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BOSTON PUBLIC LIBRARY

Allen A. Brown

1

INTRODUCTION TO THE ART OF SINGING.

The proportion which the different notes bear to each other is exhibited in the following table :

One Semibreve

2 Minims

4 Crotchets

8 Quavers

16 Semiquavers -

ZDZ

— - — is equal in duration to

ZSCC€ftHC_jE.€E£EE£EZ J-- f — i — ' — "i — ' — i — | —

or

^

32De,?i-z*«ffss^ss*ssesff3iji.s*ps*s¥s**»^«¥* sem" ~^^^^£fe£^tediiz~ , : i m i i i i ; m phE

Consequently one Minim is equal in duration to two Crotchets ; one Crotchet to two Quavers ; one Quaver to two Semiquavers, &c.

The Rests are equal in duration to their corresponding notes: thus a Semibreve Rest is equal to a Semibreve ; a Minim Rest is equal to a Minim, &c.

A Dot, after a note or rest, adds one half to its original length : thus, a dotted Semibreve, is equal in duration to three Minims; a dotted Minim to three Crotchets, &c.

EXAMPLE.

A figure 3, placed over or under three notes, signifies that they are to be performed in the time of two notes of the same kind without the figure : thus, three crotchets, with the figure 3 over nr under them, are to be performed in the time of two crotchets without the figure, &c.

EXAMPLE.

illiPiiiiMlii

A figure six, placed over or under six notes, signifies that they are to be performed in the time of four notes of the same kind without the figure.

OF VARIOUS OTHER MUSICAL CHARACTERS. A Flat — b— lowers a note half a tone.

A Sharp — #— raises a note half a tone.

a tvt Za.~ S ^stores a note made flat or sharp to its original

A Natural _g- J Bonnjl; ■

(3<91

INTRODUCTION TO THE ART OF SINGING.

Flats or Sharps placed at the beginning of a tune or strain are called a Signature.

Flats, Sharps or Naturals, when placed before a note are called Accidentals.

A Bar ~t~ is used to divide the notes into equal measures.

a r, • x> ~ j— ZjJ— $ denotes the end of a strain or move-

\ Double Bar ~r or ~H~ < . P ,. r.,

~j~ ZJjZ I ment, or ot a Line oi the poetry.

\ Brace I i shows how many parts belong to a score, orare

1 I to be performed together.

A Slur, or Tie, s , is drawn over or under so many notes as are

to be sung to one syllable.

:s

. t} ZZZ nr ZZZ $ shows what part of a tune is to be sung

' ZZZ ZZZ t 'w'ce-

A Crescendo . -— signifies a gradual increase of sound.

A Diminuendo --^_ signifies a gradual decrease of sound.

A Swell, -^, $ signifies a gradual increase and decrease of

) sound.

A Pause, "> leaves the time of a note or rest to be protracted at the

pleasure of the performer. Staccato Marks • • ' ' or • ■ ■ ■ are placed over such notes as are to

be performed in a short and distinct manner.

EXAMPLE.

Written.

Sung.

a r> T —Za— $ "s emP'°yet' a* *ne end of a staff, to show the place ' — — 3 I of the first note upon the following Staff.

A Shake, *•" is an ornament or grace, brilliant and elegant. It consists of a quick alternate reiteration of the note above, with that over which the character is placed, and usually ends with a turn from

the note below.

EXAMPLE.

Sung.

s^eeP py=yj

An Appociature, or Leaning Note, 19 a note of embellishment. Its chief office is to suspend the completion of the subsequent harmo- ny, and thus to soften and smooth the effect of certain Intervals. It borrows its time from the succeeding note and is most frequently halt its duration. It always occurs on an accented part of a measure.

INTRODUCTION TO THE ART OF SINGING.

Written.

PlilMlIiii

Performed.

EXAMPLE.

.__ m-.

or, or,

Syncopated or Driving Notes, are those which commence on an unaccented, and are continued on an accented, part of a measure. EXAMPLE.

|3ppfpp3p=£ppp;Eepp§El

^ — i — i — i — i — *- 1,-1 — i w~i.-m.-\--\9-i9-\—<9-i. a

An After Note is also a note of embellishment. It borrows its time from the preceding note, and always occurs on an unaccented part of a measure.

Written.

EXAMPLE.

WMmMr\

As the insertion of the Appogiature and After Note is a matter of taste, no definite rule can be given for their performance, which must vary according to the expression of the passage. They are usually written in a smaller character than common notes, to show that they do not properly belong to the chord in which they appear ; by which means a visible breach of the laws of harmony is avoided.

OF SOLMIZATION.

Solmization, or Solfaing, is the application of certain syllables to musical notes. It enables the young practitioner to utter the sound of a note with fulness and freedom, and assists him to secure a correct intonation. By associating the idea of the several syllables used, with their corresponding sounds, he becomes familiar with the exact relation which one note bears to another, and acquires the power «f expressing those notes with ease and certainty.

The syllables usually adopted in Solmization, are either

Fa, Sol, La, Fa, Sol, La, Mi ;* or, Do, Re, Mi, Fa, Sol, La, Si.j

* Pronounced Faw, Sol, Law, Faw, Sol, Law, Mee. | Pronounced Doe, Rae, Mee, Faw, Sol, Law, See.

INTRODUCTION TO THE ART OF SINGING.

In the former method the first six syllables are dependant upon Mi, and in the latter they depend upon Si. To find Mi or Si observe the following rule : —

The natural place for Mi {Si) is on B. —

If F be sharp Mi (Si) is on F*

If F and C be sharp Mi (Si) is on C* If F, C and G be sharp Mi (Si) is on G» If F,C,G & D be sharp Mi (Si) is od D#

Mi or Si being found — above Mi are Fa, Sol, La, Fa, Sol, La, and below Mi are La, Sol, Fa, Ln, Sol, Fa: in like manner above Si are Do, Re, Mi, Fa, Sol, La, an j below, Si are La, Sol, Fa, Mi, Re, Do.

EXAMPLE. Base.

If B be flat Mi (Si) is on E

If B and E be flat Mi (Si) is on A U B, E and A he flal Mi (Si) is on D If B, E, A and D be flat Mi (Si) is on G

:°EIEd:

mi, fa, sol, la, fa, sol, la, mi, la, sol, fa, la, sol, fa, mi. si, do, re, mi, fa, sol, la, si, la, sol, fa, mi, re, do, si. Tenor, Alto, or Treble.

o~~zz:

mi, fa, sol, la, fa, sol, la, SIT, la, sol, fa, la, sol, fa, mi. SI, do, re, rui, fa, sol, la, si, la, sol, fa, mi, re, do, si.

From mi to fa, and from la to fa; or from si to do, and from mi to fa, are semitones; the rest are whole tones.

To secure a perfect intonation, which is an essential quality of good singing, it often becomes necessary to change the syllables applied to

notes that are affected by Accidentals. Various modes of effecting this change have been adopted by the most respectable teachers of vocal Music. Mr. Hastings, author of an able "Dissertation on Mu- sical Taste,"* and of several other valuable musical publications, observes in his " Musical Reader," page 8, that " in general, when notes are to be raised by Accidentals, the syllables appropriated to them may be altered by adding to their initials the letter i, in imita- tion of the syllable Mi. When Accidentals are designed to depress or lower sounds, the syllable Fa may be used. Or in other words — when Fa, .Sol, &c. are sharped, they may be called Fi, Si, &c. (pro- nounced Fee and See,) and when Mi is flatted it may be called Fa. When the effect of Naturals is to elevate notes, their appropriated syllables may be altered as in the case of sharps ; but when they are to depress them, the syllable Fa may be used.

Another method of producing correct intonation where Accidentals are used, is to consider and treat them as occasional changes of Sig- nature ; thus, if in a tune whose original Signature is B flat, the E becomes flat by an Accidental, the Signature for the time being, may be considered as consisting of two flats, and the Mi {Si) transferred to A. When an accidental C sharp occurs after the Signature of one sharp, the Mi (Si) while the accidental continues, may be removed to C sharp, &c."

But altbousrh either of these methods may be generally adopted with success, chromatic passages! will sometimes occur, especially in modern music, to which it will be almost impossible to apply any system of Solmization, and in the performance of which it may be proper to substitute the open vowel A, as in far, or as mfall, in place of the syllables in common use.

* This work should be in the hands of every one who is desirous of acquiring a correct taste, or style of performance.

t That is. such passages as are affected by Accidentals.

INTRODUCTION TO THE ART OF SINGING.

OP TIME.

By Time, in music, is meant the duration and regularity of sound. There are two kinds of time : viz. Common, or Equal, and Triple, or Unequal. Common time contains two equal notes in each measure, as two minims, two crotchets, two dotted crotchets, &c Triple time contains three equal notes in each measure, as three minims, three crotchets, three dotted crotchets, &c.

Simple Common Time, has three signs: —

_ , contains one semibreve, or its equal in other notes . -jry- 1 or rests, in a measure It has four motions, or

ir ' SZ \ beats, and is accented on the first and third parts ~ " ' of a measure.

EXAMPLE.

12 3 4_ _1 2 3 4

_ , contains one semibreve, or its equal in other ) notes or rests, in a measure, it has two motions, 1 or beats, and is generally accented on the first " part of a measure.

EXAMPLE. *_2_ _2 _ 2

The seeond,

(which is also called Half Time,) contains one The third, ^ { minim, or its equal in other notes or rests, in a mea- 3! f sure. It is beat, and accented as the former.

EXAMPLE. 12 12

Simple Triple Time, has three signs :-

The first,

, contains three minims, or their equal in other notes glor rests, in a measure. It has three motions or j£ \ beats, and is accented principally on the first, and

> slightly on a third parts of a measure.

EXAMPLE.

1 2

Tjr i contains three crotchets, or their equal in other The second, V < notes or rests, in a measure. It is beat, and ac- 2s f cented as the former.

EXAMPLE.

INTRODUCTION TO THE ART OF SINGING.

w C contains three quavers, or their equal in other notes The Third, § \ or rests, in a measure. It is beat, and accented as il f the former.

EXAMPLE. 123 ]

Compound Common Time has two signs in common use : —

^ contains two dotted minims, or their equal in other The firs* " ) notes or rests, in a measure. It has two motions, v' ^ J or beats, and is accented on the first and fourth parts ' of a measure.

EXAMPLE. J__ 2 2 2

7r C contains two dotted crotchets, or their equal in The second, ^ I other notes or rests, in a measure. It is beat and i5 (accented, as the former. EXAMPLE. 12 1 2

i;§=£E£Ei£gE

Compound Triple Time, has several signs; as f, f, J-, Stc. They are found in the works of Correlli, Handel, and others ; but seldom occur in modern music.

The semibreve (now the longest note in common use) is made the general standard of reckoning: therefore, when figures are em- ployed as signs of time, those figures express the fractional parts of a semibreve contained in each measure : as |s three crotchets, or three fourths of a semibreve ; f, three quavers, or three eights of a semi- breve, &c.

A semibreve rest is used to fill a measure in all signs of time.

On the subject of beating time, Dr. Arnold makes the following remark : — " 1 am by no means an advocate for the smallest motion or gesticulation, either with the hand, foot, or head, when a performer once begins to play with any degree of exactness ; but, at the com- mencement, it is absolutely necessary that the right hand should be taught to make the beats in every measure, till it becomes to the pupil what the pendulum is to the clock, which is to keep it regular and in exact motion."

OF THE DIATONIC SCALE AND MAJOR AND MINOR MODES.

The natural scale of music is called Diatonic, and is a gradual suc- cession of eight regular sounds, including five whole tones and two semitones. The whole doctrine of melody or tune, depends on rightly understanding the application of the two semitones and their places in the scale. These vary according to the Mode.

There are two modes, Major and Minor. In the Major, the semi- tones are always found (ascending from the Tonic or Key note) be- tween the third and fourth, and between the seventh and eighth notes. The only natural series of this Mode is that which commences with C.

INTRODUCTION TO THE ART OF SINGING.

Example of the Diatonic Scale in the Major Mode of C.

Do, Re, Mi, Fa, Sol, La, Si, Do.

In the Minor, the semitones are found between the second and third, and between the fifth and sixth notes. The only natural series of this Mode is that which commences with A.

Example of the Diatonic Scale in the Minor Mode of A.

La, Si, Do, Re, Mi, Fa, Sol, La.

In the Major Mode the series of sounds are the same, both in as- cending and descending ; but in the Minor Mode the ascending scale and the descending scale differ. In the ascending scale of the Minor Mode, the seventh is raised a semitone as the proper Leading Note to the Octave. This leaves the interval, between the sixth and seventh, a tone and a half; but as the Diatonic Scale must consist of tones and semitones only, the sixth is also sharped, by which means this harsh Interval (the extreme sharp second) is avoided. Thus the, ascending scale of the Minor Mode is artificial, and is formed with two notes altered from the Signature.

But in the descending scale the seventh is depressed a semitone to accommodate the sixth, and the natural scale of the Signature re- mains unaltered.

Example of the Ascending and Descending Scale in the Blinor Mode.

La, Si, Do, Re, Mi, Fi, Si, La. La, Sol, Fa, Mi, Re, Do, Si, La.

But the note which determines the Mode to be either Major or Minor, and which constitutes the principal difference between the two, is the Third. By the arrangement of the Semitones in the two Modes, it is evident that the third of the Major Mode, as from Do to Mi, is comparatively great, and the third of the Minor Mode, as from La to Do, is of course comparatively small ; the former consisting of two tones, and the latter consisting of one tone and one semitone : and it is chiefly to this difference of the third in the two Modes, that we are to attribute the effect peculiar to each; the Major Mode be- ing cheerful and vigorous, and the Minor Mode being plaintive and languid.

As these two series of tones and semitones form the constituent characteristics of the two modes, Major and Minor, it follows that upon whatever note or pitch either of these series begins, the same proportion and order of Intervals must be strictly observed. Hence the utility of flats and sharps. If, for instance, we begin with G, instead of C, and from it form th.-v Diatonic Scale in the Major Mode, the seventh, or F, will require to be raised, by a sharp, one semi- tone.

Example of the Diatonic Scale in the Key of G Major. J * Do, Re, Mi, Fa, Sol, La, Si, Do.

H. & H.

3

INTRODUCTION TO THE ART OF SINGING.

Or if we begin with F, and from it form the Diatonic Scale in the Major Mode, the fourth, or B, will require to be depressed, by a flat, one semitooe.

Example of the Diatonic Scale in the Key of F Major.

*" Do, Re, Mi, Fa, Sol, La, Si, Do.

Or if we begin with E, instead of A, and from it form the Diatonic Scale in the Minor Mode, the second, or F, will require to be raised, by a sharp, one semitone.

Example of the Diatonic Scale in the Key of E Minor. La, Sol, Fa, Mi, Re, Do, Si, La.

Or if we begin with D, and from it form the Diatonic Scale, in the Minor Mode, the sixth, or B, will require to be depressed, by a flat, one semitone.

Example of the Diatonic Scale in the Key of D Minor.

3£-&

La, Sol, Fa, Mi, Re, Do, Si, I,a.

When the Major and Minor Mode agree with respect to their Sig- nature, tbey are denominated Relatives : thus, C Major is the Rela-

tive to A Minor ; A Minor is the Relative to C Major ; G Major is the Relative to E Minor; E Minor is the Relative to G Major, &c.

The Relative Minor to any Major Key is its sixth above, or its third below ; and the Relative Major to any Minor Key is its third above, or its sixth below.

OF THE QUALITIES OF THE SEVERAL NOTES WHICH COMPOSE THE DIATONIC SCALE.

The seven notes (for the eighth is hut a repetition of the first) which form the Diatonic Scale, in either Mode, are known by the followng technical appellations, which are descriptive of their pecu- liar character and relative situation, viz.

The first, or Key Note, is called the Tonic, because it regulates the tune of the Octave, and upon it all the other notes depend.

The second is called the Supertonic, from its being the next above the Tonic.

The third is called the Mediant, from its being midway between the Tonic and the Dominant. It is the most important rinte in the Diatonic Scale, since upon it depends the nature of the Mode.

The fourth is called the ^ubpominant, from its sustaining the same relation to the Octave, which the Dominant sustains to the Tonic ; being a fifth from the Octave, as the Dominant is a fifth from the Tonic. »

The fifth is called the Dominant, from its importance in the ^cale, and its immediate connexion with the Tonic.

The sixth i» called the Submemant, from its being midway between the Tonic aDd the Subdominant.

INTRODUCTION TO THE ART OF SINGING.

The seventh is called the Sitbtonic, or Leading Note, from its be- ing immediately beneath the Octave, and because upon hearing it the ear naturally anticipates the Tonic.

The last note in the Base is always the Tonic ; if it be Do it is the Major Mode, if it be La it is the Minor Mode. The Major Tonic is always the first degree above the last sharp, or the third degree below the last flat, of the Signature. The Minor Tonic is always the first degree below the last sharp, or the second degree above the last flat, of the Signature.

OF DIATONIC INTERVALS AND THEIR INVER- SION.

By the unequal division of the Diatonic Scale, (which consists of tones and semitones,) fourteen Intervals are formed, which are as follows, viz :

Unison. This cannot properly be called an } £%.; ™Z— J

Interval, although in composition it is consider- \ Ex. _~oqZZj

ed and treated as such ; as C, C

Minor Second ; as from E to F, consisting of j one semitone. <

Major Second ; as from C to D, consisting of < one tone. i

Ex.

Minor Third ; (called ako the fiat third or i lesser third ;) as from E to G, consisting of one \ Ex tone and one semitone. S

Ex. 5fzazz§:::j

Major Third ; (called also sharp third or greater third ;) as from C to E, consisting of two tones.

Perfect Fourth ; as from D to G, consisting ) p, of two tones and one semitone. S

fej§gpi

Sharp Fourth ; {called also Tritonus ;) as > j, £g; from F to B, consisting of three tones. $ ' ^3

Q

Eli§-zz:

Flat Fifth ; (called also imperfect or false } fifth ,-) as from B to F, consisting of two tones \ Ex. and two semitones. j

Perfect Fifth ; as from C to G, consisting ) £x of three tones and one semitone. $

e —

Hi!

Minor Sixth; as from E to C, consisting of) £x SBiaZZZZJ

ree tones and two semitones. $ ' ~J

thre

Major Sixth; as from C to A, consisting of> ■& four tones and one semitone. S

Minor Seventh ; (called also fiat seventh as from D to C, consisting of four tones and two \ Ex semitones.

Major Seventh ; (called also sharp seventh ;) ' as from C to B, consisting of five tones and one J Ex. semitone.

-e^

70 j Ex. HeieeeJ

_ Q__

3b-:=zz3

INTRODUCTION TO THE ART OF SINGING.

OF THE CHROMATIC SCALE, CHROMATIC INTERVALS, &c.

Octavr ; as from C to C, consisting of five ) - . 7T- ' ~ — i \

tones and two semitones. $ ' '^ZZZ.ZZZ— J

When the lowest note of an Interval is placed an Octave higher, |, or when the highest note of an Interval is placed an Octave lower, ; pending by flats, a scale is formed of Semitones only, which is called such change is called Inversion. Thus by inversion a

Fifth

Sixth

Seventh

1 becomes a Seventh,

ZZ— S-J

Z3 becomes a Sixth, ZZZZZZj becomes a Fifth,

rzrraiJ -©-

ZZ— ZZj becomes a Fourth,

rz=§zJ

-e-

ZZ~ZZj becomes a Third,

zl"~

— ZZZqZj becomes a Second,

By a division of the Diatonic Scale, ascending by sharps, and de- eding bj Chromatic.

Example of the Chromatic Scale ascending by sharps.

10 11 12 13

5E=EEz£5z=i^^=E?izE? zr^zzzzzzl

and a

The Diatonic Intervals are either Consonant or Dissonant. The Octave, Fifth, Fourth, Thirds, and Sixths, being agreeable to the ear are called Consonant ; and the Seconds, Sevenths, and Sharp Fourth being less pleasing are called Dissonant.

Example of the Chromatic Scale descending by flats. 1 2 3 4 5 6 7 8 9 10 11 12 13

^E=EIEIizz^^zziEiiE~zzzzEE: tEEE=J

fj « — e-ee — 0 bo .§.

Here we have twelve distinct sounds, from each of which as a Tonic, by the use of flats or sharps, we may form the Diatonic Scale iu either mode.

From this Scale are also derived the following Chromatic Inter- vals, viz :

Extreme sharp, or Superfluous, Unison ; as > gx ^-ZZZZZIl from C to C#. > ZZr_Z ZIl

Extreme sharp, or Superfluous, Second ; as ) £x £EZ~Z#e- 4

from C to D#. $ ' ZZZZZZZZJ

INTRODUCTION TO THE ART OF SINGING.

Extreme flat, or Diminished, Third ; as > „ ffiZ*S~®~j from D# to F. $ tx' ZZZZZrZZJ

Extreme flat, or Diminished, Fourth ; as from > £ **^"5 ~1 D# to G. $ 1

Extreme sharp, or Superfluous, Fifth ; as > r„ *j!_ ~ _ra from C to G#. $ bX- — Z?ZZ":I

_ bQ

Extreme flat, or Diminished, Sixth; as from ( v sZ5ZJSZZZJ D#toBb. |M' ZZZZ~33

Extreme sharp, or Superfluous, Sixth ; as from } F„ EHzzZ-ZZj Bb to G*. $ M" ZZ^ezzZZJ

-@_

Extreme flat, or Diminished, Seventh ; as ) v ^ZqZZZZj from D# to C. $ ^ ZZZZZZIZ3

se-

Extreme flat, or Diminished, Octave j as from C# to C.

The Scale is also subdivided into smaller intervals called Dieses, or Quarter tones, as from C# to Db, or from G# to Ab, &c. and thus divided, it is called the Enharmonic Scale. These distinctions, how- ever, although theoretically important, are of little practical utility ; since upon keyed instruments, as the Organ, or Piano Forte, the ex- treme sharp second, is the same as the Minor third ; the extreme flat third is the same as the Major second, &c. — and the same key is used for C# and Db — for G# and Ab, &c.

It is believed that, with the assistance of a judicious instructor, the foregoing principles will be sufficient for all the purposes of vocal performance. To such as wish to become acquainted with the The- ory of Music, Callcott's Musical Grammar, Kollman's Essay on Mu- sical Harmony, and the articles on Music in Rees' Cyclopedia, are recommended as the best works which have been published in this country.

LESSONS FOR THE EXERCISE OF THE VOICE.

G Major ascending and descending. G Minor ascending and descending.

r*^

do, re, mi, fa, sol, la, si, do, do, si, la, sol, fa, mi, re, do. la, si, do, re, mi, fi, si, la, la, sol, fa, mi, re do si la.

EXPLANATION OF MUSICAL TERMS.

A, signifies in, for, at, with, &c.

Adao-'w, (or Ado.) signifies the slowest time.

Ad libitum, as you please.

Affettuoso, tender aDd affecting.

Air, the leading part.

Allegretto, a little brisk.

Allegro, {or Alio) brisk.

Alto, (or Counter Tenor,) that part which lies between the Treble and Tenor.

Amoroso, in a soft and delicate style.

Andante, rather slow and distinct.

Anhtntino, somewhat quicker than Andante.

Animated, with spirit and boldness.

Anthem, a composition for vocal music, the words of which are generally selected from the Psalms, and used in divine service.

Ardim, bold and energetic.

Assai, srenerally used with other words, to ex- press an increase, or diminution of the time of any composition ; as, Adagio assai, more slow ; Allegro assai, more quick.

Base, the lowest part in a harmony.

Britliante, signifies that the movement is to be performed in a gay, showy and sparkling style.

Canon, a vocal composition, in two or more parts, so constructed as to form a perpetual fugue.

Canlabile, in a graceful, elegant and melodi- ous style

Canto, (or Cantits,) (he Treble.

Chorus, signifies that all the yoices sing on their respective parts.

Con, with ; a9 Con Spirito, with spirit.

Crescendo, {or Cres.) to increase the sound.

Da Capo, (or D. C.) to return, and end with the first strain.

Diminueiido, to diminish the sound.

Dolce, sweet and soft.

Duo, (or Duetto,) two ; as two voices or instru- ments.

E, and ; as Moderato e Maestoso, moderate and majestic.

Expressions, an expressive manner.

Expressivo, with expression.

Forte, (or For. or F.) loud.

Fortissimo, (or F. F.) very loud.

Forzando, (or fz.) implies ihat the notes over which it is placed is to be struck with par- ticular force and held on.

Fugue, a piece in which one or more parts lead, and the rest follow in regular intervals.

Giusto, in an equal, steady and just time.

Grave, (or Gravemente,) denoting a time slower than Largo, but not so slow as Adagio.

Grazioso, a smooth, flowing and graceful style.

Largo, somewhat quicker than Grave.

Larghetto, not *o slow as Largo.

Lamentevole, denotes that the movement over which it is placed is to be sung in a melan- choly style.

Legato, signifies that (he notes of the passage are to be performed in a close, smooth and gliding manner.

Lento, very slow.

Maestoso, with majesty.

Moderato, moderately.

Mezzo, half, middle, mean.

Mezzo Forte, moderately loud.

Mezzo Piano, rather soft.

Perdendosi, signifies a gradual decreasing of

time to the last note ; and a diminishing of

tone, till entirely lost. Piano, (or Pia.) soft. Pianissimo, (or P. P.) very soft. Poco, little ; as Poco piu lento, a little slower;

Poco phi allegro, a little quicker. Quartetto, four voices, or instruments. Quintetto, Five voices, or instruments. Sempre, always, throughout ; as Sempre piano,

soft throughout. Siciliano, a composition of ^ or •§. to be per- formed slowly and gracefully. Solo, for a s.ngle voice, or instrument. Soprano, the Treble or higher voice part. Sostenuto, a word implying that the notes are

to be sustained, or held on to the extremity

of their lengths. Spirituoso, (or Con Spirito,) with spirit. Staccato, notes to be staccated, must not be

slurred, but performed in a distinct manner. Symphony, a passage for instruments. Tasto, no chords. Tempo, time.

Trio, three voices or instruments. Tutti, all ; a word used in contradistinction to

Solo. V«rse, one voice to a part. Vivace, in a brisk and animated style.

THE

BOSTON HANDEL AND HAYDN SOCIETY

@(DILIM^^I1®P ©^ (POIMIB®!! SHUStftft

Treble

or Air.

Maeizel's Metronome. f 66.

a Maestoso.

OLD HUNDRED. L. M.

Martin Luther.

I — h — F+P-r

Be thou, O God, exalted high, And as thy glory fills the sky, So let it be on earth display'd, Till thou art here as there obey'd.

6 5 #6 " ~ 8 7 5 " "'656 " 7#6 6

H. & H. 4

26

J80.

Sostenuto Adagio.

OWENS.

L. M. 6 lines.

Mozart.

Lord, when my thoughts delighted rove, Amidst the wonders of thy love, Sweet hope revives my drooping heart, And

l[,

•ziz-m-zz

6 6

4

3

7 —

fcf ' - -

Cres. ^-v. P. F. ^— v

bids my fears and doubts de - part. Lord, so ray thoughts de - light - cd rove, Amidst the wonders of thy love.

*K §6 6 6 6 S 7 6 7 5&fi 6 6 l« *f 5 ''

* fcr

MORNING HYMN.

L. M. 6 lines.

Costellow.

27

lilliliii^iliililiiiiliyi^lil^Sa

Soon as the morn sa - lutes your eyes, And, from sweet sleep, re - fresh'd you rise, Think on the Au - trior of the light,

~ 7 * 7 6 6 ~ *S3 3 6 4 986 7~ * ~

3 5 3 — 3 7 6 4

And praise him for the glo-rious sight ! His mer - cy in - fi - uite a - dore, His good - ness in - fi - nite im-nlore.

28 f84

ANGELS UYMN. L. M.

Tansur.

riiilillIilillliIlpSIiyiiilllifIiiiP

High in the heav'ns, eternal God, Thy goodness in full glory shines ; Thy truth shall break thro1 ev'ry cloud, That veils and darkens thy designs.

K — *

#6

4.

3

6 5 6

i 3

»69.

VIEXNA.

L. M.

Beethoven.

The rising morn, the closing day, Repeat thy praise with grateful voice ; In both their turns thy pow'r display, And, laden with thy gifts rejoice.

6 *$

3

f72.

PORTUGAL. L. M.

Thorley.

29

m

O could I

soar to worlds a - bove,

The blest a - bode of peace and love,

6 #6

4 3

How glad - ]y would 1 mount and fly, On an - gels' wings, To worlds on high

m

i

6 6—63 * 6

30

St. PETER's. L. M.

Harvvood.

ev - cr

blest, Let songs of lion

our be ad

7 fi 8 7

thanks liis love de - mands.

His mer - cy firm for - ev - er stands, Give liim the

34 6 5 6

£80.

a Legato.

