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AN EXTENSIVE COLLECTION OF NEW AND OLD TUNES, CONSISTING OF ARRANGEMENTS FROM THE
OLD MASTERS, AND MODERN EUROPEAN WRITERS; GEMS FROM THE CONTINENTAL SCHOOL,
WITH VALUABLE SELECTIONS (KINDLY PERMITTED) FROM LIVING AMERICAN COMPOSERS:
ALSO, A VARIETY OF NEW PLECES BY THE AUTHOR, WITH SOME OF THE CHOICEST
PRODUCTIONS FROM HIS FORMER PUBLICATIONS.
INCLUDING ALSO,
A MELODEON INSTRUCTOR;
BY THE USE OF WHICH, A KNOWLEDGE OF ALL INSTRUMENTS OF THE ORGAN KIND MAY BE EASILY ACQUIRED
BY VIRGIL CORYDON T A Y L 0 R,
ORGANIST AND DIRECTOR OF MUSIC, STRONG PLACE CHURCH, BROOKLYN, AND AUTHOR OF TAYLOR'S "SACRED MINSTREL,"
"GOLDEN LYRE," "CHORAL ANTHEMS," "CONCORDIA," ETC., ETC.
FIFTH EDITION.
NEW YORK: PUBLISHED BY DANIEL BURGESS & CO., 60 JOHN STREET.
FOR SALE BY ALL BOOKSELLERS.
1855.
Entered, according to Act of Congress, in the year Eighteen Hundred and Fifty-four,
BY VIRGIL CORYDON TAYLOR,
In the Clerk's Office of the District Court of the Southern District of New York.
N.B. — All tunes, and other descriptions of music contained in this work, to which an asterisk (*) is affixed, are claimed as the property of the copyright owner.
2T|)omaB 33. SmftJ), 8TEREOTYPER AND ELECTROTYPER,
216 William Street, New York.
PREFACE.
A general enumeration of the leading features of this work, is given in the title-page ; but for a more particular indication of the same, we invite attention to the following observations : —
Utility, Variety, Attractiveness; are the cardinal and fundamental characteristics, steadily aimed at in its arrangement :
Completeness, without undue extension of its limits — so as to augment its cost — and without reducing its typography to an objectionable minuteness :
Simplification of the elements, omitting everything not positively essential to the learner ; explaining, neither too much nor too little, that which is given ; abridging thereby, without detriment to the class, the labors of the teacher :
A Melodeon Instructor, a series of progressive exercises, by the use of which, a thorough knowledge of this Instrument — as far as possible — becomes a matter of self -acquirement
New Tunes. In this feature of the work, the greatest diversity of tastes cannot fail of being amply satisfied. Many beautiful arrangements will be found from European writers of both the old and modern schools, together with valuable contributions from American amateurs and teachers. And so far as the original portion is concerned, we trust that the work will show a result, worthy of our own humble efforts.
Old Tunes. A general selection from every available source, has been made in this department, embracing the entire catalogue of those known to be popular and useful, including many favorite relics from the Continental writers, such as Montgomery ; whose classical identity will be remembered by the fuge it contains, on the original words set to it, "Long for a cooling stream at hand," etc.
Odd Metbes. While we do not claim in this regard, that we have provided for every odd metre found in all Hymn Books in use, (an accomplishment which has never yet been effected,) we still believe that but/ew Hymns of this descrip- tion can be found which the Chime will not afford appropriate tunes for. But, ivere we to adapt music for all the Hymns of the odd metres in the various Hymn Books, it would be necessary in many instances, even then, to write music for each separate verse • as the measure is so irregular in many peculiar metres, that no other course would obviate this diffi- culty. (As an example of this, note the discrepancy of measure between first and second verses of hymn, "Vital spark of heavenly flame.") When the use of such hymns cannot be avoided, it is better to sing. them to Hymn Chants, than to attempt them to music that is not written out in full for each verse.
The Organ Score. No labor or expense has been spared, to make the Chime, in every respect, a Practical Book : hence, we have arranged the harmony in full score (upon the two lower staves) throughout the entire work. With this arrangement, the music can be performed by persons who have but a sligL.1 acquaintance with a keyed instrument, without a knoivledge of thorough bass.
»
The Anthems, are less in number, less difficult (generally), and better adapted to subserve purposes of utility, such as the opening and closing of Public Worship, occasional use, etc., than those of the author's preceding publications.
The "Cantata!" "Where is it? Could you not have given one for the Chime?" Yes! friends, if we had thought it advisable to make our work in a diminutive type, and condense one third of its tunes upon two staves, this could easily have been done. Yet, but few choirs out of the mass which use a collection- of Psalmody, have the time to devote to practice such a species of composition; and again, the plot, being of a specific cast, detached portions are wholly unsuited for any occasion when the words are required to be of appropriate and particular applicability. We are warm friends of Oratorios, but think if better that they should be published in some other connection, than in a work designed for so staple use, as a collection of Psalmody.
July 1st, 1854
V. C. TAYLOR
(address, poughkeepsik, n. y)
SIMPLIFICATION OF THE
ELEMENTS OF VOCAL MUSIC.
Note. — The chief requisites in writing the elements of music are, not to explain loo much nor too little. In the first error, the learner loses the main idea amid a cloud of bewildering technicalities ; and in the second, he fails to apprehend the point premised, from the want of its being concisely and perspicuously rendered. Again, a book may contain the necessary details of the rudiments, but instead of their being arranged so as to render its classification strictly inductive, they may exhibit a promiscuousness and confusion comparable to that of articles of household furniture which have been suddenly removed in time of a fire. In the following presentation of the elements, they will be stated in such a manner as greatly to alleviate the task of the teacher in the time usually appropriated for their eluci- dation.
CHAPTEE I.
1, Music is expressed to the eye by means of certain characters; which will severally be considered in their order, as follows :
Notes represent musical sounds ; and their names and value are as follows :
A Wliole Note o is equal to two Q & Halves ;
to four * • f 0 Quarters ;
toeig,uUL_C_j* C ' ' '
Eighths ;
to sixteen
00O0O000&00000&9 Sixteenths ■ U ■{■■« mi hum www **&&&*i?x0& i.MLenuis ,
^■l I I ■■■■■!■ I ■l»3 &&**&<* + *>
»60mm0»000»000000*»mo»®ooe0»*0»»
to tllirtv-twoH—y™ I I I I I < iij ill ji Hill ****^*>*»<<^<**'^^*IV*»^ Ttiirtv spmndg
'J LUUpTl P i'i hi i Tin in ill ***><n>ti>*»*»*'**>*>J>+*'*<*0 "nit} -seconds.
TO LENGTHEN" NOTES.
2. A Dot placed after them adds one-half to their length. A dotted G' equals ^ & ; a dotted «3 * equals p • ; a dotted |» * equals P +.
3. Notes twice dotted are three quarters as long again. A &' ' twice dotted equals & & » ; &&" equals ie f f J »f * * equals* * ft.
SIMPLIFICATION OF THE
TO DECREASE THE VALUE OF NOTES.
4, Any three notes of the same denomination, having the figure 3 placed over or under them, are reduced in length to the time of two. Thus,
3
F F .* are equal to only two j* .• ;
3
* |F F are equal to only two F F, etc.
5, The figure 6 reduces six notes of the same kind to the time of four.
» M • M are thus reduced to four j* j* I* f *> F F |* |F F F are equal to only four F |F F F, etc.
N0TEi — it often occurs in instrumental music, especially in accompaniments, that notes grouped as sixes are played as double triplets. It is then a source of much perplexity to determine the intent of such arrangements. If the accent is given with any degree of strength in such passages, they would be better expressed to be written in double the number of groups, or in triplets.
Note Second. — There is so much that is wholly arbitrary in the structural form of musical elements, that it is proper to anticipate all the queries, however unimportant in themselves, which may suggest themselves under this head to the mind of the learner. In pursuance to this remark, it may be said that, —
6. The manner of writing notes — whether with their stems up, thus, — I ^ ^ or down, & F P 5, is immaterial, as their value
©' J J F* I I U >
is the same in either case. It is also unimportant whether their hooks are
connected, thus, ^^™T^> or are detached, ^ > ^ ^.
f 4 4 4 4 m m 4
7. When two or more notes are sung to one syllable, they are said to be slurred. Whole, Half, or Quarter Notes are slurred by this character, — *" ""•, being placed cither over or under them, thus, —
w
Eighth, Sixteenth, Thirty-second, and Sixty-fourth notes are slurred by uniting their hooks, thus, —
©
m FR ffl S
m m m m m m 4 4 4 m m
Examples of Whole, Half, and Quarters being slurred.
Q Q & & Gf & & & F 4 m 4
A -
men.
A -
men. Eighths, Sixteenths, etc.
JT3 J* Jfi J* Eft $
men.
QUESTIONS.
1. By what means is music expressed to the eye? What characters represent musical sounds ? What are the names and value of notes ? 2. How can you make a note one- half longer? A whole note dotted receives the additional value of what note ? A half, what ? 3. How can you make notes three quarters as long again ? A whole note dotted twice receives the additional value of what two notes ? 4. By what means can you de- crease the length of notes ? Does it matter whether the figure 3 is placed over or under three notes, when their length is to be reduced to the time of two of the same kind ? (No.) 5. How are six notes reduced to the time of four ? 6. In writing notes, is it mate- rial whether their stems are carried up or down ? Does it matter, either, whether their hooks are attached or v/etaehed ? 7. By what means can two or more notes be sung to one syllable? When whole, half, and quarter notes are slurred, it is done by means of the character called a slur being placed over or under them ; but how are eighths, six- teenths, &c. slurred together ?
CHAPTER II RESTS.
1, The value of a silver dollar may be represented by a bank bill of a corresponding amount ; so all notes in music have characters which exhibit theCr length and value, called Rests.
ELEMENTS OF MUSIC,
2, Rests are denominated marks of silence, and are called by the name of
the notes which they represent : as Whole note rest, Half, Qaarter, etc.
A Whole note rest hangs upon a line - - "*■"
A Half note rest stands upon a line, - - _»_
A Quarter rest, the wing turns to the right, [*
A Eighth, wing turns to the left, - - - j
A Sixteenth, two wings to the left, - - - 3
A Thirty-second, three wings to the left, - 3
A Sixty-fourth, four wings to the left,
I
Note. — We find many singers of advanced age, who cannot, ■without referring to the elements of music, distinguish between the whole and half, and the quarter and eighth rests. To obviate this difficulty as far as possible, the half and quarter rests in this work have been slightly modified in form, so as to prevent their being confounded with the whole and eighth rests.
3. The forms of rests used in the body of this work, in the improved style, are as follows. Whole ~™~, half ~*~~, quarter ["", eighth J.
4. Rests may be once or twice dotted, the same as notes ; thus :
QUESTIONS.
1. What characters in music represent the silent duration of notes ? 2. What are rests denominated ? By what other names are rests distinguished than as marks of silence? How do you distinguish a whole note rest ? How a half? Quarter? Eighth? Sixteenth ? Thirty -second ? Sixty-fourth ? 4. In what way can you lengthen the dura- tion of rests ? Can a rest be dotted more than once ?
CHAPTER III.
EXPLANATION OP VARIOUS MUSICAL CHARACTERS.
1. A Staff in music consists of five lines and four spaces, and is used to write music upon, thus : —
A — ji — f* — i
2. The lines and spaces of the staff are named by the first seven letters of the alphabet.
3. On the Treble, Alto, and Tenor staves, the letters applying to the lines
— F-
are — B ; to the spaces, (they spell) — ^-
— E-
4. On the Base staff, the alphabet commences on the lower space :-
i _ A
-G —
-B —
-D-
5. In counting the lines and spaces of the staff, always commence at the bottom, and count upwards.
6. When notes are written above or below the staff, added lines and spaces are used, thus : —
jQ_
-Q-
-&-
o*
~cr
-&■
7. When notes are written above or below the staff, the first seven letters are repeated : none are used beyond G.
Treble.
-c-
G
-B-
-D-
-A-
— C-
TJ
3^=z:
8
SIMPLIFICATION OF THE
Base.
_j>
-E-
-D-J
-E-
r5nr
8. To find what letter a note is on when above or below the staff, adopt the following process. Call the note thus placed above or below the staff, one ; and count each line and space until you arrive at eight, within the staff ; and this last will be the same letter as that on which the note was placed without the limits of the staff.
-£2-1.
Treble.
s~
-8B-
The note above the staff is B, because 8 comes on B within the staff.
Treble.
-8B-
2 A
Eight comes on B again ; hence the note below the staff is on B.
9. Apply the same process in counting notes without the limits of the base staff.
10. The letters apply to the base staff differently from what they do in the treble, alto, and tenor ; and the distinction thus existing is marked by the use of different Clefs.
11. The various clefs used in this work are as follows: for Base 5g ; for Tenor Jjgr ; for Treble and Alto E5. They are variously named, according to the parts to which they apply ; as, Base Clef, Tenor Clef, and Treble.
12. In singing or playing the degrees of the base staff, when you arrive at the letter E, the sound and letter is the same as the lower line of the tenor staff; and in ascending the tenor staff, the fourth space is both the same letter and sound as the lower line in the treble staff.
EXAMPLE.
Treble.
Base.
Tenor. WJ-u-G
DE • same E as fc3T~~~
I)
E » • same E as
-eE —
13. The relation of the base and treble staves is as follows : the line above the base staff, and the one below the treble, being the same letter and sound.
1
Middle -€?- C.
