now, what is the nature of the play, and in what does the pleasure consist? If it be sexual, as I suppose, then it would seem as if the passions of the cuckoo were of a somewhat languid nature. The birds, even when there 1s most the appearance of pursuit, do not, in a majority of cases, seem to wish to approach each other closely. The rule 1s that when the pursued or leading cuckoo settles in a tree or bush, the pursuing or following one flies beyond it, into another. Should the latter, however, settle in the same bush, the other, just as he alights—often on the very same twig—flies on to the next. This certainly looks like desire on the part of the one bird; but where two or more sit in the same tree, or in two whose branches interpenetrate, they show no wish for a very near proximity. The delight seems to be in flying or sitting in company, but the company need not be close. That the sexual incentive is the foundation-stone SOME CUCKOO CRIES 95 of all, can hardly be doubted, but this does not appear to be of an ardent character, and perhaps social enjoyment, independent of sex, may enter almost as largely. After all, however, the same may be said of the sportings of peewits and other birds, when the breeding-time is only beginning, so that, perhaps, there is not really any very distinctive feature. Be it as it may, this sporting of cuckoos is a very pretty and graceful thing to see. Be- ginning, as I have said, in the latter part of the afternoon, it is at its height between 6 and 7 o’clock, then gradually wanes, but lasts, as far as odd pairs of birds are concerned, for another hour or more. As may be imagined, it does not proceed in silence ; but what is curious—yet very noticeable—is that the familiar cuckoo is not so often heard. Far more frequent is a noisy ‘‘cack-a-cack, cack-a-cack,” a still louder ‘‘ cack, cack, cack ’’—a very loud note indeed—the loud, single ‘‘cook”’ disjoined from its softening syllable, and the curious “‘ whush, whush”’ or ‘‘whush, whush, whush-a-whoo-whoo.” The last is very common, seems to express everything, but is uttered, I think, oftenest when the bird is excited. Again, instead of “cuckoo,” one sometimes hears “cuc-kew-oop,’ the last syllable being divided, with a sort of gulp in the throat, making it a three- syllabied cry. This difference is very marked, and, moreover, the intonation is different, being much more musical. All these notes, and others less easy to transcribe, are uttered by the bird, either flying or sitting. Another one, different from all, and very peculiar, is generally heard under the latter condition, but by no means invariably so. It is 96 BIRD LIFE GLIMPSES a sharp, thin “quick, quick, quick-a-quick,” or “kick, kick, kick-a-kick,” pronounced very quickly, and in a high tone. Whether this is the note of the female cuckoo only, I cannot say. I have often heard it in answer to a ‘‘cuckoo,” but I am not yet satisfied that even this last is uttered by the male bird alone. To this point, however, ] will recur. Now, all the above variants of the familiar ““cuckoo”’—the ‘cook,’ “cack,” “ cack-a-cack) “‘cuc-kew-oop,” &c.—I have heard both in May and April, as any one else may do who will only listen. But in what other way does the cuckoo ‘“ change his tune,” which, according to the old rhyme, he does “in June”? ‘‘In June he changes his tune.” This, at least, is what I take it to mean, and it is so understood, about here. It can, I think, only mean this, and if it means anything else it 1s equally false in my experience. I think, before putting faith in old country jingles of this sort, one ought to remember two things. First, that ordinary country people are not particularly observant, ex- cept, perhaps, of one another; and then, that, as a general principle—this at least is my firm belief— a rhyme will always carry it over the truth, if the latter is not too preposterously outraged. Some- thing, in this case, was wanted to rhyme with June, as with all the other months, in which it happened to come pretty pat. Oh, then, let the cuckoo change his sume, for you may hear him do it then as well as at another time. And many poets, too— most, perhaps, now and again—led by this same bad necessity of rhyming, run counter to truth in just A NET OF NOTHING 97 the same way. Rhyme, indeed, is in many respects a pernicious influence. It is constraining, cramps the powers of expression, checks effective detail, and coarsens or starves the more delicate shades and touches. Yet, with all the limitations and shacklings which its use must necessarily impose, we have amongst us a set of purists who are always crying out against any rhyme which is not absolutely exact, though that it is sufficiently so to please the ear—and what more is required ?