BOWEN. L. M.

Haydn.

31

rfh**-,

PC

Up to the fields where angels lie, And living waters gent - ly roll ; Fain would my thoughts ascend on high, But sin hangs heavy on my soul.

lllillliililllSllgli^liii^l^Slliiii

S#7 &7 6 7 6 8 7 6 — 5 3 * "'S 4-S 4 3 5 4—3 2 3 3 3

f84.

WINCHESTER. L. M.

6 6 7

S 4

Dr. Croft.

My God, accept my early vows, Like morning incense, in thy house ; And let my nightly worship rise, Sweet as the ev'ning sac - ri - fice.

6 5 fi 4 3

33

►88.

ISLINGTON. L. M.

This Jife'3 a dream, an emp - ty show, But the bright world to which I go,

7*6 4." 64 ft 4 6 « "

3 3 3 32 4 #

Hath joys sub - Stan - tial and sin - cere, When shall I wake, 'When shall I wake, and find me there.

liiiiiilSiiiiiiiiiijiiigSiilliiO

7 4 6 " 4 6 4 6 6 3 6 6 6 7

3 3 5 4

|»7G.

STERLING.

L. M.

An Ancient Chant.

33

O come, loud anthems let us sing, Loud thanks to our Al-migh-ty King ! For we our voices high should raise, When our salvation's Rock we praise.

*G0. Sostenuto Adagio.

GARDNER. L. M.

Viotti.

S^a^paiS^^ai^^ai

How pleas-ant, how di-vine-ly fair, O Lord of hosts, thy dwellings are ! With long de-sire my spirit faints, To meet th'as-sem-blies of thy saints.

H. & H.

34 f84.

BATH. L. M.

Life is the time to serve the Lord, The time I'insnre the great reward ; And while the lamp holds out to burn, The vilest sinner may return.

**■ 668" #6 6*6 1 "6 6667

■fc*

£88.

Uolce.

SEASONS. L. M.

5 •••

Pleyek

Thy goodness, Lord, doth crown the year, Thy paths drop fatness ail around; And barren wilds tl>\ praise declare, And vocal lulls return the sound. |

5 6 6 6 7

Voice or Orsan.

6 87566 77

CUMBERLAND. L. M.

!V

g-=-^— el— i^e

bzrg: EEzg:

-©•— <

My

m

in - spir'd with sa - cred love, God's ho - ly name for

Carey.

35

f~:zQ— ]

— e— -_

bless ;

^EI£3

§=d— :zj

6 #6

3

6 6

all

:S-p

_~£— ii-zzprs::

ii?=f

iiiiili

fa - vours mind - ful prove, And still thy grate - ful thanks ex - pres

ill ill

36

f69.

Maestoso.

POLAND. L. M. 6 lines.

Wranizky.

mgmm^g^sg^&Bg^mmm

fi

O God, my strength, my soul's de - sire, To thee my heart and voice as - pire j For thou art good, as well as great,

5 6 7 v • 6-7 4. 6 *

6—435 3 3

And mer - cy is thy judg-ment seat. O God, my King, with ho - ly Cre, My heart and voice to thee as - pire.

6 8^7

* to -

6 6 3 6

GLOUCESTER. L. M. 6 lines.

Con Spirito.

Milgrove.

37

Angels of light, e - the - real fires ! A - rise and sweep your aw-ful lyres ! To you the sa - cred right be - longs,

To raise the lay, and lead our songs. Ye in his courts of glo - ry dwell, And best his pow'r and grace can tell.

6 fi 87

•38

BRENTFORD. L. M.

, — ,, P. Second Treble. Alto. , — s — N

BpmifflpBBpaag^giii

Bu-ried in sha-dows of the night, We lie, till Christ re-stores the light. Wia-dom de-scends to heal the blind, And chase the dark-ness of the mind.

7 6796 6 6 5 75667 Accompt. Voce. 6 5 7 5 667

* 3 * 4

BLEXDOV.

L. M.

Griardini.

Je-sus, my all, to hcav'n is none, He whom I fix my hopes up-on ; His track I see, and I'll pursue The nar-row way, Till him I view.

9 8— 65 7

5 - 4# -

♦ 3-

#6 8-^7 5 6 6 7

-m

*66.

jl Maestoso.

MONMOUTH. L. M

:zzjz:j

Martin Luther.

39

la£

.**£

;E=|gEeEp|gE^p?:

In robes of judg - ment, lo 1 he come?, Shakes the wide earth, and cleaves the tombs ; Be - fore him

mm

•lEzE

| fez?: jl -&■ —

8 7 5 6 6 ~6 8 7~~ 6 87

5 4

IZZgZZ^

4, g- -

M^e^

:z?z:

tz?z:

vour - in<r fire, The moun-tains melt, the seas re - tire. The moun-tains melt, the seas re - tire.

6 S7 6 87

li_

'92.

PORTSMOUTH. L. M.

Gelineck.

Indulgent still to my request, How free thy tender mercies are ! Willi full consent my thoughts attest, My gracious God, thy faithful care.

liiliiiigi^liipl^Jiibgllilliiiiiigf

•■92.

ROTH WELL. L. M.

Fraise ye the Lord, let praise employ, In his own courts, your songs ol joy ! The spacious firmament around, Shall echo back, Shall echo back the joyful sound.

6 6 6 7

6 6 4— 6 5

►84.

WINCHELSEA.

L. M.

Prelleur.

41

Incumbent on the bending sky, The Lord descended from on high ; And bade the darkness of the pole, Beneath his feet tremendous roll.

£ H3EP "

6i- 6 4 6 #6 6 8-7 466 ^4 fiS 4 4 6 4 - 8 — 7

4 3—3 * 5 34 3 4 3 2 2 3 5

3 4 jfr — 3 4, 3 —

f 80. NEW-MARKET. L. M. Dr. Wainwright.

Thy mercies, Lord, shall be my song, My song on them shall ever dwell ; To ages yet unborn, my tongue Thy never failing truth shall tell.

iEiiEi:s

:t~d:i:^r:^:

H. & H.

•84. . Dolce e lesrato.

MILTON. L. M. 6 lines. ,

Haydn.

43

There is a stream, whose gentle course Surrounds the cit - j of our God. There is a stream, whose gentle course

jz±--zazz\&zi:z&zzs

n uojce e iegaiu.

There is a stream, v I ^g~#<T — l"*T~ j 1 — T~TJ — Z]~1'~P — jg~T"~P — |lPlT""J — J~F T — 7* j "1 — !~T"d — 3"T."J""*'l ^"if"!"®!

~~ "^6 6- -. S- ~ ~ 6 — 987 6 6 7~ 8 7 6" 7*

5 4 3 4 4— *

illfi?p3^iIlliillilil^.Silii=ifS§ill!

Surrounds the cit - y of our God — A sac - red riv - er, from whose fount, The liv - irjg wa - ters flow abroad.

* 6 #6

4-1 g80.

EVENING HYMN. L. M.

Tallis.

Glo - ry to thee, my God, this night, For all the blessings ot the light; Keep me, O keep me, King of kings, Beneath thine own Almighty wings!

6=178 66 6 6

43 S* 5 5

43

•so.

Adagio 6 sempre piano.

GERMANY. L. M.

6 S 7 8 6 43 || 5

2

Beethoven.

Softly the shade of ev'ning falls, Sprinkling the earth with dewy tears ; While nature's voice to slumber calls, And silence reigns amid the spheres.

fi-^t 6 5986 7 tjr * 8 7 b 4 ti

7 6 6 —

►92.

CASTLE-STREET. L. M.

45

iafrracH-ri

Lord, in thy great, thy glorious name, I place my hope, my on - ly trust ; Save me from sorrow

fi m~^ _ i cJ i_ ^2*" Tasto. ;•-£. :c:^

4.7 6 64, ,6 6 6 « 7 P 6~

3 3 B5 4

^ — -v ,. — v Second Treble. Alto.

guilt and shame, Thou ev - er gra - cious, ev - er just. Thou ev - er gracious ev - er just.

* *$ Organ or Voice. • K6 6 . 8'fer7 S" «7~

46

t06.

NEW SABBATH. L. M.

Isaac Smith.

II -

k "T*V sp- ,^t^_. -. _p _z*_. _®- :*:_ _P" i ^m

For thee, O God, our con - slant praise, In Zi - on waits, thy cho - sen

^zs=8ZT:-:3:^-.q:iq:3:q— szzizz*; .zz zzzizz b—1— •z:izs=z:zzpzi:*:z;z~izz:izq-:qz:t:z!ZT

TT" 4 6 6 6 7 _ 6 5 6 5 6 4

1 4 4 3 4 3 3

- tars we will raise, And there our zeal - ous vows com - plete.

— -3ZZ1ZZZ3ZZ »ziziz-zazz: »zi: q"M3. i*-iz§z«zzizi s£p*7i'-. izzzsz

e!

; pz»:

seat ;

— r--

ii

Our prom - is'd" al - t

6 4 6 56 7 6 5 6 466 67 5 66 5 7

3 *3 333354 * 3—

f66.

Largo.

:to:iij::

MED WAY. L. M.

Persrolesi.

My God, permit me not to be, A stranger to myself and thee ; Amidst ten thousand tho'ts I rove, Forgetful of my highest love.

j-pj?~cipj — jt — p~ T'p — \~-JZi — i"* [5 — r — P"lP"~!"T — I — i"T — PI P~T P— — -Th-— ^-— -TP— £?-!— — i-f-— -— 4h

" ~ ----- 7 --■ -- 6#6 - — 6- - ■ 7 — - 7 -g 7

•80. ELLENTHORPE. L. M. Linley.

Say, how may earth and beav'n unite ? And how shall man with angels join ? What link harmonious may be found, Discordant natures to combine. Loud swell the pealing organ's notes I Breathe forth jour souls in raptures high ! In praises men with angels join ; — Music's the language of the sky.

3EEZ;i.3Zi8~z" -xd '"ix~zz — 1~ 3ze"S"»X"CJ_8i"u_dz-j~u"? *i£ — x~@~s®i — j — ' \~i~3 — i"i' 1~

2z!5 JErEztt'Eizrrii'^ffi ~3:fE?--:E:i~

47

III

lit I

i

6#6 6 6 687 * & 4 •#•

3

50

•80.

Andantino.

CAMDEN. L. M. 2 verses.

Mozart.

The saffron tints of morn appear, And glow across the blushing east ; The brilliant orb of day is near,

liiiii^iiliPpiiiEiiiPiliiEipip^ill

7 5 6 56 * 6

m -?~\T _r~ — — r^u f~l~— b — t~r-|T-rTrp~fe— p~~^ri~pzrt;rzE~JTL~t-l — :li~f ~:e~f ~j~ ~~£ — \~t

To dis - si - pate the ling'ring mist ; And while his mantling splendors dart, Their radiance o'er the kindling skies,

51

CAMDEN, Continued.

To chase the darkness of my heart, A - rise, O God of light,

rise, a - rise,

a - rise, a - rise.

Dr. Green.

7 5 5 56 # 6 *6 #6 6 67 - 3

,•76. St. PAUL'S. L. M

Great Source of life, our souls confess, The various riches of thy grace ; Crown'd with tliy mercy, we rejoice, And in thy praise exalt our voice.

i

6 5 6 5 6

3

53

►84,

ALL SAINTS. L. M.

iffefcz

iidik!

W. Kuapp.

God of the Sab - bath, hear our rows, On this thy day, with - in thy

mi

house !

11=1

m

§ — 7 9 5 * 6 " 6 6 5'f 6 £fc 66 fi ~6 7

3 — * — 3 3 * 3 + *tl

3

And own, as grateful sa - cri - fice, The songs which in thy tern - pie

mm

iiS

rise 1

IS

I

— +-e

3

♦120.

PARK STREET. L. M.

Venua.

53

Hark! how the choral song of heav'n, Swells full of peace and joy, a - bove! Hark! how they strike their

6 7

4, t;

flft~;fr | — — |-t — — Z~3 ZZJ — ZZ — V ' ~* — ''Tl ' I 3 T r?~r~ff 1 ~3~t~

golden harps, And raise the tuneful notes of love ! And raise the tune - fill notes of love.

7 — —

tf

64. 6 6 6 6

5g 4

54 ffiO. WALTHAM. L. M. 6 lines. Beethoven.

Cantabilee- Sostenuto.

With ho-ly fear and hum-ble sons, The dread-ful God, our souls a - dore; Rev'-rence and aire be-come the tonerue

m

-Srff:

76 56 6 5 # 6 S 87 fi

i * 3 #1

3 3 fcr

4. 6 98

r — i — ="r£

'hat

II

speaks the ter-rors of his pov. 'r. Rev'-rence and awe be - come the tongue That speak the ter-rors of his pow'r.

mi

m

m

6 5 6

4.

3

17 #4 6 tj3

6 6

b3

38 6 5

£80. Alio Dolce.

SALSBURY. L. M. 6 lines. Haydn.

55

Lord, thou hast known my inmost mind, Thou dost my path and bed inclose ; My wak-ing soul on thee relies,

7 6 6 7 6

3—

76 #6 6 87

3

5 — 6 665 f 67

On thee my sleeping thoughts repose: Where from thy presence can I fly,

Lord, ever present, ever nigh ?

^v x — v__ _ . «•. — S - - _

3

56

f2

n&.

WESTVILLE. L. M. 6 lines.

Klose.

My God, in thee are all the springs, In which my comfort can arise;

I seek the shadow of thy wings,

VW'' ^""^ ^*™* ****** "[*&•■ -"""""n.

,r^v — i-,-—-*.

When sath'ring clouds obscure the skie

I seek the shadow of thy wings, When gath'rin^ clouds obscure the skii

t[6 6 6 6 6 7 7 38753 *• 7 * 6 6 6 £ <! ?

•"92.

Alto. Fuge.

NEWARK.

Stauley.

57

Treble. We bless the Lord, the Lord, the just, the good, Who fills our hearts with joy and food ;

Base. We bless the Lord, we bless the Lord, the just, the good, Who fills our hearts with joy and food ;

jFp

We bless the Lord, &.C. 7 7 §

"65—6

6 7 6 — 76-

i Who pours his blessings from the skies, And loads our days with rich sup -

:o~

Who pours his blessings from the skies, And loads our days with rich sup - - plies.

Ill

Who pours his bless - - ings from the skies, And loads our days with rich sup - - plies.

H. & H.

Who pours, &c. 5- 6 6 3 8

58 596.

Con spirito

EATON. L. M. 6 lines.

Wyvill.

Second Treble.

6**

p. t i

A - wake our souls, a - way our fears, Let ev1ry trembling thought be gone ! A - wake, and run the heav'nly ra<

I 1 — s-r*-T —

[|?I;fi^i^lEiiliig^i^iliiIiiiilpfilil

*r Alto. F. " "

And put a cheerful courage on ! Awakr, and run the heav'nlj race, And put a cheerful courage on :

^6 — 56 6 7 65 "* 65 6 5 4. U 4. 5 ■— ■ G 6 7

* - 8 4- j * 3 4 a 2 3 3 a 3 4

|30.

Amoroso.

SOUTH STREET. L. M.

Haydn.

59

•#-OE

Softly the shade of ev'ning falls, Sprinkling the earth with dewy tears ; While natur

0 #

Z^r- rap-

r¥

voice to slumber

calls,

And silence reigns amid the spheres — a - mid the spheres.

60 £84.

WATSON'S. L. M.

O thou, to whose all - search - iDg sight, The darkness

as tbe light ,

r5 % f ' ""'"

4 6 6 C 4 ~6 ~6 *3 " 5 : ' 6?

Second Treble

F.

Alto.

P. F.

Search, prove my heart, it pants for thee, O burst these bonds, and set me free.

ili?ll^SliiiiL=ligip|^iaipliiii^!ilI

6 #6

5 6 *6 3

Or<ran or Voice.

5 g7 7

••QO

ifSHiilil

EFFINGHAM. L. M.

3

61

-fw^wm^

izixw:

At anchor laid, remote from home, Toiling I cry, sweet spirit come. Celestial breeze, no longer stay, But swell my sails, and speed my way

nd Treble. P. Alto. F.

iiSHSiSSigii

s, and speed my way.

f66

Organ or Voice.

DUKE STREET. L. M.

J. Hattoft.

Lord, when thou didst ascend on high, Ten thousand angels fill'd the sky ; Those heav'nly guards around thee wait, Like chariots that attend thy state.

6 fl 6 4 3

62

II :

►66.

W

DRESDEN. L. M. 6 Hues.

— ' Fine. ^-^ s_^ D. C.

j! £=zj=2Z£rPzpig^^

Preserve me Lord, in lime of need, For succour to thy (lirone I flee, But have no merit there to plead, My goodness cannot reach to tiiee.

liBi^Pr^p^§sipi^ipp§iiiii^pi

^^ Fine. V~' . D. C.

6 o r.

°7 J.

&

HAGUE. L. M. From Hie German, "HerrJesu Christ dich zu uns wend."'

izzibzpziiizztzjrzpztifZZLZzlzhzjzbizh^

Tlirough ev'ry age, e - ternal God, Thou art our rest, our safe abode ; High was thy throne e'er faeav'n was made, Or earth thy humble footstool laid.

ft

mwmmm

►84. NAMUR. L. M.

W, Paxton. 63

^illiif

fzgd

Thou Lamb of God, thou Prince of Peace, For thee my thirsty soul doth pine ; My longing

5 6 4 6 #6

2 4.

3

6 * 4. 6

heart implores thy grace, Oh ! make me in thy Jikeness shine ! Ob ! make ice in thy like - ness shine !

heart implores thy grace, Oh ! make me in thy Jikeness shine ! Ob ! make ice in thy like - ness shine !

04-

SURRY. L. M.

Costellow.

$%nT3 tcprn yip p i p p i p "f^rryi tei

:=tq

No mora latigue, no more ilis - tress Nor siu nor death shall reach the place ; No groans shall mingle

7 t) 4. 5 6 6 4 J 7 7

P'T" f fflf^ p r toQTTj ITU JS3 ^iEg=z^iEgg^|=fejji ;

with the songs, Which war - ble froni im - mor - tal tongues, Which

Pr^lJ Tii^QJiIjI]j"ij£ijij p[g

with the songs, Which war - ble l'roni im - mor - tal tongues, Which warble from im - mor - tal tongues.

6 i 7 6 7 ;". 6 6 5 ~ 6—55 ~5~~6 7

a *■ 43 4 — a _ 4

►76.

BOSTOCK. L. M.

Voider.

65

l—d-^-±

The hope of

in - ners iies be - - low,

all the hap - pi - ne

they knc

r^j^F^^Ff ^^FJFjQ j~f ~^j— jr^f ^~xl~~*~r~ E~^~ ' — Hj~^~^?~JrEr ?~'^~ \

ll=

6~ <• 4 6 — —5 6 43 — 5

lj ^- X 1 1 3 T XZ X ! TZ 1 — 1 »J_

'Tis all they seek ; they take their share?, And leave the rest — And leave the rest a - mong their heirs.

! Tasto. F.

6 7 ' 6 7 6 7 65 3

4 .„ 5 4 5 4 5 4 3 8

H. & H. 9

66 f.76.

RICHMOND. L. M. 2 verses.

De La Main.

r#f±^tx==i=r<-

:n we, out wearied limbs to rest. Sat down by proud Eli - phra - tes' stream ; We wept, with doleful

4 6 56 (S 43 •* 6 *3 87 69 G — — — ■*•*•

J S 3 t>5 43 +

^-^z:»zp3rz:izp:pg-gziz^:£^

thoughts op-prest, And Si - on was our mourn - ful tbeme. Our harps, (V»t, when with joy v. e sung, Were wont their

*6 «i~f

4 I

3 3 3 3

RICHMOND, Continued.

-#r*

I SiJ . J 4I— i b^— i — J-P-T— ^1— 1 T -^"""r ■*• — — "

67

tune - ful parts to bear, With si - lent strings neg - lect - ed hung, On willow trees that wither'd there.

3 3

►76.

7 8 8 4. T- 5

3 3 3 3 3 3 333 3333

NORFOLK. L. M.

6 64.65 87 67 3 6 5 4

43

J. Ashton.

-*-£-

Amid-' the various scenes of ills, Each stroke some kind design fulfils ; And shall I murmur at my lot, When sov'reign love directs the rod ? " ~ " "fi 5 8 7~5 ~6 43 ~ #6~ ~<T F ""# <T ~ 6~ *6 "# — — 6 65 6 7

68 p72.

,r-fh#-#-i — i-th-

St. ALBANs.

L. M.

Vincent Novello.

Sal-va-tion is for - ever nigh, The souls that lear anil trust the Lord ; And grace descending from on high, Fresh hopes of glory shall afford.

6 6 7 »l 6 #6 fi 7 §7 6 $7 # 87 6 6 7

f96.

*H 6 #6 3

Hudson.

St. OLAVES. L. M.

II Come hither, all ye weary souls, \e heary laden tinners, come; I'll give you rest Irom all vour toils, And raise you to rny heav'nly home.

6 5-6 66 7

*b- * ti

r?2.

ASTOR. L. M.

J. McMnrdie.

69

^ m _«l!-_t±!__pt_p_t:- J-pi_i_- t^_p|u^

Let ev-er-last-ing glories crown Thy head, my Saviour, and my Lord ; Thy hands have brought salvation down, And writ the blessings in thy word.

6 4 3 8 7

87

fcr- 5 tj

f72.

Second Treble.

WATERVILLE. L. M.

S. Webbe..

jl cecona j reDie.

»:

-fc^zr-^r^-i

This is the word of truth and love, Sent to the nations from a - bove, Jehovah here resolves to show, What his almighty grace can do.

HAMDEN. L. M. 6 lines.

70 »80.

Cantabile.

Mozart.

Eternal Rul - er of the skies, How various are thy works, how wise ! How great the wonders

_-•-_ Pzff- ,

-p __

bs-

66 6 b

#fi 6 #6

3

I

II thou hast wrought, And deep be - rood all search of thought!

W- -

Organ

£=B3Z

:djL_*s»_±_od;

6 ■£* 6 ^5 fo7 s b5~ 6 ~ 6 h 7 *~ ^

HAMDEN, Continued.

71

ii - ter - nal Rul - er of the Ekies, How various are thy works, how wise !

SiSii^piliiiiiig^ligSliSiilii^i

6 76

54 3—

7 6 tj6 6

5b~ *

h38.

St. GEORGE'S. L. M.

l$EziE^ES?E3E^^^J^seE3S^ffi^^^^S^3^tS^§|^^^^aC

ifaro:

Retire, O sleep, from ev'ry eye ! The rising morning re-ap-pears ; The sun ascends the dappled sky, And drinks cre-a-tion's dewy tears.

Ez^EE±§E|=iz~:

6 'e 4 ""lf#6 6 5 6#6 6 * 7 6 5 4 <T 6 "4 «5 ' - — 6 ~ 6 4 6 6 7

3o 4 4 # 3 34 ;i 3 4 f

ra

PROCTOR.

L. M.

--©-+-F — F

Thus faith the high and lof - ty One, I sit up - on my ho - ly throne, My name is God, I

0 6 6 5 6 5-fejo U tfi 0

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I

85 P. ~9 r.

dwell on high, Dwell

mine own

e - ter - nr

ty. Dwell in mine own e

r+ 6 *6 3

B3

£92. GEORGETOWN. L. M. Haydn. 73

au°- __--.. ao_:pi -»^>

Treble.

To tbee, O God, with - out de - lay, Will I my morning hom - age pay ; For thee I

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p^Iiiii^Iigiiiiii^gPiiiiipia

long for thee I look, So pit - grims seek the cool - ing brook. So pil - grims seek the cool - ing brook.

6 -&7 6 * H. & H.

6 — 43 f e

71

►co.

CROMER. L. M.

limb

George E. Williams.

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Praise to thy name, eternal God ! For all the grace thou shed'st abroad ; For all thine influence from above, To warm our souls with sacred love.

^^^-fW^m3f¥r^\ JJ ml J'

■76.

66-6 666 6 7 5 I

3* t-l I

SEMLEY. L. M.

liiiiiiiSigHSii

4tT

65 6 6

F. Barthelemon.

Great God ! to thee my ev'ning song With humble grat - i - tude I raise ; O let thy mercy tune my tongue, And fill my heart with lively praise.

X

6 § 1 *J4 n6 t

*| 6 ?S6

3

6 6 6 £ 7

►84

ANDOVER.

L. M.

L. Mason.

7»

— r _ *** — |— J_.__| — ^. J — , 1 [ * ■— *— . — — I — ^ ^- -» — j< —"\ I — ~M*"| — — »X ' - — ™"l — — J-1^— '.tt— —.-»—— -J —-■-.—■—( — jj^l »-»» — j 1 v

Stand up, my soul, shake off thy fears, And gird the gospel armour on ; March to the gates of endless joy, Where thy great Captain — Saviour's gone.

"§Lp_ _ C_. _i _-_f^ _>- —

►88.

656 "667 '4 T ' 76 -7 6 ?6 43 — 6

4 4. 2*4 **

3 3 3

CHARLESTON. L. M.

6 6

R. Cook.

PfflllEliEpE^^

From vocal air and concave skies, Let wafted hal - le - lu - jahs sound ; And let the sacred triumphs rise, Till vaulted heav'n the notes rebound.

6 66 7 6 6#6 65*6 6 6 7

4 4> 4 5

3 3 *

6 4 66 S74 3— 6 4 3 4 #

3

76 ?88.

EMSWORTU. L. M. or 10s, by omitting the slurs. T. Bennett.

Great God, at - tend, while Z\ - - on sings The joy, that from

tny pres - ence spring

mm

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I

*" *~ ' "* ' t rt £- -7 *> r~"o Jtit c 3TC: a a v

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nd one day with thee on earth, Ex - ceeds a thou - sand days of mirth.

'. * 6

r*72.

Maestoso

TRENTON. L. M.

Win. Shield.

11

Stand up, my soul, shake off thy fears, And gird the gospel armour on ; March to the gates of endless joy, Where thy great Captain— Saviour's gone.

iSfeieSli!

ha

•72. CHAPEL STREET. L. M. Wm. Mather.

„ ^-"7~^ _i _ i"^ /-n "^ Second Treble. P. Alto. F. X ^^

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E - ter - nal Source ofev'ry joy, Well may thy praise our lips employ, While in thy temple we appear, Thy goodness crowns the circling year.

0 5 4. 6655*66 6_

78

PERGOLESI. L. M.

Fercolesi.

Eless, O my sou), the liv - - in; God! Call home my thoughts that rove a - broad ; it

6 5 '6 6 ' T6 5 I C - C 6, 7 6 5 >

3 3 3 4> 3

Let all the pow'rs with

join, In work and v.or - ship so di - line.

b5

3

6 6 7

ANTIGUA. L. M.

79

The King of saints, how fair his face, A - - dorn'd with maj - es - - ty and grace 1

9=£B

He comes with bles - sings from a - bove, And wins the na - tions to his love.

6 87

80 f7fi.

Lamentevole.

ARM LEY. L. M.

* Alto. Ad lib * r s , — v , N

I Now let our mournful songs re - cord, The dy - ing sor - rows of your Lord ;

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IiEliiEliiiliililSi=lisiiigiig=^iiJO=

When he com - plain'd in (ears and blood, As one for - sale - - en of his God.

Z 5*0 S 6 6 5 — ~ ~6 " 6B - ~6 " 6~^ 8 7

* 4 5 5 i-g 4y - 4 ♦-

IE

f88.

MAYHEW.

L. M.

81

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Were 1 inspir'd to preach and tell All that is done in heav'n or hell, Or could my faith the world remove, Still I am nothing without love.

►84.

6 5$fi

GH EEN's HUNDREDTH.

* 65 6 7 2 tl

L. M.

6 5 6

4 3

Dr. Green.

|Mlfcte*=:^==

Sweet is the work, my God, my King, To praise thy name, give thanks and sing; To shew th}' love by morning light, And talk of all thy truth at night.

H. & H.

i7 5 6 3 B 3

6 5#6 5 8--- 3

11

82 ,*6G.

LEICESTER. L. M. 6 liues.

U

When 'mid the gloom of night I stray, And heav'n's re - splen-dent arch survey — And mark with rapture and sur - prize,

-^6 5 3-t>5 « 5

The va - ried glories of the skies, Ah! what is man? thou great Su - preme, That thou should stop to "visit him?

# 5#6 3 - 6 65 6 5

6 S — 6

$65 3-6- 6 5

h80.

EVENING HYMN. L. M.

Jer. Clark.

83

Sleep, downy sleep, come close my eyes, Tir'd with beholding vanities ! Welcome, sweet sleep, that driv'st away, The toils and foijies of the day !

# 6 7 6 # -g-5 3-6 6 6 5°7

* 3 -

M1DDLEBURY.