14. The learner will understand that the several parts in a piece of music (bass, treble, alto, and tenor') arc designed to move along with a uniform velocity ; and it will be observed that the staves of the several parts are intersected at regular intervals with lines drawn across them, (the staves,) and these are called Bars, and arc used for dividing the music into Measures.
Bar. Measure. Bar. Measure. Bar.
1
15. In church music, a large bar, called the Double Bar, end of a line of poetry, or strain.
shows the
ELEMENTS OF VOCAL MUSIC
9
EXAMPLE.
|
0 0 f f |
~f- |
- t= |
^ |
The heavens de - clare thy glo - ry, Lord.
16. Double bars in this form, H;, denote a close in a tune.
17. A Brace < connects the parts sung together in a piece of music.
18. A Score (see tunes in the body of the work) consists of all the parts connected by a brace.
Note. — To avoid all tendency to a wrong apprehension of the mechanical arrange- ment of a work of this kind, the double bar will be found to extend across the staff only when the measure preceding it is full, thus : —
±
1
When the measure is not full at the close of a strain, it will be used thus : —
3t
:pz=p^z
QUESTIONS.
1. What is the name of the character upon which music is written? 2. How are the lines and spaces of the staff named ? 3. How do the letters apply to the lines of the treble and tenor staves ? How to the spaces ? 4r. Where does the alphabet commence on the base staff ? 6. In counting the lines and spaces of the staff, where do you com- mence ? 6. On what are notes written when placed above or below the staff ? 7. When notes are written above or below the staff, are there other letters than the first seven used — as H, I, J, &c. ? 8. How do you proceed to ascertain the letter a note stands on when written above or below the staff ? 10. As the letters apply differently to the base staff from what they do in the treble and tenor, by what characters are the several parts distinguished? 11 How are the various clefs named? 12. E in the third space of the base corresponds to what line or space in the tenor? E in the fourth line of the tenor corresponds to what line or space in the treble ? 13. What letter occupies the first line
above the base, and the first line below the treble staves ? What else is it called ? 14. What characters are drawn across the staff ? Into what do they divide music ? 15. What character shows the end of a strain? 16. What is the form of a close in music? 17. What is a brace ? 18. What is a score ?
CHAPTER IV. TIME.
1. The department of Time in music is founded on the length of sounds.
Note. — Teacher illustrate this subject, by giving two sounds with his voice or on an instrument, one long and the other short, stating that, in a general sense, that means time ; but that, in a more specific sense, time implies that influence which causes a choir of sing- ers, or a company of soldiers, to move together as one voice, or with one step.
2. The former manner of expressing common time was by the -Q, and the barred -(£- ; but the modern mode of indicating all varieties is by figures, thus : —
or by figures with a small note under them, thus : —
r r r r r- r- r- f
3. In this work, the figure in all cases denotes the number of beats to a measure, and the small note under the figure is called the beat note, because it always receives just one beat. But when the time changes after the com- mencement of a piece, the figure only (without the note underneath) will be used.
Note. — In the former works of the Editor, (except the " Concordia " Glee Book), he has employed the Quarter Note as the beat note ; but he has found that in pieces where the higher denominations of notes — the sixteenth and thirty-second — were em- ployed to any considerable extent, singers too frequently imagined that such mu*i<- must necessarily be difficult of execution. To prevent such an impression, (which, however
10
SIMPLIFICATION OF THE
is entirely groundless), in the present work, both the half and quarter -will be used for the beat note, instead of the quarter alone. Quadruple time we have discarded, (with an occasional exception), because of the liability with the beginner of confounding the manner of beating it with triple time. During an incipient stage of practice, the singer is quite apt, after making the leftward beat in quadruple time, to bring the hand up instead of carrying it to the right. For this reason, nearly all pieces in common time in this work will be written in two-half, or two-quarter time.
Manner or
Two-half time,
Three-half time,
Two-half dotted,
Three-quarter dotted, p . , down, left, up
Beating Time, p, down and up,
e>, down, left, up.
p . , down and up.
Note. — The former manner of writing compound time, by the figures 6-8, 6-4, &c, is erroneous, because it is sung with but two beats to the measure ; whereas the numerator, in the fraction expressing the time, would require six beats instead of two. In this work, therefore, compound time is called " two-half time dotted," and " three-half time dotted ;" the figure indicating the number of beats to a measure, the same as the other forms of time.
QUESTIONS.
1. What department in music is founded on the length of sounds ? 2. In this book, what is it that denotes the number of beats to a measure ? What note is called the beat note ? If the time changes in a piece of music in this work after its commencement, what alone is used to express it ?
CHAPTER
MELODY.
V.
1. The variation of musical sounds, as respects their pitch, (high or low), forms the department in music called Melody.
2. There are but seven primary sounds, and from these all music is derived. The eighth is but the repetition of the first, and forms, with the seven other sounds, an octave.
3. There are certain fixed arrangements of the seven primary sounds which form the musical Scales.
4. There are three scales used in music, called the Major, Minor, and Chromatic Scales.
Note. — The Editor, in a former book, the " Golden Lyre," has fallen in with the attempt to substitute some term for designating the various distances in the scales, other than that of " tone " and " half-tone." But in spite of all our laudable (?) attempts at reformation on this point, custom — that tyrant which dominates all usages — persists in adhering to the old land-marks, and saying — in speaking of various musical intervals — " tone " and " half-tone." And we find all musicians of notoriety (in the instrumental department, especially,) retaining its use ; and as the objection against it is only because it gives two significations to the word " tone," seeing we find the same criticism may be made upon a large portion of the English vocabulary, we shall return to its use again in this work.
"). Strictly speaking, an interval implies any distance in the pitch of sounds other than a tone or half-tone. We may then say — the interval of a half-tone, of a tone, a third, fifth, etc.
Form of the Major Scale. .
From 7 \ & to 8, a half-tone.
From 6 & to 7, a tone.
From 5 Q to 6, a tone .
From 4 ( e to 5, a tone. From 3 I 0 to 4, a half-tone.
From 2 e to 3, a tone.
From 1 S to 2, a tone.
ELEMENTS OF VOCAL MUSIC
11
6. The major scale first applied to the staff, commences on C, thus :-
FOR TREBLE, ALTO, AND TENOK.
t
Syllables, Do Pronounced Doc Numerals, 1 Letters, C
FOR BASE.
On the Use of the Syllables.
Note to Teachers and Leaders. — Many of you, who have always been accustomed to the use of the syllables in your classes and choirs, will have about the same feeling upon being recommended to discontinue their use, that a cripple would have if advised to throw aside his crutches : but the alarm is a useless one. Our reasons for advising the disuse of the syllables are not without due weight. For some years past we have spent much time in visiting various sections of' the country for the purpose of holding musical associations for the improvement of singers in style, expression, and vocal exe- cution : aud no one impediment against a proper aud effective use of words in singing — exhibiting the sentiment they embody — has proved more formidable than the mechanical effect of note singing ; — the words, by such singers, are used to sing the tune to, and not the tune to sing the words to. " But," I am asked, " how are we to get the sounds, unless we sing the syllables V Practice the scale in all the different keys, most thoroughly, to the syllable " La ;" and it is important also to read tunes — with or without singing them — by the numerals. But, above all, classes and choirs should practice with the piano or melodeon. The latter instrument is now so common, there is no excuse for a choir being without one. And still more essential is the use of these instruments for classes, choirs, or individual practice, to correct the almost universal fault whieh exists among singers not accustomed to their use, of making the third in the Major Scale nearly as sharp as the fourth, and the seventh as high as the eighth.
QUESTIONS.
1. What department is formed in music by the variation of the pitch of sounds ? 2. How many primary sounds are there ? From what is all music derived ? In singing the seven sounds, if we add the eighth, what does it form ? 3. What is formed by a cer-
tain fixed relation of the seven sounds, together with the eighth ? 4. What are the names of the three scales used in music ? 5. Strictly speaking, what is an interval in music ? 6. On what letter does the major scale commence, when first applied to the
staff?
CHAPTER VI. EXPLANATION OF FLATS, SHARPS, ETC.
1. A Sharp, #, placed before a note, #0, raises it half a tone.
2. A Flat, \j, placed before a note, \?o, lowers its pitch half a tone.
3. A Natural, ^, placed before a note, ^£7, restores a note having been made flat or sharp to its original sound.
4. A Double Sharp, x, raises the pitch of a note a whole tone.
5. A Double Flat, bb, lowers the pitch of a sound a whole degree.
6. A Signature is the flats or sharps placed at the commencement of a tune. (See tunes in the body of the book.)
7. A Natural Signature is a tune having neither flats nor sharps at its commencement. (See tunes in the ! ook.)
8. Accidentals are flats, sharps, or naturals, placed before notes in a piece of music; and they affect all notes on the same letters with themselves in the same measure, unless contradicted by another accidental unlike itself.
Natural Accidental.
Flat Accidental.
*±
Se
b—t-t*-
&±
Sharp Accidental.
3E4
Accidental Contradicted.
-J$w-
12
SIMPLIFICATION OF THE
9. Accidentals extend their influence into a succeeding measure when the first note in it is the same as the last in the preceding :
Thus :—
or thus : —
=t
Jm
-&-
\. . .i
:£*:
-e»-
i
Note. — A performer upon the organ, piano, or melodeon, who plays from the score, (the four parts), sees things in a different light from what the singer does, who merely reads a sinyk part: and hence, when an accidental occurs in any one of the four parts, and the same letter is used in another part before occurring again in the one where it (the accidental) was first introduced, it is customary — as a guide to the organist — to contradict such accidentals in the other parts, so that he may not be in doubt as to the extent of their influence.
EXAMPLE.
It will be observed that, in this example, B has not been flatted in the base ; still a oatural is placed before it the first time it occurs after the B being made flat in the treble,
QUESTIONS.
1. What effect doea a sharp liave when placed before a note? 2. What is the effect of aflat* 8. Of a natural? 4. Of a double-sharp ? 5. Of a double-flat? (5. What is a signature? 1. Whal i a natural signature? 8. What are accidentals ? How far do accidentals extend their influence? 9. Under what circumstauces do accidentals extend their infiueuco into a succeeding measure ?
CHAPTEE VII.
THE SIGNATURES, SHOWING THE COMMENCEMENT OF
THE' SCALES.
It The structure of the scale is always the same, let it commence on whatever letter it may. Do is always the first syllable of the Major scale, and La of the Minor.
2t The Key-note of a piece of music is always the last note of the base, from which the several parts derive their pitch. In the major scale it is always Do; in the minor La.
3, To change the place of the scale, (or " transpose" it,) the signature must change also : as it takes a new signature every time it is moved from one letter to another.
Natural.
Seven Flats.
Bl
i>e
La
Edbn=
±=fc
BT»o La
I
One Sharp.
Six Flats.
fl-Do
£>La
Two Sharps
^F
iL_fe_
La
1
Five Flats.
-O-Do — -O La --
|pzte§
•g-po
La
i
Three Sharps.
Four Flats.
Four Sharps
ELEMENTS OF
Three Flats.
eTJ5" ILa.
Five Sharps.
Two Flats.
©-Do
(9-La
«
Do
La
i
Six Sharps.
One Flat.
-g-Do
La
Seven Sharps.
JS'atural (again.)
:#=*
gPB^E
:=g:
Do La
I
Note. — We find from experience that the above illustration of the signatures is the best method of imparting an idea to the learner of the relation of the scales.
1, Transposition is the moving of the scale from one letter lo another upon the staff, by changing the signature.
5 1 Do is always the first letter above the last sharp ; and Jive letters above (or four below)' the last fat.
QUESTIONS.
1. Is the structure of the scale permanent or changeable ? What is always the first syllable of the major scale ? What of the minor ? 2. What is the key-note of a piece of music ? How do the several parts obtain their pitch ? 3. To change the place of the scale, what else must be changed ? Natural signature, where is Do ? One sharp, where? Two sharps, where ? Three sharps ? Four? Five? Six? Seven? One flat, where is Do": Two flats? Three? Four? Five? Six? Seven? Do on C, what signature ? Do on G, what ? On D, what ? On A ? On E ? On B ? On F# ? On C^ ? Do on F, what signature? OnBJ2? On EJ2? OnA&? OnDJ2? On GJ2? On CJ2 ? 4. What is meant by transposition ? 5. How may the place of Do be found ?
VOCAL MUSIC. 13
CHAPTER VIII. FORCE.
1. An Organ tone is a sound of uniform power from beginning to end.
2. A Crescendo commences soft and ends loud. — =d
3. A Diminuendo begins loud and ends soft. ~^=-
4. A Swell combines the crescendo and diminuendo. -<zr==-
MUSICAL CHARACTERS EXPLAINED.
5. A Whole Note Rest, -«-, denotes a silent measure in all varieties of time.
6. A Hold, n~, placed over notes, rests, bars, or a vacant part of the measure, denotes s suspension of the time, according to the discretion of the performer.
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QUESTIONS.
1. What is an organ, tone in singing ? 2. What a crescendo ? :>. Wliat a diminuendo I A swell ? 5. What character is used to fill a silcnl measure in all varieties of time I What character denotes a suspension of the time? '7. How is a part of a piece of
4, 6, music marked, that is to be sung twice '.
14
SIMPLIFICATION OF THE
CHAPTER IX. MINOR AND CHROMATIC SCALES.
1, The Minor Scale commences on La, the 6th of the Major scale ; but its form differs from that of the Major, as illustrated in the following examples. Its form differs also in descending from that of ascending.
MINOR SCALE ASCENDING.
8 (& From 7 \ q to 8, a half-tone.
From 6 { & to 7, a tone and a half. From 5 ( & to 6, a half-tone.