—is proved by this, that many of our best-loved coup- lets rhyme no better—and by this, that the ear is pleased with rhythm alone, as in blank verse. And so the fetters, instead of being widened, as they ought to be, are to be pulled closer and closer, and, to get an absolute jingle, all higher considera- tions—and there can hardly be one that is not higher—are to be sacrificed. I doubt if there has ever been a poet whose own ear would have led him to be so nice in this way; but so-called critics —for the most part the most artificial and inap- preciative of men—weave their net of nothing around them. Happy for our literature, and for peoples still to be moved by it, to whom what was thought by the old British pedants to constitute a cockney rhyme will be a matter but of learned- trifling interest—if of any—when ‘“‘these waterflies”’ are disregarded! By great poets I would be under- stood to mean. As for the other ones, ‘‘ de mint- mis” —yes, and ‘‘de minoribus,” too, here—“ non curat lex.” Mais laissons tout cela. There can hardly be a better place for observing the ways of cuckoos than this open amphitheatre 98 BIRD LIFE GLIMPSES which I have spoken of. It is not only their playing-ground, but their feeding-ground, too, and the way in which they feed is very interesting—at least, I think it so. The few hawthorns and elders that are scattered about, serve them as so many watch-towers. Sitting, usually, on some top bough of one, they seem to be resting, but really keep a watch upon the ground. The moment their quick eye catches anything ‘“‘ of the right breed” there, they fly down to it, swallow it on the spot, and then fly back to their station again. When they have exhausted one little territory they fly to a bush commanding another, and so from bush to bush. ‘They always fly down to a particular spot, and in a direct line, without wavering. This proves that they have seen the object from where they were sitting, though often it is at a distance which might make one think this impossible. Their eyesight must be wonderfully good, but that, of course, one would expect. I have seen a cuckoo fly from one bush like this, and return to it, again, eight or nine times in succession, at short, though irregular, intervals. Both on this and on other occasions, whenever I could make out what the bird got, it was always a fair-sized, reddish-coloured worm, very much like those one looks for in a dung-heap, to go perch or gudgeon fishing. When the bush was near I could see this quite easily through the glasses, if only the bird showed the worm in its bill, as it raised its head. Asarule, however, it bolted it too quickly, whilst it was still indistinguishable amidst the grass. Now, from time to time, we have accounts of CUCKOOS FEEDING 99 cuckoos arriving in this country somewhat earlier than usual—in March, say, instead of April—and these have been discredited on the ground that the proper insects would not then be ready for the bird, so that it would starve; though as birds, like the poor in a land of blessings, sometimes do starve, | can hardly see the force of this argument. How- ever, here is the cuckoo feeding—largely, as it seems to me—upon worms, which are not insects, and this might make it possible for it to arrive, sometimes, at an earlier season, and yet find enough to eat. It is easy to watch cuckoos feeding in this way in open country, such as we have here, and a fasci- nating sight it is. Were I to see it every day of my life, I think I should be equally interested, each time. But is it an adaptation to special surround- ings, or the bird’s ordinary way of getting its dinner? I think the latter, for I have seen it going on in one of the plantations, here, from shortly after daybreak. Here the birds flew from the lower boughs of oaks and beeches, and their light forms, crossing and recrossing one another in the soft, pure air of the early morning, had a very charming effect. Indeed, I do not know anything more delightful to see. Though, usually, the cuckoo eats what it finds where it finds it, yet, once in a while, it may carry it to the bush, and dispose of it there. I have, also, seen it fly up from the bush, and secure an insect in the air, returning to it, then, like a gigantic fly-catcher. Such ways in such a bird are very entertaining. My idea is that the cuckoo is in process of becoming nocturnal—crepuscular it already 1s— owing to the persecution which it suffers at the 100 BIRD LIFE GLIMPSES hands of small birds. This is at its worst during the blaze of day. It hardly begins before the sun is fairly high, and slackens considerably as the evening draws on. Accordingly, as it seems to me, the cuckoo likes, in the between-while, to sit still, and thus avoid observation, though it by no means always succeeds in doing so. It is frequently annoyed by one small bird only, which pursues it, from tree to tree, in a most persevering manner, perching when it perches, sometimes just over its head, but very soon flying at it, again, and forcing it to take flight. This is not like the shark and the pilot-fish, but yet it always reminds me of it. I am not quite