6 7- 8 7 3*B * 6 76 # 6 6 6 87

4 3* * #—

3

L. M.

' liii'liliilliillliiiibiiililiillliiill

Dear Jesus, when, when shall it be That 1 no more shall break with thee? When will this war of passion cease, And I enjoy a lasting peace.

#6 6 #6 5#6 5 * 4- 3

3 3

84 |»60.

LamTitevole.

MUNICH.

L. M.

Ad old German Air.

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^^ 'T>vi! on that dark, that doleful nip;ht, Whet) pow'ra of earth and hell arose Against the Son of God's delight, And friends betray'd him to his foes.

; 80.

BABYLON.

*ri 6 — # #« 6 — # 6 #S #fi 6

3

L. M. Kavcnscroft.

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Shew pity, Lord ! O Lord, forgive ! Let a re-pent-ing sinner live ! Are not thy mercies laraje and free? May not a sinner trust in thee?

5#6 3

5^6 3

4. 3

•84. DARWEN. L. M. 85

Affetuoso. y — ^ s— v

Who from the shades of gloomy night, When the last tear of hope is shed,

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5 6 5 *tj n* 4tJ — 4 tj

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Can bid the soul re - turn to light, And break the slum - ber of the dead ?

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36

'34.

Moderato

CAROLAN's. L. M.

Carolau.

Be - hold the path which mortals (read, "own to the re - giona ~ of ~ the ~ dead f

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Nor Wl!1 the fleet - inS mo - merits stay, Nor can we mea - sure back our way.

6 fi 3#6 .(, 4

3 3

6 7

•66.

WESTBURY. L. M.

Prelleur.

87

So fades the love - ly, bloom - ing flow'r, Frail, snail - tag sol - ace of an hour ;

* mm

So soon our Iran - sient comforts fly, And pleasure on - ly blooms to die.

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87 6 5—65 6 87

88

if 3

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,•84. L1MEH0USE. L. M.

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In ruemVy of your dy - ing Lord, Do this, he said, Till time shall end,

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Meet at my ta - ble and re - cord, The love of your de - part - ed Lord.

87 65 36— «i 6 e#6 3 ~6 6 5 #■'- 6 #« 6 6 7

4#7 #4 * S *♦ 2 * * #

►80.

NANTWICH. L. M.

-^^^^^^^S^^^S

P=4t=

si

H

Dr. Madan.

89

Thus saith the high and lofty

One, I sit up - on my ho - ly throne, My name is God, I

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T. S.

dwell on high, Dwell in my own e - ter - ni - ty. Dwell in my own e - ter - ni - ty.

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13

90

'04.

MUSIC. L. M. 6 lines.

Dr. Aine.

God of my life, through all its days, My grateful pow'rs shall sound thy praise ; The song

fit f IS I I i 6 % % 6

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And warble to the si - lent night. The 6ong shall wake with ap* Ding light, And warble to

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shall wake with op'ning light, .11

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6 5 6 G #6 4 3 1

the si - lent night.

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* 6 f.

PILESGIIOVE. L. M.

01

:?jg:p:

---}-— -^-F-f-Q ® — 4—

To God the song

uniph

Awake, my soul, to hymns of praise;

raise

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A - dorn'd with maj - es - - ty

Lord, are

di - T#ne, What pomp, what °!o - - ry,

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92 f76. St. PATRICK'S. L. M. T. A. Geary

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own coo-so-la-tion draw. From what

With humble pleasure, Lord, we trace, The ancient records of thj grace ; And our own con-so-la-tion draw. From what thy servant Moses saw.

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Ml

— aJ-| — 1 — — -i

liif

6 § 57

f63.

6 6 6 56 65 65 6 56 6 6 *> 6 87

4 4 ,.i 4 5 4

WELLS. L. M.

Holdrad.

Life is the time to serve the Lord, The time finsure the great reward ; And while the lamp hold9 out to burn, The vilest sinner may return.

5*6

a

4 6 * 5

3 3 H

6 >-6

4 3

►92.

WOODSTOWN. L. M.

93

From all that dwell below the skies, Let the Creator's praise arise; .Let the Redeemer's name be sung, Through ev'ry land by ev'ry tongue.

From all that dwell below the skies, Let the Creator's praise arise; Let the Redeemer's name be sung, Through ev'ry land by ev'ry tongue.

5— 8 7 6 «q 6 5

3 * 4

2 3

6 7 * 3

,•■84. NINETY-SEVENTH PSALM TUNE. L. M. Tuckey.

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■P-P-Qj Darkness and clouds of awful shade His dazzling glory shroud in state, Justice and truth his guards are made, And fix'd by his pavilion wait.

j 6 7 6 4 Co

3 4 5 3 4 ^

yi

St. DAVID's. C. M.

Kavcnscroft.

To cel-e-brate thy praise, O Lord, I v. ill my heart prepare ; To all the list'ning world thy works, Thy wqird'rous works declare".

k72.

6 5 6

St. J.VMKS'. C. M.

Courteville.

|E?^il^^^§ll^^^§^§ffiSiiliiPgiEi=i^^iEiiSll

How shall I praise th'etemal God, That in-ii - nite unknown ? Who can ascend hi* high abode, Or

In - fore his throne

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6 6 6 7 7 6 S 7 6*50* 0*3677

_r66- St. ANNS. CM. Br. Croft. 95

My God, my portion, and my love, My ever - last-ing all! I've none but thee in heav'n a . bove, Or on this eartlilv ball

illliiilgilSiliiilgii^^i^irSlBI

^ ' ^ 6 6 6 5 6 ~ # ~6~ 87~ " 7 6 ~#~ tjT" ~5 6~6~ '

£88. "HOWARDS. C. M. Mrs. Cuthbert.

Lord, hear tbe voice of my _com - plaint, Accept my secret pray'r ; To thee, alone, my King, my God, Will i for help repair

6 4. 6 8 7 8 7 43 6*6 3 6 6 6 7 6 4. S 7 876 6 546 3 666 7 ~

J fc3 * 4 . # 5 p1. 6 5 4 4 ' 3 . 3 4

06 »68. JOliDON. C. M. Harwood. __

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*-£t=t-5St-,

Shepherds re-joice, lift up your eyes, And send your fears away! News from the region of the skies ! Salvation's born to-day!

►76.

6 C

STAMFORD. C. M.

W. Taosur.

1 ;S^^H±^^^^^^^^^l^^^^^^^ffi^^^^^E^^^^^^^^^^§^^S

The "lorious armies of the sky, To thee, Almighty King, IJar - mo-nious anthems consecrate, And hal - le - lu-jahs sing.

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h34.

St. MATTHEW'S.

C. M. 2 verses.

Dr. Croft.

97

" Let heav'n arise, let earth ap - pear !" Said the Almighty Lord : The heav'ns arose, the earth appear'd, At his ere - a - ting word.

6 5-4- 6 6 B 57 6 6 « 57 5 6 * 76 6 4 S — - 6 4 6 6 5 7

3-2 43- 4 #- 3 5 3 43-

Thick darkness brooded o'er the deep : God said, lt Let there be light !" The light shone round with smiling ray, And scatter'd ancient night.

r.

65— 6 766 5 7

4#— 4 #—

H. & H.

6 5-676657 # #6 6#6 657 m 6 # 43 64 6657

13

98 r

GREAT MILTON. C. M.

Thou art my portion, O my God, Soou as I know thy way, My heart makes haste fobey thy word, And sliders no de - lay.

6 6 6 6 (;7 U 6 •<> 6 666666 3 _ 6 6 6 687

4 5 * 4 4

I choose the path of heavily truth, And glory in my choice : Not all the riches- of the earth, could make roe so rejoice.

ARLINGTON. C. M.

Dr. Artie.

S9

"jesus, ~Tlo7e~tby charming name, 'tTs music to my ear; Fain would I sound it out so loud, That earth and heav'n should hear. ^

#6 3

5*6

i

3

6 56

4 3

CANTERBURY.

C. "M.

'6 6 « 8"

Ravenscroft.,

O thou, from -whom all goodness flows, I lift my heart to thee ; In all my ■ sorro~ s conflicts, woes. Dear Lord, remember m . 6 ♦ 3 iZ. 6 C#r ASK 8? 5 «> 7 */

„ 56

a

100 £84.

St. MARTIN'S. C. M.

O Thou, to whom all erea - tures bow, With - in tliis earth - ly frame,

6 « 6

3

Thro' all the world how" ■ great art thou, How glorious is thy name !

6 5v

►76.

CAMBRIDGE. C. M.

Dr. Randall.

101

Come, Holy Spirit, heav'nly dove, With all thy quick'ning pow'rs, Come, shed abroad a Saviour's love, And that shall kindle ours, And that, &c. And that, &c. i **"" ""'"" Tasto. F. ""'

I ^6. Maestoso.

TALLIS' GHANT. C. M.

Tallis.

O all ye nations, praise the Lord, Each with a difPrent tongue ; In ev'ry language learn his word, And let his name be sung.

5 £ 6*l H 5 l •::*|- IS 7"

102

►92.

NEW YORE.

C. M.

Dr. Blow.

h*±

-m

Hap - - py the man, whose grac - es reign. Where love in - spires the breast ;

3 fi 7

»SS

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Love 19 the bright - est of the train, And per - fects all the rest.

NKWTON. C. M.

T. Jackson.

Come, happy souls, approach your God With new melodious songs ! Come, render to Al - migh - ty grace, The tribute of your tongues

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•■88.

St. GKEGORY's. C. M.

Dr. Wainwrteht.

I'm not asham'd to own my Lord, Or to defend his cause, Maintain the honour of his word, The glo - ry" '"of his cross.

5 « 6 6 6 5 % * 3

66" 7 a

* tr

8 — ,6 5 4, 6 3 3 &5 32

104 f?2,

BRATTLE STREET. C. M.

Pleyel.

While thee I seek, protecting Pow'r, be my vain wishes still'd ; And may this con-se-crat-ed hour, With better liopes be fill'd !

Thy love the pow'r of thought bestow'd, To thee my thoughts would soar, Thy mercy o'er my life has flow'd, That mer - cy I adore.

546 7 9 " 5 » 6 fi 64 " " 6 7 65 6 6 87

•76.

STEPHENS. C. M.

if£?zE=IE

— +-H— «—

Jones.

105

:pxiz

Great God, how in - fi - nite art thou ! What worthless worms are we '. Let the whole race of creatures bow, And pay their praise to thee.

6 7

I ^ „ L . -" ,.,._" "" o rt/%^ Ja.£*/*on£:*;o.-*

5 6 6 56 6 87

I1VERPOOL. C. M.

313

66 6 3 6f 6 87 ^* 5 4

3

Dr. Wainwright.

When 1 with plrasing wonder stand, And all my frame survey, Lord, 'tis thy work, 1 own thy hand, That form'd ruy humble clay.

\EE3B

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zftipzEZZzW-E-^

6 5 6 6 6 37

H. & H.

6 5— 6 6 6 8 7

•itj— 5 A n —

14

WAREHAM. C. M.

Dr. Arnold.

How large the promise, how divine, To Abr'ham and his seed! "I'll be a Gcd to thee and thine, Sup-

6 6 4— — 4

I £j W __^-l_i._^__._U.i-_^ »_| |^-A.| ^-1 p-| ^-J 1 ^.i| 9-\ jjj,-| ^1 I -L- 1 1 1 ^J. I 1 1 A ■ -._

ply - ing all their need." " Til

God to thee and thine, Sup - ply - ing all their need."

Iliiiiiiiiii^Ipiiilliiliiililililiiilill!

,••76.

BLANDFORD. C. M.

If?

T. Jackson. 107

,Jr_&xft_ s„.

Awake, ray soul, arise, my tongue ! Prepare a tuneful voice, In God the life of all my joys, Aloud will 1 rejoice.

6 4 87 3

3^4 6

6 7 4 SI

f7G.

BRAY.

C. M.

87 3 6 6b5 3 873 65667

N. Herman, £550.

To God, our never failing strength, With loud applauses sing ; And jointly make a cheerful noise, To Jacob's awful King ! To Jacob's awful King !

iiSliS^giillseiillK^lliftiffiii

57 66 64 87 657

57 66 64. 27 56 6 4 65*68 6 6 68'

4 3 4 3 45

8 3

108 £92.

Maestoso.

TEMPEST. C. M. 2 verses.

The Lord, our God, is full of might, The winds obey his nil) ; He speaks, and in his heav'Dly height, The rolling sun stands still.

Ifjg f\ PI '

Haydn.

1 ^^^EEK^SSI

IS

*7 *

Rebel, ye waves, and o'er the land. With threat'ning aspect roar ; The Lord uplifts his awful hand, And chains you to the shore. T. S. . ." . . " ~ 7 7 - * - * 7W ~^X fi " 6 "43- fi fi -_6 ~6~7~ "*

b5

•^6 6 - « §7 4. 3

►84.

St. JOHN'S. C. M.

109

Now to the Lamb that onee was slaiD, Be endless honors paid j Sal - \-a - tion, glo - ry, joy remains, For - ev - er on his head.

«nt

66

fc*=c r-

7*6 4. 656 5ta6 667

3 3 43 4 1}

ALDBOROUGH. C. M.

4 6 6,6 7 3 4

V. Novello.

O praise the Lord with one consent, And mag - ni - fy his name ; Let all the servants of the Lord, His worthy praise proclaim.

6 7

4 #

110

,°S4.

SWANW1CK. C. M.

Lucas.

if|gg|=p3^fc^l=^g^

g— ±±±

-■ — 1-»-

L "-I i_ l_l I 1

j|*7

Solo. P.

Soon shall the

glorious

rooming dawn, When all thy faints shall rise; And cloth'd in their im-

ara

**£

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tal hlnora, At - tend thee to the

At - tend thee

to the skies

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2 3

6 6

►80.

Cantabile.

DUNGENESS. (3. M.

Mozart.

Ill

My God, the steps of pi - ous men, Are order'd by thy will ; Though they should fall, they rise again, Thy hand sup- ports them still.

3SS=HzBiHz|zeita=3fc

'.-:

eSISMeESeI

The Lord delights to see their ways, Their virtue he approves ; He'll ne'er deprive them of his grace, Nor leave the man he ioves.

p. ^ N

1l 6 5(

112

►84.

OXFORD. C. M.

Coombs.

I i ^-i^zf lt=^Szt=Efc railS^Eal ifef ^^^S^sis^^Sl^oSj

_s •_ p_«_0.

Kg

While shepherds watch'd their flocks by night, All seated on the ground, The angel of the Lord came down, And glo - ry shone a - round.

— Li—1 -i — LEi— •-- 1 — ■-

on the ground, The angel of the Lord ca /; a. c t'.'i,'. c. r. A A a a ". 1 > a i r. c £ i ,.*-.,-

4 6 6

O^r, 6 6

4 3

•69.

FERRY. C. M.

In all ruy vast concerns with thee, In vain my soul would try, To shun thy presence, Lord, or flee The ncticc of thine eye. ; ^ 1 i_=i 1 i — X — I 1 J- ■ — i — I — ' — I U — I 1 ■-! — '—I 1 U4— | — I— | 1 L B_| — !_- Ll — I ! J-,-

IlliilPilllliilllli^iiipSgPISSlilii1

656 5_87 7 66 50 87 5— 877

•84.

HAVANNA.

C. M.

Dr. Harrington.

113

How rain are all things here below ! How false, and yet how fair ! Each pleasure hath its poison too, And ev1 - ry sweet a snare.

liggliiSlilliiiiiiiiiiliS^^iiSlli

6-7 5 H

3 4

6 5 6 7-&6

*3 ^4

3

6 6 7

"76.

NOTTINGHAM. C. M.

I. Clark.

jjjjjplifzg

Some seraph lend your heav'nly tongue, Or harp of golden string, That I may raise a lofty song, To our e - ter - naj King !

mmmwmmm&mmwMwmmmmmm

^liliiiiiiilliilliiililli^

6 6 5 — 64 ^6 8787 §-'

5 — 6 9 8 6 V~

H. & H.

15

►84.

Allegro.

ASHLEY.

C. M.

Dr. Madan.

115

Salvation, O the joyful sound ! 'Ti3 pleasure to our ears ; A sov'reign balm for ev'ry wound, A cordial for our fears.

12 8 ■;

.5 4*

CHORUS. Assai Allegro

Glory, honour, praise and power, be unto the Lamb forever, Jesus Christ is our Redeemer ! Hallelujah ! Hallelujah ! Hallelujah ! Praise the Lord !

116 f92.

If**;*

TWEED. C. M.

Dr. Carter.

Sweet is the mern'ry of thy grace, My God, my heav'nly King: Let age to age thy righteousness In sounds of glo - ry sing !

* 3 A * x

►72.

PETE 11 BO ROUGH.

C. M.

fsta-

Once more, my soul, the rising day, Salutes my waking eyes: Once more, my voice, the tribute pay, To him that rules the skies !

SALEM. C. M.

117

va - rious months thy good - nesa crowns : How

beauteous are thy ways !

6 #6 4 3 -9 6 ~6 6 * 43 ~ 64 ™6 566 '7

4 5 3 3 4*

The bleating flocks spread o'er the downs, And shepherds shout — And shepherds shout — And shepherds shout thy praise.

118

►76.

DEVIZES. C. M.

Tucker.

-#7*

ray tongue,

Pre - pare a tune - fnl voice ; In God, the . life of

Awake, my soul, a - - ri

45 45

!iiiliyr^iili^IMis|:isyiHeiliii:?!!iilM;]l!

9 2d Treble. Alto. F.

all my j°y-i - - - A - loud will 1 re - joice. A - loud will I re - joice.

4 5 4 3

,•92.

MANCHESTER.

C. M.

Dr. Wainwriebt.

119

There is a land of Vi\ - ing joy, Beyond the ut - most skies, Where scenes of bliss without al-loy, Ir ^undless prospect rise.

SliiiiliiilliiSiilliisiliiteH!

►96.

BRIDGEPORT.

C. M.

L. Mason.

Great is the Lord ; his works of might Demand our noblest songs : Let his as - sem - bled saints unite Their harmony of tongues.

6 6 7

* tj

76 *6

3

120

*84. CLIFFORD. C. M.

iliriiSiS^ffiiilili^illiil^iillil

_ 2d Treble.

;\>~

To Zion's hill 1 lift mine eyes, From Ihpnce is

^-i 1 — *~l 1 1 1— «i ^P-

11 my aid ; From Zion's hill and Zi - on'i '

^^g&^ffitfmz&mgMmgmm

5 6 7 6 5 345 4 3

Voice or Organ,

r22=

God, From Zi - on's hill and Zi - on's God, Who htav'n and earth has made, Who heav'n and earth has made.

iiiSi9iliiriEilipi{iiiilf;iii#ili^'

i "94,

KENDALL. (3. M.

Clark.

121

Tempests a - rise, when God appoints, And mighty oceans roar; He bids the winds and waves be still, And straight the storm is o'er.

;F»T:BT:?4e£-3f-:n-l~*-n— ^-To-p1?-*—

Base. Ad Lib.

o._d q _.

le-H-i-T-i.-

Voice or Organ. 6

£.69.

DEL) HAM.

6 6 7

*-rr C. M.

§ftJ*jsi£;3BqEzxpifa:ffLfc^^

My Shepherd is the living Lord, Nothing therefore I need ; In pastures fair, near pleasant streams, He setteth me to feed.

H. & H.

16

COLCHESTER. C. M.

Williams.

^EE^-^zzg|^|zc^Si^^^i^|^:^^"J^z|c|j

-©- -(O-

Lord, in the morning thou shalt hear, My voice ascending high ; To thee will 1 direct my pray'r, To thee lift up mine eye.

iilliliiliill^ilillisllliliililliililili

•88.

MEAR.

6

C. M.

O, 'twas a joyful sound to hear, Our tribes de-vout - ly say, Up, Is- r'el to the temple haste, And keep the les - tal day.

I iz#sZzpj:_~pj^r^irzprTQj^

i

►88.

ABINGTON. C. M.

Dr. Heigbington.

123

if x~ "^ T^"! — Fd" — 1 — T 1 — T — r 3~-d"~l — T — " — 1 — ^~j~i~" — ~]~ T'^^— ~ — }— — i—T -^t-j

I— U — s *i — I

zezzzlziztzgzzzz^zizlrdzd

:rzzzizz::

from the world, O

Lord, I

flee, From strife and tu - mult far ;

i*

^SEEES

4 3

..-1=1

.1

6 5

~#.

© r

pJizzz?— izlzz^zdzzzlziz^zdzizz d^±zzz§zzzz

From scenes where sin

wag - ing

sue - cess . ful

66 "~ 65 Q~ =

^EEEEl

124

y?2.

ORENBURG. C. M.

i @--i? — *— j — g r — f ~ — ?- ^♦--f — r~* — ~* — t — gj~~l — *z~

,b=±:t-P=J=

*=1=R»=

Haydn.

;in, my soul, Die lof - - ty strain, In sol

ac - cent sing,

>-- i — ,

4.5 5— 34.6#6

4 3

1-.— r-T-^=n-

II 41

I ±4- ' — I [_ J t- — 1 — 1 «« — 1 — P J_P— [Z— J —I — U L l [^Q i. 1 iJ

sa - cred hvmn of

srrate - • ful

uciph - ty

!:92.

MELODY. C. M.

Leach.

f£3

m-

S'^pZJ—

y

Come,

let us join our cheer - ful songs, With

an - gels

— r?» j» — t ;

™nd the throne

rfcfziizElEEiz

_E_2_iZ i

^S

ill!

:_t_i — p — i — i — P-P 1 — i — p — :

L£"_ #»it_"tft f'- q|»

Ten thou - sand

g-d

thou - - sand are their tongues, But all their joys are one.

.p_tP — I— p-L— ■* — P — -* — P— I— P_p 1— y,Ef- — P 1 1

e

_P:

6* 6*6 3

1*6 »G6. LONDON. C. M.

Dr. Croft.

IM^MM^M°^M%USUM§M^MM^^W^M

%

Plac'd on the verge of youth, my iiiind Life's op'ning scene surveys ; O'er all' its ills of various kind; With awful fear.' I gaze. 1

' 8 8 .

WALNEY. C. M.

6 5667

Dr. Boyce.

his strength rejoice! When his sal - va - lion is our theme, Ex - alt - ed be our voice.

liigEiiiglplliilllfiilplp-llliliiiiili1

7 5 6 4 6 5 66~ 7~ ' 6 ~3 ™4 6™ 4 ~ * 6 65 6 4 6 "4 "~ 6 7

Sing to the Lord, Je - ho - van's name, And in his strength rejoice ! When his sal - va - lion

3 5 43

fr92.

ARUNDEL. C. M.

127

Jfc*2

All glory be to God on high, And on the earth be peace ! Good will, henceforth, from heav'n to men, Begin and never cease.

Irr^^zziziJ^^-diiSzrT^izzTpJJz-Tr&z:

>76.

SI 3— *« 6 6 87

ROCHESTER. C. M.

God, ru}" snp-port-er, and my hope, My help for - ever near; Thine arm of mercy held me up, When sinking in de - spair.

#n 1 — 1

*» s*-3 a r n J±e. e, 7 fi a. ..--■■

6 5§

3

128 f80.

Maestoso.

CHRISTMAS. 0. M.

Handel.

-I- L-«--F — -

»--

A - wake, my soul, strelcii ev'ry nerve, And press with vigour

% 6 6 87 3— 6 + ~ * C « 67 f5 S— 6 5 9 8

race de - mauds thy zeal, And an iru - mor - lal crown. And an iru - mor - (al crown.

6 7 *— 3—

6 5* 3

6 4. 6 5§7

►66.

YORK. C. M.

John Milton, father of the Poet.

129

Thee we adore, E - ter-nal Name, And humbly own to thee, How feeble is our mortal frame, What dying worms are we !

«l-

►84.

BRADFORD. C. M.

Handel.

iR^s^mg^ni

:*«

I know that my Re - deem-er lives, And ev - er prays for me ; Sal - va - tion to his saints lie gives, And life and lib - er - ty.

67 5 6 7 7 6 7#6 6 7 7

H. & H.

17

130

£92.

Con. Spirito.

BRA1NTREE. C. M.

la God's own house pro - nounce his praise, His grace he there re - veals :

heav'n your joy and

con - der raise, For there his glo - ry dwells.

liiiigliiiiiliPlililliiiiilPilHii

6 6 57

,•"84.

Moderate

BEDFORD. C. M.

I

ISP

W. Wheal!.

131

Lord, thou wilt hear me when I pray, I am for - ev - er thine ; I fear be - fore thee all the day, Nor would 1 dare to sin.

===a&=B==El== £fcar: JtSfcS ~d±Eb z to: lip:i:§it:i~=:E:t --:E:i:a:±E:ei"=:E:tE£rd:i~1i£

e 5 fi

3

£72. Affettuoso.

6 5#6 4.

3

MEDFIELD.

6 56

4

3

0. M.

Mather.

iiP^S^^imi^S^^^iife^^^^liSi

«!im--z-i:;-i:

It

In early morn, without delay O Lord, I seek thy face ; My thirsty spirit faints away, Without thy cheering grace. ChiILCi.~"ZuJ.'J^~ "M. 1 i— — X'ffi 1"!TJ — ~I ffi'l'ff ~ Tl S"fi£iP*I.aS"^_??*X liZm — X~0 ' "Til — i I"77T*~~--T"~1B1T

6#6 3i 64 4, 2 3

3

133 f66.

DUNDEE. C. M.

Scottish.

Let not despair nor fell re - venge, Be to niy bosom known ; O give me tears for oth - ers' woes, And patience for my own !

#6

4> 'J,

hGl.

6 5-^7 87 5 6 87

BARBY. C. M.

Hope looks beyond the boonds of time, When, what we now deplore, Shall rise in full im - mor-tal prime, And bloom to fade no more

6 6 — 6 7

6 C 6 56

3

f»60.

Grave.

WINDSOR. C. M.

(*. Kirby.

133

My God, how many are my fears, How fast my foes increase .' Their number how it mul - ti - plies, How fa - tal to my peace

5*65-^7 87

"U# Lamentevole.

.7 #

BURFORD.

C. M.

Purcell.

^te^^^gpgji^il^ppl^^p^-flfff^i

:J?" &.Q. ^%~&.d~ ®i _

:n:iipzid:S_:ojge:s;diq

m

i&

Dark was the night, and cold the ground, On which the Lord was laid ; His sweat like drops of blood ran down, In ag - o - ny he pray'd.

6# 5#fi 3

— * S— 6 # 6 76 S 5#6

# — — 6-#6 6 6 87

3

131

r30.

CI10WLE. C. M.

Dr. (ireeu.

* Life is a span, a fleeting hour, How soon the vapour flies! Man is a tender, transient flow'r, That e'en in blowing dies, J

§g--iiTP-o~»T"-z:irt:4-~i izj -j:ilzil~x;~zz9:i-n:3zpir:~iQiazziz:rzq xrz i z~-iip s .ri.zj iztzziriz |j~

6 i»n *

3 f60.

fT-ft— ■» — i-

* #6 6 #6

4 *

3 3

St. MARY's.

C. M.

snmnmmi

Lord, what is man, poor feeble man, Born of the earth at first ? His life a shadow, li^ht and vain, Still hast'mng to the dust.

6 7-

4 5- 4 3-

6 3

6 5^6

,•60.

BANGOR. C. M.

Ravenscroft.

135

- kamentevoie. _

iiii^iiifeii^iiii^ilpeiiii^i^iiio

Hark! from the tombs, a doleful sound, My ears at - tend the cry; Ye living men, come view the ground, Where you must shortly lie.

- 5 6a7

5^-6 6^6 6 5 7

Ifft*.

*-60.

*- 6 #6 4 3

FUNERAL HYMN. C. M.

#6 8—6 6 6 87 * 3 3 * #-

3

Dr. Miller.

paii^^iS^iSES^^^iiilgSffi

rrElEi^t^rJzctczcip

The righteous souls that take their flight, Far from this world of pain, In God's pa - ter-nal bosom blest,

For - ev - er shall re - main.

^g^gpiarp^giip^^^^^ggp^^^^^l^^^^^

6 #6 4.

3

#6 6 #§ 3 £- #

5 * #4.

3 2

136 f66.

If*

BETHER. C. M.

Dr. Howard.

Return, O God of love, re - turn, Earth is a tiresome place; How long shall we, thy children, mourn, Our absence from thy face'

h80.

6 -kfi 5 6 6 5 H* 43

WANTAGE. C. M.

6 6 fe6

^^mmmmsnim^m^mmmwm

i^_=

II*-

III

s-,-1

^^BBasais^BBBa

Now 1 forbid my carnal hope, My fond desires recall ; I give my mortal interest up, And make my God my all.

gi^p^ga^B^^^i^p^a^i

3

3

••80. Tenor and Alio.