From 4 © to 5, a tour.
From 3 j Q to 4, a tone. From 2 I © to 3, a half-tone.
From 1 q to 2, a tone.
MINOR SCALE DESCENDING. From 8 © to 7, a tone. From 7 © to 6, a tone. From 6 j © to 5, a half-tone.
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From 5 \ © to 4, a tone.
From 4 e to 3, a tone.
From 3 j & to 2, a half-tone. From 2 j e to 1, a tone.
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MINOR SCALE APPLIED TO THE STAFF.
ASCENDING. DESCENDING.
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2. The Chromatic Scale is formed by dividing the five tones, and adding to them the two half-tones of the Major Scale, making twelve intervals and thirteen sounds.
Note. — Sing the chromatic scale to the syllable La ; then there will be no possibility of mistaking a change of syllable for a change of sound.
CHROMATIC SCALE.
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Note. — Let all who would learn the chromatic scale, pay particular attention to the practice of the following exercise.
Important Exercises. No. 1.
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1. On what part of the major scale does the minor commence ? Give the form of the minor scale ascending. In descending. 2. How is the chromatic scale formed ?
CHAPTER X. EXPLANATIONS OF FORCE AND TIME. 1. Accent is a stress of voice given to the down beat.
Loud Soft Loud Soft Loud Soft <> Loud Soft Soft Loud Soft Soft <>
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15
Note.— Teacher, Leader, and Scholar,— Pay particular attention to the following ob- servations upon beating time.
3. A beat consists of its motion and point of rest.
4. In singing two notes at a beat, the first is sung to the motion, (or first half,) and the second to the point of rest (or last half.)
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1. What is accent ? 2. Measure in three-quarter time, commencing with a half-note, what is the accent changed to ? 3. Of what does a beat consist ? 4. Which of two notes sung at a beat is sung to the motion ? What is the second sung to ?
16
SIMPLIFICATION OF THE
CHAPTER XI
REMARKS TO TEACHERS.
Although you may have thoroughly instructed your class in all the foregoing prin- ciples, yet their knowledge at this stage of their advancement is only theoretical — not, experimental or practical ; and now it remains for you to adopt such a course as shall at once render the instruction you have imparted both tangible and useful. To
give your class a practical idea of time, play upon some instrument a spirited melody, (a march is preferable to any other style of music), and require your singers to beat the time thoroughly and carefully during its performance. Then practise them in singing " Old Hundred " or " Dundee," or other melody they are familiar with, and require them to beat the time to it. This singing may be done from memory ; as there will then be no tnxing of the attention to apply the time to it theoretically. Then practise them in sing- ing for about a minute at a time, the whole, half, quarter, and other denominations of notes, beating the time as they sing.
Note. — Let the singers of the four parts practise the following exercises together, to the syllable La, keeping strict time.
Miscellaneous.
No. 1.
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ELEMENTS OF MUSIC. J 7
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SYNCOPATION. (See No. 5). A Syncope is the transposition of the principles of accent, commencing a measure with a short note, which is succeeded by one or more of a lower denomination — and ending with a note of the same kind as the first. The accent is also given to the second note, if the measure has but two beats ; if four beats, then the first half of each note after the first is accented throughout the measure, except the last, which, like the first, is made light.
No. 5.
First Example. Second Example. Third Example.
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Note. — The foregoing forms of time embrace all that are ever used in works of psalmody, and, indeed, all the essential ones used in instrumental music. Every leader of a choir who would make independent singers of those under his direction, should often practise them thoroughly on these lessons, as any idea of practical time cannot be obtained without.
MELODIC EXERCISES BY THE NUMERALS. Slow at first, and faster, by degrees. C7
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18
SIMPLIFICATION OF THE
EXERCISES IN MELODY.
Treble, Alto, and Tenor Practise often — practise long — practise faithfully on the following Exercise.
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ELEMENTS OF VOCAL MUSIC.
EASY EXERCISES FOR THE VOICE.
As Vocal Exercises ; sing to the syllable La, or by the Numerals.
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THE MELODEON INSTRUCTOR.
This Instrument hasoflate come so universally into use, and its capacity- being designed especially for church music ; a work for general use would be incomplete without it contained proper instruction for the learner of this instrument. But the first question to be settled is — What is the best mode of writing exercises for it — Shall it be by figures, or by condensing the four parts upon the treble and base staff, — or shall it be by the score ? As there is every objection to the first plan, and nothing in its favor, wc must conclude that some other way is preferable. But, to explain. The chords indicated by figures do not tell you the denomination of the note ; they do not tell you whether a note is dotted, nor do they reveal anything to you, only the fact, that a note of some kind is a certain distance from the base ; but to tell what kind of a note it is, you must look at it ; and if this has to be done to deter- mine the denomination of it, it is an easy matter also to see what letter it is on — or, in other words, what chord it is in. But the scholar may inquire, " How am I to learn harmony, or to become a scientific performer on an organ, piano, or melodeon, unless I play by the figures ?" Remember that the figures are simply a mode for expressing the harmonic combinations; they are not the science itself, any more than words are ideas ; and as it is better to receive the musical idea directly than " through a glass darkly " by the figures, hence, we again repeat, that we dispense with them.
There are a few fundamental rules in harmony which, if music is properly arranged, the scholar will soon acquire, by " reading from the score." And indeed, it may be said that all the rules of musical composition can be acquired by reading the productions of various authors, even without a mu- sical grammar or text-book. The reason is obvious: all works on harmony and musical composition are simply the exponents of those principles which all correct compositions embody. And an analysis of those principles can
be as easily effected by studying the compositions themselves as the works which treat of them.
Among the few rules which the scholar must commit to memory before attempting to practise the melodeon, are the following :
Avoid all consecutive fifths and octaves, in forming chords ; also avoid doubling the third, especially when the base note is on it, or, in what is termed the first inversion of the common chord.
Consecutive Fifths.
Consecutive Octaves.
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REMARKS UPON STYLE IN PLATING THE MELODEON.
In playing a wind instrument of the organ kind, care must be taken to play the notes as smoothly and connectedly as possible. In moving the fingers from one chord to another, let those which are to strike a succeeding chord be ready to fall on the keys the instant the preceding one is left, so that there shall be no break in the sound.
If the piece requires to be played staccato, (short and distinct,) only let the treble and alto be thus played ; while the base and tenor should be held down through a succession of notes on the same letter ; i. e., if four quarlers should occur in the base and tenor, all on the same letter, play them as a whole note.
KEY-BOARD OF A MELODEON, SERAPHINE, OR ORGAN".
21
BLACK KEYS.
GABCDEEGABCDEFG4BCDEIGABCDEFGABCDEFG
—- —
22
THE MELODEON INSTRUCTOR
Note. — In order to learn the application of the letters to the keys, first ascertain the locality of any given letter ; say, that of C. This, it will be observed, is found immediately at the left of each group of the two black keys. (The first group at the left of the key-board belongs to the group of threes, it not being full, owing to its not embracing F#, below the first G.) From this reckoning point (C), it is easy to trace the letters — as they apply to the keys — up or down the key-board.
Note II. — All the elements preceding the Melodeon exercises in this work, must be thoroughly committed by the learner, before attempting this latter department of musical practice. No additional explanation of the rudimeuis will succeed the Melodeon study, as, once learned, they apply alike to both vocal and instrumental music. In fingering, the X denotes the thumb.
EXERCISES IN FINGERING.
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THE MELODEON INSTRUCTOR.
MAJOR AND MINOR SCALES
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THE MELODEON INSTRUCTOR
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THE MELODEON INSTRUCTOR. A, B, C.
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THE MELODEON INSTRUCTOR THE BLUE JUNIATA.
27
Words and Melodf by Mrs. SULLIVAN.
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Thro' the for-ests go-ing; Loose were her jet-ty locks, In wa-vy tress-es flov.--ing.
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Gay was the mountain-song
Of bright Alfarata, Where sweep the waters
Of the blue Juniata. Strong and true my arrows are
In my painted quiver ; Swift goes my light canoe
Adown the rapid river.
Bold is my warrior good,
The love of Alfarata ; Proud waves his snowy plume
Along the Juniata. Soft and low he speaks to me,
And then, his war-cry sounding, Rings his voice in thunder loud,
From height to height resounding.
So sang the Indian girl,
Bright Alfarata, Where sweep the waters
Of the blue Juniata. Fleeting years have borne away
The voice of Alfarata ; Still sweeps the river on,
Blue Juniata.
28
THE MELODEON INSTRUCTOR. " ARE WE ALMOST THERE ?"
FLORENCE VANE.
Note.— A young lady had visited the South for her health ; but, finding that she hourly grew worse, her friends hurried her home. On the journey she was very much exhausted, and continually inquired, " Are we almost there ?" She died just before reaching home. A friend, who accompanied her, wrote the following song.
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those our pop - lar trees that rear Their forms so high 'gainst the heaven's blue dome?
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Then she talked of her flowers, and she thought of the well Where the cool waters dashed o'er the large white stone;
And she thought it would soothe, like a fairy spell, i lould J!i.: drink of that fount when her fever was on.
3. While yet bo young, and her bloom grew less,
They had borne her away to a kindlier clime; For she would not tell that 'twas only distress
That had gathered life's rose in its sweet spring time.
And she had looked where they bade her look,
At many a ruin and many a shrine, At the sculptured niche, and the shady nook,
And watched from high places the sun'B decline.
And in secret she sighed for a quiet spot,
Where she oft had played in childhood's hour ;
Though shrub or flow'ret marked it not, It was dearer to her than the gayest bower.
THE MELODEON INSTRUCTOR.
29
CHAPTER XII. EXPRESSION AND STYLE OF PERFORMANCE.
It Vocal music partakes of two general styles of performance ; one is close and connected, called Legato ; the other pointed and distinct, called Staccato. ,
2# In the first, the sound is sustained on one note until the following one is struck, thereby blending them together. In the second, the notes are cut short of their real time, and the beat is made up of a rest, sufficiently long to give it its full duration.
3. The staccato style of music is preferable in most instances for choir use, inasmuch as there is less liability to an inert and dragging style.
ORNAMENTAL NOTES.
4. Small notes immediately preceding larger ones are called Appoggia- tures. They are not considered strictly as belonging to the harmony of a chord ; but nevertheless they borrow their time, according to their value, from the note that succeeds them. They always occur in the accented part of the measure.
EXAMPLE.
Written.
Performed.
5. A small note immediately following a large one is called an After Note. This also takes as much time from the preceding or essential note as its denomination indicates ; and always occurs on the wnaccented part of the measure.
EXAMPLE.
Written.
Performed.
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6. A Trill (tr) is produced by the alternate repetition of two conjoint sounds — the principal note and the next above.
7. A trill should combine rapidity and brilliancy of execution. They are most commonly introduced on the note preceding the final one in a
cadence.
Written. Performed.
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Sill
8. A Turn ('^) consists of a principal sound, with one a tone above, and another a half-tone below.
Written. Performed.
-3-
9. When the turn is introduced on a dotted note, the principal note is struck first.
Written.
Performed.
qezr
T*-
g^gjgl
10. The Portamento is a delicate manner of carrying or sliding the voice from one note to another so as to blend or connect the sounds. It is more prominent in a descending progression of melody than in an ascending. In psalmody, there are but few tunes which admit of its introduction. In secular music, its effect, when appropriate, is pleasing.
Note. — As the foregoing chapter pertains to an advanced part of the elements, questions are omitted.
EXPLANATION OF MUSICAL TERMS.
Accelerando, accelerating the time by degrees, faster and
faster. Adagio, as an adverb; meaning moderately slow. As a
substantive, designating a piece of music of a particu- lar character, in a slow movement ; as, " An Adagio
by Haydn," &e. Ad libituri, at pleasure, without respect to time. Affetluoso, denoting the character of a piece of music ;
meaning tenderly and affecting. Allegretto, less quick than Allegro. Allegro, quick and sprightly movement. Alto, the second Treble. Andante, in a distinct and exact manner, like the steps in
walking ; as a grade of tune, it indicates a movement
between quick and slow. Anthem, a musical composition set to words of the Sacred
Scriptures. Arioso, in a light, airy planner. Arpeggio, in the manner of the harp ; chords struck in
quick succession. A tempo, in time. Baritone, a voice whose register is between the Base and
Tenor. Base, the lowest part in harmony. Cadence, or Cadenza, the closing of a strain ; also, a fanciful
extemporaneous strain introduced at the close of a
6ong or melody. Cantabile, in a graceful, flowing style of performance. Cantata, a vocal composition of several movements. Chantant, in the style of a chant. Choir, a company of singers ; also the part of the church
which they occupy. Choral, a slow style of music, written mostly in notes of
equal length, but sometimes applied to all varieties
of measure in slow movement. Chromatic, ascending or descending by half-tones. (Sec
Rudiments, Chrom itic Scali . | Chromatic Interval, an interval between a note and the
sam'' letter flatti I ,.ed.
Coda, a passage at the end of a composition, which forms
a final do Con Spirito, witli spirit, animation. Contralto, the Alto or Second Treble. Coro, chorus.
Da Capo, from the beginning, and ending at the word " Fine."
Declamando, in a speaking or declaiming style.
Devozione, devotional.
Dolce, sweet, soft, and delicate.
Duo, (Ital.) in English, Duett or Duetto, for two voiees.
Fspressivo, with expression.
Fahet, or Falsetto, a term applied to that register of the male voice above its natural compass, which resembles a female voice ; hence called false, or assumed.
Fine, or Finale, the end.
Forzando, forz~, or/2. (See Sforzando.)
Fugata, in the style of a fugue.