sure, however, whether the relation may not sometimes be a friendly one, not, indeed, on the part of the cuckoo, but on that of its per- severing attendant. All over the country cuckoos are, each year, being reared by small birds of various species. When the spring comes round again, have these entirely forgotten their experience of the season before? If not, would not the sight, and, perhaps, still more, the smell of a cuckoo, rouse a train of associations which might induce them to fly towards it, in a state of excitement, and would it not be difficult to distinguish this from anger? More- over, the probability, perhaps, is that the young cuckoos, as well as the old ones, return to the localities that they were established in before migra- tion, and, in this case, they would be likely to meet their old foster parents again. It is true that the real parent and offspring, amongst birds, meet and mingle, in after life, without any emotion upon either side, as far, at least, as we can judge; but we must RUE WITH A DIFFERENCE i1o1 remember what a strange and striking event the rearing of a young cuckoo must be in the life of a small bird, at least the first time it occurs. The smell, also, would not be that of its own species, so that there would be more than appearance to distin- guish it. In fact, the thing having been peculiar, the feelings aroused by it may have been stronger, in which case the memory might be stronger too, and revive these feelings, or, at least, it might arouse some sort of emotion, possibly of a vague and indistinct kind. Smell is powerful in calling up associations, and I speculate upon the possibility of its doing so, here, because the plumage of the young cuckoo, when it left its foster-parents, would have been different to that in which it must return to them. However, these are dreams. There is certainly much hostility on the part of small birds to the cuckoo, but perhaps it is just possible that Pun wempéche pas autre. The cuckoo, when thus mobbed and annoyed, is supposed to be mistaken for a hawk. But do his persecutors fear him, as a hawk? My opinion is that they do not, and that even though they may begin to annoy him, under the idea that he is one, they very soon become aware, either that he is not, or, at least, that they need not mind him if he is. It is even possible that small birds may, long ago, have found out the difference between a hawk and a cuckoo, but that the habit, once begun, continues, so that it is, now, as much the thing to mob the one as the other. Be this as it may, I do not think that hawks suffer from this sort of annoyance, to anything like the 102 BIRD LIFE GLIMPSES same extent that cuckoos do. They have always seemed to me to be pretty indifferent, and the canaille to keep at a wary distance, whereas I have seen a chaffinch plunge right down on the back of a cuckoo, who ducked his head, and moved about on the branch where he was sitting, in a manner, and with a look, to excite pity, before flying off it, pur- sued by his petty antagonist. But hawks—even kestrels—may sit in trees for hours unmolested, though the whole grove know of their presence there. Whilst watching the cuckoos sporting in their playground, and on other occasions, I have tried to come to a conclusion as to whether the male only, or both the sexes cuckoo. I have not, however, been able to make up my mind, and to me the point seems difficult to settle. (It has been settled, I know, but I don’t think that settles it.) The sexes being indistinguishable in field observation, we have to apply some test whereby we may know the one from the other, before we can say which of the two it is that cuckoos on any one occasion. But what test can we apply, other than the bird’s actions, and until we know how these differ in the sexes, how can we apply it? For how long, too, as a rule, can we watch any one bird, and when two or more are together how can we keep them distinct? Some crucial acts, however, there are, which one sex alone can perform, and if a man could spend a week or two in watching, for a reasonable length of time each day, cuckoos that in this way had declared themselves to be females, he would then be able to speak, on this point, with authority. One way, A SETTLED QUESTION 103 indeed, he might prove the thing in a moment, but not the other way. For instance, if he were to see a cuckoo lay an egg, and if that cuckoo cuckooed, the assumption that the male bird alone can do so would be, at once, disproved; but if it ‘merely did not cuckoo, the question would lie open, as before. The chance, however, of making such an observation as this is an exceedingly small one. We must think of some other that would be equally a test. Certain activities may bring the sexes to- gether, by themselves, but nidification, incubation, and the rearing of the young, are all non-existent in the case of the cuckoo. The problem cannot be solved in the way that I have solved it, with