PLYMPTON. G. M.

Dr. Arnold.

137

Tenor and Alio. 1^- I —j /^~^

Now let our droop - ing hearts re - - vive, And ev' - - ry tear be dry!

'6 765 * 3

#2

-J.

rftAzg-g^ziz^g—^

~-Z$i — 'ir p r — ~ ~ — *"i^f~' i IrJ'^F— I^F^¥i5"~ll~" — '•""""il"^'"' — y — "T~^!^P~T~e3^~-iB^:"f'^~^'*^— TIT

-"- — — t— — fca -I — ■ 1 ' — I to~l ' * 1 — 1 ■••* — h— —— 4- P ' — -*- »- 1 ** — — — I — ' J-~ JJ

Why should these eyes be drown'd in grief,

Which views a Saviour nigh ?

H. & H.

76 ~ 6

18

6 <2 I

4 *

138

►66.

St. AUSTlX's. C. M.

-#n=-ti

Wm. Horsley.

^TdTd^

-#~r — t— r

h*©-H-+#!=

Behold thy waiting servant, Lord, De - vot - ed to thy fear; Re - member and con6rm thy word, For all my hopes are ther

-#-c — i

ii&lil

*d:

iiiiiif]liisiiii=iii

6 #6 4 3

►66.

l)iLt_U-4-#«

76 6 6 5 #

ELGIN. C. M.

6 9 8 6

lil=Siliilil:lifigi-^l5:iSiiEiiiiI

I

ruiP i:» P-

That awful day will sure - ly come, Th'appointed hour makes haste, When I must stand before my Judge, And pass the solemn test.

f>84

WORKSOP.

(3. M.

mind, Our heav'nly Friend is nigh ; To wipe the anxious tear that starts, And trembles i

To calm the sorrows of the mind, Our heav'nlj Friend is nigh ; To wipe the anxious tear that starts, And trembles iv

139

the eye.

£i3°S

5^6 5 7

17 5

3

6 6 87 4 ^—

7 5

§5

6

6 8 7

f84. HASELTON. C. M. I.Jackson.

fliiilS^iSliiiiiiillggiiliBIllil

Help, Lord, for men of virtue fail! Re-li - gion los - es ground ; The sons of wickedness prevail, And treacheries

— r — »,"

rgonii-jL

a - bound. ZIQ-Iisif

32 3

6 65

5 6*£ 3

r_ 5_i| _j?jfiiig_ ,— i

"fT ~ 6^6

E=Szzti

87

140

►92.

WALTON. C. M.

Dr. Thos. Busby,

irfe£

A - wake, ye saints, and raise your eyes, And raise your voic - - es high;

^lilliiiillPgllpiSiPiiiilillilSMIS1

Second Treble. ^ — x Alto. — -^ ^ — v ^ — ^

A - - wake, and praise that sov1 - reign love, That shows sal - - va - tion nigh.

68 7 43

.•60.

WALSALL.

C. M.

Fnrcell.

141

§^#liii^iiiiiiESiiiiiSiirig

iiiliPSiiliirfiilil&liiliiiiilSi

Rebuke me not, O Lord, for-give ; In mercy O reprove ; And in thy mercy grant re - lief, Nor cast me from thy love

m^Mimm^mmMmmw^mm^^mm

#6 6-* 6 56*^-5 -6557*6 6*f 4i U 4 4

3 3 3

f84. COLLINGHAM

C. M.

C#6 6 6 6 8 7

* 4, #-

3

1. Jackson.

.z^iJEli^&S^slriJ^&^teSd^^^^^Szi^^^^i^ld*

pfe|S|^i|?§Egi

— H+E=e-

Bv I'oTeiern streams that murmur'd round, While captive Israel niourn'd, Their mind was free — their thoughts unhound, Were still fwards Zion bound.

!-©}P-f3-z

mm

.llgpillilli^^lliilliigllliliElSlili

9 6 +J6 tj 7 fj6 6 6 5 6— 6 6 6 7 .§2.- 6tj6 65 6 6 6 6 6 6 5?

143

f89.

FARNS WORTH. C. M.

V '

O my God, My wak - ing thoughts at - tend;

NE3Efc li — z=2zz E:

r#=i=l.

^r=p=--^-iz=^=3z:p-Tzz-zz-gizpg==H=f==^]

M

1" ">ee are found - ed all my hopes, In thee roy wish - es end.

f80.

CHRISTMAS HYMN. C. M.

Wm. Jackson.

143

While shepherds watch'd their flocks by night AH seated on the ground ; The angel of the Lord came down, And glory shone around. ^ o 98 6543 469 §" 8 7 ~6 5~ ~~ H~7~ ~6~J~ 6 6 "

*3 65 43

s#d* — -1-

-£_#-_ _

" Fear not," said he, (for mighty dread Had seiz'd their troubled mind,) " Glad tidings of great joy I bring, To you and all man - kind."

"*- 7 R S

dzdtz&ztei

7 6 3 6 6 7 ~ " ~6

5 4 3 4 a.

%7 6

§7 65 65 43

141

HUSH.

C. M.

A. Williams.

Now shall my inward joys arise, And burst in - to a song; Almighty love inspires my heait, Aud pleasure tunes my tongue.

^Z^'rlTg J f * ■ -■ r "*!•■ ~* [J -t 1 L»>_.*l„Jl^[rrrT|iqrTr~,{rT- "p^ ' -"^M^'Crl — M"~ ~ ~t°*-

4.6* 66 3 4.6 7 63656 4. 65— 64. 6667

3 3 4 3 3 3 4 3—3 4

•■80.

CLARENDON

0. M.

I^FpfrTii'iWif' rigg,1jg^=fcsj=:^^^ip^|gi

What shall 1 render to my God, For all his kindness shown ? My feet shall visit thine abode, My songs address thy throne.

'" .•5~2~8=T: ~6~*" ^T 4 66 -B6 7T~6 6 7

87654.1 * 5 3 *

iilS

f86.

WESTON FAVEL. C. M.

W. Knapp.

U5

^i^ii^^iSffi^SilH^^iiiliia

MgpEZF^1-

>ZZz2r-t--Z

iiiii;iiiiii^i^iliPii=i^iisigii

Come, let us lift our joy - ful eyes Up to the courts above, And smile to see our Fath - er there

4 43 4 # 6 4 6 4

Upon

a throne of love. And smile to see our Fath - er there Upon

throne — a throne of love.

*y g~# — :t "~i~~r~ j"T ~! — r~]~ — r:~ri"id — t:9 t rr — t"® — i~t v~ — i:e2-z5'i;jzzjzd:x:z~"2— :izzi3i~

H. &H.

19

146

FOUNDLING.

C. M.

I. Scott.

riili:lpiIilltiffp?]?i'Hi#ilpfi^lil§H'

The Lord himself, the mighty Lord, Vouchsafes to be my guide ; The shepherd by whose constant care, My wants are all supplied.

IliiliiiiliJiilSHlrlgglSflliyMfl^lli

it-q*

►69.

e« 6 7 »; r

3 R

CHELTENHAM. 0. M.

Kavenscroft.

My God, my everlasting hope, 1 live up - on thy truth ; Thine bauds have held my childhood up, And slreoglhenM all my youth.

* 3-

6 5 6

4 3

# $5 87

•84.

iL Second Treble.

COMPTON. C. M.

Dr. Croft.

147

Raise thee, my soul, fly up and run Thro' ev'ry heav'nly street, And say, there's nought below the sun, That's worthy of thy feet.

►92.

ASYLUM. C. M.

Wm. Horsley.

Thee I'll ex - tol, my God and King, Thy endless praise proclaim ; This tribute daily I will bring, And ev - er bless thy name.

148

GENEVA. C. M.

J. Cole.

:§z:l

When all, kc. My

When all thy mer»ies, O my God, My rising soul

Ilii

When all, &c.

r

When all, &c. 6 5 5 7

8

3 3

,. s. Trans - port - ed, &c. In won - der, &c.

Trans - port - ed with the view, I'm lost In wonder, love and

^i^ilgiiiliigiiPliiPllillili^

-lazsri:— a

Hi

m

use.

110

Trans - port - ed, &c. 6

6 7 8

♦ 3 3 3 3

f50.

FUNERAL THOUGHT. C. M.

Smith.

149

Hark ! from the tombs, a doleful sound, My ears at - tend the cry ; Ye living men, come view the ground, Where you must shortly lie.

►84.

# # EVERSLEY.

# C. M.

#

Dr. Naves.

My soul arise ! shake off thy fears, And wipe thy sorrows dry ; Je - sus, in heav'n thy witness bears, Thy record is on high.

=S^ll^^MWIi&i^WiMiMMM&iW^^umM

hco.

150 f

CAROLINA. C. M.

Coombs.

turn, O God of love, re - turn, Earth is a tire - some place ;

Re - - turn, O God of

6 #K

3

we, thy chil - dren mourn, Our ab - sence from thy face.

How loner shall

65 #6 t>#6

• ♦ 5 A

3

►84.

HUDDERSKIELD.

C. M.

Dr. Mad an.

151

firm

anchor

My hiding place, my re - fuge, tow'r, And shield art thou, O Lord ;

,. s ^-^ ^ — ^ Second Treble. Alto. F. , — „

all my hopes, On thy un - err - ing word, On thy un - err - ing word.

* ~3f 6 "" " §1~" "voice or Organ. " % 6~ \ 6 £ 7

152

h80.

BROOM SGROVE. C. M.

iilpiiyiiiiHPIIIiillfifil

O render thanks and bless the

Lord ; In - vokfc his

holy

name, Ac - quaint the

67 6Di

6 5 * .

tr-

;iillif;^liil^i|iiillllfiii HlBi

nations with his deed6, His matchless deeds pro - claim, His matchless deeds pro - claim.

5 6 6 P

* R

3

f88.

Allegro.

SILVER STREET. S. M.

I. Smith. 153

ft:

Come, sound his praise abroad, And hymns of glo ry sing' Je - ho-vah is the sov'reign God, The . u - ni - ver - sal King

57 6*>5 656 6*6 687

6 5 4 3

Assai Allegro.

r' " . F. .a^ F. F. — s

ah ! Praise ye the Lord! Hallelujah ! Halle.'ujah ! Hallelujah! Hallelujah! Praise ye the Herd!

p. ^ 1^.

g£-t---^*-i*"-"iL-3: —

Solo.

Tutti. Unison. Solo.

H. & H.

Tutti. Unison.

20

154-

►96.

PELHAM. S. M.

fiint'ilini.

!ASr<

rllliliipiPilliiIiiiiilii;illlil5iiliilliii

My soul, re - peat his praise, Whose mercies are so great ! Whose anger is so slow to rise, So ready to abate.

!AS===3:(

»-«-ri»fe

lT h£*s;

r. X

High as the heav'ns are rais'd, Above the ground we tread, So far the riches of his grace Our highest thoughts exceed, Our highest thoughts exceed. - - - - - UnU(jn ., K s — y

^- 7—6 5 6— 7 6—5 " 5 6 I 1

* a *— •— 4.-3 3 4 #

6 6 6 7

!;88.

MOUNT EPHRAIM.

S. M.

Milgrove.

155

Your harps, ye trembling saints, Down from the willows take ! Loud to the praise of love divine, Bid ev' - ry strmg awake !

ias

-hfeh-E

h84.

•fe-6 8 7 5 6 3 6 7

n4 ti— * tT 5 3

3

WESTMINSTER. S. M.

6437 3 6 6 7

Dr. Boyce.

3C#*

iold the lofty sky, Declares its Maker, God ; And all the starry works on high, Fro - claim his powV abroad !

gSE&SEfeaE

7 ' "656 * ~ ",6 4, If ' 5 8 7

156 ,»76. St. THOMAS. S. M

A. Williams.

| -"* -B--

; & i ■

zzjzizzizzipiiiz^Tdi— pziipzzpiizpzsjzpjzz: i2i|zi|i:i]~zi-^i)zq^iz==Jzdi:d=zzl:iz=|=ilx==l:a7

EzMzrz^ijiizrl^^

4-r—

High as the heav'ns are rais'd, A - bove the ground we tread ; So far the riches of his grace Our highest thoughts exceed.

-- — n i. fcv ©- £ ( jj _l ^_ _^"^ _

6 6 6#6 67 8 76 7. 6 5 6 6 6

4 4 4 5 654 5 43

p-72. DOVER. S. M.

"T.rt t 1 I __.— — -^

5#6 3 6 8 6 7

4

3

Great is the Lnrd our God, And let his praise be great! He makes the church his blest abode, His most de - light- ful seat.

nzzfezt

5tr6 3

6 8 7

4 to-

t80.

EASTBURN. S. M.

Harwood.

157

God, in whom I trust, I lift my heart and voice ; Oh let me not be put to shame, Nor let my foes rejoice !

M

«f

*80.

* 6 9 8 6 5

3 _ 764*

CLAPTON. S. M.

4. 6 5— 36 —

Siiiliil

7 8 — 6 6 6 7 33 4,

Jones.

^. iviaesioso. f-*^ /— ^

-P— !*-f- d ' •' — x ^ — ^ ^~~» -&*- 1 <~i*-

Thy name, Almighty Lord, Shall sound through distant lands: Great is thy grace and sure (hy word; Thy truth for - ev - er stands.

i im u.-iinu, njLuigiiLy bum, on. m mjumu tuiuu^ii umiaui lauus : v/tcdi is u.

Tasto. Unison.

Tasto. Unison.

, s _, s ^ s z@z ~P-£z£z£z .©-

"P 7

"9-J 6 3 5 £ 7

158

f»76.

SUIRLAND. S. M.

Stanley.

8=5ziJ:&gH:=zf:rfiJ=^

Behold the mnrnirie sun, Begins liis glorious way ; His beams through all the na - tinns run, And life and light convey.

[si-

76.

6 5 0 6 5 \'oice or Organ.

ATHOL. "* S. M.

Rev. R. Harrison.

How various and how new, Are thy com - pas - sions, Lord ! Each morning shall thy mercy shew, Each night thy love record.

6 56 87 6 7

►84.

SUTTON. S. M.

159

E^zEtz:

iillil^illiiEii^lsEi?iiESlili!

iliillfeSi^iiiiiillriftie

Maker and sovereign Lord, Of heav'n and earth and seas, Thy prov -i - dence confirms thy word, And answers thy decrees.

6 f

84.

£331*13

6 6 6 5

4 jq.

BEVER1DGE. S. M.

A. Williams.

— i—

Welcome, sweet day of rest, That saw the Lord arise! Welcome to this re - viv- ing breast, And these re - joic - ing eyes.

7 4 4 6 2

6 56— 43 464 4666

5 2 3 3 4 3

i60

ELYSIUM. S. M.

Arnold.

He leads me to the hills, Where saints are blest a - bove, Where joy like morn - ing

Voice or Organ

' 2* , 1 1 x * — i — d — i — izEzfct — b — f — b C — 1 fe-i — o — tt_

.j* — »_-.« a—

dew dis - ti

love. And all the

sir is love.

I I I o »•

7 . 7 6

5—5 5 5 4

I — 43 4

2 2

=1

6-

►80.

MORNINGTON.

S. M.

Lord Mornington.

161

rs

My gracious God, how plain, Are thy di - rec - tions giv'n ! O may I never read in vain, But find the path to heav'n.

66687 6 6~~ S~6~ ~ 6—- <F 4 3~ * 6 i~ 65 6 5~7~ ~" ~

4 4 5 3 3 4.

j*88. THESSAL1A. S. M. Holt.

See what a living stone, The builders did re - fuse ; Yet God hath built his church thereon, In spite of envious Jews.

llllillgilligSilWii^^pilHSli^

6 6-67 D w- 5 > y 7 b * 6~6 6 -

H. & H.

§1

6 6 fc,

5 4, «

163 |*76.

INVOCATION. S. M.

Lockhart.

Come, Holy Spirit, come, Let thy brisht beams a - rise ; Dispel the darkness from our minds, And open all our eyes !

,•88.

FAIRFIELD.

S. M.

R. Harrison.

Let difPrine nations

To celebrate

thy fame ; And all the world, O Lord, com - bine, To praise thy glorious name '.

* tr

^76.

BLADEN BURG.

S. M.

Gersnau.

163

Exalt the Lord our God, And worship at his feet ; His nature is all ho - li - ness, And mercy is his seat.

•7C

4 3 6 5^-6 3

6 8 7

5 tj~

OROYBON.

S. M.

German.

The God Je - ho - Tah reigns, Let all the nations fear ; Let sinners tremble at his throne, And saints be humble there.

6 * 5 -q-6

3

6 7

- tr

6 6 7

5 tj

7 5 6 5 8 7

164 f88.

Con Spirito.

NORTHAMPTON. S. M.

T. Clark.

F. y, Heav'n with the echo shall resound,

Grace : 'tis a charming sound, Har - mo - nious to tliu ear ; P. Heav'n with the echo shall re-

_ v~"' v — "©" v~— * v— * v— -' v~— ■ * "* v — Heav'n with the echo shall re - sound, ......

6 g Z 5 ? § F § -5 1 5 6 7 S § Heav'n with the echo~shall re-

6545 65*3 43 4 3 6 6 6

Heav'n, &c. T. And all, kc. F.

sound, with the echo shall resound, And all the earth shall hear, And all the earth shall hear. And all the earth shall hear. Heav'n, &c.

l^za5szrz:i:sz*zzzz::izpz:|ZZziZT:zz:zz:^i:zp:^"*:izzfc

sound, 6 6

And all, &c.

And all the earth, And all, he. 3 6 5? 6 6

►80.

WATCHMAN.

S. M.

Leach.

165

ir^fiiiiiigliiiliiilisiiiii^iEiiii^

My soul with patience wait?, For thee the living God ; My hopes are on thy promise built, Thy nev - er failing word.

IlliPl^ililiiSiiliiliigili^ii^lii:!!

6 5 6 7

,•60. AYLESBURY

S. M.

6 4 6*6 3

6 5 6 6 7

Dr. Green.

If

_ -:jz_c_p_|i::tc-|zz^;t._.'3-C-i — Ct:p — :i:c:.J-p_ci|_zn:-.c_l-,i_p_i:_:pzx.:_ziipzz^: — tui^-^z^i — jj_

From lowest depths of woe, To God 1 send my cry : Lord, hear my sup - pli - cat - ing voice, And gra - cious - Iy re - ply !

$5 6

166 J

I

>80.

LITTLE MARLBOROUGH. S. M.

To God, in whom I trust, I lift my heart and voice ; O let me not be put to Bhame, Nor let my foes rejoice !

fl.-fifcz.

f80.

Grave.

■&G 6

DUxNBAR.

S. M.

Corelli.

iiigiffiEgSSLiEE^EaBi^^g^a

! ii — ir-9 e-.

"?<

When ovimhelm'd with grief, My heart within roe die?, Helpless and far from all re - lief, To heav'n 1 lift my eyes.

•60. YARMOUTH. S. M. Dr. Wainwright. I67

■&

For my desponding soul, What comfort shall 1 find ; Where is the sovereign healing balm, For an af - flict - ed

^g^^=gpg^|^Egggggg^^ig^grggg|^

■fe6 6 87 65 -q-5 6

••60.

St. BRIIJE's.

6 5fi

S. M.

6 ^b~ S"8~7 6~5 — -3-6 66 6

3 M 3 M

Dr. Howard.

Lamentevole.

And must this body die? This mortal frame decay? And must these ac - tive limbs of mine, Lie mouldVing in the clay?

17 5 6 # 87

168 If?

►92.

PECKHAM. S. M.

Isaac Smith.

How pleas'd was I to hear Tbe friends of Zi - - - on

say,

iir m

iTIr

m

Now to her courts let us re - pair, And keep the sol - emn

7 ^"fi'^ifi ' 6 " 6 5 — — r ~~ 6 6 5 7

ElEjtt

6 #6 3

,••76.

ERINCETON. S. M.

B. Jacob.

Ifi9

Blest are the sons of peace. Whose heart? and hopes are one, Whose kind designs to serve and please, Thro' all tru ir actions run, Thro' all, &c.

llgiililSiSiiiieiiSiiSliiipiSillii

4656 6 397805 4 6 6 ^ Tasty. Solo. I -©" 6 % 8 7

•88. FROOViE. 8. W. I. Husband.

Ye saints, in concert join. Your tuneful voic - esraise^And celebrate in songs divine, Your great Creator's praise. Your great Creator's praise.

g^iJi^HEEEztil^JEit^

H. & H.

6 6 6 7 23

Voice or Organ.

I/O

^C8.

BOXGROVE.

L. P. M.

Ganthany.

[liilillllillililjg^gillifpiilliliil

-Tp--©-T-Q— --T_-— --,-,--,--,-— P-t-9-d=i^-5-j

£3=

i^p, e s — i 1

Ye saints and servants of the Lord, The triumphs of his Dame record; His sacred name for - ev - er bless, Where'er the

87

6 #6 ♦ >1 6 5 6 « 5 7 * 4. i#—

3 3

sun displays His ris - in; beams or set - tin? rajs, Due praise to his great name address. Due praise to his great name address.

J=?I^giLilrlpllilSllilillilili!iii@ili ^llil^lIiiiiillillPfiigililiailliilp

■"00.

MARTIN'S LANE. As 113th.

Dr. Arne.

171

zzzt

.ii*U~jJ—

rf=?zirf zdz'M-k~--z~li^:l tB£—^zh^zzz^z:h^zz4zi :E5

i pz=itzE=t:d— ?:f l=±Kztrt

:p— :

I'Jl praise my Maker with my breath, And when my voice is- lost in death, Praise shall em - ploy my nobler powV

i £EZ^fez^zf:E~2-x:pzz&:|:izj~dz4Ejr^

56 65

4 tr—

My days of praise, shall ne'er be past, While life, and thought, and being last, Or iin - mor - tal - i - ty endures.

-A T . T— i — | 1 — | — 1 _ 1-- r— I — i 1 — 1T , (©t© a r— I 1 1 hT© T~i i-t — I a~

172

L. P. M.

Jennings.

2zzirf§zi:i:§E:?

E^iSifeSliifefe:

$£?— -zi--.ozv.oz— t— PzPipip_vz&iti±?:=p=p=izpz©— ©ZTzprsz=©=T^p;T-~z-=rzi-~z»Tar»spi:D:i

§1 Eg! £i=£gS^^^gS^=S3^=3^^^^^i3

Let all the earth their voices raise, To sing a lof - ty psalm of prsis«, And bless the great Je - ho - vah's name!.

~ 6 6~5 6 " 6 6657 -164 6 7 "

43 554#„ 33- 4

His glo - ry let the heath - en know ; His wonders to the n

j iEgEE^|EEIEEEgEEi=|EEJ^E£g|p||j

=; 4.

£72.

Andante.

NEWCOURT.

L. P. M.

H. Bond.

173

iiiiiliillii^iillliJilPJiilsllilSJiii

Great God, the heav'ns well order'd frame, De - clares the glory of thy name ; There thy rich works of wonder shine :

li-e

6 5 6b' 43 6

hd 8 6 6 8 7

n4 3 33 5 4 tr-

3

^ — I 9 — 9 — -P •9— I — P^ — £ — | — ■_ U_ _ ^~9— P— p— tp-T-6 P -"-i — ip_si--P — D--I— 1— L=m»1-_ | — J j

A thousand star - ry beau - ties there, A thousand ra - diant marks appear, Of boundless pow'r and skill di - vine.

Voice or Or:'an.

I » i

i

I % 9. I

I' i i 1

i ? i * %

* i * I 1

-

:••:

172

•■84.

St. HELEN'S. L. P. M.

Jenni tiers.

I ^2zzih:l§zl;l:§z§:T:azz ?iz§zr3u=Tzzz3zzpziz?=±^=rt^=^:£u3^1:fiJz?tl=§z±izzztE©zr©:£-©:J

flZEzlEzSzfeEzIz^

Let all the earth their voices raise, To sing a lof - ty psalm of prr.is«, And ble6s the great Je - ho - vah's name!,

jjg^EE:£r=2zjzpz-i:e— zf=g~ z^zi— ^

6 57

#—

•16 4 3-

jf=|i^pgj^^fp'-4ffi^j,0~| ' FffJ^^gEEEgJEipgi

His glo - ry let the heath - en know; His wonders to the nations show; And all his works of grace pro - claim!

t:z:' l i

■

In'"

HI !

LTZiZi: I i

t£5» ••

I

1

I !

... : • ■

■c • 1 t 1

li ■ ■

-

I

£72.

Andante.

NEWCOURT. L. P. M.

H. Bond.

173

! §1 — z — * — i — « — E-i-E — 5 — -j — t_i — j — qz — p_i_pzzp — t-j-^-i-5—- — z—^-^-iip — p_ pE

pllpl^iiii^iIIiiEliiil^=iiiiii"iSl

Great God, the heav'ns well order'd frame, l)e - clares the glory of thy name ; There thy rich works of wonder shine :

■fe-6 S 6 6 8 7

n4 333 5 4, 6-

3

f 1 9 — 9 P 9— — P— — 9 — I— -J-LP-jp-^— P— p— tp-T-U P "-I — fep— fcp--P— -L — I— P-CimP— 1 — 3 J

A thousand star - ry beau - ties (here, A thousand ra - diant marks appear, Of boundless pow'r and skill di - vine.

Voice or Orcan.

I 1 I I I

I I i I 1 » I i

*?* £92- KEW. C. P. M.

])r. Randall.

7 6 * 6 e. "« a «" «~«~

^~24ip:

'" ___The i^ul D'°rn' "'J God' is come, That calkTme "TThy" "jW'd" do^e^Th^ pre^cT" To a - do'r^

6 tr<i 6 6 6 7

6*3 663 63 6 5

3 5 5 4 3

.•76.

RAPTURE. C. P. M.

Harwood.

175

If^rto^

ft**

! & —

:=££

tzgitoij-!

Ee - gin my soul, th'ex - alt - ed lay, Let each en - rap - tur'd thought o - bey, And praise th' Almighty's name!

5 * 6 6 s:

6 tj6

6 7

4. 5

4

Second Treble*

-S-y-T-© 1

Lo ! heav'n and earth, and seas and skies, In one me - lo - dious concert rise, To swell th'in-spir-ing theme.

Voice or Organ.

5 - tr§

b5

176 £i

A1THL0NE.

C. P M.

German Air.

jli!liiEliEiIliiePiliiiiIlIi^iliillIi

O Thou that liear'ft the pray'r of faith, Wilt thou not save a soul from death. That casts itself on thee?

f^PIB^gBi^^lPii— ^Bia

1 have no refuge of my own, But fly to what my Lord hath done, And Buffer'd once for me.

|*88. B1ZANTIUM. C. P. M. Dr. P. Hayes. iff

_T-Q _p_T_s m- r-e— n-Ti^-arP^I^S— "P^^f§_IZzE— 3

The Lord th'e - ter - nal sceptre rears, And nature's pow'r ob - serv-ant hears, Whate'er his will en - joins:

•xzaiizpziz-zzzzizz 2~zp.tJ:-ezzpzipiaa:;pzi^*zii~^:p^fe_i:zz_:

rears, And nature's pow'r ob - serv-ant hears, Whate'er his will en - joins :

4, ~ 6* 6 4 664 _ 4 6 6 5 5 6 6 7

3 3 3 3543 * #

His head with purest splendors crown'd, With majesty he vests him round, And girds with strength his loins

—szizazz Bz ipzsVdzi -- — ,

Hi=

H. & H.

23

6 5 8 7 5

4 8 3 3

3

178 £92.

REDEEMING LOVE. C. P. M.

TmmMWmMiM^MMmmW^mMBMmmm

Now for a hymn of praise to God, Ye trophies of a Saviour's blood j Join the sweet choir a - bove ;

d — - — E— P — - — T-i — „ — i — ■_i_iiZE_p — ^.-izc — + — £ — P-i-P — t-i-P — E — t — E — t: — p — j

"66 657

All your harmonious accents bring, Wake ev'ry high ce - les - (ial string, To chant re - deem - ing love.

►72.

DALSTON. S. P. M.

A. Williams.

179

The Lord Je - ho - vah reigns, And royal state maintains, His head with awful glo - ries crown'd ;

-#-*

Array'd in robes of light, . Be - girt with sov'reign might, And rays of maj - es - ty a - round

180

WORSHIP.

S. P. M.

How pleas - ant 'lis to see, Kind - red and friends a - gree, Each in their proper sla - tion move,

5 6 4 3 6 6 7

5^6 3

17 5 3 6 7

fj^s^^^ydi^^^^^^^^E^^^^^^^^8

life and love.

And each ful - 61 their part, With sym - pa - thiz - ing heart, In all the

•84.

Maestoso.