Fugue, a musical composttion in which the subject or theme is sustained by one or more of the parts alter- nately throughout the piece.
Grazioso, with grace and smoothness.
Imitation, music in which there is a repetition of the same melody in the various parts, without preserving that exactness in the intervals which is required in a fugue.
Interlude, an instrumental passage introduced between two vocal passages ; or between the singing of two stanzas in church music.
Interval, the distance between any two sounds in music.
Lamentabile, Lamentevole, mournfully.
Larghetlo, slow, but not so slow as Largo.
Largo, a very slow, and rather soft movement, in which the tones are sustained iu their full length, and exe- cuted with the utmost taste and expression.
Legato, in a smooth, gliding manner.
Loco, as written.
Mm si, ma, majestic, with dignity and grandeur.
Melody, an agreeable succession of sounds ; or, any succes- sion of sounds.
Moderate, in moderate time.
Motet, Moletlo, a piece of sacred music iu several parts and movements.
Ohliaa'a, indispensable; applied to accompaniments which cannot be left, out without destroying the intended effect of the piece.
Oral,, mi, a saered musical drama.
Orchestra, that part of a concert-room, theatre, etc., appro- priated to musical performers: also the body of the performers themselves.
Ottava Alta, (abbreviated 8va.), to be played an octave above, until contradicted by the word loco ; (which see.)
Overture, an introductory symphony to an oratorio, opera, <fcc.
Pastorale, an elegant movement written in 6-8, or 12-8 time.
Pietoso, in a religious style.
Portamento, the manner of sustaining and conducting the voice from one sound to another.
Presto, quick.
Prestissimo, very quick.
Primo, the first or leading part.
Quartette, a piece of four parts, for a single voice, or in- strument to each part.
Quintette, a piece of five obligate parts, each performed by a single voice or instrument.
Rallentando, softer and slower by degrees; abating, or re- tarding.
Recitative, a species of music between singing and speak- ing, or musical declamation in which the singer uses the inflections and tones of the speaking voice ; in which, also, he is not restricted in sound or time, so long as he keeps to the harmony of the measure.
Rehearsal, a private execution of music before performed iu public.
Rinforzando, Rinf increasing suddenly in power -===^.
Risoluto, resolute, bold.
Sentimento, with feeling, tenderly.
Sforzando, suddenly diminishing a sound ^==~.
Solfeggio, a vocal exercise sung with the syllables Do, Re, Ac, or to a single word, as Amen. -
Soli, the plural of Solo, one voice or instrument to a part.
Solo, a piece or passage for a single voice or instrument.
Sostcnuto, in a sustained manner.
Spirit oxo, with spirit.
Staccato, notes struck in a quick, short, and detached maimer.
Subject, the leading idea, or text, in a piece of music.
Symphony, an elaborate composition for instruments.
Tempo, time.
Tempo Primo, the original time.
Trio, a composition for three voices or instruments. Vigoroso, vigorous, bold.
Vivace, sprightly, cheerful, and quick
a
BLEST HOUR. L. M.
Rather Slow. With Feeling, and devoid of Show.
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Blest hour, when mortal man re - tires To hold com - munion with his God, To send to heaven his warm desires, Blest hour, when earthly cares re - sign Their em - pire o'er his anxious breast, While, all a - round, the calm divine Blest hour, when God himself draws nigh, Well pleased his people's voice to hear, To hush the pen - i - ten - tial sigh,
And listen to the sa - cred word.
Proclaims the ho - ly day of rest.
And wipe a - way the mourner's tear.
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I
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0 i r I
32
GREENWOOD. L. M.
V. C. T.
Delicate
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1. Sweet is the scene when Christians die, When ho- ly souls re- tire to rest : How mild- ly beams the clos - ing eye ! How gen - tly heaves th' expiring breast ! * 2. So fades a sum - mer cloud a - way ; So sinks the gale when storms are o'er ; So gen - tly shuts the eye of day ; So dies a wave a long the shore.
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SMITHFIELD. L. M.
From the "Sacred Minstrel." Simplified and improved.
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1. Je - sus, thy boundless love to me No thought can reach, no tongue declare; U - nite my thankful heart to thee, And reign without a ri - val there.
2. Thy love, how cheer-ing is its ray ! All pain be - fore its presence flies ; Care, an- guish, sorrow, melt a - way Wher- e'er its heal- ing beams a - rise.
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LOWVILLE. L. M.
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1. An - oth - er six days' -work is done; An-oth-er Sab-bath is be - gun: Re-turn, my soul — en - joy thy rest; Im-prove the day thy God has blest
2. Oh ! that our thoughts and thanks may rise, As grate-ful in - cense to the skies; And draw from heaven that sweet repose, That none but he that feels it, knows
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MARSHFIELD. L. M.
C hantaiu Style.
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1. So let our lips and lives ex - press The ho - ly gos-pel we pro-fess; So let our works and vir-tues shine, To prove the doc - trine all di - vine.
2. Thus shall we best pro-claim a -broad The hon- ors of our Sa - viour God, When Ids sal - va - tion reigns with-in, And grace sub-duos the power of sin.
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WARE. L. M.
Medium. Staccato.
N. D. GOtTLD.
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1. From ev- ery stormy wind that blows, From ev- ery swelling tide of woes, There is a calm, a sure re - treat, Tis found beneath the mer - cy - seat. 3. There is a scene, where spirits blend, Where friend holds fellowship with friend ; Though sundered far, by faith they meet, A - round one common mer - cy - seat.
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1. With one consent, let all the earth To God their cheer- fill voi- ces raise; Glad homage pay, with aw- ful mirth, And sing be - fore him songs of praise. H. O, en- ter then his temple gate ; Thence to his courts de - vout-ly press ; And still your grate - ful hymns re- peat; And still his name with prais-es bless.
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Medium time.
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35
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1. Oh praise the Lord in that blest place, From -whence his goodness largely flows : Praise him in heaven, where he his face Unveiled in perfect glo - ry shows.
2. Praise him for all the might-y acts, Which he in our be - half hath done ; His kindness this re - turn ex- acts, With wliieh our praise should equal run.
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MORAVIA. L. M.
In the old Continental style. V. C. T.
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1. Life is the time to serve the Lord, The time t' insure the great re - ward ; And while the lamp holds out to burn, The vi - lest sin - ner may re - turn.
2. Life is the hour that God hath given T' escape from hell, and fly to heaven ; The day of grace — and mortals may Se - cure the blessings of the day.
36
RUSSIA. L. M.
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* This tune and Exhortation are among the gems of the old Continental " School." They arc inserted here without change of words, "alteration or emendation ■lightest degree would direst them ol their antique and distinctive character. To give them their pristine appearance, there should be a scrupulous eschewal, in the mentation, and the pitch should be taken from a pitch-pipe.
t Be careful, in pronouncing here, lo avoid giving the " ty " the sound of " tee."
;" because, to modernize them performance, of any species of
in the instru-
EXHORTATION. L. M.
DOOLITTLB.*
87
Now in
the heat of youth - - ful blood, Re - mem-ber
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your Cre - a
God;
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When you shall say, " my joys are gone."
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* This tune, like the one opposite, is given here as a faithful transcript from Smith and Little's Collection, published in the last century ; and, as a composition of its time, is by no means of an inferior stamp.
T As respects sharp sevenths, here we introduce them occasionally where it seems not absolutely inadmissible so to do. It is, however, with trreat ihfuler.ee that we do so. We think ihe safer way is to let the taste and discrimination of the singer decide the matter, and make them sharv or natural, •• ad libitum j" as cither way will doubtless be equally effective
38
TEMPLE. L. M. *
Arranged from KING.
Witt
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TURNER. L. M.
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Re - viv - ing sleep ! thy shelt'ring wing Is o'er the couch of labor spread; Sweet min-is-ter, un - earthly thing, That hov - ers round the tired one's head
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WARRINGTON. L. M.
In a slow and dignifled manner.
R. HARRISON.
1. Just are thy ways, an J true thy word, Great Rook of my se - cure abode; Who is a God, be - side the Lord? Or where's a re*- fuge like our God?
2. Tis he that girds me with his might, Gives me his ho - ly sword to wield ; And while with sin and hell I fight, Spreads his sal - va - tion for my shield.
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Majestic
S. HOLTOKE.
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1. E - ter - nal God — ee - les - tial King, Ex-alt-ed be thy glorious name; Let hosts in heaven thy praises sing, And saints on earth thy love pro - claim.
2. My heart is fixed on thee, my God, I rest my hope on thee a - lone; I'll spread thy sacred truths a - broad, To all man - kind thy love make known.
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1. Ye mighty ru-lers. of the land, Give praise and glo - ry to the Lord ; And -while be - fore his throne ye stand, His great and powerful acts re- cord.
2. Oh render un - to God a - bove, The hon - ors which to him be - long ; And in the tern- pie of his love Let worship flow from every tongue.
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1. I. Hid, let thy goodness lead our land, Still saved by thine almigh - ty hand, The (ri - bate of its love to bring To thee, our Saviour ancl our King.
2. Let ev- ery pub- lie tem- pie raise Tri- umph-ant songs of ho - ly praise ; Let ev - eiy peaceful, private home A temple, Lord, to thee be - come
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1. When -we, our -wearied limbs to rest, Sat down by proud Euphra- tes' stream, "We wept, with doleful tho'ts oppressed, And Zi - on was our mournful theme.
2. Our harps, that, when with joy we sung, "Were wont their tuneful parts to bear, With si -lent strings, ne-gleet- ed hung, On willow trees that withered there.
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FUTURITY. L. M.
■With Earnestness.
From TAYLOR'S " Sacred Minstrel."
1. E - ter- ni - ty is just at hand, And shall I waste my ebb- ing sand ? And care-less view de - part - ing day, And throw my inch of time a - way ?
2. E - ter- ni - ty ! — tremendous sound ! — To guil- ty souls a dreadful wound ! But oh ! if Christ and heaven be mine, How sweet the ac- cents ! — how di - vine !
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1. The heavens declare thy glo - ry, Lord,
In ev- cry star thy wis - dom sliiues ; But when our eyes be - hold thy word, We read thy name in fair - er lines.
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1. O bap - py day, that fixed rny choice On thee, my Saviour, and my God ; Well may this glow - ing heart re - joice, And tell its rap-tures all a - broad
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1. Arise in all thy splendor, Lord ; Let power attend thy gracious word ; Unveil the beauties of thy face, And show the glories of thy grace. And show the glories of thy grace.
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1. Lord, bow delight - ful 'tis to see A whole as - sem - bly worship thee ! At once they sing — at once they pray — They hear of heaven, and learn the way.
2. I have been there, and still would go : Tis like the dawn of heaven be-low : Not all that care - less sin-ners say, Shall tempt me to for-get this day.
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L I - sus can make a dy - ing bed Feel soft as down - y pillows are, While on his breast I lay my head, And breathe my life out sweetly there. 1. Win should we start and fear to die? What timorous worms we mortals are ! Death is the gate of end - less joy, And yet we dread to en - tur there.
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1. Zi - ona-wake! — thy strength re - new, Put on thy robes of beau-teous hue; Church of our God, a - rise and shine, Bright with the beams of truth di - vine
2. Soon shall thy ra - diance stream a - far, Wide as the heathen na - tions are; Gen - tiles and kings thy light shall view : All shall ad - mire and love thee too.
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1. Broad is tho road that leads to death, And thou-sauds -walk to - geth-er there : But -wis - dom shows a nar - row path, With here and there a tra - vel - er.
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Lord, when thou didst as - cend on high, Ten thousands angels filled the sky ; Those heavenly guards a-round thee wait, Like chariots, that
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1. Sing to the Lord, who loud proclaims His various and his saving names; Oh may they not be heard alone, But by our sure experience known, But by our sure experience known.
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1. The heavens declare thy glo - ry, Lord, In eve-ry star thy wis-dom shines ; But when our eyes behold thy word, We read thy name in fair-er lines.
2. The rolling sun — the changing light, And nights, and days, thy power confess ; But that blest volume thou hast writ Reveals thy jus-tice and thy grace.
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1. No more, my God — I boast no more Of all the du - ties I have done ; I quit the hopes I held he - fore, To trust the me-rits of thy Son. 4. The best o - be - dience of my hands Dares not ap - pear be-fore thy throne ; But faith can an - swer thy de-mands, By pleading what my Lord has done.
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1. Je - sus ! and shall it ev - er be — A mor-tal man a-shamed of tbee ? A-sbamed of tbee — whom an-gels praise? Whose glories shine thro' end-less days.
2. A-shamed of Je-sus ? — that dear friend Ou whom mv hopes of beav'n de - pend ? No ! — when I blush, be this my shame — That I no more re - vere his name.
LAWRENCE. L. M.
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1. We've no a - bid - ing ci - ty here; We seek a land beyond our sight; Zi - on its name — the Lord is there; It shines with ev-er - last - mg light.
2. Oh ! sweet a - bode of peace and love, Where pilgrims, freed from toil, are blest ! Had I the pin - ions of a dove, I'd fly to thee — and be at rest.
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50
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1. Lidulgent Lord, thy goodness reigns Through all the wide, celestial plains; And thence its streams redundant flow, And cheer th' abodes of men below, And cheer, Ac.
4. Let nature burst into a song ; Ye ech< ling iii lis, the notes prolong ; Earth, seas, and stars, your anthems raise, All v> teal with your Maker's praise, All vocal with your, &c.
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The heavens declare thv glo - ry, Lord, In every star thy wis - dom shines ; But when our eyes be-hold thy word, We read thy name in fair - er lines.