the nightjar. There is, however, the nuptial rite, and if we could see this performed, and were able to keep the sexes distinct, for some time afterwards, something, perhaps, might be got at. Let us sup- pose, then, that two cuckoos are observed under these circumstances, and that the male, only, cuckoos. Here, again, this would be mere negative evidence, in regard to the point in dispute. Either both the birds, or the female only, must cuckoo, or else the observation, so difficult to make, must be re- peated indefinitely, and, moreover, each time that neither bird cuckooed—which might very often be the case—nothing whatever would have been gained. This is the view I take of the difficulties which lie in the way of really knowing whether the male and female cuckoo utter distinct notes. Short of the test I have suggested, one can only, I believe, come to a conclusion by begging the question—which has accordingly been done. 104 BIRD LIFE GLIMPSES Personally, as I say, I have not made up my mind; but I incline to think that both the sexes cuckoo. On one occasion, when the behaviour of a pair that I was watching seemed emphatically of a sexual character, the bird which I should have said was the female did so, several times, in full view; and the other, I think, cuckooed also. But here, again, I could not say for certain that the two were not males, and that conduct, which seemed to me eager and amorous, especially on the part of one bird—it was the other that certainly cuckooed—was not, really, of a bellicose character. Another pair I watched for many days in succession, from soon after their first arrival, as I imagine, and when not another cuckoo was to be seen or heard far or near. They took up their abode in a small fir plantation, and were constantly chasing and sporting with one another. ‘That, at least, is what it looked like. If what seemed sport was really skirmishing, then it seems odd that two males should have acted thus, without a female to excite them. Would it not be odd, too, for two males to repair, thus, to the same spot, and to continue to dwell there, being always more or less together and following one another about ? Though it was early in April, therefore, and though we are told that the male cuckoo arrives, each year, before the female, I yet came to the conclusion that these birds were husband and wife. At first it seemed to me that only one of them cuckooed, but afterwards I changed my opinion, though the two never did soat the same time, or answered each other, whilst I had them both in view. This, however, had they both been males, they probably would have AN OPEN QUESTION 105 done. Space does not allow of my giving these two instances im extenso, so I will here conclude my re- marks about the cuckoo; for I have nothing to say —at least nothing new and of my own observation —1in regard to its most salient peculiarity—though for saying nothing, upon that account, I think I deserve some credit. MALE WHEAT-EAR CHAP TPR ANOTHER bird, very characteristic, whilst it stays, of the steppes of Icklingham, is the wheat-ear. A blithe day it is when the first pair arrive, in splendid plumage always—the male quite magnificent, the female, with her softer shades, like a tender after- glow to his fine sunset. Both are equally pleasing to look at, but the cock bird is by much the more amusing to watch. Who shall describe him and all his nice little ways—his delicate little hops; his still more delicate little pauses, when he stands upright like a sentinel ; his little just-one-flirt of the wings, without going up; his little, sudden fly over the ground, with his coming down, soon, and standing as though sur- prised at what he had done; or, lastly and chiefly, his strange, mad rompings—one may almost call them— 106 “ERCLES’ VEIN” 107 wherein he tosses himself a few yards into the air, and comes pitching, tumultuously, down, as though he would tumble all of a heap, yet never fails to alight, cleanly, on his dainty little black legs? This last is ‘‘ Ercles’ vein, a tyrant’s vein”: and yet he has higher flights, bolder efforts. In display, for instance, before the female, he will fly round in circles, at a moderate height, with his tail fanned out, making, all the while, a sharp little snappy sort of twittering, and clapping his wings from time to time. He does this at irregular, but somewhat long intervals, but sometimes, instead of a roundabout, he will mount right up, and then, at once, descend, in that same tumultuous, disorderly sort of way, as though he were thrown, several times, by some unseen hand, in the same general direction—it looks much more like that than flying. But there is variation here, too, and the bird’s ruffling, tousled descent, may be exchanged for a drop, plumb down, till, when almost touching the ground, it slants off, and flits over it, for a little, before finally settling. The ascent is by little spasms of flight, divided from one another