St. PHILIP'S. H. M. Levesque. 181

To God, the mighty Lord, Vour joyful thanks re - peat ; To him due praise af - ford, As good as

6^5 3

6 6 5 7

4 tr-

5- 6 6

==yii^siiy=ii

great.

For God does prove our constant friend, His

boundless

love shall have no

Ipiiilili

182 £ss

Maestoso.

TltlUMPU.

H. M.

Lockbart.

Re - joice ! the Lord is Kin? I Your God and King adore ! Mortals, give thanks and sing, And triumph

" 6 6 6 7 7*5676 5 6 6 6

"3~

ev - er - more ! Lift up jour hearts,

Lift up your voice ! Re - joice !

gain, I say, re - joice!

[pppg^gj] j. JTfTTm f iTTpTfj^TtfjT f-Eja=§ifi£Si

6 8 7 6 5

* b 3 i tf

Gt=

?, 5 5~

►so.

SHAFTSBURY. H. M.

W. Burney.

183

A - wake, oar drowsy souls, And burst Ihe slothful band ; the wonders of this day, Our noblest

iilpiiliiiyigil^I^iaiiliiSsigl

6 56

4

3

songs de - mand. Au - spi - cious morn, Thy bliss - ful rays, Bright seraphs hail, In songs of praise.

^mmmmmmmwmmmmmjmmmim

181 |»80

WEYMOUTH. H. M.

Harrison.

Second Treble. Alto.

Jesus, our great High Priest, Hath shed his blood and died ! My guil - ty conscience seeks - - - No sa - cri - flee beside.

^ ~ fi.S64.63B5 4,667

| Second Treble. Alto. F.

Hie precious blood did once atone, And now he pleads before the throne — His precious blood did once atone, And now he pleads before the throne.

* #6 7 4, 7 s fT-- 6 7

.1 jj. 3 3 33 3 3 4.

K-z

rr^E?:

II $d£z

£so.

BETHESDA. H. M.

Dr. Green.

185

:S._q_f_qzz zj-i-q— qq- t-3:i^*-fqe2z:|*_i:fff— ^13" :zizilzifzq— qztqzzSfziizizj z*z*z+z*zz2zTz3—?iziz«:iS:iS^

Lord of Ine worlds a - cove, How pleasant and how fair, The dwellings of thy iove, Thy

^0 :±-FizzFE^ FJjT ~i ^~~fi^r^~^^^^^^~f:^^^^W^^

HI

earthly

:q-HZzq :Sz^zg

6- 6

2

I! £z£:

z?=i

-zzzzzST:nqn=:qvTzzlzzdriz

rszszzgz j z^z^zzz^ zzzEfi : zezdz* -^l:m»zz:^lz»il~^l^^z±z&^ £d==-=i=P-3zzzE— izEzriz^zH-rt*:^

zfzi^z

Szffi

temples are! To thine abode, My heart aspires, With warm de

To see my God.

&lli^Siiiiii^liiSgigiii=i

67 76 o 5<j 3 '" G~ "i- 646"" ~6 8 f

g_ SJ

H. & H.

21

181) f72.

t7 ~ d

DARWELL's. H. M.

&

m

Rev. Mr. Darwell.

A - wake! Awake! a - rise, And hail the glorious mom! Hark! how the angels f'">g, "To you a

6 *

# - 6

'ii^i^^^^^^^N^^^fe^^^^— fEgEjzzpigflj

Saviour's born

—is —

Now let our

hearts, In concert move, And ev'ry tongue Be tun'd to love.

4. 6 G 6 5 7

.i 4. a—

***

TRUMPET. H. M.

Handel.

187

id

Ye boundless realms of joy, Exalt your Maker's fame, His praise your songs employ, His praise your songs employ, Above the starry frame • A

iiiigiiiiiliiiiiiii^lilggligiill

^liaiiSliiiil^iliiiliililPlPPiil^

-**.

bove the starry frame. Tour voices raise, Ye cherubim And seraphim, To sing his praise. Your voices raise, Ye cherubim And seraphim, To sing his praise.

4 6 2

6 3 6 3 4 3

6 6 67

SABBATH. 7's. 6 lines. From the German. "Freu dicb sehr o meine Seele."

188 1»80.

Safely through an - oth - er week, God has brought us on our way ; Let us now a blessing seek,

iiii^iiii

Wailing in his courts to - day ; Day of nil the week the best, Emblem of e - ter - nal rest.

*1P1F

IIOTHAM. Sevens.

Dr. Madari.

1S9

Jesus, lover of ray soul, Let me to thy bosom fly, While the nearer waters roll, While the tempest still is high. Hide me, O my

tera2ESiEB5

%—kh

6 6 6-4365 6 C-q-6 6 3 6 7

43 13 4. * tl

3

" 'W ^ ^^ 2d Treble. P. Alto. F.

Saviour, hide, Till the storm of life is past, Safe into thy haven guide, O receive, O receive, O receive my soul at last.

V P. v~-/ F.

.765 5- 66 6 7 3 3 5*3 tl— 5 4 b

190 f-66.

Largo e sempre piano

PLEYEL's HYMN. Sevens.

Pleyel.

Children of the heav'nly King, As ye journey sweetly sing ! Sing your Saviour's worthy praise, Glorious in his works and ways !

mmmmmMmmmmikmmmm

ffitt=Ete=

6

£08.

G 6 7 87

BERN1CE. Sevens.

6 6 87

5 4 *_

6 7 87

Handel.

Andante e sempre piano.

Hark! my soul, it is the Lord, 'Tis thy Saviour, hear his word ! Jesus speaks and speaks to thee, "Say, poor sinner, lov'st thou me."

6 6 6 6 5-bb *3 6- 6 6 75 g 7 J-

3 3

Pol

WALES. Sevens.

Mozart.

*9l

Light of life, se - raph - ic fire, Ev' - ry faint-ing soul in - spire ! Love divine, thyself impart,

7 5 6 — ~ ~~ 6— ■ . ~ 6 — ~6 1~ ~ ~6 6 ~6 6 ~'U:4> 6

o — 5 * #4.5^2

a

Shine in ev'ry drooping heart ! Light of life, se - raph - ic fire, Ev'ry fainting son] inspire !

192 •7-2

Moderate

TURIN. Seveus. Giardiai.

|: Son of God, thy blessing grant! Still supply my ev'-ry want! Tree of life, thine influence shed,

687o 5 75 6 6—3 6 56 665

4 6 5 4 3 *— 4 J 4,w

With thy sap my spirit feed ! Tree of life, thine influence shed, With thy sap n>3" spirit feed.

r£ P p-t-p-

6.7 43

NAPLES. Sevens.

Pleyel.

193

«r— F— ! — *■ — '"t1 — ' — — ' t~—^r "f~'~ ■ — rfc — t"T"t — i — rt— \ !i~ — ' — i ti— t- t~t— Tt— t j— ' — ■ 4 -^4' — F""Ljf®" *f "it

Sov'reign Ruler, Lord of all, Prostrate at thy feet I fall; Hear, O- hear, my ardent cry; Frown not, lest I faint and die !

6 6 5 # 6 64 66. 17 5 -* 6 66 5 7 6 667

434 3 4 3- tj5 ta * #— 5 ' *

*^r, -^ Till ri-^r^-VT C? llT^l.!

£92. PILTON. Sevens. Weldon.

Praise to God, im - mot - tal praise, For the love that crowns our days! Bounteous source of ev'ry joy, Let thy praise our tongues employ !

" ~6~ ' 6 7 6 7*

6 #6 3

191

1:72.

ALCESTER.

Seveus.

*^ When my Saviour, shall I be, Per-fect-ly resign'd to thee, Poor and vile in my own eyes, On-]y in thy wisdom wise.

~ 56 56 66 687 6 6*4365 6 6 675 6436 5 65 7 5 6 687

5*3* 4 tj~ 3 * 3 * * 3 * *

72.

