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Brico009
Camp
Wear

1-Bribe 4'01"
2-Hoax 6'08"
3-Your Voice 5'20"
4-Hardly (distorted version) 4'24"
5-Your Voice Version 4'57"
6-Bribe Version 4'11"
7-Reflower 7'04"

total time: 36'05"
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_technical_info

All tracks recorded and composed by Camp, aka David Turgeon using a Computer in Montreal, Quebec, 2002.

Visual (Cover) Art by Max Haiven - design.

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_label_statement

Camp's grooves are broken but insistant. Camp's bleeps and beats are so odd and unusual, yet it they result in
a gut-renching emotional triumph! This is the minimalist glitchy passion of Camp, founded very deep in community,
friends and love, sampling two of his long-distance friends in "Your Voice", which is possibly the one of Camp's
sexiest moments. Camp makes great experimental and minimal techniod computer songs, great for avant-garde clubs
and late night cuddle parties!

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_artist_statement

Camp Wear, which was recorded in 2002 before my Mutek performance, represents a junction between Camp II (which
encompasses the Camp Féministe, Fodder #3 & Camp Mobile releases) & Camp III (which is so far represented by two yet
unreleased albums, Mean & Rock Island.) It is really a sort of distorted mirror image in which Camp III looks at
Camp II (& vice versa), & it also itself contains a mirror which is the piece Hardly. One piece is invisible when
put through the mirror (Hoax), perhaps the result of it being a vamp. Bribe & Your Voice are really the only true
living things on this recording. There is really not much to them. Reflower is a sad & violent attempt at
reimagining the source of it all, which is not Camp I, which doesn't exist. At any rate, Reflower finds out that
Re can replace De but it can never delete itself entirely. Hence there will not be any Flower no more. I know this
is convoluted & all (don't think I've ever done anything so conceptually convoluted in fact), but I hope the
meaning of this is obvious enough. Now, does the world need Camp Wear? I know I did. Back then.

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BricoLodge is a net.label for eclectic techno, playful composition and
complex experimentation that emerged from artistic and cultural exchanges
between the site directors, Carrie Gates and Jon Vaughn and other artists
from across Canada and the world since the turn of the 21st Century.

http://www.notype.com/bricolodge/

bricolodge@gmail.com

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