by a momentary cessation of effort, during which the wings are pressed to the sides. Larks will mount something in this way, too, and, after descending for some time, parachute-wise, and singing, one will often fold his wings to his sides, and shoot down, head first—a little ‘jubilee plunger ”’—for his song is a jubilee. Another way to come down is at a tangent, and sideways, the tip of one wing pointing the way, like the bowsprit of a little ship. Yet another is by terraces, as I call it ; that is to say, after the first dive down from where it G 108 BIRD LIFE GLIMPSES has hung singing, the bird sweeps along, for a little, at one level—which is a terrace—then dives, again, to another one, a little below it, sweeps along on that, descends to a third, and so on, down to the ground. There is, indeed, a good deal of individual variety in the way in which larks fly—at least between any two or more that one may see doing the same thing at the same time—soaring, descending, and so on. The flight itself is of many kinds—as the ordinary, the mount up to the watch-tower (‘‘ from his watch- tower in the skies”’), the hanging, motionless, on extended wings, the descent, the serene on-sailing, without a stroke, as of the eagle; and, again, the suspension, with wings lightly quivering, as the kestrel hovers. But how different is the character impressed upon these last! What the eagle does in majesty, and the hawk in rapine, that the lark does in beauty only, in music of motion and song. All this, of course, is in the spring and summer only. In the winter, when they flock, larks fly low over the land, and this they all do in much the same way. Though most of their poetry is now gone, or lies slumbering, yet they are still interest- ing little birds to watch. They walk or run briskly along the ground, and continually peck down upon it, with a quick little motion of the head. They appear to direct each peck with precision, and to get something each time, but what I cannot say. It may be anything, as long as it is minute; that seems to be the principle—so that, as one sees nothing, it is like watching a barmecide feast. Larks never hop, I believe, when thus feeding, though some- times the inequalities of the ground give them the LARKS IN WINTER 109 appearance of doing so. They look and move like little quails, crowd not, but keep together in a scattered togetherness, and fly, all together, over the hard earth, often seeming to be on the point of alighting, but changing their minds and going on, so that no man—‘‘no, nor woman Sica la ean say whether, or when, they will settle. Creeping thus—for, however fast they go, they seem to creep —over the brown fields in winter, the very shape of these little birds seems different to what one has known it. They look flatter, less elongated ; their body is like a small globe, flattened at the poles, and the short little tail projects from it, clearly and sharply. AQ staid tail it is in winter. I have never seen it either wagged or flirted; for between the wagging and flirting of a bird’s tail, there is, as Chaucer says about two quite different things, “‘a long and large difference.” Much charm in these little birdies, even when winter reigns and “Still through the hawthorn blows the cold wind.” Occasionally one hears, from amongst them, a little, short, musical, piping, note—musical, but ‘¢Oh tamquam mutatus ab illo.”’ By February, however, larks are soaring and sing- ing, though, at this time, they do not mount very high. The song, too, is not fully developed, and is, often, no more than a pleasant, musical twittering, especially when two or more chase one another through the air. It is curious how often just three birds together do this, a thing I have many times 110 BIRD LIFE GLIMPSES noticed—not with larks only—and which I believe to lie at the base of any antic—such, for instance, as that of the spur-winged lapwing of La Plata—in which three, and no more, take a part. These trios look like a pair in love, and an interloper, but it may be two wanting, and one not caring; or again, as it has often seemed to me, none of the three may be very much in earnest. Be it as it may, with the larks, at this time, there are some delightful chasings, de- lightful skimmings and flutterings, and then all three mount into the air, and sing delightfully—a little Lobegesang. Nature—wild nature—has two voices, a song of joy and a shriek of agony. Eter- nally they mingle and sound through one another, but, on the whole, joy largely predominates. But when we come to man we get the intermediates ; the proportions change, the shadows lengthen, the sky becomes clouded, one knows not what to think. In winter the larks, here, as one might expect, keep entirely to the agricultural part of the country that encircles or intersects the numerous barren stretches. As the spring comes on, they spread over these, too, but here they are much outnum- bered by their poor relations, the