SICILIAN HYMN. 7. or 8 & 7-

^^ Come thou Fount of ev'ry blessins, T-une my heart to sing thy grace ! Streams of merc3r, never ceasing, Call for songs of loudest praise.

~~~ c/!= = c c KJ3.K1SCS7 7 — «7 R C «";« fi S 7

6-^6 35 6 87 * * fcj-*

876 5 656 687 35 *3 43 *

- f60.

Andantino.

BENEVENTO.

Sevens.

Webbe.

195

While, with ceaseless course, the sun, Hasted through the former year, Many souls their race have run, Never more to meet ua here.

zzEzzjzzizzjzzizizzJziigd^

7 5 7 6 5 6 4 646 56 537

* 3 5 4 3 4 2 3 4.

2 3

Fixt in an e - ter - nal state, They have done with all below ; We a little longer wait, But how little none can know.

zz£ztztzpzzz1z;tz-^zipz3Z*z;*zi*zi*zizzzi_zi§:zJz._z — :"_zz?ziz|zziuz:tzjz^z;tezlztr_z_zz-ii— -oJj_

5 3 7 3

196

s f

^80.

Lar?o.

VENICE.

Sevcus.

Handel.

Ho - ly Father, God of love. Look with mercy from above ! Let thy streams of comfort roll,

5 6 7 6 7

s

Pia.

Let them lill and cheer my soul !

Let them fill and cheer my soul ! Let them fill - - - and cheer my soul !

Pia.

Let them fill and cheer my

56 6 j- *6 —

VENICE.

Continued.

197

W: ' Tutti. * '9

Ho - ly Father, God of love, Look with mercy from a - bove ! Look with mercy from above !

180.

WORTHING. 8's & 7's.

Schelz.

"pl^iiilllllliiPSiiliiiiil^iii^lli

Glorious things of thee are spoken, Zion, Gity of our God ; He whose word cannot be broken, Form'd thee for his own abode.

5 67 4 3 8765 66 66 65— 6 - 5 6 657 43

34 65 43 4 4 3- 4

19S

h80.

NUREMBURGr. 7's. From the German, « Liebster Jesu wir sind hier."

:§-n-s-D-:

Lord i we come before thee now, At thy feet we humblj' bow ; O ! do not our suit disdain ; Shall we seek thee, Lord, in Tain ?

►66.

Largo.

ALSEN.

7. or 8 & 7-

F. L. Abel.

■f Largo.

Sovereign Ruler of the skies, Ever gracious, ever wise, All my times are in thy hand, All events at thy command.

6#6 6 6 87

tf5 4

•76. LINCOLN. Sevens. Dr. Boyce. 199

Morning breaks upon the tomb, Jesus dissipates its gloom ! Day of triumph through the skies — See, the glorious Saviour rise !

^~" "*— -—~ 64667 ~ 6 6 6 5 6 6 6 7 6 ~ 6 ~" 6 8~7~" ~ ~

STANLEY. 8's. & 7's.

Stanley.

!:£z!zzE±zztztE:[zzEiEzEirf

With my heart's sincere intention, Lord, my pray'r shall be preferr'd ; I will make melodious mention, Of the wonders of thy word.

EH

-£e

6 56 6 5 6 5^6

6 65

200 £66.

Larero. Affettuoso.

AUSTRIA. 7- or 8 & 7-

Mozart.

O'er the bills I lift mine eyes, To those bills beyond the skies ! Thence my soul her help de - rives.

6 5 64376 6 f=" 6 5 — 4 6 S 6 6* 6 5 64376 € iP"~

4 3— 3— 3 34 4 3 4 3 —

-# r— -f-t— i

There my ho

-ft™ - — 3

ly Re - fuge lives.

ho - ly Re - fuge lives

Allegro

BATH ABBEY. 7, or 8 & 7- Milgrove. 201

I 5=f — - —

High in yonder realms of light, Far above these lower skies, Fair and ex-quis • ite - ly bright, Heav1ns unfading mansions riee.

4367 -3 4.6 6665 6 5 67—3 #6 6#6 6 5 6 7

I Built of pure and massy gold, Strong and du - ra - tie are they ; Deck'd with gems of worth untold, Subjected to nodi cay.

• 6 <j 6 43 7 4.3

H. & H.

26

202

1*76.

Andante.

AMBOYNA. ?, or 8 & 7. BattishiH.

rP"nrn

Gracious Sprrit, Love di - Tine, Let thy light with - in me shine! All my guilty fears remove, Fill me lull of heav'n and love!

~"~. 6 6 ~ 6 4.4.36 5— 6 4. 6 75 667 4 3~ 6 #6 6 6 687

4. 3 4 3— 34554.3 * 4. #—

6+ 67 5 66743 — 6 6 3 4>5 5 4 3

:^--^PiD-Pf=e-r=Ei

Speak thy pard'ninj grace to nie, Set the burden'd sinner free! Lead me to the Lamb of God, Wash me in his precious blood.

6 76-5— 6#6 67 5 6 67 6 5_ 5 6 4 4, 4 5 4 — 3— 4 4 5 5 43 3

Allegretto, Maestoso

e!e

WESTBOROUGH. 8 & 7, or 8, 7 & <*• Haydn. 203

Mighty God, K - ter - pal Father, Now we glo - ri - fy thy name ; Lord of all ere - at - ed nature,

Thou art ev'ry creature's theme— Hal - le - lu-jah! Hal - le - lu-jah! Hal - le - - lu-jah! A - - men!

6 37 5

7 —

201 f72.

Andanle

ATHENS. 8 & 7. Pleyel.

Jiillilllliyiiiii^lig?iiiiiiiiliii3iiii^ii£

Lord Uraighly, gracious Falher, Thou <.rt all niy hope and fear ; When in danger thou in mercy, Lord, dost hear my humble pray'r.

«-3 6436' §787 6 5 63 4" #6- 6— tr7

5— 356543 3 4—

T 1=1-

h»'" Dole

e e Sostennto.

REUBENS. 8 & 7.

Paesiello.

lisiiiilliiiiilPliiiSlllSiliiliiJi

1. When the winter's tempest lo'vers. O'er a bleak and cloudy skv, Nature's lading fruits and flowers, Hang their drooping heads and die.

!lii:iiii^ipi3iiiispjiiisiiigi^iiiii^

So my bosom comforts languish, Like a lil-ly over-blown, And my heart \i fill'd with aneuish, When I see my Saviour frown.

£72.

HELMSLEY. 8, 7, & 4.

Dr. Madan.

205

-#-#

«M^wmmWmm^mmmmMmil

-#T*"

Lo ! he comes with clouds, de - scend - ing, Once for favour'd sin - ners slain,

Thousand, "■ J

thousand saints

•#-*

at - tend - ing, Swell the triumph of his train. —

ilSiSiliii^aii^ipliiiii^liiiP

igiiiiiiiiiiiiiiiiiiiiiiigiiiiii

tS^Pii*liiiiEiii^iS^llil^|Siiaii

Solo. Tutti. F.

Hal - le - lu - jah ! Hal - le - lu - jah .' Hal - le - lu - jah ! Je - sus now shall

s ^illliiiligiilil^gliilSii

206

If 3

•72.

ANGOLA.

Sevens.

Himmel.

IligliiiiilliiiiSlilii

"• — i rir-s'1 f*_r_»T; — - — »-54-#i»-l*~' !—=»-■•+•-«-

M — I —

Rise, ye saints, to praise vour King! All your sweetest passions

Holv pleasure wliiU

lili ndinsr witn yonr noies of praise !

! ^SZszzzzziffzix:z~pi:r::jitpuj?is*rCzizz— ziiz]:^ izziiszrzzii^n pzztxzJ-,

35 5 6 6 7—65 3 6#6 36 7665 #4-6*6 3-^7 46 13 7 #6663460687

4 34 5—43 4 5 4*24^23 4 34

2 43 3 3

••72. GANGES. 8, 7, or 8, 7 & 4. Beethoven.

:S-zj=i:

Praise the Lord,"the great Creator, Bounteous sourre of ev'ry joy : Praise him all ye works of nature : Let his praise our tongues employ !

IlliliSliiS

"#6 ~ 6 _6-h7 5

6 #6 6 6-5

5 4 7 —

*5

^76.

CALVARY. 8 & 7, or 8, 7 & 4.

Stanley.

207

Hark! the voice of lore and mercy, Sounds a - loud from Cal - va - ry ! See! it rends- the rocks a - sun-der,

1111*

7 13*7^

65 *3 2

§feS=3iS

A tempo.

Shakes the earth and veils the sky! "It is finish'd !" "It- is finish'd !" Hear the dying Saviour cry.

,- — -^ -gj. — N s — ^ Perdendosi. > ' """ " A tempo. -ft ft-

5 6*63 0 6 57

3 % 4 . *_

208

6»

Andante.

75.

SEVILLE. 8&7, or8, 7&4.

Woelfl.

In the floods of trib - u - la-tion. While the billows o'er me roll, Je - sus whispers con - si - lation,

■»(, — '' " ~7 6 6 46' 16 63

§* 3 3 5~ 5

And sup - ports my fainting soul — Sweet af - the; - *iuii '. — Sweet af - flic - tir>n— 1 hat brings Jesus to my soul !

iiIiiipiEiiliiIilsliilgiiSPiiiiSili i

6 *fi 3#6 6

5 * 4

3 3

— i 3 — 6 6* 6 6 6 7

4 2

►72.

SMYRNA. 3 & 7, or 8, 7 & 4.

Mozart.

§09

Gently, Lord, oh ! gently lead us, Thro' this lowly vale of tears ; And, O Lord, in mercy give us, Thy rich grace in all our fears !

6 6 7 5^-'! 6

Oh ! re-fresh us with thy blessing : Oh ! re - fresh us with thy grace — Oh ! re - fresh us — Oh ! re - fresh us — Oh ! re - fresh us with thy grace.

6 6 6

5

H. & H.

6 see 6 87

% **-

27

5 — 6 5

3 4 3

210 £72.

W1LNA. 8, 7, or 8, 7 & 4.

Monsiarni.

rtJiduuuaw,

Lord, in mer - cy, oh ! pro - tect us I Keep, oh ! keep us thro' (he day ! Thou a - lone canst on - ly save us ;

6 7 6-6 5667 65 7676 4 6

5 5 4 435454 2

Un - to Thee we sing and pray. Lord, in mer - cy, oh ! pro - tect us ! Keep, oh ! keep xjs thro' the day !

SEIii

72.

Moderato

GREECE. 8 & 7? or 8, 7 & 4.

Lord, dismiss us with thy blessing, Fill our hearts with joy and peace ! Let us, each thy love pos - sess - ing,

211

i m m

6 5 6

4 3

Triumph in re - deem - ing grace. Oh ! re - fresh us ! Oh ! re - fresh us, Trav'ling thro1, this wil - der - ness !

a - — 0 ' ■* '&~

~ 6 6 5#6 " 6 7" 1 ' 5 6 6 6 7 6 v~£ 6 7

^4 * fc 4.5 664

I

i

213 £66.

Largo. Cantabile e sostenuto.

AUTUMN. 8 & 7.

Viotti.

See the leaves, around us falling, Dry and wither'd to the ground ! Thus to thoughtless mortals calling, In a sad and solemn sound —

6 5 6 666 66 687 65 6636*67

43 454 43 4

" Sons of Adam, (once in Eden, " When like us, he blighted fell,) " Hear the lecture we are reading, " 'Tis, a - las ! the truth we tell !"

6-636

80. AMSTERDAM. 7 & 6.

Dr. Nares.

213

Rise, my soul, stretch out thy wings, Thy better portioB trace ; Rise from trail - si - to - ry things, Tow'rds heav'n thy native place.

6 56 3

4

3

6 5 6

4 3

=&¥#;iii*

"2d Treble. P.Alto. F. .».

Sun and moon and stars decay, Time shall soon this earth remove ; Rise, my soul, and haste away, To seats prepar'd above.

214 £72. TRIV0L1. 8 & 7, or 8, 7 & 4. Pleyel.

Andante 6 dolce.

See from Zion's sacred mountain, Streams of liv - ing water flow ! God has open'd there a fountain,

P. F.

'65 6~7 3 5 7 36 * 87 5 87 5 6 6~~ 6 7~ ~3 ~ 6~ 6 7 i 5 7 3 6 6 8 7

4 3* 4 # - 54 — 434 A

Blessed, *" Blessed,

## _ P. Solo. Tutti. Solo. Tutti. P. Solo.

This sup - plies the plains be - low. They are blessed — They ore blessed, Who its sovereign

P. Solo.

Blessed,

Tutti. Solo.

Bles-ed, Tutti. P. Solo.

5 £_T" ~* 66* 6 J~ ~ 3~~ * Ble*s7ed, ~ " J*"""" ~e —-.*" "~7 --

TRIVOLI. Continued.

215

Tutti. F.

iliiiiiiiililli^ill^liigiiiiEliigS

virtue know. They are blessed — They are blessed, Who its sov'reign virtue know.

9 Tutti. F. ■■■■■

iiiililiiililiiiSl^^^^IiiliillJ

6 7 6 5 65 6 7 3 5736 687 587 566 67 3

4 5 A 4 3 4 4 #- 5 4 5 — '

gG9. EASTABROOK. 8 & 7- Dr. Boyee.

Expressivo.

Weigh the words of my profession, Lord, in thy in - dul-gent scale, Of a Father's prepossession, Let my thoughts themselves avail ! Lord, not e'en an - gel - ic nature, Can sustain thy brightness near ; How then can a mortal creature, Dare to meet thy eye severe ?

iiiliJifiEililipl=^EililiiPMi^Ei^iliyo

7 6 # 6*6 3 65 6 7 87 5

Lock hart.

216 £80. Amlante. TAMWORTH. 8, 7 & 4.

I gF— — -3 l- — t» - «- ' — 3*-ta-br— la^«*-1 — t—-1 — J ■ t? — e'L«' — f- — - — ■* J-^ i^-P-t-U-i — J3_

Guide me, O thou great Jehovah, Pilgrim thro' this barren land !

1"i -T-r-P-t-.-re ^ztt^iZ^lJtZZfZ:

I am weak, but thou art mighty, Hold me with thy pow'rful hand ! — Bread of heaven, Bread of heaven, Feed me till I want no more !

>72.

6 6 87 " &7

EUYFiELD. Sevens.

C. L. Latrobe.

Lord ! submissive make us go, Gladly leaving all be'ow j Only thou our Lender be, And we still will follow Thee.

liSISiiigipllillliiiP^iililii]!

t.p:

3

4 6 6 6 7

•■80.

EDENTON. H. M.

217

if m

Ye boundless realms of joy, Exalt jour Maker's fame, His praise your songs employ,

A - boye the

6 64 6666 5 6 b 6546

3 4 43 4 tr tj

- 6- I — 56

te

starry frame. Your voices raise, Ye cher - u - bim

And ser - a - phim, To sing his praise.

6 7

a. & h.

5tl6

4* 3

m

28

218

'"SO.

WICKLOW. 8&r, op8, 7&*.

Florio.

|-fl:#

When the vale of death ap - pear?, (Faint and cold this roor - tal clay,) Kind Fore-runner sooth ruy fears,

Solo. _ 1 utli. Solo.

-#

==erf£&tee=fii

Light Die thro1 the darksome way ! Light me thro1 the darksome way! Break the shadows, Break the shadows,

t i _i _ _!, _ _ ' ' _ eP»» <-— ^,_! .'T!!

WTCKIOW, Continued. 2(9

l»i»_l« -ft

.ft :*:,_q

• ' Ush - er in e - ter - nal day.

§ r U3ZzEzEzx-£^_zE zpii^cp z!zTzijz5rtE;;£jtixipzz£-P: ilzi~f±3-c z ziz zzflp zw'ri^rzzrjJc

_ m7~~^ • £ — ^ __, _"___. _™, «_."®r~j_ "L

,»8'J.

GOSHEN. Eights.

zzPipz^zfcztppipp^ijj :§ Jp ipzpzplr p zpz&f-J i

rQ «*?:"P-

Ye angels, who stand round the throne, And view my Iramanuel's face, In rapturous songs make him known, Time all your soft harps to his praise !

X

4 6 4 3 3

6* 65 4.64. 6 — 87—5 6 .6 66687

3 43 3 3 6 5-3 4

S20

WAN WORTH.

iS^lSiiS

— 1»— - •■

Fights.

Hill

HSH

Harwood.

IllliiHifli

My gracious Rt-iieenicr I love, His praises aloud I'll proclaim. And join with the armies above, To shout his a ■ dor - a - ble Dame.

P-O-P-t s-ar-r-i

i84.

6 4 6 4 2 3

SPRING.

Eights.

6

[""**" F'Ff ~^~" I Jy

lllil!'

6 5 5 6 5 4. 6 6 8 7

4 3 34 3 3 4

Thos. Clark.

I. The winter is over and cone : The thrush whistles sweet on the spray, The turtle breather forth hersoft moan, The lark mounts and warbles away.

2. Shall every creature around, Their voices

in concert unite, And I the most favour'd be found, lu praising to take less delight?

SSEaEEraSS

— %

,:i^5--:f^:

3. Awcike, then, my harp and my lute ! Sweet organs your notes softly swell .' No longer my lips shall be mute, The Saviour's high praises t,o tell.

4. His love in my heart shed abroad, My graces shall bloom as the spring; This temple, his Spirit's abode, My joy, as my duty, to sing.

P66.

SAVANNAH. Tens.

Pleyel.

3St

From Jesse's root, behold a branch a - rise, Whose sacred flow'r with fragrance fills the skies :

gE-^

''m^mmimm^Mmmw^mm^WSM

SSEBg

E£EM^^W=M=Mi=°M=kht:

The sick and weak, the healing plant shall aid, From storms a shelter, and from heat a shade.

m=m

c " e. an 4.6 a 8 7

3

223

h80.

EASTER HYMN. Sevens.

Dr. Worsen.

t^^M^^^^^^^M^^^^0\i^^kh^w^^M^iM

Christ our Lord is ris'n to-day, < Hal - - - - - le - iu - jah, (Pons of men and angels say, I Hal .... le - In - jah,

:g:ii&-i

65 46 56 6 687

a ■». 4.

3

— +•-

65 46 56 6 687

4^ .i 4

t:ET:Erd:±:-J

_^ Lt itQ ~Q~0~ "S 0~ ~©~ ~£j'<#~£~ £i#~^~ "^"^^ _ 0 ^~ft™ Q I?" ft <r> /^kft £i

Raise your songs and triumph hi^hi Hal le - lu - iah, Sing, ye heav'ns, and earth reply, Hal -----Je-lu-- jah.

#6 6 5#( 4 4

'72.

PORTUGUESE HYMN. Eleven*

^^aizti3:=zl=^z^Tr-l--fezs.izn-T:1^^Tl!:1== zizzzz^zi"— z-gg:izzzzfezte:izEl— zq

rtezJzEzK::

\

^t=xX===Oc^S£ii

To sheep of liis

-■•-jp-

' *-*

6 4 3

gzzz *z -A zEz£z£z r^ztezfeztzEfez^Izz Ezziz^zL-Ezfe-^I EiEzfeTfei±-i.zlzEEzz±:3z^zIzzz?zzz:

The Lord is our shepherd, our guardian, and guide : What - ev - er we want he will kindly provide. To

gf— — x « L — •-•-- i,-u — fr-v-i-v-- tp--* — L *-1 0— tp-1 — *-i.«_x.g — z;.J8_i.

9 * 6 5 _ * 6 5 #6 ~ — °3 # ~3*6 6 ~ 6 7~-" "^ "^TT"

43 A3 4 — 4 4 ■#■ — 3

3 - 3

nolo. P. 9 TuuT F. 9

f-zlz^zsz^zlzmz^ztzF^^Fziz}zz:z-zzz:f—z~¥z: --— ±^-i:l^f^-^:~f=F:^zP:::F:re:^zS::F*=?7

pasture liis mercies a - bound. His care and protection, His care and protection, His care and protection his flock will surround.

^ ^ ^ Solo. P. 9 9* Tu(t. p_

4 6 *6 o+ 6 6 67

4 2 5 4

3

224

'84.

HAMILTON. lO&lf.

i ^ii:iP=III=i=iliiiirfi^!ll ^iS^lilElSli PIHl£iJJ

The day is far spent, the ev'ning is nigh, When we most lay down the body and die.

765 87

5 4.#. 6

6 6 j

765 87

5 4«. 6 5

6 6;

4#

Great God, we sur - render our dust to thy care ; But, oh ! for the summons our spirit prepare.

*6 6*6 Jta* 5fa6 3 56 ~6 6 87 4 4 3 4 4 #-.

?66.

WALWORTH. 10 & li.

Dr. Wainwria;ht.

225

Behold ! the Judge descend?, his guards are nigh : Tempest and fire attend him down the sky. Heav'n, earth, and hell draw near; let all things come,

^JLj^z^nzn x:zjzz.;:i:zt::zj:.zi=z:i z::|Zd.;z-z;f-£Zffzpzt:fZpZzzriz§z:3Z|9 .ff. zjzizzzrzj irzzzzi-iZK }'-®~-n~l 3§z*|zzdzzjzd|:3zza:fJ:3r^

^S

zzztd

:z£z?_£zf— iiz^zpz!^

6 #6 4. 3

To hear his justice and the sinner's doom ! " But gather first my saints," (the Judge commands,) "Bring them, ye angels, from their 'distant lands 1"

+-+-e~i

# *6 6 #6

4, 4

3 3

H. & H.

6 A 6 #6

3

29

go6 »66. MONTAGUE. 10 & 11.

Not to our names, thou only just and true, Not to our worthless names is glory doe ; Thy pow'r and grace, thy truth and justice claim

6 5 « 6 #6

4, 4

3 3

Immortal honours to thy sov'reign name. Shine thro1 the earth from hear'n thy blest abode, Nor let the heathen say, " Where is your God ?"

==zi:p£Efc

^^^mniiGmiw^^pi

1 6 — 4

3-

6 56

4

3

6-6 4 66 «87

34 3 4 4

2

r±zi

f 88. SUFFOLK. 8,7 k 4. 2S7

2_ "§l_p_T„Q_#e_r_.Q____ d_T_d_rt_ p_p_ Q

I SF—

5^_ _rd d_ _p p_ _«. _ _p p_ _e p_ _p_*Q_ q_ _ s_ _s n_ _p q_ _— _

Lo ! he comes with clouds de - scend-ing, Once for favour'd sinners slain ; Thousand, thousand saints at - tend - ing,

6 6 6 87

m*

Swell the triumph of his train. Hal - le - lu - jah '. Hal - le - - lu - jah ! God appears on earth to reign.

^iiiill^ilP^iBEiiiiiF^Piiliiilli

228 £88

Maestoso.

LYONS. 10 & 11.

Haydn.

Oh ! praise yc the Lord, pre - pare a new song ; And let all his saints in full concert join !

6 6 — 5 — bl 6 66 ""3 65

5—3—3 43

A\ ith voices u - nit - ed, the anthem prolong, And shew forth his praises in mn - sic di - vine.

§r \&7 — 6 5-6

6 6 3 6 7

a Maestoso. ~#~*.5" 1" I

St. MICHAEL'S. 10 & 11. Handel. 329

Oh ! praise ye the Lord, prepare your glad voice, His praise in the great as - sera - bly to sing ;

5 6 57

In their great Cre - a - tor let all men re - joice, And heirs of sal - va - tion be glad in their King !

230

►60.

LANDAFF.

10 & 11.

E. Blancks.

The God of glory sends his summons forth, Calls the south nations and awakes the north ; From east to west his sov'reign orders spread,

6 *« * 6 o 4, 7 8 7 6 35 ~6 ~ 6 R" 76 3 #

* 5 3 4 #- 3 5 #- 5-

liiiitiiiiiigili^

Thro' distant worlds and regions of the dead. — The trumpet sounds ; hell trembles, Aenr'n rejoices ; Lift up your heads, ye saints, v:ith cheerful voices .'

6 * — 536

3

Maestoso.

St. DENIS. Elevens.

Irish Air.

231

Alto ad lib.

Come, saints, and a - dore him : come bow at his feet! Oh! give him the glory, the praise that is meet!

6-4 ~~ 7 6" "*~ ~6 4 7 6-4 ~~7 6~ "t ~ 6 "4 ~5tr7~~ 7

3 4— 33 3 4—33 Jfi.

Let joyful ho - san - nas un - ceas - ing a - rise, And join the full chorus that gladdens the skies.

6 4 5b7 3

92.

BERMONDSEY.

6 & 4.

MiWove.

*ai=i=i

Glory to God on ht^h ! Let earth and skies reply, Praise ye his name ! His love and grace ;

Who all our sorrows bore ! Sins; aloud

-?:i;*z:iz:-^:zz-s;.-3

I Tasto. M^Bl,*- P. JS _ Cres.

=£,—

6 6 6 5 6 6 *• 3 8 7 # 6 6

r.m Jt«_.

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evermore, Worthy the Lamb ! — Worthy the Lamb! — Worthy the Lamb! — Sing aloud, evermore, Worthy th» Lamb!

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333333 * 6 *

►84.

Maestoso.

ITALIAN HYMN. 6 & 4.

(liardini.

233

Com? ihou Almighty King, Help us thy name to sing, Help us to praise ! Father all gloriou?, O'er all victorious, Come and reign over us, Ancient of daj s !

T„ln G * P F.

6 6 57

KFF*

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67 7 3 67 73 6 6 6 5667

45 5 * 5 4 l 3 4.

t&&.

irt3s=ja=

GREENVILLE. 8 & 7, or 8, 7 & 4

;fe

u. c.

Gently, Lord, oh ! gently lead us, Thro1 this lowly vale of tears ; And, O Lord, in raercy give us, Thy rich grace in all our fears!

Fine.

Oh ! refresh us — Oh ! refresh us — Oh ! refresh us with thy grace. £). C.

Fine.

■Ik k »y — a. t;

h. & H.

30

234 f72

f. #■

H1NT0N. Elevens.

German Air.

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ii " ^_ j^_ ^, ^_ ^ _ ^ ~ 5i__ _* -H__ !_*'" '

The Lord is our shepherd, our guardian, and guide: AYhat - ev - er we want he will kit d - ly provide,

liliiP^liSliSilPiiillEliS

i,^_zr:_p_i.i__^_

11

IS

6 6

m

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To sheep of his pas - ture his mercies a - bound, His care and pro - tec . tion his flock will surround.

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f69.

AUGSBCJHG. L. M.

German 1 une ; " Allein Gott in tier Hob sey Ehr " 235

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Thou only Sov'reign of my heart, My refuge, my al - migh - ty friend; irid can my

J^

6 6

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soul from thee de - part, On whom a - lone my hopes de - pend ? On whom a - lone my hopes de - pend !

6 5 7

4 #-

8 7 5#6 5ter7

236

L0VA1N. L. M.

German Tune ; "0 Jesn Christ meines Lebens licht."

Thus far t'.e Lord hath led me on, Tims far his pow'r prolongs my days ; And ev'ry ev^ing shall make known, Some fresh memorial of his grace.

>&D.

6 tr tr

BERLIN. L. M

6 6 56 6 87 5 4£}_

5tT6 5 5 0 3H4 6 b 7 5 7

German Tune; " Auf Christenmensch, auf — "

Hippy the church, thou «acred place. The seat of thy Cre-a-tor's grace; Thy holy courts are his abode, Thou earthly palace of our God.

6 « 87 °

DUN8TAN. L. M.

Dr. Madan.

237

§=-^_p_te_ t

-* 1*-- ■

Awake, my soul, to hymns of praise, To God the song of Iriutuph raise; A - dorn'd with maj - es-

6 5 «

4 3

— t*:

6 #« 3

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ty di - vine, What pomp, what glo - ry, Lord, are thine! What pomp, what glo - ry, Lord, are thine!

-fr-#

5 7

4 #

238

f80.

NAZARETH. L. M.

|llIlil|llliilllililiSglSlill^|i:lf|g;if

Return my soul, and sweetly re^t, On t V. v Almighty Father's breast ; The bounties of his grace idore, tud count his wnnd'rous mercies o'er.

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6 4 8 7

6 8 7 6 6 f! 7

*- 4 b-

4 6 3

4li 4 7

3

6 4 6 6 6 87 3

►76.

BKAMrOATE. L. M.

stbesjc

Awake, my tonjtie, thy tribute bring, To him, who cave (hcc pow'r to sins: Praise him, who is all praise above. The source of wisdom aDd of love.

j ^SajEZpEcf f£:pppEFEpf^E=f^r=j}E :S^S^S&^^^^S^ ^S5:rp::TE--brEiEt:b" pr~TME;ErEi~i±rp±~z=_I:§ Kp^^^^^53£r^^^^fcrp£:fcT5rEtp3C

6 87 •

6 #6

4.

3

L80.

LEYDEN. L. M.

Costellow.

239

A « fl ,_

±T T

u p> ' Cres.

Sal - va - tion is for - ev - er nigh The souls that Tear and love the Lord; And grace, de - scend - ing

llllPiiililillSigiiiliiSgiiiiilli

P. Cres.

6 6 ~ ~6 7 "* " f

.#-#__,__,_.

=3=5;

from on fcigh, Fresh hopes of glo - rj si) all af - ford. Fresh hopes of glo - ry shall af - ford.

"^ F. -5-

6 #fi 8 6 6 7

4. 3 33 4. #

3

240

ATLANTIC. L. M.

; |iii|Elg=y 5E~EEE

+ _j — e— 5 —

-^— ^=*Egz*=E:-±==:

UN

George Oates.

1

Come, O my soul, in

cred lays, At - tempt thy great Cre - - a - tor's praise:

6 6 7 4. tl

---ft — e-r — Q-——P — r — Q P~T-~ ezr~p~T — Q — 1~

mi

Eut, O. what tongue can speak his fame ! What mortal verse can reach the theme.

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m

65 6

5 =

h76.

TIMSBURY. L. M.

I. Smith.

S41

£:te:

Jehovah reigns, his throne is high, His robes are light and majesty ; His glory shines with beams so bright, No mortal can sustain

::Ef:Pz3Eia=E|^=i|a|zE|:^

h72.

6 fe6

■A *

3

HAMBURG. L. M.

the sight.

mmi mm

jHF-

Gregorian Chant ; « Benedictus" — see. Novellos' Evening Service.

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=tt

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ii P

Sing to the Lord with joyful voice ; Let ev'ry land his name adore ; Let earth, with one united voice, Resound his praise from shore to shore.

3*1

' '■> 6 6 4. 6 ~^S 5 6 6 65 1 87 665

J 42 4. 34 4.3

3

31

6*6 4

3 H. & H.

2*2

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•■72. HELENA. L. M. Gregorian Chant; " Tantum Ergo,"— see Novellos' Evening Service.

Vly soul, thy great Cre - a-tor praise : When cloth'd in his celestial rajs, He in full majesty appears, And, like a robe his glory wears.

t> #6

a

6*6 6 8 7

4. 4. #—

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*6G. WEIMAR. L. M. German Tune ; " Wer nur den lieben Gott lasst walten." Christian Newmark, 1660.

Thro1 ev'ry age, eternal Gorl, Thou art our rest, our safe abode ; Hich was thy throne ere heav'n was mtide, Or earth thy humble footstool laid

87 7 87

GEORGIA. L. M.

Wm. Woodson Waddel.

243

::b:: :5&

Ye sons of men, with joy re - cord, The various wonders of (he Lord ;

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i let his pow'r and good - ness sound, Thro1 all your tribes the earth a - round.

6 6 6S-

244

►69.

CARTHAGE.

L. M. 6 lines.

Dalmer.

Father of all ! omniscient Mind ! Thy wisdom who can comprehend ? Its highest point what eye can find >

© _ 6 3 &* 6 fe6 56 6 87 "ft " 6 4, 3

4 t,-

Or to its lowest depths descend ! Its highest point, what eye can find, Or to its lowest depths descend.

*3 6 e 7

7 65 •&* 6 -&6 3— 6 6 87 I

5 *tl 2 4 * b~ '

GHENT. L. M.

Gregorian Hymn ; see Novellos' Evening Service. 245

O Thou, that hear'st when sinner? cry, Tho' all my crimes before thee lie, Behold them not with angry look, But blot their mem'ry from thy book.

•"80.

6 #

WESTEORD. C. M.

#6 6

3

Come let us join our cheerful songs With angels round the throne, Ten thousand, thousand are their tongues, But all their joys are one. But all their joys are one.

I

' 6 5 6 || 6 5~b6 ~7S~[£ VoTce"oro7sru;~' 6- § «|8 6 8?

246

►62.

St. CECILIA. C. M.

Give lo the Lord, ye sons ol men, Give ye with one accord, All praise and honour, might and strength, Un - to the living Lord.

fci.

CANTON. C. M.

#6 6 3

When all thy me'cies, O my God, My ris - ing soul surveys; Trnn« - pnrt-ed with the view I'm lost, In wonder, love and pruise.

i 5 Ml 5

4 6 5 6 #6

3 4 4

3 3

6 6 6§7

>84.

c-

M1LA.N. L. M. 6 lines. Gregorian Hymn; "0 Filii et Filiae,"— see Novellos' Evening Service. 247

E - ter - nal Father ! God of love ! Oil ! hear a humble suppliant's cry ; Bend from thy lofty seat above,

6 6 5~ 6*6 ~ 6* 6 5 6 ~5 6~a 6~ T ~6 8 7~ ~ ~ ~ ~ 6~ * " ==%~7 ~^~

4#— 4. 4 3 4. #4 * 4 #— £ 4

3 3

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::p:

Thy throne of glorious maj - es - ty : Oh! deign to bear m

feeble voice, And bid my drooping heart re - joice.

g^nein^Si

6 65- 6#6 4#— 4.

3

6 6 5 6 5 6 #6

4# 4 #4 4

248

f04.

WESTMORELAND. C. M.

Moravian Tune.

I'm not asharn'M to own my Lord, Or to tie - fend his cause, Maintain the honour of his word; The glo - ry of his cross.-

■* •» 7 66687 6 4 + 7_,6 6lf87~-

3 4 3 4

Je - sus, my God! I know his name ; His name is all my trust: Nor will he put my soul to shame, Nor let my hope be lost.

jj^&fcEpE,

►80.

SAXONY. C. M.

249

r-P~

■jfer-

For - ever blessed be the .Lord, My Saviour and ray Shield : He sends his Spirit with his word, To arm me for the field.

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DORCHESTER. C. M.

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j P&=E:£-Et— ET==Ei3rEi™-E:Tr=sE^

I Father of mercies! in thy word, What endless glory shines ; For - ev - er be thy name ador'd, For these ce - les - tial lines.

6 7 667 6+10 3 87BSS667

33

256 j»69

»-. —

W1TTEMBERG. 0; M.

Martin Luther.

How long wilt thou conceal thy face i My God, how long delay ? When wilt thou send thy heav'nly rajs To drive my fears away ?

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6 7 »6 * — 6

dP^

=Sfeffi^igS§Ea^^^^giiliiii

How long shall my poor lab'ring soul Struggle and toil in vain ? Thy word can all my foes control, And ease my raging pain.

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f60. HAARLEM. CM. German Tune ;" Nun sich der Tag greendet hat." 251

Strait is the way, the door is strait That leads to joys on high; 'Tis but a few that find the gate, While crowds mistake, and die.

6 # 7 9 8 # # 87 6 " # #"¥" ~ ~5 8 7* ~ " ~

#- 4 #-

f-66, OLMUTZ. S. M. Gregorian Chant; "Magnificat,"— see Novellos' Evening Service.

■«fc*

5four harps, ye trembling saints, Down from the willows take ! Loud to the praise of love di - vine, Bid ev'ry string awake

*%

3

i#6 8^7

253 p72

CAL.V1AR. S. M. Gregorian Chant ; see Novellos' Evening Service.

My gracious God, how plain, Are thy directions giv'n ! O may I never read in vain, But find the path to heav'n.

iiililillPiSilllsIiliii^fiPieilililii

►69.

6 6 7

DARTMOUTH. S. M.

#6 6 87

3

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Is this the kind return, And these the thanks we owe, Thus to abuse e - ternal love, Whence all our blessings flow ?

3j§p

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f80.

MA

COLUMBIA. C. P. M.

253

~ %^Fg~f p— fff ~g EfeigEeHE

-#*

Father of all ! E - ter - nal mind '. In un - ere - at - ed light enshrin'd !