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Judge me, O Lord — and prove my ways ; And try my reins — and tiy my heart : My faith upon thy pro - mise stays, Nor from thy law my feet de - part.
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1. How blest the sacred tie that binds, la sweet communion, kindred minds; How swift the heavenly course they run, Whose hearts, whose faith, whose hopes, are one!
2. To each the soul of each how dear ! What tender love, what ho-ly fear! How doth the generous flame within Re - fine from earth, and cleanse from sin !
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2. Oh! sweet abode of peace and love, Where pilgrims, freed from toil, are blest 1 Had I the pinions of a dove, I'd fly to thee — and be at rest, i ii. i . i i i i i i . i ii. ii
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In robes of judgment, lo ! he comes, Shakes the wide earth — and cleaves the tombs, Before him bnrns devouring fire — The mountains melt — the seas re-tire, The mountains, <fcc,
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1. Come, dear - est Lord, and bless this day, Come, bear our thoughts from earth away ; Now let our no -blest pas - sions rise, With ar - dor to their native skies.
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1. Wliy on the bending willows hung, Israel, still sleeps the tuneful string? Still mute remains the sullen tongue, And Zion's song desires to sing ? And Zion's Bong desires to sing ? 1. Father of mercies, in thy house We pay OUT homage and our vows, "VVliile with a grateful heart we share These pledges of our Saviour's care, These pledges of OUT Saviour's care.
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2. Sweet are the thoughts which fill my breast, When on thy va - rious works they rest : God, my Cre - a - tor, lifts my voice : In God, my Sa - viour, I re - joiee.
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1. Thus far the Lord has led me on ; Thus far his power pro-longs my days ; And ev-ery eve-ning shall make known Some fresh memorial of his grace. 3. 1 lay my bo - dy down to sleep ; Peace is the pil - low of my head ; While well appoint-ed an - gels keep Their watchful sta-tions round my bed.
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1. Sweet is the work, my God, my King, To praise thy name, give thanks, and sing; To show thy love by morning light, And talk of all thy truth at night, And talk of all, &c. 2 Sweet is the day of sacred rest — No mortal care shall seize my breast ; Ua, mav my heart in tune be found, Like David's harp of solemn sound, Like David's harp, <fec.
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1. Sweet is the work, my God, my King, To praise thy name, give thanks, and sing; To show thy love by morn-ing liirbt. And talk of all thy truth at night. '-'. Sweet is the day of sa-credrcst — No mor-tal care shall seize my breast; Oil, may my heart in tune be foiiu 1, Like Da ■ vid's harp of solemn sound.
L Y 0 0 M I N G. L. M.
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57
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2. One cup of heal-ing oil and wine, One tear-drop shed on mer - cy^s shrine, Is thrice more grateful. Lord, to thee, Than lift - ed eye or bend-ed knee.
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ZENIA. L. M.
Loud and Spirited. — Staccato-
Dr. BOYCE.
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1. My opening eyes with rap - ture see The dawn of thy re - turn - ing day ; My thoughts, O God, ascend to thee, While thus my ear - ly vows I pay. 3. Triumphant smiles the vic-tor's brow, Fanned by some guardian an - gel's wing : O grave 1 where is thy victory now, And where, O death, where is thy sting.
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Slowly, with distinct uttcranee
I. B. WOODBURY. By Permission
lay my bo - dy down to sleep, Peace is the pil - low of my head, While well ap - pointed an - gels keep Their watchful guard a-round my bed.
mid the raging storm, his word Speaks peace ami comfort to our hearts.
* 4. In gen-tler language, there the Lord The coun-sel of his grace im-parts ; A
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MARKS. L. M.
V. O T.
59
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MOBILE. L. M.
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Theme by CHAPFLE.
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1. O praise the Lord in that blest place, From whence his goodness large-lyflows ; Praise him in heaven, where hehis face Unveiled in per - feet glo - ry shows.
2. Praise him for all the mighty acts, Wkichhe in our be - half hath done ; His kindness this re -turn ex - acts, With which our praise should equal run.
3. Let all who vi - tal breath en-joy, The breath he doth to them af-ford, In just returns of praise em - ploy : Let every orea -ture praise the Lord
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2. In - to his presence let us haste, To thank him for his fa - vors past ; To him ad - dress, in joy - ful song, Praises which to his name be - long.
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1. God in his earthly temple lays Foundation for his heavenly praise ; He likes the tents of Jacob well, But still iu Zion loves to dwell. But still in Zion loves to dwell
2. His mercy visits every house That pay their night and morning vows; But makes a more delightful stay. Where churches meet to praise and pray, Where, <fcc.
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2. Let all of good this bo - som fires, I I I I/-N I
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1. E - ter- nal God, al - mighty cause Of earth, and sea, and worlds unknown ; All things are subject to thy laws. All things dc - pend on thee a - lone.
2. Thy glo- rious be- ing sing-ly stands, Of all, with- in it- self, pos-sessed ; Con- trolled by none are thy com-mands ; Thou, from thy - self a- lone, art blest.
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1. A - sleep in Je - sus ! bless-ed sleep, From which none ev - er wakes to weep — A calm and nn - dis-turbed re-pose, ITn-brok-en by the last of foes. 3. A - sleep in Je - sus! peaceful rest, Whose wak-ing is su-preuie ly blest: No fear, no foe shall dim that hour That man-i - fests the Saviour's power.
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1. "Where shall we go to seek and find A ha - bi - ta - tion for our God? A dwelling for th' Eter - nal mind A-mong the sons of flesh and blood?
2. The God of Ja - cob chose the hill Of Zi - on for his an - cient rest ; And Zi - on is his dwelling still ; His church is with his presence blest.
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1. Far from my thoughts vain world, begone ; Let my re - li - gious hours a - lone; Fain would my eyes my Sa - viour see ; I wait a vis - it, Lord, from thee
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2. How oft my heart's af - fec-tions yield, And •wander o'er the world's wide field ! My rov-ing pas-sions, Lord, re-claim ; TJ - nite them all to fear thy name.
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1: Far from my thoughts, vain world, be gone ; Let my religious hours a - lone ; 2. 0 warm my heart with ho -ly fire, And kindle there a pure de - sire :
* Fain would my eyes my Sa-viour see ; I wait a vis-it. Lord, from thee. Come, Sa-cred Spi - rit, from a - bove, And fill my soul with heavenly love.
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1. Wait, 0 my soul, thy Maker's will Tu - multuous pas-sions, all be still! Nor let a murmuring thought arise — His ways are just — his 8. Wait, then, my soul — sub-mis-sive wait, Prostrate be - fore his aw-ful seat ; 'Midst all the ter - rors of his rod, Still trust a wise and
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1. Stand up, my gouL shake off thy fears, And gird the gospel armor on; March to the gates of endless joy, Where Jesus thy great Captain's gone. Where Jesus thy great Captain's gone. 4. There shall I wear a starry crown, And triumph in almighty grace ; While all the armies of (he skies Join in my glorious Leader's praise, Join in my glorious Leader's praise.
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1. See gen-tle pa-tience smile on pain, See dy-ing hope re - vive a - gain ; Hope wipes the tear from sorrow's eye, While faith points upward to the sky. 1. Re-turn, my rov - ing heart, re - turn. And life's vain shadows chase no more ; Seek out some so - li - tude to mourn, And thy for - sa - ken God im - plore.
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1. The peace which God a-lone re - veals, And hy his word of grace im-parts, Which on - ly the be - liev - er feels, Di - rect, and keep, and cheer our henrts !
2. And may the ho - ly Three in One, The Father, Word, and Com - for - ter, Pour an a - bun-dant bless - ing down On ev - ery soul as - senibled hero.
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1. Return, my rov - ing heart, re - turn, And life's vain sha-dows chase no more ; Seek out some sol - i - tude to mourn, And thy for-sa - ken God im-plore. 3. Thro' all the wind -Lugs of my heart, My search let heavenly wisdom guide ; And still its beams un-err - ing dart, Till all be known and pu - ri-fied.
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1. There seems :
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is a voice in ev - ery gale, A tongue in cv - cry ope - ning flower, Which tells, O Lord, the wondrous tale Of thy indulgence, love, and power. ;hat rise on quiv - ering wing, Appear to hymn their Mak-er's praise ; And all the miu-gling sounds of spring To thee a general an - them raise.
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V. O. T. 71
Of the German School.
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2. We meet, thro' distant lands to spread The truth for which the mar-tyrs bled ; A - long the line — to ei - ther pole — The thnn-der of thy praise to rolL
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ALDEBARAN. L. M.
V. C. T. Of the German Sehool.
3. From morning dawn to evening close, On thee, O Lord, our hopes re - pose : To thy great: 1. Oft have our ears, great God, been taught What for our fathers thou hast wrought, While, with a
name, with joy, we'll raise Tri-umphant songs of grate - ful praise. dor-ing minds, they told The wonders of thy -works of old.
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Smooth and Gliding. Let the four parts be well sustained
H. D. HOPKINS. Montpelier, Vt.
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3. There is a stream whose gen-tle flow Supplies the ei - ty of our God; Life, love, and joy, still gliding through, And watering our di - vine a - bode.
4. That sa-cred stream, thine ho - ly word, Supports our faith, our fear cou-trols ; Sweet peace thy pro-mi-ses af - ford, And give new strength to faint-ing souls. it* * ■ >
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1. Re - turn, my wandering soul, re-turn, A ml seek an, in - jured Father's face; Those warm de-sires that in thro burn Were kindled by re - deem-ing grace.
2. lie • turn, my wandering soul, re-turn, And seek a Fa - titer's melting heart ; His pitying eyes thy grief dis-cern, His heavenly balm shall heal thy smart.
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Arranged from AUBER.
1. Great God, to thee my evening song, With humble grati-tude I raise ; O, let thy mer - ey tune my tongue, And fill my heart with live-ly praise.
My davs, unclouded as they pass, And every gen-tly-rol - ling hour, Are mon - u - ments of wondrous grace, And witness to thy love and power.
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1. There's notliing bright, a - bove, below, From flow'rs that bloom to stars that glow, But in its light my soul can see Some fea-ture of the De - i - ty.
2. There's nothing dark, a - bovc, be - low, But in its gloom I trace his love, And meekly wait that mo-mcnt when His touch shall turn all bright a - gain.
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MESMER. L. M.
V. C. T.
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1. When the soft dews of kind-ly sleep, My weary eyelids gen-tly steep, Be my last thought — how sweet to rest, For - ev - er on my Saviour's breast. 1. Come, gracious Spi-rit, heavenly Dove, With light and comfort from a-bove ; Be thou our Guardian, thou our Guide ; O'er ev - ery thought and step preside.
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2. From heaven he came, of heaven he spoke, To heaven he Led his followers' way ; Dark clouds of gloomy night he broke, Uu-veil - ing
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1. While now, up - on this Sabbath eve, Thy house, Al-mighty God, we leave, "Tis sweet, as sinks the set-ting sun, To think on all our du - ties done.
2. 0 ! ev - er - more may all our bliss Be peace-ful, pure, di-vine, like this ; And may each Sabbath, as it flies, Fit us for joy be - yond the skies.
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1. Zi - on awake ; thy strength re-new; Put on thy robes of beau-teous hue ; Church of our God, a - rise, and shine, Bright with the beams of truth di - vine.
2. Soon shall thy radiance stream a - far, Wide as the heathen na - tions are ; Gen-tiles and kings thv light shall view ; All shall ad-mire and love thee, too.
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1. The morning flowers display their sweets, Ana, nj, their silk - en leaves unfold, As care - less of the noon -tide heats, As fear - less of the eve - ning cold.
2. Nipt by the wind's uu-tirne - ly blast, Parched by the sun's di - rect-er ray, The mo - ment-a - ry glo - ries waste, The short-lived beauties die a - way.
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ive's brow The star is dimin'd that lately shone : 'Tis midnight; in the gar - den, now. The suffering Saviour prays a - lone. re-moved, The Saviour wrestles lone, with fears ;E en that dis- ci - pie whom he loved Heeds not bis Master's grief and tears.
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Whv on the bending willows hung, Israel, still sleeps thy tuneful string; Still mute remains the sullen tongue, And Zion's song denies to sing, And Zion's song domes to sing.
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SANGERFIELD.
L. M.
From the " Gloria In Excelsis.
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1. Come, gracious Spi-rit, heavenly Dove, With light and com-fort from a - bove ; Be thou our Guardian, thou our Guide ; O'er every thought and step pre - side.
2. To us the light of truth dis - play, And make us know and choose thy way; Plant ho - ly fear in ev - ery heart, That we from God may ne'er de-part.
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1. 0, hap -py saints, -who dwell in light, And walk with Je - sus, clothed in white ! Safe land - ed on that poace-ful shore, Where pilgrims meet to part no more.
2. Re-leased from sor- row, care, and strife. And welcomed to an end - less life, Their souls have now be - gun to prove The height and depth of Je - sus' love.
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Distinct, and avoid dragging.
German Style.
79
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1. So let our lips and lives ex - press The ho - ly gos - pel we pro - fess ; So let our works and vir - tucs shine, To prove the doctrine all di - vine. 4. Re - li - gion bears our spi - rits up, While we ex - pect that blessed hope, The bright ap-pear-ance of the Lord, And faith stands leaning on his word.
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Were laid, and shall for - ev - er stand ; The swelling billows know their bound, While to his praise they roll a - round.
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O, all ye peo - pie, clap your bands, And with, tii - um-phant voi - ces sing; No force the mighty power withstands, Of God, the u - ni - ver - sal King.
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OLD HUNDRED. L. M.