titlarks, to whom such wildernesses are a paradise. Indeed, by his pleasing ways, and, especially, by the beauty of his flight, this sober-suited, yet elegant little bird helps to make them so. With his little ‘‘ too-i, too-1” note, he soars to a height which, compared, indeed, to the skylark’s “‘ pride of place,” is as mediocrity to genius ; but having attained it, he comes down very prettily—more prettily, perhaps, than does his gifted relative. The delicate little wings are extended, but A FAIR DESCENT III raised, especially when nearing the ground, to some height above the back, and the fragile body, sus- pended between them like the car of a tiny balloon, seems to swing and sway with the air. The tail, though downward-borne with the rest of the bird, feels still some “skyey influences,” for it is “ tip- tilted,” and as “‘ like the petal of a flower,” I fancy, as any nose on any face. As the bird nears the heather from which he started—for he especially loves the moorlands—he, too (perhaps all birds have), has a way of gliding a little onwards above it, poised in this manner, which adds much to the grace of his descent. Then, softly sinking amidst it, he sits elastic on a springy spray, or walks with dainty, picked steps over the sandy shoals that lie amidst its tufty sea. This, indeed, is one of his show descents. Not all of them are so pretty. In some the wings are not quite so raised, so that their lighter-coloured under-surface—an especial point of beauty—is not seen. Sometimes, too, the titlark plunges and sweeps earthwards almost perpendi- cularly, his tail trailing after him like a little brown comet. But, whatever he does, he is a dainty little bird with a beauty all his own, and which is none the less for being of that kind which is not showy, but ‘sober, steadfast, and demure.” Now does this flight, which I have described— the mounting and return to earth again—more resemble that of a lark or a wagtail? It is the new way to class the pipits with the latter birds, instead of with the former, which, now, they “ only super- ficially resemble.’ Had they been classed, hitherto, with the wagtails, it would, probably, have been 112 BIRD LIFE GLIMPSES discovered that they only superficially resembled them, and were really larks—and so it goes on, in that never-ending change-about, called classification. If the pipits are not larks, why, first, do they fly like them, and then, again, why do they sing like them? There is a certain resemblance of tone, even in the poor, weak notes of the meadow-pipit, and no one can listen to the rich and beautiful melody of the tree-pipit, as it descends to earth, in a very lark-like manner, singing all the time, without recognising its affinity with that of the skylark, to which— in Germany, at any rate—it is hardly inferior. Is song, then, so superficial? ‘To me it seems a very important consideration in settling a bird’s family relationship. How strange it would be to find a dove, duck, crow, gull, eagle, parrot, &c., whose voice did not, to some extent, remind one of the group to which it belonged! Is there anything more distinctive amongst ourselves? The members of a family will often more resemble one another in the tone of their voice than in any other particular, even though there may be a strong family like- ness, as well. Structure is gue/que chose, no doubt; especially as, dissection not being a popular pastime, one has to submit to any statement that one reads, till the professor on whose authority it rests is con- tradicted by some other professor—as, in due time, he will be, but, meanwhile, one has to wait. Classi- fication, however, should take account of everything, and, for my part, having heard the tree-pipit sing, and seen both it and the titlark fly, I mistrust any system which declares such birds to be wagtails and not larks. A PRETTY RUFFLER ie I think our caution in accepting merely adap- tive resemblances as tests of relationship may be pushed a little too far. A bat flies in the same general way as a bird, but we do not find it prac- tising little tricks and ways—with an intimate style of flight, so to speak—resembling that of some particular group of birds. All men walk; yet a man, by his walk, may proclaim the family to which he belongs. A thousand points of similarity may meet to make any such resemblance, but it is not likely that they should unless they were founded on a similarity of structure. Surely, too, the resem- blances of notes and tones must rest upon corre- sponding ones in the vocal organs, though these may be too minute to be made out. To some extent, indeed, these principles may be applied to get the titlarks into either family. It is a question of balance. That there is something in common be- tween them and the wagtails I do not deny, and the fact that when the two meet on the Icklingham steppes neither seems to know the other, proves nothing in regard to the nearness or otherwise of the