Immensely good and great !

-S-+- —

1

Thy children form'd and blest by Thee, With filial love and homage pay Their homage at thy feet.

:gz|^E|EpiipE|S$Ep|Eiip

6 0*S7 b G 687

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251 fOG

ZlON's HILL. S. P. M.

C. L. Latrobe.

How pleas'd and blest was -I To hear the people cry " Come, let us seek — Come, let us seek our God to-day."

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6 6 7 6 56 6+ 6 5#6 8 7 5 6 6 5*

3 * # - 4 ■» 3

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Ves, with a cheerful zeal, We'll ha.=te to Zi - on's hill, And there our vows— And there our vows and honors pay.

6 ~6 #6- 6 -^7

►84.

QUINCY. Sevens.

255

Holy wonder heav'nly grace, Come, inspire our humble lays — Come, inspire our humble

agg[£§=

6 fefi

■ih—t-r- —

While the Saviour's love we sing, Whence our hopes and comforts spring — Whence our hopes and comforts spring.

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6 43 6

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6 " ~<i 6 " "

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256 |*92. WALPOLE. S's & "t <.

*-*-,

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May the grace of Christ our Saviour, And the Father's bound'. love, With the Holy Spirit's favour, Rest upon us from above !

|ll^ilillili!illliii;:ji;^ll}iiliiiilliilifl

66 65 667 6665 667

4 3 * * 3 4

I Thus may we abide in uuion With each other and the Lord, And possess in sweet communion, Joys which earth cannot afford.

►88.

S WITH IN.

H. M.

.lesser.

257

uteri

,____„__ E_T_Q

To God, the Father's throne Per - pet - ual honours rise, Glo - ry to God the Son, To God the

6 4. 3

87

tr-

6 fa6

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Pz^E^=P=!Ei^E|EfE^lSs^^iig^lsdli

Spir - it praise : And while our lips their trib - ute bring, Our faith a - dores the name we sing !

6 6 7

4, fa

H. & H.

S3

258 £72.

Maestoso. #T7» fr-T— *

DENMARK.

Dr. Madau.

- cred joy! Know that Ihe Lord is

Be - fore Je - ho - van's aw - fill Ihrone, Ye na-tions bow with

^635 — m 3 9? 65 63

6 — 7 6 4 3 5

God a - lone, He can ere - - ate, and he de - stroy, He can ere - ate, and lie de - - stroy.

P.

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DENMARK, Continued.

259

Andante.

Trio. _ _ -j»_:ff:i

P. His sov' - reign psw'r, with - out our aid, Made us of clay, and form'd us men ; And when, like

P.

6 6 5

wand'ring sheep we stray'd, He brought us to his fold a - gain. He brought us to his fold a - gain.

260 £96, or 100.

DENMARK, Continued.

Tri" F" " 'T~^""n°'l ** -•■ -•- ~Br '£- "" 'Br 'Em. Zj

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We'll crowd thy gates with thank - - ful song?, High as the heav'ns our vnic

es raise ; And

—a —

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earth, and earth with her ten thousand thousand tongues, Shall fill thy courts with sounding praise, Shall

-S*i Unison. a- -ftr .ft

§61

DENMARK, Continued.

j. -ft; -#■: -j»v P- j£*_nZL -lb»_ » ft -■ -

fill thy courts with sounding praise, Shall fill, Shall fill thy courts with sound - ing praise.

illi

Unison. m~ j!

6 87

1 2^3 — b — 3_t_b — y, — g_r_[z: — b_x_b 1 — b — j — b — * — S-i-^ — 12 — i^_^-± Is — £-i — — J

Wide ! Wide as the world is thy com - mand, Vast as e - ter - ni - ty, e . ter - ni - ty, thy love ;

I Unison. Unison.

Iligllilllilliiiiiiliii^iii^lSil

6 5

263

DENMARK, Continued.

Firm as a rock thy truth shall stand, When roll - ing years shall cease to move, shall

j^sm

move, When roll - ing years shall cease to move, When roll - - ing years shall cease to

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676 5 6765 5— -— 7 6 6

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move.

£92.

SCOTLAND.

Twelves.

Dr. Clark.

263

Larghetto.

i_I— ^_-i — ^ — ^— ^ — ( 4- . gf — »— ^— -l_^>_ __— ^ — I e: — «s — i ^ — _j J. w_. — . j

The voice of free ^race cries escape to the mountain ! For all thai believe Christ hath open'd a fountain, For sin and uncleanne??, and

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6 5 * 7~5 ""= "6 5* ^ 5"6 8 7 6*5

43 53 4.3 34.654.3

4.

2

ff §g.zg=gzgz^E±j=gf j^

§« . ^ A «* * « I I. .•>■ I V S

ev' - ry transgression : His blood flows so freely, in streams of salvation, His blood flows so freely, in streams of salvation.

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65 5 8

4.3 4.3 2

264

SCOTLAND, Continued.

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Hal - le - - lu - jah ! to the Lamb, who has bought us a pardon I We'll praise him a - gain, when we

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£> P«! *» K- K far K -K «<

-Q fr •■ » •■- — » 1 — *■ — n

pass over Jordan. We'll

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=U — U — i* I jy— rfe-z4?> "S 5— ^-r-^— 4re

praise him a - gain, When we pass over Jordan.

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►84.

FUGE. Moderato.

ADVENT.

Dr. Callcott.

265

Let Ziou and her sons re - - joice, Behold the promis'd hour ;

.Let Zion and her sons re - - joice, Her God hath

Let Zi - on and her sons re - joice, Ee - hold the prorais'd hour ; Her God hath heard her

Let Zion and her sons, her sons re - joice, Behold the proniis'd hour, the promisM hour ;

6 43 —63 76 65 43 6 5 65 6-77

Her God hath heard her mourning voice, HerGod hath heard hermourning voice,

heard, hath heard her mourning voice, And will ex - alt his pow'r, And will exalt his pow'r, And will exalt his pow'r.

|lis|iiiiiiiEpisiiiiefggilii:iii|||2piiSJi

mourning voice, Her God hath heard her mourning voice,

Her God hath heard her mourning voice, her mourning voice,

5 6 &7 3 — 5 6 3 6 6 5^-6 4,3

H. & II. 31

6 6 6 5 6

DENBIGH. Continued. §6/

Lord, E - ter - nal truth at - tends thy word ; Thy praise shall sound from shore to shore, Till suns shall

. §^ilillip|i!lii 3lliiliiiili;jli|lll

(Tk 6 " 5 6 5464. 66—4 6 — 5 ' ™ 4

4 3 4 3 4 3 3 3 5 3 4 3 3

rise and set no more, Till suns shall rise and set no more, Till suns shall rise and set no more.

J 43 3 6b*

268 £60.

Largo. Second Treble.

THE DYING CHRISTIAN.

Harwood.

ri^l^iISfi|i^!|iei;tiiiipilioOi^!-s!ri

Vital spark of heav'nly flame, Quit, oh ! quit this mortal frame ! Tremhling, hopini, ling'ring, flying '• —

6 t> 6 6

rf^:±5id=^--;z:

Cres. P.

Oh ! the pain, the bliss of dying ! Cease, fond nature, cease thy strife, And let me languish into life !

Cres. .0. p. _ _

6 5

* tf

Allegro. Tenor.

P. Hark ! Alto

|i|^=|f=E|

DY1NU CHRISTIAN. Continued. 269

Hark ! Ha"rk ! Hark ! ** "~ -

«_?z*— f_±__— »__:

Hark ! Hark !

P. Hark ! they whisper, an - gels say, they whis - per, an - gel« say, (hey whisper, they whisper, angels say —

:_:__- _-_.__i.__j «-i 1 £_i a_j.-r_s_i_pzir-pZt_.X-t.i-ie_JA_e._pi_, — -»•-__■— »-_ — h-> — _-i-f___-_

Second Treble.

bi-tj»-»»-»-

Hark ! Hark ! Hark ! Hark ! 6 — 5

•* — o

B:§_E_r_El__i___«fc

P. 2d Treble. F. Alto. P. ■

" Sister spirit come a - way !" " Sister spi - rit come a - way !" What is this absorbs me quite,

** 6

6 6 5 7

* tl-

7-^6 — 6

370

DYING CHRISTIAN. Continued.

Steals my senses, shuts my sisn(> Drowns my spirits, draws my breath ? Tell me, my soul, can this be death ?

[V i -

J83. Andante

3 — —

Tell me, my soil, can this be death ! The world re - cedes, it dis - ap - pears ; Heav'n opens

*" '*" v 1 5" """ " P ~6~ "

DYING CHRISTIAN. Continued.

12.

271

f.

~-b—a~-

cb — P V

Con Spirito.

Lend, lend your wings !

-fe— F

&m

'm=

mount,

P-

fe§-

eyes ! my ears, With sounds se - raph - ic

_ «n _ _ _^T^»

6 6 ~S 3S1 6 5S6,>5 7 5 ^

5.43 2 ^ tj *

fly, O grave, where is thy vie - to - ry ? O grave where is thy vie - to - ry ? O death where is thy sting ?

6 3 4 3 6 6.3 6-^6

11H

273

If I

!

DYING CHRISTIAN. Contiuued.

ifcErtrizzizz h — £ — C — P — *-+-» — j — d r p S1B.J..H — s_t_t-t-tl — p p 5-trq

|Ez^f^~''^*^^^^^*^^",~L *' L ^* — ^--pv-J4t--^-g-i*'-**--*i-i«'4 — I1 P — -f-gg

O grave, where is thy victory ? O death, where is tliy sting ? Lend, lend jour wings ! I mount, I fly, O

** " 6 3 4 3 Unison. ^ " ** "* " 6 -5 "*

fjtz iz:..;:

— I---I — i <--*—*•— ^- 3— >— g,— *•-- 9 l-i — I — i 1 — i— *>-- *—9--9— ta, — &•-» x |ji— br^to"-' s--1

»i.ft.

grave, where is thy victory' thy victory? O grave, where is thy victory? thy victory? O death, where is thy sting, O death, O r — — — --I-T — fc" — 5" — I* — ^" — r* — £T — I*" T~r l~T — * — ST — iv — ■* — P" — iS" — S — 1*1 "~^" — I* — l*" — I*" — I Ti

DYING CHRISTIAN, Continued.

273

^ag^iig^pgA^;E^^^i^g|^^ii==y

&-t—z— iz=izzr-f-1zr

— -•■ — » — » — *-rz:*~T 1& — cz — » •~I — T

-1 1 1 —

death, where i9 thy sting? Lend, lend your wings !

mount,

fly, O grave, where

I ^— ~»— — p-izfc-»— zj~ zzjzrzz;^. z»— »zz »~j^zz»zi— zzpzzzzzzzz zzzz

H ^ — 9 ^ J-(Z — .« — ,j» — .» — a» — > — ^_X U ZZ — ZZZZ

F.

=zI-E==t=zrE:

Adagio. £fi6.

vie - to - ry ? thy vie - to - ry ?

O

death, O death, where

thy

9 ' i i - - h 1

3

H. & H.

3li

274 ^63. BLESSED BE THE LORD FOREVERMORE. Rev. A. Thompsou.

P. Second Treble.

Blessed, Blessed, Blessed be the Lord for - ev - er - more. Blessed be the Lord, Blessed be the Lord,

—ft— 1—

i P"

-ar-f— V Ops. Alio.

Blessed be the Lord, for - ev - er - more, Blessed be the Lord, for - ev - er - more. A - men and A - men, A - men.

_Cre!L fti. i&~ P P~ £"_ ^ -»■ •

■#z*

,•90. ANTHEM.

Chorus. Allegro assai.

Chappie. 275

— ff—tf — -r- j t -_ — — ~ 1 — i~H~:q^rrg~ ji"g:i~~;;~:|

O come, let us sing un - to the

O come, let us sing un - to the Lord ; O

G come, let us sing un - to the

Lord ;

come, let us sing un - to the

Lord ;

Let us hear - ti - ly rejoice,

1*111

come, let us sing un - to the

Lord ;

let us hear - ti • ly rejoice - -

Lord ; let us hear - ti - ly re - joice.

let us

— *

t — i — ^— -B — + — k — „. — I — . 1-^ — **~t^ — • : ! % ' %

come, let us sing un - to the 3 3 3 3 3 3 3

Lord ;

let Us hear - ti - ly rejoice,

3 3 3 3 3 3 3

276

ANTHEM, Continued.

— i-^ — «• . 1 i ■ ~zzi— 2z — z_z — zzzz\ — ~~~~j

-x in the strength of our sal va - - lion ;

let ua hear - ti - ly re-

hearti - ly rejoice in the strength of our sal - va - tion ; let us hearti - ly re

S3

let us hearti - ly re- 3 3 3 3 3 3

<r»?=iE=i

a* — 0 — «• — »-

-Q_i* 2> a. # ~t? ~w "^ ~wr ~^ !* s — ^

let us hearti -ly re------ joice -------- in the strength of our sal - - va - tion.

^J- 1— 1 5 — *> — ^ — ^ — ^ — B— 1— . 6? — 2 -—2 — ,* — ^ — I — P-fl J-»

■ - - - let us hearli - ly re - joice

joice, 3 ~ 3~ 3 3 3 3 3 "~ 667 657

t96.

ANTHEM, Continued.

277

a Verse. Treble and Base.

Let us come be - fore his presence, let us come be - fore his presence with thanks - giv - ing, with thanks-.

~~ ~~ " Le7~~u7~ "li 6* 3 4 - 6 7

3

giving ; come before his presence, let us come before his presence with thanksgiving ;

-# —

3 3 3 3 3 3

4-9S&.

and shew our - selves glad, " and shew our - selves glad

r-#» — • —

II

And shew our - selves glad,

And shew ourselves glad) and shew ourselves g!a(l> ancl shew ourselves

6 — — ^—- —

278

ANTHEM, Continued.

***=*=;=

Syro.

in him with psalms.

"" giad . r\ r . : . . r . e ~ \"\ " " e « ~ ~« -«-

►GO.

CHORUS. Largo Expressive

For the Lord is a great God ; the Lord is a great God, and a great King above all gods : a great King above all gods.

#fi 5 4. 3

!:ioo.

ANTHEM, Continued.

Recit. Base. -«, |» a- ZK n»-»: -•-»-_.

illsiiiigiii^^mAi^giiSlli^liifili

In his hands are all the corners of the earth, and the strength of the hills is his also. The sea is his and he made it: and his hands prepared the dry land.

6 5 6 -e-

T. S.

Duet. t*100. O come, let us worship, O come, let us worship, and fall down and kneel be - fore the Lord, the Lord our Maker.

Inst. Base. / .

280

a CHORUS.

ANTHEM, Continued.

O come, let us worship ; O come, let us worship, and fall down, and kneel be - fore the Lord, the Lord our Maker.

:zzt:

6 6 57

4 #

|T#S;

^l^B^g^gEiilEgiiii^SlPgi

For he is the Lord, the Lord our God ; and we are the people, we are the people, we are the people of his pasture, and the sheep of his hand.

:#^s:

Inst. Base.

-*£

6 5 6 67 -«

4 3 45 55

43

ANTHEM. Continued.

if

II *s

3§£-

u. CHORUS.

Solo. P.

— - — Sr

fi:ifc*-*:z.~i-

-£2- ■ -i9-

281

he is the Lorii, the Lord our God !

we are the

And we are the

m

e_+_:p_p__T_-iS:_.-_T __

peo.ple,

l^iEfzEi!

-H-id— t — x — & — 1

III

-*-£___

6

Adagio."

_j*,£ _ yuttl- F-. » ;!*"__ "*" jtZ-l*" . "3" "»** _"t"

people,

we are the

people

:p^rc:

pasture, and the

p:

sheep of bis hand.

m m

lutti. t. ^

7 Voice.

H. & H.

Ill

3S

283

Maestoso. Chorus

ANT hi: VI.

Rev. Mr. Mason.

f$-

ji

Lord of all pou'r and might, Lord of all puw'r and

might,

lill

:~a: :— fc:

4 3

Solo. P.

^iM^iiPlillElllljfe

-»-• T— r~- — m— 1*-1 -

wm

things

m

Thou that art the author, Thou that art the author, Thou that art the giver of all good Solo. P. , N

ANTHEM.

Continued.

Chorus.

283

il=5

F. P. Chorus. P. , — ^

Graft in our hearts the love of thy Name, the love of thy Name, increase in us true re-

Solo. P. F. Chorus.

F. Chorus. Solo. P. F. Chorus. P.

f¥?

li - gion. Lord of all pow'r and might,

rsg

#— ;.ic —

nourish us

P. Solo.

good

H_:

F. P. Solo. "*

!-3?

9 8

s 4

281

ANTHEM.

Continued.

Chorus. F.

Solo. Second Treble.

Lord of all pow'r and might, and ol thy great mercy, and of thy great mer - cy

Chorus. F.

S ,.

Solo.

OOIO.

:E:iE:i~tri*T*_li «g

Alto. Keep us, Keep us,

Keep ns

* 6 g g 6 7 Orsian.

3 7 6 4 "

~~F. Chorus." Solo. P. ~ Chorus. F. " ~~ ~ ~ '

Keep us in the same, thro1 Jesus Christ our Lord, thro1 Je - sus Christ our Lord !

F. Chorus. Solo. P. Chorus. F. *— F.F. ^ s ^

Amen ! A - men.

6 *36#6 3 3*

144.

THANKSGIVING.

J no. Smith.

sas

Tutli. -S-~^ Second Treble. Solo. Alt°-

O give thanks,

O give thanks un - to the Lord, give thanks nn - to the Lord, give thanks, give

Solo.

_-©-_ _;§- ^ ( xu^'- -&._

6 ~ 6 6 7 Organ. 8 7 6 5 "3" Voice. ~

Voice

_ Tntti.

-e"^ Second Treble. Solo. ^ — ^ A]^- ^-^

thanks, give thanks un - to the Lord, give thanks un - to the Lord, : give thanks un - to the Lord,

^— «^ Solo. ^— «s Tutti. ^ — v

7e6 S 6 * 3

Voice, 5 — 6

286

THANKSGIVING.

Continued.

" **~~~ Tutli.

Second Treble. Solo. Alto. .«. . Solo. Second Treble.

fur he is ' good, for lie is good, is good, for his mercy en - dur-eth for - ever, hi? mercy en - dureth, his

- — v , — v Tu»li. Solo.

Or^an. * 6 6 5 Voice. ± 6 7 6 7 Organ. 6

Tutt Alto

'• .fi_P_Q '§

=fc

dnretfa for - ever,

r-e— a —

his

Tulti

mercy en - dureth for

*j i i * „ ... --- * i •

.&'- J--a- i jr

Voice.

fioo.

Con. Spirito.

ANTHEM.

Kenf.

287

:bziFzzIzgzszP|zE£E*zf zz J-z£ JEtrt=J:£zf |-^E^£iE=zE!

'~t~ ■ T~p~r~TTr — r~T~'3~r~'J~TZa'"T"" T gZ-EIM T "~T~"Z!|

Blessed,

blessed be thou, Lord God of Is - ra - el, onr Fa-ther, Blessed,

-S-

bltssed be thou, Lord

!z|zqz|ze:

*6;

3

ESesiis

piS lii&lfillJ PiMllS?IeIii|pi I

God of Is - ra - el, our Father, for ev - er and ev - er, for ev - er and ev

blessed, blessed be thou, Lord

E Blfss - - - ed, Bless - - ed,

ANTHEM. Continued.

" Bless - - - ed, bless - - - ed,

God of Is - ra - el our Father, for ever and ever, for ever and ever, Blessed, blessed be thou, Lord

7 Ble=s - ed for ever and ever, ^3

5 fell ,6 A fe-«. ,T 3 3 3 3 3 3 3 3 2S»t. 3 28

fT#:;fc

*-^ fz for ev - er and ev - er, Bless - - - ed for ev - er and ever,

God of Is - ra - el our Father, Bless - - ed for ev - er and ev - er, for ever and ever,

^^ fy for ev - er and ev - er,

*<~~ * " ■*""■"=■" •r-— - — - ~ ~ mT.. ...i ~ i-„. „., _ „„ ..,,,1 ^i"_ t,r 7T 5 — 5

d for ev - er and ev - er, .

6

£3333 333

ANTHEM, Continued.

289

Bless - ed, for ev - er,

Bless - ed, Blessed art - thou, for - - ev - er and ev - er, for ev - er and ever.

for ev - er and ev - er,

Q

for ev - er, for ev - er, and ev - er, for ev - er,

6 _ „— — — — 3 3 3 3 3 6 6

3 3 3 3 3 3 3

^100. Two voices.

Thine, O Lord, O Lord, is the greatness

Thine, O Lord, O Lord, is (he greatness.

Organ.

6 13— 6 ~6 Sfi h7~ ' fi~ ■ 6—66 5 5 6 6 5 6 ^

6 4 3-

H. & H.

i 11 b7

37

290 ANTHEM, Continued.

Tutti.

Thine, O Lord, O Lord, is the greatness, and the pow'r, and the glory, and the vic-lo - ry,

, and vie - to - ry and maj - es - ty. Thine, O Lord, thine, O Lord, is the

_Q _ p W p JZ.— ,T 3- ' P— -I— — — p— T &

6 5 3-

ANTHEM, Continued.

291

greatness and the pow'r, is the greatness and the pow'r, and the glory, and the victory, and the majesty, the majesty, for all that "P— 0' m . n ri Voice. p

Organ.

-d- 5 - 3. 3 —

For all that is in the heav'n,

is in the heav'n, in the heav'n and the earth are thine : Thine is the kingdom, thine is the kingdom, O

3 7 6 5^

4 tr

6 6 3

292

ANTHEM, Continued.

over all, - alted as head over all, as head over all, as head, as head over all.

^ 6 5 6 5 6 6 :> 6 4 3 7 as head over all.

4 o 4 t> f £ 7

,•"100. DUET.

Both riches and hon - our come of thee, come of thee, riches and honour come of thee.

6 7

45

3

ANTHEM, Continued. 293

And thou reignest, thou reignest, thou reignest over all ; and in thine hand, in thine hand is

is

is pow'r,

m i 3T-s-

2

And in thine hand it is to make great, and to give strength un - to all.

pow'r and might,

And in thine hand it is to make great, to make great, and to give strength un - to all.

3 6

5 6 7

394 pioo.

CHORUS. Presto.

ANTHEM, Continued.

*-^ .„« «k_«lr <v,„„ «~~ ti.nnl* *l„„ n n~A ~~.i _-_7»

we thauk thee, we thank thee, O God, and prai

Now therefore, our God, we thank thee, we thank thee, we thank thee, O God, we thank thee, O God,

we thank thee, we thank thee, O God,

name, we thank thee, we thank thee, and

se thy glo - rious name,

we thank thee, and prai

se thy

glo - rious

thauk thee, and prai

se thy glo - rious

we thank thee, and prai

6

ANTHEM, Continued.

295

prai -..-.. se thy name, we thank thee, we thank thee and praise thy name, we thank thee and prai -..--.

name, we thank thee and praise thy name,

thank thee and praise thy name, and praise thy name, and praise thy name,

se thy name, we thank tbee, we thank thee, we thank thee, 6 5

— 6 — 6 6 5 # •* #

we thank thee and 6

- - se thy name,

we thank thee, and

thank thee and praise thy name, we thank thee, we thank tbee, and praise thy glo - rions

we thank thee, we thank thee and praise thy glo - rious name, we

praise thy name,

* 6 -

we thank thee, we thank tbee,

# 5b§

396

lib™

ANTHEM, Continued.

se thy glorious name,

we thank thee and praise thy glorious

-P^_ _q__ 0 pfep-P-p _be -p- ^e^ :e:_

name, we thank thee, and prai ..... se thy glorious

thank thee, we thank thee, — -^ _q_ and praise thy glorious

thank thee, we thank thee, and prai

6

se thy glorious name, and prai

Slow.

- - - - - sc thy 6 - 6 5

kr ' — " " .— -- —

name, ihy glorious name, we thank thee, we thank thee, O God, we thank thee, we thank thee, O God, and praise thy glorious name.

6 7

'92.

ANTHEM. For three voices.

Lively. I to I to -S- «.

Organ.

Sing O heav'ns, Sing O heav'ns, and be joy - ful, be joy * ful, be joy - ful O earth, and be

Tenor. " ^— ^

Sing O heav'ns, and be joy - ful, be joy - ful, be joy - ful O earth, Sing O heav'ns, and be

Voice. _ _. -Q-

H. & H.

33

§7 § Sing O heav'ns, Sing O heav'ns, * 5 *6 6

298

ANTHEM. Continued.

joy - ful, be joy - fill, O earth,

break forth into singing, O

joy - ful, be joy - ful O earth, break forth in - to tinging, O mountains :

break forth in - to sineing, O

S 6 2

mountains :

P'-ar— n~r-p-~ -9 1

heav'ns, Sing O heav'ns, and be joy - ful, be joy - ful O earth, be joy - ful, be

ful O earth,

'zzszz^-tt^Pzzcrf2^^

Sing O heav'ns, and be

-e-

joy - ful, be joy - ful O earth, be

-^-_^-_ba_T_Q e „_T

ful, be joy - ful O earth

dziz'~:

be joyful, be joyful

Voice. * 6 .6

O earth, Organ.

f±=z=z

:f-

ANTHEM. Continued. 399

be joyful, be joy - ful, O earlh, tlie Lord hath

:t-i

:?'5E?=lEzEE^:

be joyful, be joy - ful, O earth, the Lord hath

For the Lord hath com - fort - ed his people, be joyful, be joy - ful, O

#3 #3

earth, Organ. 6 #3

comforted his people, be joyful, be joyful.

O earth, be

comforted his people, be joyful, be joyful,

O earth, be

joy - ful, the Lord hath com-forted his

j°y

- ful, the Lord hath com-forted his

-#3

the Lord hath comforted his people, Organ.

the Lord hath com-forted his Voice.

300

ANTHEM. Continued, be

people, and will have mercy, he will have mercy on his af - flict - (

and will have mercy, he will have mercy on his af - flict - ed.

people,

^ people, and will have mercy.

6 9 8

5 A3

CHORUS.

he will have mercy on his af • flict - ed.

S 97 43

!

Sing O heav'ns, and be joyful, be joyful O earth,

break forth in -

Sing O heav'ns, and be joyful, be joyful O earth, break forth into singing O mountai

Sing O heav'ns, and be joyful, be joyful O earth, break forth in - to sing - ing

to

mountains, break

o

Sing O heav'ns, and be joyful, be joyful O earth,

6 6

ANTHEM. Continued.

301

singing O mountains, break forth in - to

singing O mountains: the Lord hath comforted, hath comforted his

forth in - to singing, break forth in - to singing, O mountains: the Lord hath comforted, hath comforted his

mountains : break forth in - to singing O moun - - tains, the Lord hath comforted, hath comforted his

■3Lzz— zz^z=— — |z5zrszz»zizjzzz:rg!— zzjf— fzP:fgzBZijt:|=dzpz|=zzzFz|z^zcz:p:p|ip£:?:ggZp:3

break forth in - to singing O mountains : the Lord hath comforted, hath comforted his

* I 6 6 6 *!

people, he will have mer-cy, he will have mer-cy, mercy on his af - Aided.

people, he will have mer - cy, he will have mercy on his af - dieted. Amen, Amen,

people, he will have mer-cy, he will have mer-cy, mercy on his af - flicted.

people,

he will have meT-cy, he will have mercy on his af - flict-ed.

5 6 a 7 5*6 667

3 5 3 2 S * n

302 p"92.

CHORUS. Salvation belongeth unto the Lord, &c.

Kent.

Sal - va-tion be - long-eth, be - long- eth unto the Lord, and thy blessing, and thy blessing is a-

"C" 6 Org. •» — '

. and thy blessing, thy

raong thy peo - pie. Sal - va-tion be - long-eth, be - long-eth un - to the Lord, and thy bless-

and thy blessing, thy

6 6 5 Voice." 6 -■•- 6 6 5

4 3 4 #5 4 3

|f#^-g"f~-j=j-:g

CHORUS. Continued.

303

53E

blessing,

^ -o-

•:*--

iog, thy blessing is

mong tliy people.

And thy blessing, and thy blessing, and thy

blessing, And thy bless - ... - jng, thy

and thy

blessing, and thy blessing, and thy

bless -

and thy blessing is among thy people, is among thy peo - pie.

tby . i s

r — I l-T— * —

-T— W -jg "

blessing, and thy blessing, thy 6 *•

301 £80. O LORD. WE TRUST IN THEE ALONE. Chorus, from the Oratorio of Joseph. Handel.

Adagio.. ^

alone in thee, alone in thee we trust,

i. '""" _ __ _ __ ___1?" "ft— * m _ n — _____

O Lord, we trust alone iu thee, alone in thee, in thee, a - lone, a - lone in thee we trust,

lone in thee, a - lone, alone in thee we trust,

Organ. | <-:^-~ ~^«j Voice.

alone, &c. 6 7 6

in thee, O Lord, in thee, O Lord, O Lord, we trust alone in thee.

6 6 6 " 6 4 3 66 43 43

Ififcr.

1 WAS GLAD WHEN THEY SAID UNTO ME, &e.

1st Treble.

Dr. Callcott

305

£*m

II Ky l was glad, I was glad, when they said unto me, We will go, we will go, we will go, into the

figlSilii^ilirSli^ifflSiiiir^ii

^ 6676676 767 * 63-6 767 46 6 4fa3tr* 6

4 4 2

Duo. 1st and 2d Trebles. _j | |

house of the Lord. We will go in - to the house, We will go in - to the house, ■"■"

Accompt. ^ n.

6 5 — 56 7 #6 6 4h « 6 6 56 7 7 * 6 6 43 6 66

4 « — *4 5 ° 4 5 34 5 4*

CHORUS.

F. We will go into the house, We will go into the house, into, &c.

F. into the house of the Lord, We will go, we will go - - - - - - into the house of the Lord, into the house of the Lord.

iSiiiillillliliiSiFiiSiiSliiSlil

F. Voice.

li^liiillililliilii^l^lgffiiiiiSiSil

6 4

3 5 o

.3 3333333 3 30

6 6 6 6 5 7 33 3 33 3 33 354 43

6 6 6 7-5 4 tl—

306

192.

I WAS GLAD, &c. Continued.

iim^=&mm^^^^MMWS£?M

Peace be with - in thy walls,

Peace be within thy walls,

Solo. Second Treble. Tutti. Alto. .*.

^f_l|iipii§lillli|i^lilE|i

Peace be within thy walls,

Solo.

Peace be within thy walls,

And plenteousness within thy palaces. Tutfi.

Peace be within thy walls, Peace be within thy walls, 5

Solo. ,i — s Tulti.

«■ 6—64 6 — " 6~ tj6 * " " *~T~6~3~ ¥"£

3 _ _ * * _ _ 1 _

Solo. Second Treble. Tutti. Alto. j 0 — "n

Peace be within thy walls, Peace be within thy walls, And plenteousness, and plenteousness within thy palaces. A - men, A - men.

£80.

Tenor. Adagio.

WE PRAISE THEE, O GOD!

Steibelt.

307

- Second Treble. the Lord, " ■ 9 &

We praise thee,"0 God ! we acknowledge thee the Lord ! All the earth doth worship thee! In - fi - nite Majesty! O

^ss^ ^<^ the Lord ! 9

iili^^^ll^liililliPi^l^lisiiiiiiillsiiEt]

*• 4.698687 6 5 4.— 6 5 6 —

3764 532— 3

^llPPIiipl^iSii^^ipilillilSiliiiiii^S!

God of Sa - ba - oth ! Heav'n and earth are full of thee ! and of thy glo - ry,

Lord God of Sabaoth !

il^Iiisiig|^^|_fgiiigg||^|ggiiii|ai

— 95 h7 — 5

1 5 6 87

3333 5

308 |*80

SONS OF ZION COME BEFORE HIM.

Alia Marcm

Nauman.

iL Sons of Zion come before him, bring the

Sym.

Sl_z lit*. ± — J :i_* — =^qwix — • tLiufc-3-2-

come be - fore hii

-©- Sons of Zion come before him, bring the

^> K fi fi -3-

-#_#_„__„_-_„. —

lo ! he's seated,

cymbal, bring the harp, bring the cymbal, bring the harp

bring the harp, bring the cymbal, bring the harp, j— High in glory lo ! he's seated, see the King he sits

u Syra. P«d nj3 | - Voice.

&

cymbal, bring the harp, bring the cymbal, bring the harp.

Syra.- A -#~ m -9- lo '. he's seated,

he sits in

f*&£====A

SONS OF ZION, &c. Continued.

309

iiiii^iPiiiiiiiiiriigigiiisi^iiii

*i*£

See the King he sits in state

*— *f- M- Fh~tPT~r~"— r — « — zi — n~ — zrzzi — r*^~ — T~ — »~~P~T~»~*» t~ ~~jg — r~1F "1

state, see the King he

in state.

Sym.

Sons of Zion come before him, sound the lute and strike the harp, sound the Voice.

j. Sym. ;—- < voice.

See the Kins; he sits in state

^iiilllli^ilpii^lfcislil^il^lilli

*t 5 6 6 5

"~ lute strike the harp ^ __ Sons of Zion come before him, sound the

Wmmmmwmwmmmmmmm.

:sz3 -i —

Sym.

. w ^d^J^n Voice.

310

SONS OF ZION, &c. Continued.

lute and strike the harp, sound the lute and strike the harp. Sound the lute and strike the harp. Sons of Zion come before him, sound ths bound the lute and harp. Sound the lute and harp.

6 6 6 6 8 7

6 6 6 6 8 7

„ a jjt • v_

Sound the lute and harp.

lute and strike the harp, sound the lute and strike the harp, strike the harp— strike the harp, strike the harp.—

pE^EKJjp3=|:

t-fe:i

sound the lute and harp.

sJm- I „ •

I i I _H I

8 7 7 — *> — ' — i--t- -t--r "~t

f69.

VESPER HYMN.

Solo.

Russian Air*

311

Ju - bi - - la - te, A - men, A - men.

Solo.

1. Hark! the vesper hymn is stealing, O'er the waters soft and clear; Nearer yet and nearer pealing, Now it bursts up - on the ear.

2. Now, like moon-light waves retreating, To the shore it does along; Now, like angry surges meeting, Breaks the mingled tide of song.

Instrument. Voice. Solo. '

Ju - bi - - la - te, A - men, A - men.

Tutti. F. Solo. P. P. 7 5 6 1 3

Tutti. F. Ju - bi - - la - te, A - men, A - men.

T?~Q» zSZ m. "ft" "ftZCffi "ft" ffZ^ SlJ°' p' p" _ '- — v