81
1. Be thou, 0 God, ex - alt - ed high ; And as thy glo - ry fills the sky, So let it be on earth displayed, Till thou art here, as there, o - beyed. 1. Ye nations round the earth, re - joice Be - fore the Lord, your sovereign King ; Serve him with cheerful heart and voice, With all your tongues his glo - ry sing.
Music, OLD HUNDRED.
TEMPERANCE ODE.
Words by Mrs. L. H. SIGOTJRWEY.
1. There sprang a tree of dead - ly name, Its poisonous breath, its baleful dew, Scorched the green earth, like la-va -flame, And ev - ery plant of mer-cy slew.
2. From clime to clime its branch-es spread Their fear-ful fruits of sin and woe ; — The Prince of Darkness loved its shade, And toiled its fi - ery seed to sow.
3. Faith poured her prayer at midnight hour, The hand of zeal at noon-day wrought, And ar-rnor of ce - les-tial power The chil-dren of the Cross be - sought.
4. Be - hold ! the axe its pride shall wound, Thro' its cleft boughs the sunbeams shine, Its blast-ed blossoms strew the ground, — Give glory to the Arm Di - vine.
5. And still Je - ho-vah's aid im - plore, From isle to isle, from sea to sea; — From peo-pled earth's re - motest shore, To root that deadly U - pas tree.
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3. Thy praise, O God, shall tune the lyre, Thy love our joy - ful song in - spire ; To thee our cor - dial thanks be paid, Our sure defence — our constant aid.
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1. Come, gra-cious Spi - rit, heavenly Dove, With light and comfort from above; Be thou our Guardian, thou our Guide; O'er ev 2. To us the light of truth dis- play, And make us know and choose thy -way; Plant holy fear in ev - cry heart, That we
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1. Up to the fieldsTwhei-e an - gels lie, And liv-ing wa- tcrs gen - tly roll, Fain wouldmythoughts as -send on high, Butsin hangs bea-vy on my soul.
2. O, might I once mount up and see The glories of th'e - ter - nal skies ! How vain a thing this world would be ! How empty all its fleet - ing joys!
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1. With mv -whole heart I'll love thy name, Je - ho-vah ! thee my strength I claim ; My rock, my foi-tress, where I fly ; My great de - liv-'rer, always nigh.
2. My God, thy names of grace im - part The strength that cheers my fainting heart ; In thee I trust, nor dan - ger dread, Thine arm the buck-ler o'er my head.
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1. My God, how end -less is thy love! Thy gifts are ev- ery evening new ; And morning mercies from a - bove Gen-tly dis - til like ear - ly dew.
2. Thou spread'st the cur-tains of the night, Great Guardian of my sleeping hours ; Thy sovereign word re-stores the light, And quickens all my drow-sy powers.
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1. Now be my heart inspired to sing The glories of my Saviour King ; He comes with blessings from above, And wins the nations to his love, And wins the nations to his love.
2. Thy throne,0 God.forever stands ; Grace is the sceptre in thy hands : Thy laws and works are just and right, But truth andmercy thy delight, But truth and mercy thy delight.
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1. We've no a- bid - ing cit - y here ; We seek a land beyond our sight ; Zion its name — the Lord is there ; It shines with everlasting light, It shines with everlasting light.
2. Oh ! sweet abode of peace and love, Where pilgrims, freed from I oil, are blest! Had I the pinions of a dove, I'd fly to th.ee — and be at rest, I'd fly to thee — and be at rest.
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1. Come, weary souls, with sin distressed, Come, and accept the prom - ised rest ; The Saviour's gracious call obey, And cast your gloomy fears a - way.
3. Here mercy's boundless ocean flows, To cleanse your guilt and heal your woes ; Pardon, and life, and endless peace; How rich the gift ! how free the grace !
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1. There is a riv - er pure and bright, "Whose streams make glad the heavenly plains, Where, in eter -ni-ty of light, The ci - ty of our God re- mains.
2. Built by the word of his com - mand, With his un - clouded pres - ence blest, Firm as his throne the'bulwarks stand — There is our home, our hope, our rest.
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1. From ev - ery stormy wiad that blows, From every swelling tide of woes, There is a calm, a sure re-treat ; Tis found be-fore the mer - cy - seat. 8. There is a scene where spirits blend, Where friend holds fellowship with friend; Though sundered far, by faith they meet Around one common mer - cy - seat.
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Soft - ly t!ie shade of eve - ning falls, Sprinkling the earth with dewy tears ; While nature's voice to slum-ber calls, And silence reigns a - mid the spheres.
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1. My soul, thy great Ore - a - tor praise ; When clothed in his ce-les-tial rays, He in full ma-jes-ty ap - pears, And
2. How strange thy works ! how great thy skill ! While every land thy riches fill : Thy wisdom round the world we see — This
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1. How pleasant, how divinely fair, O Lord of Hosts, thy dwellings are ! With long desire rny spi - rit faints To meet th' as-sem - blies of thy saints.
2. My flesh would rest in thine abode ; My pant-ing heart cries out for God; My God, my King, why should I be So far from all my joys and thee?
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1. God iu his earthly temple lavs Foundation for his heavenly praise; He likes the tents of Jacob well. But still in Zion loves to dwell, But still in Zi- on loves to dwell.
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1. Great is the Lord ! what tongue can frame An ho - nor e - qual to his name ? How aw - ful are his glo - rious ways ! The Lord is dread-ful in his praise !
2. The world's foun-da-tions by his hand Were laid, and shall for - ev - er stand ; The swelling billows know their bound, While to his praise they roll a - round.
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[Darkness and clouds of aw-ful shade His dazzling glo-ry shroud in state ; Justice and truth his guards are made, And fixed by his pa - vil - ion wait.]
1. Be thou ex-alt- ed, 0 my God, A-bove the heavens where an-gels dwell ; Thy power on earth be known a - broad, And land to land thy won - ders tell.
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1. Judge me, 0 Lord — and prove my ways ; And try my reins — and try my heart : My faith up - on thy pro - mise stays, Nor from thy law my feet de - part. 3. I love thy ha - bi - ta - tion, Lord, The temple, where thine ho-nors dwell ; There shall I hear thy ho - ly word, And there thy works of won-der tell.
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1. Great Source of be - ing and of love! Thou wal crest, nil the worlds a-boYe; And all the joys which mortals know, From thine exhaustless foun-tain flow.
2. A sa - cred. spring, at thy command, From Zi - on's mount, in Canaan's land, Be - side thy temple cleaves the ground, And pours its limpid stream a-rouad.
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1. Soon may the last, glad song a -rise, Thro' all the myriads of the skies — That song of triumph which re-cords That all the earth is now the Lord's. 3. O, let that glo-rious anthem swell; Let host to host the tri-umph tell, That not one reb - el heart re-mains, But o - ver all the Sa - viour reigns.
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1. Bless, O my soul, the liv - ing God; Call home thy thoughts, that roam abroad; Let all the powers with-in me join
2. Let every land his power con - fess ; Let all the earth a - dore his grace ; My heart and tongue, with rapture, j"iti
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1. Come hither, all ye weary souk, Ye heavy-laden sinners, come ; I'll give you rest from all your toils, Aud raise you to my heavenly home, And raise you to my, <fcc.
2. They shall find rest who learn of me, I'm of a meek and lowly mind ; But passion rages like the sea, And pride is restless as the wind, And pride is restless as the wind.
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1. Lord, how delightful 'tis to see A whole assembly worship thee ! At once they sing — at once they pray — They hear of heaven, and learn the war, They hear of, <fcc.
2. I have been there, and still would go : 'Tis like the dawn of heaven below : Not all that careless sinners say, Shall tempt me to forget this day, Shall tempt me to, <fec.
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1. Oh ! come, loud anthems let us sing. Loud thanks to our Al-nugh-ty King; For we our voices high should raise. When our sal - va-tion's Rock we praise 3. Oh! let us to his courts re - pair, And bow with ad - o - ra - tion there ; Down on our knees, do vout-ly, all Be - fore the Lord our Ma - ker fall.
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1. God of my life, to thee be - long The grateful heart, the joy-ful song ; Touched by thy love, each tuneful chord Resounds the goodness of the Lord.
2. Thou hast preserved my fleet - ing breath And chased the gloomy shades of death ; The veuomed arrows vain-ly fly, While God, our great deliverer's nigh.
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1. The flowery spring, at God's command, Perfumes the air, and paints the laud : The sum-mer rays with vi - gor shine, To raise the corn, and cheer the vine. 3. The changing seasons, months, and days, Demand sue - cess-ive songs of praise ; And be the cheerful ho - mage paid, With morn-ing light, and eve - ning shade.
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1. As show-ers on meadows newly mown. Our God shall send his Spi - rit down : E - ter - nal Source of grace divine, What soul - re - freshing drops are thine ! '2. That heav-enly in - flucnce let us fiud In ho - ly si - leuee of the mind, While ev - ery grace maintains its bloom, Dif - fus - ing wide its rich perfume.
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1. How pleasant, how di - vine - ly fair, 0 Lord of hosts, thy dwellings are ! With long dc-.sire my spi - rit faints To meet th' assemblies of thy saints.
2. My flesh would rest in thine a - bode ; My panting heart cries out for God ; My God, my King, why should I be So far from, all my joys and thee ?
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1. From all who dwell be - low the skies, Let the Cre - a - tor's praise a - rise ; Let the Re-deemer's name be sung, Through every land, by ev - ery tongue.
2. E - ter - nal are thy mer - cies, Lord ; E-ter-nal truth at - tends thy word ; Thy praise shall sound from shore to shore, Till suns shall rise and set no more.
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1. Kingdoms aud thrones to God be-long; Crown him, ye na - tions, in your song : His wondrous name and power rehearse ; His honors shall en - rich your verse.
2. He rides and thunders through the sky, His name, Je-ho-vah, souuds on high : Praise him a-loud, ye sons of grace ; Ye saints, re-joice be - fore his face.
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1.0 for a sight, a pleas-iag sight, Of our al-mighty Fa -ther's throne ! There sits our Saviour, crowned with light, Clothed with a body like our own. 2. A- doring saints a -round him stand, And thrones and powers be fore him fall; The God shines gracious thro' the man, And sheds bright glories on them all.
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1. Awake, my tongue— thy tribute bring To Him who gave thee power to sing; Praise Him, who is all praise a-hove, The sour.ee of wis- dom and of love. 3. Thro' each bright world above, be-hold Ten thousand thousand charms uu-fold : Earth, air, and mighty seas combine,. To speak his wis - dom all di - vine.
3. Thro' each bright workl above, be-nol(l Ten thousand thousand charms uu-fold : 1
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1. How sweet the hour of clos - ing day. When all is peaceful and se - rene, And when the sun, with cloudless ray, Sheds mel-low lus - tre o'er the scene.
2. Such is the Christian's part-ing hour ; So peace-ful-lv he sinks to rest ; When faith, endued from heaven with power, Sustains and cheers lus languid breast.
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1. O, where is now that glowing love That marked our union with the Lord ? Our hearts were fixed on things above, Nor could the world a joy 3. Where are the happy sea - sons spent In fel - low-ship with him we loved ? The sacred joy, the sweet content, The blessed - ness that then_
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100
BELZONI. L. M.
Tranquil and Gentle.
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4. Je - sus can make a dy - ing bed Feel soft as downy pillows are, While on his breast I lean my head, And breathe mv life out sweet-ly there.
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1. My God, ac-eept my ear - ly vows, Like morning in - cense in thine honse ; And let my night-ly wor-ship rise, Sweet as the evening sa - cri - fice.
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1. As in soft si-lence, ver - nal showers Descend and cheer the fainting flowers, So in the se-cre-cy of love Falls the sweet influence from a - bove
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1. When sins and fears pre-vail-ing rise, And fainting hope al-most ex - pires, To thee, O Lord, I lift my eyes, To thee I breathe my soul's de - sires.
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V. C. T. "Cathedral style.'
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1. My drow - sy powers ! why sleep ye so ? A - wake, my slug - gish soul 1 Noth-ing has balf thy work to do, Yet noth - ing half so dulL 5. Lord, shall we lie so slug - gish still, Aud nev - er act our parts? — Come, ho- ly Dove, from th' heaveuly hill, And melt our fro - zen hearts.
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1. O God, our help in ages past, Our hope for years to come ; Our shel - ter from the storm - y blast,
2. Be-neaththeshad-ow of thythrone, Thy saiuts have dwelt se-cure ; Suf - fi cient is thine arm a -lone,
And our e - ter - nal And our de - fence is
home ;— sure.
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RESIGNATION. C. M.
Gently, and quite Slow.
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1. In trou-ble and in grief, 0 God, Thy smile hath cheered my way; And joy hath bud-ded from each thorn That round my foot-steps lay.
2. The hours of pain have yield - ed good Which prosperous days re - fused ; As herbs, tho' scent-less when en - tire, Spread fragrance when they're bruised.
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HEBER. CM.
GEO KINGSLEY.
Smooth and connected Style, Db will suit this tune better than C.
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1. By cool Si - lo - am's sha - dy rill, How fair the li - ly grows! How sweet the breath, be- neath the hill, Of Sharon's dew - y
2. Lo ! such the child, whose ear - ly feet The paths of peace have trod, Whose se - cret heart, with influence sweet, Is upwards drawn to
3. By cool Si - lo - am's sha - dy rill, The li - ly must de - cay ; The rose that blooms be-neath the hill, Must shortly fade a
rose ! God! way.