relationship. The male of the pied- or water-wagtail may often be seen courting the female here, and a pretty sight it is to see. He ruffles out his feathers so that his breast looks like a little ball, and runs to her in a warm, possession-taking way, with his wings drooped, and his tail expanded and sweeping the ground. She, quite unmoved, makes a little peck at him, as though saying, “‘ Be off with you!” whereat he, obeying, runs briskly off, but turning when hardly more than a foot away, comes down upon her, again, 114 BIRD LIFE GLIMPSES even more warmly than before. She may relent, then, or she may not, but, at this point, another male generally interferes, when all three fly away together. ‘There is a good deal of similarity between the courtship of the wagtail and that of the pheasant, for, having run up to the hen, the little bird, if not too brusquely repulsed, will run about her in a semicircle, drooping his wing upon that side, more especially, which is turned towards her, so as to show all that she can see—and this I have seen the pheasant do, time after time, with the greatest deliberation. Having noticed this method in the wagtail, I have looked for it in the wheat-ear, also—the two may often be studied together—but I have not yet seen him act in quite the same way. His chief efforts, no doubt, are those aerial ones of which I have spoken, but having exhausted these, or after sitting for some time on the top twig of an elder, singing quite a pretty little song, he will often pursue the object of his adoration over the sunny sand, with ruffled plumage, and head held down. He is reduced to it, I suppose, but it seems quite absurd that he should be. He ought to be irresis- tible, dressed as he is, for what more can be wanted ? Nothing can be purer, or more delicately picked out, than his colouring—his back cream-grey, his breast greyey-cream. Divided by the broad, black band of the wings, these tintings would fain meet upon the neck and chin, but, here, a lovely little chestnut sea, which neither can o’erpass, still keeps them apart. They cannot cross it, to mingle warmly with each other and make, perhaps, a richer hue. Fas obstat—but fate, in chestnut, is so soft and pretty AN ANGRY BIRD 5 that neither of them seems to mind. Then there are pencilled lines of black and chastened white upon the face, a softening into white upon the chin, and a dab of pure white above the tail—but this you only see in flight. The tail itself seems black when it disports itself staidly, for it is the black tip, then, beyond the black of the wings, that you see. Marry, when it flirteth itself into the air, as it doth full oft, then it showeth itself white, cloaked in a chestnut. The pert little bill and affirmative legs are black. This is how I catch the bird, running over the warrens, it is not from a specimen on a table; not so exact, therefore, and yet, perhaps, more so— “lesser than Macbeth, yet greater.” Truly these wheat-ears, at 7 o'clock in the morning, with the sun shining, are splendid—which is what General Buller said his men were—but I prefer their uniform to khaki; I am not sure, however, whether I prefer it to that of the stone-chat, which, though less salient, is superior in warmth and richness. Both these handsome little birds sometimes flash about together in sandy spaces over the moorlands, or may even be seen perched on the same solitary hawthorn or elder. ‘Then is the time to compare their styles, and not to know which to like best. The stone-chat, by virtue of his little, harsh, twittering “char,” which, as long as you are near him, never leaves off, seems always to be an angry bird. With this assumed state of his mind, his motions, when he chars like this, seem exactly to correspond. There is something in his quick little flights about, from one heather-tuft to another, in the way he leaves and the way he comes down upon them, in 116 BIRD LIFE GLIMPSES the little impatient flutter of the wings, and bold assertive flirt of the tail, supported—in spite of a constant threat of overbalancing—by a firm attitude, that suggests a fiery temper. You get this, more especially, through the tail. It is flirted at you, that tail. You feel that, and, also, that the intention, if questioned, would be avouched, that were you to sav to the bird, sternly and firmly—in the manner of Abraham accosting Samson—‘ Do you flirt your tail at me, sir?” the answer, instead of a pitiful, shuffling evasion—a half-hearted quibble—would be an uncompromising, ‘‘I do flirt my tail at you, sir.” One cannot doubt this—at least I cannot. So sure, in fact, have I always felt about it, that I have never yet asked the question. Why should I—knowing what the answer would be? But though this seems to be the stone-chat’s mental attitude, when bob and flirt and flutter are as the gesticulations accom- panying hot utterance—the impatient ‘char, char, charring ”—yet, when this last is wanting—which is when