Ju - bi - la - te, Ju-bi - la-te, Ju - bi - la-te, Amen. Farther now, now farther stealing, Soft it fades up - on the ear.

Tutti. F. Solo. P. P.

Hush ! again, like waves retreating, To the shore it dies along. Solo. P. P.

3 — 3 — 5—3 3— 43

Ju - bi - - la - te, A - men, A - men.

312 ,*120, orp60.

CHORUS. Hallelujah to the God of Israel.

Haydn.

fte===z

** F. * 9- ?. S"1 ^ ""•"»" ' ' r.

5§ls

*3te

^a^^^TOCT^^^^^^^^^^

Hal - le - lu-jah, Hal - le - lu - jah, Hal - le - lu - jah, Hal - le - lu - jah to the God of Israel,

Voice. ^ — v ,- — v s — v /- — v Bynt. _A'oice- _SynL

Voice. J" g^ Voice. _ Voice -i-

6 6 4 67

CHORUS. Continued.

313

He will save - - - - us in the day the day of fight.

He will save us in the day, - - will save us in the day of fight. Halle - lu-jah, the Lord is our de- Voice. ,, Syra. I | Voice.

he will save us in the day, will save us in the day of fight. -jj- P.

Sym. Voice. Sym. Voice. .Q.

63-76S 756 87 t V 5676

*3 5 #454

fender, He will save us in the day, in the day of fight. F. God is great in battle, for he is the Lord of hosts.

Sym._j | Voice. Sym.

S^m- 'Voice. -QjL_|ft. Sym.

Sym.

6 *6 3

i 6 $6 3

CHORUS. Continued.

r -P- _"_J?" _-P-5- ^< -©— el -©-Jj£:. £*>£»_. _• P— P- -P— P*

Hal-le - lu-jah, He is our refuge, I will praise him forever, ever - more. Sym. Hal - )e - lu - jah,

Voice. Sym. Voice. £g_ .ft. ^^.. Voice.

v«i/.p "H'ciirm Voice. N**— y

" ^7 I ~6b4 3~T~-~ ~ 6- ~6~~¥V~ 2 4 3 4—4

I -A. Q fyS" S (B ^*" S> "E" "P" "s — !•""#" "e~l*" forever

1 will praise him, will praise him evermore,

will praise him, will praise him, will praise him, will praise him for - ever,

Voice. forever

6 £6

— 4

3

CHORUS. Continued.

315

for - ever, forever, ever, ever more, forever,. forever, forever, ever, ever more

ever, for - ever, for - ever, ever more, for - ever, for - ever, for - ever, for - ever, ever more Sym.

forever,

forever,

L — b-

rr#£

ever, ever more, forever,

forever,

ever, ever more Sym.

~6 6 6 ~ 6 .5 ~6 6 ~ 6 ~6 6 5* ~'"~ ™~

5 4 3 5 4 3

:ver more, will praise him, will praise him, forever, ever more.

Sym. Voice. -*•_*_»■- -P-

^iPliiEiiiillilSlE^^!!

will praise him, will praise him, forever, ever more, will praise him, will praise him, forever, ever more.

Voice. Sym. Voice. -S~ S— •- -P-

Voice, q s

^__ — «_t_|_l«_ "

3=^tees£

T. S.

- £ Sym. Voice, q £ "uLlft Sym.

316 £92.

DIRGE.

Dead March in the Oratorio of Saut, by Handel.

P. Solo. P. Solo. Tutti. P. «^_

Unveil thy bosom, faith - fill tomb, Take this new treasure to thy trust ; And give these sacred relics room,

P. s ' P. Solo. P. Solo. ' Tutti. P. *—~~

6 * 6 7 6 K 87 6 5 5f &7 — 6 5

43* 54 3 654 3 3* 5-4 3

4 3

Repeat for the 2d and 3d verses.

To slumber in the silent du>-t. And give these sa - cred relics room, To slumber in the si - lent dust.

8 7-6— 5 — 8 — 7676 5 6 6A7 —

65-4— 3-b — 54 54 3 3 5 —

4 4 43

V. 2. Nor pain, nor grief, nor anxious fear Invade thy bounds. No mortal woes Can reach the lovely sleeper here, While angels watch the soft repose. 3. So Jesus slept ; — God's dying Son Pass'd thro' the grave, and bless'd the bed ; Rest here, dear saint, till from his throne The morning break, and pierce the shade.

DIRGE. Continued.

317

P. Solo.

Break from his throne, illustrious morn ; Attend, O earth ! his sov' - reign word ; Restore thy trust, — a glorious form —

F. ma Dim* - P- So)o" ~ ^~~^

^ ---» - - g iffiz *6wm • -v-*

__ F.F. Tutti. s ^_^ O ^-^ *~

Shall then a-rise, to meet the Lord. Restore thy trust, — a glorious form — Shall then arise, to meet the Lord. " F.F. Tutti. ^r^ ' O; ^—^

318 £92.

LO ! MY SHEPHERD IS DIVINE. From the Oratorio of Judah.

Haydn.

Syra. _0_ .a.

Second Treble.

p- £J Lo ■' My Shepherd is divine, How can I want when he is mine,

tr I ^_4 J* ' 3 Voice.

»«EBBBmragBi^Bg^^M

j>_j

LO ! MY SHEPHERD, &c. Continued. 319

Lo ! my Shepherd is divine, How can I want when he is mine, when he is mine.

J «LL J i J ^ Sym.

-*-J-,W-

v s ? 333 3 3 3 36 r B ■ ■ 5 6 6 6 •# 6 6 6

6 4 # 4 4 5*

He leadeth me — He leaded)

By the stream that wanders slow, Thro' the meads where flow'rets grow, He leadeth me,

| Voice. J j. I _ J _i_ I _ , r—N^ — — v

1 ^~ ' " — I — v "~ He leadeth

#e)— «-_ _-P-_-F_ jii_ z°t fe^__"p- _-Ez"C: ~~L±. ' — i p^a- -^

3~S 3 3 3

320

LO ! MY SHEPHERD, &c. Continued.

me and there I rest, In peace di - vine - ly blest.

fit

me and there I rest, In peace di - vine - ly blest.

6 4. 6 *6 #6666

3 * . 4

3 3

Lo ' my

.4- J. I

Lo ! my Shepherd is divine, How can I want

Voice.

^-— > P * • Lo ! my

Jtm _ffi pn«- .*. Vnice.

i 6 * | § r"9

LO! MY SHEPHERD, &o. Contiuued.

32 I

Shepherd is divine, How can I want when he is mine

.£ _

the stream that wanders slow, that wanders

when he is mine. By - - - the stream that wanders slow, wan - - . - - ders

that wander.', wanders

s — — — 0- s—^ mat wanaer.°, wanaers

Shepherd is di - vine. How can I want when he is. mine. By the stream that wanders slow, wanders

3 3 3 3 3 3

7 7 7 ~ ~7

slow, He lead - - - - eth me, he leadeth me and

s — N He lead - - - - eth, lead - - - - eth me and

slow, Thro1 the meads where flow'

rets grow. He lead - - - - eth me, He leadeth me, and there, and

slow,

pSferf^AJia

He leadeth me, leadeth me, leadeth me and

^ ,-,.±~« -e:_._T__

7 — H. & H.

6 6 6

4

41

322 LO! MY SHEPHERD, &c. Continued

there 1 rest, in love and

there I rest,

In love and peace di - vine - ly blest,

In love and ptuoe di - rinely there 1 rest, v—~ ' —

in love and

■#

3 3 3 3 3

peace.

blest,

In love and peace di - vinely b!est. Sym.

peace, ^ J — ' "* ^ ^| P^ B ti ^""^" ^ — 7 <j6 67 5 8765*36 66 7 6 6-J- §-** §— ** •?, " —

36 5 *32

*— #2 3— #2

ANTIi&M. That 1 may dwell in the house of the Lord.

323

One thing have I de

EE^EHE:

sir - ed of the Lord, which I

will re - quire,

:— d

IHIPlli

HilliBliiliil

96. Sym. Andante.

xx

"3=z=i-

:==jz^=3^=|=j^i==g=zr=|=*=z*==rz|=j=g=J=zs=^

— — •-» ___.*_ A _| X CJ. __ — — * 1

*^£e3=3*&

HSHi

324,

ANTHEM, Continued.

illiiliil^^iE-§ii=iillSiiii^illi

-#-*=

That I may dwell, That I may dwell, That I may dwell in the house, in the house of the Lord, may .

I *- voice, ij i~ | 56 1 e i is; |

. ^-^-_1„^-__T _ —

To be - hold the fair beauty of the Lord, To be-

dwell in Hie house of the Lord all the days of my life.

t;^^^^^^^^^^^^j^^^^^g^^^^

Organ. G 8 7

5 4 6 5 4 3 Voice.

ANTHEM, Continued.

325

n -Q #-% *rj-i z — nvrc:i-rrzi-i]v^i — ~ — s-t~ zl — 1~^ — ' — £^rit^fei~i~d-- 3-i.~-l— -2-a

hold the fair beauty of the Lord, and to visit, to visit bis temple, to behold the fair beauty of the

7 6 7

2

Lord, and to visit his temple, and to visit his temple. A - men. A . men.

326 flOO.

Alltzro.

ANTHEM.

0 Sinjr unto the Lord.

Dr. John Clark Whitfield.

O sing unto the Lord a new song, a new song,

z-±:

gag^CTimrmsa

gjOUJ-E

Sym.

■ «»tS-*-

O sing unto the Lord a new song, a new song.

fmmm

O sin? unto the Lord a new soncr, a nsw sonc:.

O.

-iv- -g-

• — s ■• — v Syro. !»t( — 2 J— **» -•■•■- «, +r

IpiSiigllilSliiiiiiiiliiliiililii

i the Lord a new song, a new song. _

7 6 6 6 67 ~6 7tj6 " ° "' "~ •• ° ~-^\~ ~°

O sing unto the Lord a new song, a new son

ANTHKY1, Continued.

327

O sing unto the Lord, the

Let the congre - gation of the saints praise him.

Let the congregation of the saints praise him, O sit

rEEE:

... ,J

Let the congre - gation of Die saints praise him.

O sing unto the Lord, the

Let the congregation of the saints praise him. O sing unto the

Lord a new song, O sing unto the Lord a new song.

& t_t-

O sing a new song. -»,

^~^_ _»_» m ft ^~ ^_ *nT- ip" - -— ■■ - '

Lord a new song, O sing unto the Lord a new song. Sjm. "®"

7 3 • 8 — § — 6 5 6

Lord, O sing unto the Lord, unto the Lord * new Song,

323 ANTHEM, Continued.

Let the congregation of the saints praise him, Let the congregation of the

Pra ...... jse him, Let the congregation of the faints praise him,

Let the congregation of the saints praise him, Pra ....

• 5 8 7 5 6 7 5 3 6 s"fi7 fi 5 6^6765

3 3*53 4.34.3*3 *3*5*3

saints praise him. ' *~~— -'

Let the congregation of the saints praise him, the saints praise hint, the saints praise him. - - - - ise him.

**• 6J6 Tf>i ~3 6 " ~7 6~ 8~ "6 87 _6 87

765 4>34> 6*3

bim, praise him.

►56.

ANTHEM. I bave kept the ways of the Lord!

F. CHORUS. Andantino.

Henry E. ttishop. 339

— z± i i-tz-ih, — I — :p-i : — i i d

F. I have kept the ways of the Lord, And have not wicked - ]y de - parted from my God, p. I have

^" n GUT a a ~* e i: c ' c c /re j c

9 — 6 7 4—

6 6 7 bosten.

#5 6 6 6 _6

4 #4 -g-5

Cres.

6 5

4. 3 F.

And have not, have not wicked - ly de - part - ed from my God. „ ^ s ^ Cres. F.

kept the ways of the Lord, And have not wickedly, have not de - part - ed from my God.

Cres. F.

F^iplpPPi^iiiEi^iliiiilillipii

And have not, have not wickedly, have not de - part - ed from my God.

Cr^es. ' F. _

7 65 6 5

1-1 4 # —

H. & H.

42

9 6 9 ;

7 4 6-

43 And have not wicked!;' departed from my God.

330

ANTHEM, Continued.

p.

All his judgments, &c. be - fore me, be - fore me,

P. Cres. P. F.

All his judgments were be - fore me, were before me, were be - fore me, be - fore me, And I did

P. Cres. P. F.

All his judgments, &c. be - fore me,

P. Cres. P. F.

66 6 5— *5 — tj 43 _ fcr^fi 6 — 6 5 "— 6~~ — ~

4 3 — 54 4 3 — #4 —

All his judgments were before me, were be - fore me, were be - fore me, be - fore me,

iiiSiPlllisilllPMi^iPliiiliglgglii

T*S;

And I did not put a - way his statutes, did not put his

not put a - way his statutes from me, And I did not put a - way his statutes from me, did not put his

P. And I did not put a - way his statutes, did not put his

6 6 4

tr

6 6 ft -q-7 4 a

4 #4 u g3 tr

~',

ANTHEM, Continued.

331

statutes from me, I did not put his statutes from

statutes from me, And I did not put a - way his statutes from me, I did not

I did not put from

Organ.

P. Voice.

l5*it___ 1 | i_;

5 8ta7 tl43

~ ~ #6 — tj7~ ~i ~~^ #6 ~ ~ "6 6 7

I did not put his statutes from me.

;-t

I did not put from me.

me, And I did not put, did not put his statutes from me,

.„ £ f__ *■

F. Organ. P. Voice.

6 6 — 5

- * tr 3

6 7-83

333 fl03. ANTHEM, Continued.

Alto. Sosten. VERSE. Andante con Moto.

Who is God ex - cept the Lord? Who is, &c is God ex - cept the Lord .'Who is a

Sosten. Sosten.

Who is God, who is God ex - cept the Lord ?

Organ. Voice.

76 5 - Who is God, kc.

76 —5 —3 43 6 5

Who is God ex - cept, ex - cept the Lord ?

lffflt=FSE

=z-=i=i=szrz

z:l L l.J :

Rock except our God? a Rock ex - cept our God? a Rock ex - cept our God? ex- cept our God? ex - cept

Sosten. a Rock - - -

3f=f

3 3 3 "IT 8 Who is a Rock, «c.

8 I

ANTHEM, Continued.

333 p. p.

God!

except our God ? who

Rock ex - cept our God? ex - cept our God? ex-

p. p.

Rock - - - - who is a Rock —

#4 6 #6 o 3 4 5 6—66 7 87 6 5, log 6576

3333 32 23 4. — 5 „,65 4 # 87 4398

Who is a Rock except our God ? - - - - Who is a Rock ex - cept our God, except our God - -

a Rock except our God ? who is a Rock, a Rock except our God - -

cept our God ? who

Who is a Rook ex - cept our God ? who

a Rock ex - cept our

% i 2 &~ 13 3 3~3 ~1 3 *3 L^=" ^^ It ' ---.

/bob 6 a 8 6 4> 3

334

ANTHEM. Continued.

fl(M. DUET. Trebles. Pintoso Allegro. Soa

Who is God ex - cept the Lord ? 1st Treble. Thy right hand halh holden me up,

F. F

tjt> 5 4

*■ 2 *

Organ.

4 3 5 6'

DUET. Tenor and Alto.

Alto. Thy risht hand hath holden me up, And thy gentleness hath made me great, And thy gentleness hath made me great.

"I I ^ "fil

ANTHEM, Continued.

335

And thy gentleness halh made me great, And thy gentleness hath made me great. F.

Thy right hand hath holden me up,

#5-36 — 65 566 ~ "' " 6 5 Voice. §5 6* 7 6 5

4, # 3 4. 4 3 *3 4S

L.

And thy gentleness hath made me great, And thy gentleness hath made me great,

Duet. Trebles

Hath made me

Soli.

Hath made me great.

6—5 — 6 6 6 S

b —3 — 4 tf * *

336

ANTHEM, Continued.

Hath made, hath made me great, hath made me great, hath made me

great, hath made me great, ■ hath made, hath made me

n-M-i — -M — i — \ — | — i — *.a 1 - — x — — ■_<■.-!_ J- — » s_«ij.-_ — _Lx.g/_u j..a a.im D_e(J

Hath made me great, hath made, hath made me great, Thy gentleness hath made me

j"pir [ — l-T — ; 1 — T — ~1 — T

And thy gen - tie

ness hath

me great, hath made me great, hath made me

ifdWfcr+te

great, hath, &c. great, made me great, made me great, hath made me great, hath made me great, hath

great, hath made me great, made me great, hath made me great, hath made, hath made, hath made me

great, hath made me great, hath made me great, hath made me great, hath made me great, hath

6 7

_ '6 5

43 , 43

hath made me great, hath made - - - - me

great

ANTHEM. Continued.

Cres. F.F.

337

made, hath made me great, hath made me great, hath made me great,

F.F. ^ ^

great, Cres. F.F. hath made, hath made me great,

made,

me great, Thy gentleness

F.F.

hath made

me great,

made - ^76. Larc-o Andante.

me ereat, hath made me great, hath made me great,

5 6 6 7865 6

tr - 5 4 3

-#-

:~ 2— — i~—QZZzzi——az

-e- -e-

HATH MADE ME

GREAT,

L

IU=d5

:e i — t b — i~ — 22 — ~i s — zzizz. — a i — -a — — i i JJ_—

-2- I I % ** 7S-

H. & H.

43

333 f63.

HOLY LORD GOD OF SABAOTH.

B. M. Swaffield.

Tutti.

Ho - ly, Ho - ly, Ho - ly Lord God of Sab-a-olh, Hear'n and earth, Heav'n and earth, Heav'n and earth are full of the

*^ _ ~ " ~9 " Tutti. Voice.

hoc.

Majesty of thy glory. Glory be to Thee, Glory be to Thee, Glory be to Thee, O Lord Most High.

108.

ANTHEM, « 1 was glad," &c.

Thomas Attwood.

339

- ^ - _£•_ j-q _ l_ hr£rj^ __JhI :p^_ <tr ' was

^y=c

.p. we - - will go into the house of the Lord, s— ^

glad, when they said unto me, We will go into the house of the Lord, for there is the seat, is the seat of judgment,

6— — 6- 6 5- — * 6

5 4 - * 3 — 5 1 4 3 — %

6 — 4 6 •«. 6

% %

340

ANTHEM. Continued.

ev'n the seat, the

-.—32

see;

lf£-

the seat of the house of David, ev'n the seat of the house of David, ev'n the seat, ev'n the

* ev'n the -seat,

— * 4 6 — ev'n the

seat,

of the house of

seat,

seat, 43

the seat, the seat, the seat of the house of David. of the bouse, of the

ev'n the seat, the seat of the house of David. of the house, the

s~. ^ 1st Treble. The seat - - - - - - . - - - - -

seat, -

- the seat of the house of David. 2d Treble. The seat of the house, the house of

1st Base. The seat of the iiouse of the

.©i *». -ft

!*•-

**-&

*~ 2d Base. The seat^ •'J v. -"^ ' £ of

ev'n the seat, &c. 6 6 43

ANTHEM. Continued.

341

David, of the'houseof David, of the house of David, () pray for the peace of Je - ru-sa-lero,

David, The seat of the house of David, The seat of the hous« of David,

David, the house -------- of David. O pray for the peace of Je-

ji_d . . _ ____-„ __

David,

of the house, 6

house of David, 6

Second Treble. ,— ^ F.

O pray for the peace of Je - Cres.

O pray for the peace of Je - ru - sa -

O pray for the peace of Je - ru - sa - lem, O pray for the peace of Je-rn- sa - lem. Cres. F. .»— ^

z&z*.i.:p#p±ia:zzF.tzf:z « pipfpffg-i

O pray for the peace of Je - ru - sa - lem, O pray for the peace of Je - ru - sa - lem,

O pray for the peace of Je - ru - sa - lem,

ANTHEM. Continued.

They shall prosper, shall prosper that love thee, shall prosper that love thee, shall prosper, shall prosper, shall prosper that love thee,

they shall

4# — — 7 6 6 43 *5 7 6— 6 43 5 ?3 |

7#6 # -

they shall prosper that love thee. Peace within thy walls,

they shall prosper that love thee. Peace be within thy walls, Peace be within thy walls, Peace be within thy walls,

nros - per that love thee.

-a__a. -0_*_«. XL .at- P. -e— •; q

h they shall prosper that love thee. #* — 6 #6 4 # " #™ — 6~ #6 1T"#

fe6 - 5 ^6 5 2 - - 2 -

4 _ * * *

ANTHEM. Continued.

li sbn-fce=::

343

dbb±S

plenteousness, &c

be-

I thy walls, thy walls,

.■frge-T-p1 — F"T^~F"T~°"~"T^"Tp1*":f-- — - - —

^^ Peace be within thy walls, Peace • be within thy walls, Peace be within thy walls, and plenteousness with-

"-~— -' ^-^ and plenteous-ness, &c.

thy walls,

#<t 6

3

#6 6#5 6- 6 5 6 5 #5

7 5 #6 6 S7

#344 #— 3

plenteousness, &c.

4. — 2 —

bp_ within thy palaces, F. -|3-

in thy palaces, plenteousness within thy palaces, within thy palaces.

with - in thy palaces,

Sym. -Q-

h6 6 6~ ^"-"^g" " fe3~ 6 ' "tj Tasto. " --- • .

,3 b3

* — b6

b3

w

344

ANTHEM.

Coutinued.

will co into the house of the Lord,

f. -p-p-9- -m-m-p-r-m- >

when they said unto rne, they said, we will go into the house of the Lord.

Glory be to the Fa

we - - - will go into the house of the Lord. _^— ^

7 6 £

they said, we will go into the house of the Lord. # 7 §-- 6 6 7-

3 3 4,

F. Ores. F.

ther,

and lo the Son, and to the Holy Ghost,

as it P.

was in the be - ginning, Cres. F.

now and ever Cres. F.

6 7

&7 fe6

ir#=

P. Cres.

ANTHEM, Continued.

345

P. Cres.

_q_-£=£; "^ _£_•_£&§: ' e_ «_ p n

world without end, world without end, p. Cr.

_Q_T_-Q_T— 0_T Q_,

P. Cres. F. F. Amen, A - - - - ■ men, _

6 - b*3

b

.6 — &4 3 h5tl5 6*6 f. t>3 - U

- men, A ------ - men, A ----- - men.

A men, A - - - men, A men. -m-

A - - - men, A - - - men, A - - - men.-*r*~ * • *" "®~

men, 5

A 5 6 3 4

'v^- -e-

76. T\BOK,. Composed and sung by the ancient Bohemian Brethren in times of persecution.

Praise God for - ev - er! Boundless is his fa - - vour, To his church and chosen flock, They stand on

H=

5tr6

T£Ei

*>— R-*tf

Christ the Rock, His Al - mighty Son, On fair Mount Z\ - - on, By his spir - it grace and word.

r-& — -F-H

IL=

* t

TABOR, Contiuued.

347

Blest cit - y of the Lord ! Thou in spite of ev' - ry pow'rful foe, Shall undaunt - ed stand, and prnsp'nng grow ;

5b6 6 7

6 6 6 7

'Midst disgrace, to God's praise, Both in love and u - ni - ty, To all e - ter - ni - ty, To all e - ter - ni - ty.

5tr6 6 7

DISVUSSSON. S's&S-'s.

:r_±§

EZSIQ

I

Lord dismiss us wilh thy blessing, Bid us all depart in peace, Still on gospel manna feeding, Pure se - raph - ic love increase ;

fiP#

X X X X

6 6 4 4 6

3 3

6466687 Or

3 4

6 46 64 667 Voice. 3 3 4

Fill each breast with con - so .- la - tion, Up to thee our voices raise ; When we reach that blissful station, Then we'll give thee nobler praise,

;-t-P— P-i-B 1

r_a_._ ,

ll.:z±fc=±z±d

4. 6 87

3 tr-

6 $ ' 6 7 |53

DISMISSION, Continued.

349

Then we'll give thee nobler praise. And we'll sing Hallelujah, Amen, Hallelujah, And we'll sing Hallelujah, Amen, Hallelujah, To God and the Lamb.

-— r--,~- ;<rT-i~ ;--— T--«T«Tr-: t — ^T*Tr t ir— ■-« *■-

Solo. P. Tutti. F. Solo. P. Tutti. F. Hallelujah for-

5 6 8 7

6 6 B 5

* tj

Hallelujah for - ev - er, Hallelujah for - ev - er, for - ever and ever, Amen. , — s , — s ^— ^ -

Hal-ie - In - jah, A - men, Amen, Amen.

ev - er, Hallelujah for - ev - er, Hallelujah for - ever and ever, Amen. -0.

t>

AEfNGTON	123	Beveridge	159
Abridge	114	Bizantium	177
Advent Fuge	265	Blandenburg	163
Aithlone	176	Bland ford	107
Alcester	194	Bleudon	38
Aldborongh	109	Bostock	65
All Saints	52	Boxgrove	170
Alsen	198	Bowen	31
Amboyna	202	Bray	107
Amsterdam	213	Bradford	125
Anirola	206	Braintree	130
Aiijtls' Hymn	28	Branicoate	238
Ami^ua	79	Brattle Street	104
Andover	75	Brentford	38
Arlington	99	Bridgeport	119
AruJc-v	80	Broomsgrove	152
Arundel	127	Btirford	133
Asbfey	115	Calmar	252
A'lor	69	Calvary	207
Asylum	147	Cambridge	' 10.1
A'hens	204	Camden	50
Albol	158	Canterbury	99
Atlantic	240	Canton	■ 246
Aug-burg	235	Castle Street	45,
Austria	200	('orolans	86
Autumn	212	Carolina	150
Avirno	82	Carthage	244
Aylesbury	165	Charleston	75
Babylon	84	Chapel Street	77
Bangor	135	Cheltenham	146
Barby	132	Chesterfield	114
Bath	34	Christmas	128
Bath Abbey	201	Christmas Hymn	143
Bedford	131	Clapton	157
Benevento	195	Clifford	120
Berlin	236	Clarendon	144
Bernice	190	Colchester	122
Bermondsey	232	Collingham	141
Bether	136	Columbia	253
Rethesda	185	Compton	147

ALPHABETICAL INDEX.

Croyden

Crow le

Cromer

Cumberland

Dalston

Dartmouth

Darwell's

Darwen

Dedharo

Denbigh

Denmark

Devizes

Dorchester

Dover

Dresden

Duke Sjreet

Dunbar

Dundee

Dungcness

Deinstall

Dying Christian

Eaton

rastbnrn

Dastabrook

F.denton

Easter Hymn

F.dyfield

Effingham

Elgin

Ellenthorpe

Elysium

Emsworth

Evening Hymn

Evening Hymn

Eversly

Fairfield

Farnsworth

Ferry

Foundling

Froome

163	Funeral Hymn	135
134	Funeral Thought	149
74	Ganges	206
35	Gardner	33
179	Geneva	148
252	Georgetown	73
186	Georgia	243
85	Germany	44
121	Ghent	245
266	Gloucester	37
258	Goshen	219
118	Greece	211
249	Green's Hundred -	81
156	Greenville	233
62	Great Milton	98
61	Haarlem	251
166	Hague	62
132	Hamburg	241
111	Hamden	70
237	Hamilton	224
268	Haselton	139
58	Havanna	113
157	H avre	227
215	Helena	242
217	Helmsley	205
009	Hinton	2.-4
216	Holham	189
61	Howards	95
138	Huddersfield	151
47	invocation	162
160	Irish	144
76	I-lington	32
44	Italian Hymn	233
83	Jordan	96
149	Kendall	121
162	Kew	174
142	Landaff	230
112	Leicester	82
146	Leyden	239
169	Limehouse	88

Lincoln	199	Old Hundred	25
Linton	62	Orenburg	,124
Little Marlborough	166	Owens	26
Liverpool	105	Oxford	112
London	126	Olmutz	251
Lovain	236	Park Street	53
Luton	42	Peckham ~+|	163
Lyons	228	Pelham	154
Manchester	119	Pergolesi	78
Martin's Lane	171	Peterborough	116
May hew	81	Pilesgrove	91
Mear	122	Pilton	193
Med way	47	Pleyel's Hymn	190
Medfield	131	Plvmplon	137
Melody ■	125	Po'land	36
Middlebury	83	Portsmouth	40
Milan	247	Portugal	29
Milton	43	Portuguese Hymn	■ 223
Monmouth	39	Princeton	169
Montague	226	Proctor	72
Morning Hymn	27	Quincy	255
Mornington	161	Rapture	175
Mount Ephraim	155	Redeeming Love	-178
Munich	84	Reubens	. 204
Musick	90	Richmond	66
Namur	63	Rochester	127
Nantwich	89	Rothwell	40
.Naples	193	Sabbath	188
Nazareth	238	Salem	117
Newark	57	Salsbury	55
Newconrt	173	Savannah	221
New Market	41	Saxony	249
Newton	103	Seasons	34
New Sabbath	46	Semley	74
New-York	102	Scotland	263
Ninety-Seventh Psalm 93	Seville	208
Norfolk	67	Shaftsbury	183
Northampton	164	Shirland	158
Nottingham	113	Sicilian Hymn	194
Nuremburg	198	Silver Street	153

METRICAL INEX.

South Street	59	Stamford	96	Turin
St. Alban's	68	Stanley	199	Tweed
St. Ann's	95	Sterling	33	Venice -af3*
St. Austin's	138	Stephens'	105	Vienna
St. Bride's	167	Smyrna	209	Wales
St. Cecilia	246	Spring	220	Walney
St. David's -	94	Suffolk	227	Walpole
	231	Surry — -^-	64	Walthain
St. George's	71	Sutton .<	159	Walton
St. Gregory's	103	Swanwick •	110	Walsal
St. Helen's	172	Sweden	108	Walworth
St. James'	94	Swithin	257	Wanworth
St. John's	109	Tabor	346	Wantage
St. Martin's	100	Tallis' Chant --	101	Watson's
St. Mary's	134	Tamworth	216	Wareham
St. Matthew's	97	Tempest	10S	Watchman
St. Michael's	229	'Thessalia	161	Waterville "
(St. Olaves'	68	Timsbury	241	Weimar
St. Paul's	51	Trenton	77	Wells
St. Patrick's	92	Triumph	182	West borough
{St. Peter's	30	Triroli	214	Westbury
|St. Philip's	181	Trumpet	187	West ford
St. Thomas'	156	Truro	42	Westminster
	]	METRICAL	1NE	)EX to su
L. M. Major.		Charleston	75	Leyden
All Saints	52	Cromer	74	Lovain;
(Andover	75	Cumberland	35	Luton
Angels' Hymn	28	Dresden	62	Mayhew
Antigua	79	Duke Sfreet	61	Medway
Astor	69	Dunstan	237	Monmouth
Atlantic	240	Effingham	CI	Namur
Augsburg	235	Ellenthorpe	47	Nantwich
i8ath	34	Ernsworth	76	Nazareth
[3erlin	236	Evening H3'mn	44	New Market
i31endon	38	Georgia	243	New Sabbath
iSostock	65	Ghent	245	Ninety-Seven
(3owen	31.	Green's Hundred	81	Norfolk
|3rentford	38	Hague	62.	Qirl Hundred
jBramcoate	238	Hamburg	241	P^rk Street
bastle Street »	45	Helena ■ Islington '	"242	Pilts^rove
Lbapel Street	77	ForUmou'*1-

192 116 196

28 191 126 256

54 140 141 225 220 136

60 106 165

69 242

92 203

87 245 155

Weston .'. ■

Westvill

Weston vel

Westmoiand

Weymou

Wicklow _

Wilna

Winchelaj,

Winchestcj ,

Windsor

Wittembui

Woodstow Holt

Worksop

Worship

Worthing

Yarmouth

York

Zion

Zion's Hil

4d;

56 145 248 184 218 210

41

31 133 250

93 139 180 197 167 129

49 254

AN ITEMS, Sec. Before Jeovah's aw- ■ ful thro: 258

Blessed be the Lord | forever, Sic. 274

Blessed be thoi Lord Godoflsrael.&c. 287

From all that dwell be- low the skiei, Sec. 266

Hallelujah to the God of Israel, &c. 312

Holy Lord God of Sa- baoth 333

I was glad when they said unto me, Sec. 305

Let Zion and her sons rejoice, Sc. 265

Lord of all power and might, Sea. _ 282

Lord dismiss U6 with thy blessing, Sec. 348

Lo ! iny shepherd is divine, &c. 318

Ocome let us sing un- to the Lord, Sec. 275

O^ive thanks u

Lord, &c. t> Wd we trusf

thee a^Re> &c O sing unto »he Lora.

LiC.

Praise God forevt. ~i*

Salvation belonged. unto the Lord, Sec. So

Sing Oheaveus and be joyful O earth. &c. 297

Sons of Zion come be- fore him, Sec. 308

The voice of free grace, Sec. 2E3

That I may dwell in the house of the Lord,ic.32q

Unveil thy bosom faithful tomb 31

Vital spark of a aven- ]y flame, &c.

We praise th e, O ' God, &c.

to Public Worship.

239 230

« .47 39 63

89

23S

Proclor Portugal Rothwel St. Alba's St. Genre's St. Olavs St. Paal| St. PeW/1 St. P-ViA's

Seinlejl \ Sterling I Surrey I Timshm \i Trentc Truro

Watson's

Wells

Westford

Winchester

Winchelsea

Woodstown

L. M. Minor.

_*rmley i

tiabylon

arolans

arthage

rwen

iningHyfin rehouse ilebury

245 31 41 93

2ri!

X

Westbury	ir 87
Weimar	V 21s
C. M. JU	\jor. \
Abington	fc
Abridge	]U
Aldborough |	ute
Arlington	a9
Arundel	1-27
Ashley	115
Asylum	147
Barby	\ 132
Bedford	: 131 !(>7
Blaudfcrd
Brittle Stree*	- ^xs.^
\Braintree

METRICS INDEX, Continued.

Qhstmas Hymti Clarendon Clifford Colchester Compton Dedham D'.vizes Dorchester Dundee liversley Farnswort! Ferry Foundling Great MilLn Jtavanna Howards TluddersficJ Irish

ordan /

.tmdal'

Ckrpooi

Unci, I

M.pr

M:dlitiJ

/«ewton

New-fork

Nottingharo

Orenburg

Oxford

tpterborc>£,li

llS

)62 101

99

246 146

114

1 S8 143 144 120 122 147 121 118 249 132 149 142

US

146 98 113

95

151

144 9fi 121 105 120 119 122 131 103 102 113 124 j 12 U6

C. M. Minor. Bangor Bether Burford Carolina Collingham Crowle Elgin

tuneral Hymn Funeral Thought Hiselton Hairlero P)yn:pUr, c.. Austin's St. Mnry'i

135

136

133

150

141

134

138

13.^

14 ~

If"

251

Wal^al' //:,:

S. M. lesbury artmouth

■•nbai i'l

"e Marlboro)."' 'ride's r '

L. M. 6 lines. Major. Eaton 58

Morning Hymn 27

Poland 36

Westville 56

Zion 49

L. M. 6 lines Leicester

Milan

Minor.

247

L. P. M. Major. Boxgrove 170

Martin's Lane 171

New-court 173

St. Helen's 172

C.P. M. Major. Aithlone Bizantium Columbia Kew Rapture Redeeming Love

S. P. M. Major.

Dalston 179

Worship 180

Zion's Hill 254

H. M. Major. Bethesda Darwells Edenton Shaftsbury St. Philip's Swithin Triumph

Trumpet Weymouth

7's. Major. Alsen Alcester Bath Abbey Bern ice Edyfield Hotham Lincoln Naples Muremburg Pilton

Pleyel's Hymn Quincy Sabbath Turin

187 184

198 194 201 190 216 189 199 193 198 193 190 255 188 192

8's & 7's, or 8's, Athens Calvary Greece Greenville Helmsley Seville Smyrna Sicilian Hymn Stanley Suffolk Tamworth Worthing WeMborough Wilna Walpole /. ,

8'6.

Goshen

7's & 4. 204 207 211 233 205 208 209 194 199 227 216 197 203 210 256

Spring Wanworth

6's & 4's. Bermondsey Italian Hymn

7's & 6's. Amsterdam

Emsworth Savannah

10's & ll?s. Hamilton LandafT Lyons Montague St. Michael's Walworth

It's.

Hinton

Portuguese Hymn St. Denis'

Scotland

220 220