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H U N T E R S V I L L E
G. M.
T. HASTINGS. By- permission.
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1. How pre- cious is the book di - vine, By in - spi - ra - fcion given! Bright as a lamp, its doctrines shine, To guide our souls to heaven.
2. It swcet-ly cheers our droop-ing hearts, In this dark vale of tears; Life, light, and joy, it still im - parts, And quell our ris - ing fears.
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1. I love to steal a - while a - way From ev - cry cum-bering care, And spend the hours of set - ting day In hum-ble, grute-ful prayer.
2. I love in sol - i - tudfl to shed The pea-i - ten-tial tear, And all his prom-is - es to plead, Where none but God can hear.
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BEMEKTON. C. M.
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H. W. GREATOREX.*
* From his Collection, by permission of himself and publishers, Messrs. Stanford and Swords, 137 Broadway, New York.
PARK PLACE. C. M.
V. C. T.
Choral.
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1. Show me, O Lord, thy sa - cred way, Thy truths to me re - late ; For thou art God, whom I o - bey — On thee I dai - ly wait. 4. O keep my soul, and set me free, Pre-serve me, Lord, from shame: For I have placed my hope in thee, And trust - ed in thy name.
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CHINA. C. M.
TIMOTHY SWAN.
Heavy, but not too Slow.
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1. Why do we mourn de - part - ed friends, Or shake at death's a - larms? Tis but the voice that Je - sus sends, To call us to his arms.
2. Are we not tend-ing up -ward too, To heaven's de - sired a - bode? — Why should we wish the hours more slow, Which keeps us from our God?
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This tune was composed at Suffield, Conn. The author was born at Northfield, Mass., July 23d, 1758, where he died on his birthday, 1842, aged eighty-four years.
ST. ANN'S. CM. D, croft.
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1. E - ter - nal source of joys di - vine, To thee my soul as - pires ; Oh ! could I say " The Lord is- mine !" 'Tis all my soul de - sires.
2. My hope, my trust, my life, my Lord, As - sure me of thy love ; Oh ! speak the kind, trans - port - ing word, And bid my fears re - move.
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Quite Fast ; in an easy, nowing style.
W. R DEMPSTER.
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1. When ver - dure clothes the fer - tile vale, And blossoms deck the spray, And fragrance breathes in ev - ery gale, How sweet the ver - nal day !
2. Hark ! how the fea - thered war-blers sing ! Tis na - ture's cheer - ful voice ; Soft mu - sic hails the love - ly spring, And woods and fields re-joiee.
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SERENITY.* C. M.
Calmly and Gentle.
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1. Be - hold the west- em eve - ning light! It melts in deep'ning gloom; So calm -ly Chris - tians sink a - way, De-scend-ing to the tomb.
2. The wind breathes low, the withering leaf Scarce whis - pers from the tree; So gen - tlv flows the part - ing breath, When good men cease to be.
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the dust; Lord, give me life di - vine ; From vain de -sires, and ev - ery lust, Turn off these eyes of mine.
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my days, Thou Ma -ker of my frame ; I -would sur - vey life s nar - row space, And learn how frail
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tHOKAL. In two Parts,
COLESHILL.
C. M.
(As sung in days of yore.) [Without addition, alteration, or emendation.]
1. How shorl and has - ty
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How vast our Boud's af - fairs! Yet sense-less mor - tals vain - ly strive To la- vish out their years.
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MONTGOMERY. CM. (double.)
MORGAN* vs. MOORE. 109
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Early, my God, without delay, I haste to seek thy face ; My thirsty spirit faints a - way Without thy cheering grace,
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Early, my God, without delay, I haste to seek thy face; My thirsty spirit faints a - way Without thy cheering grace,
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Early, my God, without delay, I haste to seek thy face; My thirsty spirit faints a - way Without thy cheering grace, So pilgrims on the scorching sand, So
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* Classical authorities are not settled as to whom the authorship of this celebrated old piece is attributable. Smith and Little ascribe it to Morgan, and other antiquated collections to .Moore. Amid such contrariety we credit it to both, presuming that between the tii-o, justice will fall where it belongs Owing to a certain freedom or waywardness in the progression of the several parts of these old tunes, we omit arranging them for the organ, for it seems to be their preference to-be " executed " without any such instrumental assistance.
110
ALBION. C. M.
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1. Faith is the bright-est e - vi - dence Of things beyond our sight ; It pier - ces through the vail of sense, And dwells in heaven-ly light. 3. By faith we know the world was made By God's al - might - y word ; We know the heavens and earth shall fade, And be a - gain res - tored.
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2 Deep in un - fa - thorn - a - ble mines, Of nev - er - fail - tng skill, He trea-sures up his bright de - sigus, And works his sove - reign will.
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1. The Saviour calls — let ev-ery ear Attend the heavenly sound; Ye donbtiog souls, dismiss your fear ; Hope smiles re viv- ing round, Hope smiles re-viv- ing round.
2. For ev - ery thirst-y, long-ing heart, Here, streams of bounty flow; And life, and health, and bliss impart, To ban-ish mor-tal woe, To ban-ish mor-tal woe.
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2. I'd tell him how my sins a - rise — What sor - rows I sus - tain, How grace de - cays, and com - fort dies, And leaves my heart in pain.
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mine eyes Upward, dear Father*, to thy throne, And to my native skies : . . . And to my na-tive skies.
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1. Oh that the Lord would guide my ways, To keep his sta - tutes still ! Oh that my God would grant me grace To know and do his will !
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2. I saw one hanging on a tree, In ag - o - nies and blood ; He fixed his languid eyes on me, As near his cross I stood, As near his cross I stood. 4. Mv conscience felt and owned the guilt; It plunged me in des-pair; I saw my sins his blood had spilt, And helped to nail him there, And helped to nail him there.
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1. Be - hold" thy wait-ing ser-vant, Lord, De - vot-ed to thy fear; Re - mera-ber and con - firm thy word, For all my hopes are there.
2. Hast thou not sent sal - va-tion down, And promised quickening grace? Doth not my heart ad - dress thy throne ? ' And yet thy love de - lays.
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1. What shall I ren - der to my God, For
2. A - mong the saints that fill thy house, My
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1. Te hum - ble souls, approach your God With songs of sacred praise : For he is good — immensely good, And kind are all his ways, And kind are all his ways.
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For the sake of economy in space, these old standard tunes are in modem works usually published on but two staves , but with an occasional exception we have adopted the use of the full score fer them, for the reason that to many young singers, especially, they are as new as any other tunes, and hence require to be as fully and plainly arranged as the newer pieces ar«.
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1. Let not de-spair nor fell re - venge Be to my bo - som koown ; Ob, give me tears for oth - ers' woe, And pa - tienee for my own.
2. Feed me, O Lord, with need-ful food: I ask not wealth, or fame: But give me eyes to view thy works, A beart to praise tby name.
With Animated Expression.
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1. Come, Ho - ly Ghost, in - spire our songs With tliine im - mor - tal flame ; En - large our hearts, un - loose our tongues, To praise the Sa-viour's name
2. How great the rich - es of his grace! He left bis throne a - bove : And swift, to save our ru - ined race, He flew, on wiugs of love.
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1. O all ye lands, rejoice in God, Sing praises to his name ; Let all the earth, with one accord, His wondrous acts proclaim, His wondrous acts proclaim, His wondrous acts proclaim.
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1, Whom have we, Lord, in heaven but thee, And -whom on eavth be- side? Where else for sue - cor can we flee, Or in whose strength confide ?
2. Thou art our por - tion here be -low, Our prom-ised bliss a - bove ; Ne'er may our souls an ob - ject know So precious as thy love.
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Medium Movement
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THOS. HASTINGS. By permission.
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1. Ma-jes - tic sweetness sits enthroned Up - on the Saviour's brow ; His head with radiant glories crowned, His lips with grace o'erflow, His lips with grace o'erflow.
2. No mor - tal can with him compare, A-mong the sons of men ; Fair-er is he than all the fair Who fill the heavenlv train, Who fill the heavenly train.
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1. Dear re - fuge of my wea - ry bouI, On thee, when sor - rows rise, On thee, when waves of trou - ble roll, My faint - ing hope re - lies.
2. To thee I toll each ris - ing grief, For thou a - lone canst heal ; Thy word can bring a sweet re - lief, For ev - erv pain I feel.
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1. Sing to the Lord a new made song, Who wondrous things lias done; With his right hand and holy arm, The conquest he has won, The conquest lie, <fcc, The conquest, &c.
2. The Lord has thro' th' astonished world Displayed bis saving might, And made his righteous acts appear In all the heathens1 sight, in all the, &c, In all the, <fec.
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1. Lord, thou wilt hear nie whenl pray; I am for ev - er thine: I fear be-fore thee all the day, Nor would I dare to sin, Nor would I dare to sin.
2. And while I rest my weary head, From care and business free, Tis sweet conversing, on my bed, With my own heart and thee, With my own heart and thee.
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1. 0 could I find, from day to day, A nearness to my God ; Then should my hours glide sweet a - way, While lean-ing on his word, While leaning on his word. 3. Blest Je-sus, come, and rule my heart, And make me wholly thine ; That I may nev-er more de - part, Nor grieve thv love di- vine, Nor grieve thy love di-vine,
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1. A - rise, ye peo-ple, and a - dore, Exult -ing strike the chord; Let all the earth — from shore to shore, Confess th' almighty Lord, Confess th' almighty Lord.
2. Glad shouts aloud, wide echoing round, Th'ascending God pro-claim ; Th'angelic choir respond the sound, And shake cre-a-tion's frame, And shake cre-a-tion's frame.
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1. Shine, mighty God, on Zi - on shine, With beams of heavenly grace ; Re-veal thy power through ev-ery land, . And show thy smil - ing face. 3. Sing to tlie Lord, ye dis - tant lauds, Sing loud with so - lemn voice ; Let ev - cry tongue ex - alt .his praise, And ev-ery heart re - joice.
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1. Long as I live. I'll bless thy name, My King, my God of love ; My -work and joy shall be the same, In bright-er worlds a - bove.
2. Great is the Lord — his power unknown, Oh let his praise be great ; I'll sing the hon - ors of thy throne, Thy works of grace re - peat.
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1. How oft, a - las ! this wretched heart Has wandered from the Lord ! How oft my roving thoughts depart, Forgetful of his word ! Forget - ful of his word I
2. Yet sovereign mercy calls " Return ;" Dear Lord, and may I come ? My vile ingrat-i - tude I mourn, O take the wanderer home, O take the wanderer home.
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1. Do not I love thee, 0 my Lord? Be - hold my heart, and see : And turn each worthless idol out, That dares to ri - yal thee, That dares to ri - val thee.
2. Do not I love thee from my 6oul? Then let me nothing love : Dead be my heart to ev-ery joy, Which thou dost not ap - prove, Which thou dost not approve
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Ten thousand thousand are their tongues, And blessings, more than we can give,
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1. Come, let us join our cheerful songs. With angels round the throne; Ten thousand thousand are their tongues, .... But all their joys are one, But all their joys . are one.
Je-sus is worthy to receive Honor and power divine ; And"blessings,more than we . . can give Be, Lord, forever thine, Be, Lord.forev - - er thine.
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Hence from my soul sad thoughts be gone, And leave me to my joys ; My tongue shall triumph in my God,
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1. Since all the varying scenes of time, God's watchful eye sur - veys, Oh, who so wise to choose our lot,. Or to ap-point our ways I 3. Why should we doubt a Fa-ther's love, So constant and so kind; To his un - err - ing, gra-cious will, Be ev-ery wish re - signed.
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1. E - ter - nal Source of joys di-vine, To thee my soul as - pires ; Oh! could I say, ' The Lord is mine!' Tis all my soul de-sirea.
2. My hope, my trust, my life, my Lord, As - sure me of thy love ; Oh ! speak the kind, transport - ing word, And bid my fears re - move.
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1. Sweet was the time when first I felt The Saviour's pardoning blood, Ap - plied to cleanse my soul from guilt. And bring me home to God.
2. Soon as the morn the light revealed, His prais - es tuned my tongue ; And when the eve - ning shades prevailed, His love was all my song.
128
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HANSON. C. M.
A PAGK FOR WORDS REQUIRING A CHANGE OF TUNES. ,
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1. Give me the wings of faith, to rise With -in the veil, and see The saints a - bove, how great their joys, How bright their glo - ries be.
(* id verse to Turn belov •
3. I ask them whence their victory came ; They, with u - nit - ed breath, As - cribe their conquest to the Lamb, Their triumph to his death.
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'1. Once they were mourning here be - low, And bathed their couch with tears ; They wrestled hard, as we do now, With sins, and doubts, and fears.
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1. While thee I seek, pro - tect - ing Power ! Be my vain wishes stilled ; And may this con - se - crat - ed hour With bet - ter hopes be filled. 3. In each e - vent of life, how clear Thy rul - ing hand I see ! Each bless-ing to my 6oul most dear, Be - cause con - ferred by thee.
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1. Since all the va - rying scenes of time, God's watchful eye sur-veys, Oh, who so wise to choose our lot, Or to ap - point our ways.
2. Why should we doubt a Fa - ther's love, So constant and so kind; To his un - err-iug gra - cious will, Be ev - - - ery wish re-signed.
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1. There is a fountain filled with blood, Drawn from Inimanuel's veins ; And sinners, plunged beneath that flood, Lose all their guilty stains, Lose all their guilty stains,
2. The dying thief rejoiced to see That fountain in his day; 0 may 1 there, though vile as he, Wash all my sins a - way, Wash all my sins a -way.
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1. O all ye nations, praise the Lord, Each with a different tongue, In every language learn his 'word. And let his name be sung, And let his name be sung.