he doesn’t see you—all seems changed, and such motions, set in silence, assume a softened char- acter. Now, instead of to the harsh chatter, it is to the soft purity of the bird’s colouring that they seem to respond. Of all the birds that we have here, the peewits, for a great part of the year, give most life to the barren lands. In the winter, as I say, they disappear entirely, going off to the fens, though, here and there, their voice remains, mimicked, to the life, by a starling. In February, however, they return, and are soon sporting, and throwing their fantastic somersaults, over their old, loved breeding-grounds. PEEWITS BATHING 117 Pleasant it is to have this breezy joy of spring-time, once again, to have the accustomed tilts and turns and falls and rushing sweeps, before one’s eyes, and the old calls and cries in one’s ears—the sound of the wings, too, free as the wild air they beat, and sunlight glints on green and white, and silver-flying snowflakes. ‘‘ What a piece of work is a peewit !” The glossy green of the upper surface—smooth and shining as the shards of a beetle—glows, in places, with purple burnishings, and, especially, on each shoulder there is an intensified patch, the last bright twin-touch of adornment. ‘The pure, shining white of the neck and ventral surface—shining almost into silver as it catches the sun—is boldly and beautifully contrasted with the black of the throat, chin, and forehead. The neat little, corally stilt-legs are an elegant support for so much beauty, and the crest that crowns it is as the fringe to the scarf, or the tassel to the fez. There is, besides, the walk, pose, poise, and easy swing of the whole body. On the sopped meadow-land, near the river, in ‘February fill-dyke’’ weather, it is pleasant to see peewits bathing, which they do with mannerisms of their own. Standing upright in a little pool, one of them bobs down, into it, several times, each time scooping up the water with his head, and letting it run down over his neck and back. This is common; but he keeps his wings all the time pressed to his sides, so that they do not assist in scattering the water all over him, after the manner in which birds, when they wash, usually do. Nor does he sink upon his breast—which is also usual— but merely stoops, and rises bolt upright, again, every 118 BIRD LIFE GLIMPSES time. Having tubbed in this clean, precise, military fashion, he steps an inch or so to one side, and then jumps into the air, giving his wings, as he goes up, a vigorous flapping, or waving rather, for they move like two broad banners. He descends—the motion of the wings having hardly carried him beyond the original impulse of the spring—jumps up in the same way, again, and does this some three or four times, after which he moves a little farther off, and preens himself with great satisfaction. Either this is a very original method of washing, on the part of peewits in general, or this particular peewit is a very original bird. Apparently the latter is the explana- tion, for now two other ones bathe, couched on their breasts in the ordinary manner. Still the wings are not extended to any great degree, and play a less part in the washing process than is usual. Both these birds, too, having washed, which takes a very little while, make the little spring into the air, whilst, at the same time, shaking or waving their wings above their backs, in the way that the other did, though not quite so briskly, so that it has a still more graceful appearance. Jt is common for birds to give their wings a good shake after a bathe, but, as a rule, they stand firm on the ground, and this pretty aerial way of doing things is something of a novelty, and most pleasing. It is like the graceful waving of the hands in the air, by which the Normans—as Scott tells us—having had recourse to the finger-bowl, at table, suffered the moisture to exhale, instead of drying them, clumsily, on a towel, as did the inelegant Saxons. The peewit, it is easy to see, is of gentle Norman blood. SpIMaag puv ‘Fury, SHumMV{S ysror ‘agus ‘611 “¢ AUN ANOSANLVIS V SP SAT ert er ee 2» WMA RATS hie oe THROUGH THE WATER-DROPS 119 Towards evening, a flock of starlings come down amongst the peewits, and some of them bathe, too, in one of the little dykes that run across the _ marshlands. There is a constant spraying of water into the air, which, sparkling in the sun’s slanting rays, makes quite a pretty sight. On the edge of the dyke, with the jets d’eaux all about him, a snipe stands sunning himself, on a huge molehill of black alluvial earth. He stands perfectly still for a very long time, then scratches his chin very deftly with one foot, and stands again. Were I an artist I would sketch this scene—this solitary statuesque snipe, on his great black molehill, against the silver fountains rising from the dark dyke; beyond, through the water-drops, peewits and _ starlings, busy or resting, all in the setting sun—‘‘im