2. His mer - cy reigns thro' every land, Pro -claim his grace a -broad; Forever firm his truth shill stand, Praise ye the faithful God, Praise ye the faithful God.
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2. Ye curl - ing fountains, as ye roll Tour sil - ver waves a - long,
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A sacred hymn of grateful praise To heaven's al-might - y King.
Re -peat to all your verdant shores Thesub-ject of the song.
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1. There is an hour of hallowed peace For those with cares oppressed, When sighs and sorrow-ing tears shall cease, And all be hushed to rest.
2. Tis then the soul is freed from fears, And doubts which here an - noy ; Then they that oft had sown in tears Shall reap a - gain in joy.
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1. I love to steal a - while a - way From ev - ery cum-bering care, And spend the hours of set - tiug day . In hum-ble, grate-ful prayer.
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1. Why should the chil-dren of a King, Go mourning all their days ? — Great Com-fort-er ? descend, and bring Some to - kens of thy grace.
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1. When trouble fills my soul with grief, Oh, hide not, Lord, thy face ; For I can hope for no re-lief, Un - aid - ed by thy grace, Un-aid-edby thy grace.
2. Our Fathers, trusting in thy word, Reposed their hope in thee; In thee protection found, O Lord, And life and lib - er - ty, And life and lib - er - ty.
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1. There is a hope, a blessed hope, More precious and more bright Than all the joyless mock -er -y The world esteems delight, The world esteems de - light.
2. There is a star, a love-ly star, That lights the deepest gloom, And sheds a brilliant radiance o'er The prospects of the tomb, The prospects of the tomb.
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2. Lord, shall we lie so sluggish Btill,
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1. Sweet is the memory of thy grace, My God, my heavenly King; Let age to age thy righteousness, In songs of glo - ry sing.
2. God reigns on high, but ne'er confines His goodness to the skies; Through all the earth Iris bounty shines, And ev - ery want supplies.
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2. There, joys un-seeu by mortal eyes, Or reason's fee-ble ray, In ever-blooming prospect rise, Exposed to no de - cay, Exposed to no de - cay.
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2. Glo - ry to God, in high - est strains, In high - est words be paid ; His glo - ry by our lips pro-claimed, And by our lives dis - played.
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3. Hope looks be - yond the bounds of time, When what we now de - plore Shall rise in full, im - mor - tal prime, And bloom to fade no more. 1. How sweet and aw - ful is the place, With Christ within the doors, While ev - er - last - ing love dia - plays The choic-est of her stores.
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1. Oh ! for a closer walk with God,
2. Where is the blessedness I knew,
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2. Where is the blessedness I knew, When first I saw the Lord? . Where is the soul-refreshing view Of Jesus and his word, Of Jesus and his word.
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1. Come, let US join our cheerful songs, With angels round the throne: Ten thousand thousand arc their tongues, But all .their joys are one, But all their joys are one. 8. Je - sus is win1- thv to re - ceive Honor and power di - vine; Aud blessings, more than we can give, Be, Lord, for-ev - er thine, Be, Lord, for-ev - er thine.
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My soul stands trembling, while she sings The hon- ors of her God Each ope-ning leaf — and ev - ery stroke, Ful- fils some deep de - sign.
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1. When fainting in the sultry waste, And parched with thirst extreme, The weary pilgrim longs to taste The cool, refresh- ing stream, The cool, refresh - ing stream.
2. So longs the wea-ry, fainting mind, Oppressed with sin and woes, Some soul-reviving spring to find, Whence heavenly comfort flows, Whence heavenly comfort flows.
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2. The power that gave it still supplies The gracious light and heat : Its truths up-on the nations rise ; They rise — but nev - - er 6et.
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1. Far from the world, O Lord! I flee, From strife and tumult far; From scenes where sin is waging still Its most successful war, Its most sue -cessful war.
2. The calm re-treat, the si - lent shade, With prayer and praise agree ; And seem by thy sweet bounty made For those who follow thee, For those who follow thee.
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1 Up, Israel, to the temple haste, And keep your festal day ! And keep your festal day P In strong and beauteous order ranged, Like her united towers, Like her united towers.
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1. Oh, 'twas a joy - ful sound to hear Our tribes de - vout - ly say, "Up, Is - rael, to the tern -pie haste. And keep your fes - tal day!
2. At Sa - lem's court we must ap - pear, With our as - sem-bled powers, In strong and beauteous or - der ranged, Like her u - ni - ted towers.
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1. O could our thoughts and wishes fly, A-bove these gloomy shades, To those bright worlds beyond the sky, To those bright worlds beyond the sky, Which sorrow ne'er invades.
2. There, joys unseen by mor-tal eyes, Or rea-son's feeble ray, In ev - er-blooming prospect rise, In ev - er-blooming prospect rise, Exposed to no de-cay.
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IVIedium Time. Legato
WM. B. BRADBURY. From the "New York Choralist," by Permission
1. 0 for that ten - der - ness of heart, Which bows be - fore the Lord! That owns how just and good thou art, And trem - bles at thy word.
2. O for those hum - ble, con - trite tears, Which from re - pent-ance flow! That sense of guilt Which, trembling, fears The long - sus-pend - ed blow.
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1. Be - hold the glo - rie9 of the Lamb, A - mid his Fa - ther's throne ; Pre - pare new honors for his name, And songs be - fore un - known.
3. Those are the prayers of all the saints, And these the hymns they raise ; Je - sus is kind to our complaints, He loves to hear our praise.
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4. Thou hast redeemed our souls with blood, Hast set the prisoners free, Hast made us kings and priests to God, And we shall reign with thee, And we shall reign with thee.
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2. The Spi-rit, by his heav'nly breath, New life creates within; He quickens sin - ners from the death Of tres-pas-ses and sin, Of tres-pas-ses and sin.
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NORWALK. C. M.
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1. I love to steal a - while a - way From ev - ery cumbering care, And spend the hours of set - ting day
2. I love in sol - i - tude to shed The pen - i - ten - tial tear, And all his prom - is - es to plea
In hum - ble, fer - vent prayer, to plead Where none but God can hear.
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ye lands, re - joice in God, Sing praises to his name ; Let all
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C. M.
WILLIAMS.
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1. Oh 'twas a joy - ful sound to hear Our tribes de - vout-ly say, ' Up, Is - rael, to the tern - pie haste, And keep your fes - tal day ! '
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BROOK FIELD. CM. *
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1, How far be-yond our mor - tal sight
2. O, could my long-ing spir - it rise
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The Lord of glo - ry dwells! A veil of in - ter - pos-ing night His rar-diant face con-ceals. On strong im - mor - tal wing, And reach thy pal-ace in the skies, My Sa-viour and my King!
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TIFFANY. 0. M.
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1. When lan-guor and dis - case in - vadc
2. Sweet to look in - ward and at - tend
Tills trembling house of clay, Tis sweet to look be - yond my pain, The whispers of his love; Sweet to look up -ward, to the place
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And long to fly a - way. Where Je-6us pleiids a-bove.
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HONESDALE. C. M.
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1. Mis - ta - ken souls, that dream of heaven, And make their emp - ty boast Of in - ward joys, and sins for - given, While they are slaves to lust!
2. Vain are our fan - cy's air - y flights, If faith be cold and dead; None but a liv - ing power u - nites To Christ, the liv - ing head.
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ELTON. C. M.
V. C. T. Words by MONTGOMERY
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2. Prayer is the Chris-tian's vi
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When none but God-vis neat
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WHITEHALL.
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1. To our Redeemer's glorious name. Awake the sa - cred song! 0, may his love — immortal flame — Tune every heart and tongue, Tune every heart and tongue.
2. His love what mortal thought can reach ! What mortal tongue display ! Im -a - gi- nation's utmost stretch In wonder dies a-way, In wonder dies a - way.
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1. O'er mountain-tops, the mount of God, In lat-tcr days shall rise — A -bove the sum -nuts of the hills — And draw the wondering eyes.
2. To this thejoy-ful na-tions round, All tribes and tongues shall flow; "Up to the mount of God," they say, "And to his house we'll go.
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With subdued Expression.
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2. Sweet as the dew on herb and flower, That si - lent - ly dis - tils, At evening's soft and bal - my hour, On Zi - on's fruit-ful hills.
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MIAMI. C. M.
With Majesty. Staccato.
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1. The Lord our God is clothed with might ; The winds o - bey his will; He speaks, and in the heavenly height The roll - ing sun stands still.
2. Re - bel. ye waves, and o'er the land With threatening as - pect roar ; The Lord up - lifts his aw - ful hand, And chains you to the shore.
This tuna Is suitable oiuv for words requiring great force of utterance
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1. All hail, the great Immanuel's name ! Let angel's prostrate fall : Bring forth the royal diadem. And crown him Lord of all, Bring forth the royal diadem, And crown him Lord of all 5. Let every kindred — every tribe, Ou this terrestrial ball, To him all majesty ascribe, And crown him Lord of all, To him all majesty ascribe, And crown him Lord of all.
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1. Let every mortal ear attend, And every heart rejoice ; The trumpet of the gospel sounds, With an inviting voice, The trumpet of the gospel sounds, With an inviting voice.
4. Ho ! ye that pant for living streams, And pine away and die— Here you may quench your raging thirst With springs that never dry, Here you may quench your raging thirst, <fec.
ALBREE. C. M.
159
Slow.
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Slow.
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SPKINGFIELD. C. M.
Medium Movement.
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1. I wait- ed meek-ly for the Lord, He bowed to hear my cry; He saw me rest- ing on his word, And brought sal - va - tion nio-h.
2. I'll spread his works of grace h - broad, — The saints with joy shall hear, And sin - ners learn to make my God Their on - ly hope and fear.
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man kind- ness meets re - turn, And owns the grate-ful tie ; If ten-der thoughts with-in us burn, To feel a friend is nigh, —
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Medium Time.
Congregational Tune.
181
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1. 0, in the mora of life, when youth With vi - tnl ar - dor glows, And shines in all the fair - est charms That beau-ty can dis - close,—
2. Deep in thy soul, be - fore its poveers Are yet by vice en - slaved, Be thy Cre - a - - tor's glo - rious name And cha - rac - ter en - graved.
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AVith Distinctness
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1. My soul, tri - um - phant in the Lord, Pro-claim thy joys a - broad, And march with ho - ly vi - gor on, Sup - port - ed by thy God.
2. Through ev - ery wind - ing maze of life, His hand has been my guide ; And in his long - ex - pe-rienced care My heart shall still con - fide.
(chime — 11)
162
GENEVA. C. M.
JOHN COLE, Baltimore.
In Medium Time, with cheerlul Expression.
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In wonder, the view, I'm lost In won - der, love, and praise.
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5. Je - sus, my Lord, my life, my light, 0 come with bliss - ful ray ; Break thro' the gloomy shades of night, And 'chase my fears
thee more. a - way.
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2. Af - flic - tion is a storm - y deep, Where wave sue - ceeds to wave ; Tho' o'er my head the bil - lows roll, I know the Lord can save.
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2. To rned - i - tate thy pre - cepts, Lord, Shall be my sweet em - ploy ; My soul shall ne'er for - get thy word, Thy word is all my joy.
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2. I'd tell him how my sins a - rise, What sor-rows I sus-tain; How grace de - cays, and com -fort dies, And leaves my heart in pain.
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MEDITATION. C. M.
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2. I lova, in sol - i - tude to shed The pen-i - ten-tial tear ; And all his promis - es I plead, When none but God is near, When none but God is near.
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1. Joy to the world! the Lord is come! Let earth re - ceive
2. Joy to the earth ! the Sav - iour reigns ! Let men their songs
her King; Let ev - ery heart pre-pare him room,
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2. Oh w at eh, and fight, and pray ; The bat -tie ne'er give o'er; Re - new it bold - ly ev - ery day, And help di - vine im-plore, And help di - vine im-plore.
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2. Come, wor - ship at his throne, Come, bow be - fore the Lord; We are his work, and not our own; He formed us by
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1. Be - hold,
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2. Let all your lamps be bright, Ami trim the golden flame ; (iird up your loins, as in his sight, Gird up
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LUNENBURGH. S. M.
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2. Sweet, at the dawn - ing light, Thy boundless love to Ml, And, when ap - proaeli the shades of night, Still on the theme to dwell.
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1. Great is the Lord, our God, And let his praise be great; He makes the church his blest a -bode, His most de-light - ful seat.
2. In Zi - on God is known, A re - fuge in distress ; How bright has his sal - va-tion shone, How fair his heavenly grace.
ATHENS. S. M. *
Semplice, Divoto. Sempre Sotto Voce.
2. Thy king-dom come — thy will
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On earth be done in love ;
1. Our heaven-ly Fa - ther, hear The prayer we of - fer now ; Thy name be hal - lowed far and near, To thee all na - tions bow.
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LAMARTINE. S. M. *
With Animation. Quick and I,onrt.
Arranged for this work from Dr. WM. JACKSON.
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1. Come, we that love the Lord, Aud let our joys be known ; Join in a song with sweet ac - cord, And thus sur - round the throne.
3. The hill of Zi - on yields A thousand sa - cred sweets, Be - fore we reach the heavenly fields, Or walk the gold - en streets.
4. Then let our songs a - bound, And ev - ery tear be dry ; We're marching thro' Im-man - uel's ground, To fair - er worlds on high.
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1. lour harps, ye trembling saints, Down from the willows take ; Loud to the praise of love divine, Bid every string awake. Bid.every string awake, Bid ev- ery string a -wake.
Jt Jho' in a foreign land, We are not far from home; And nearer to our house above. We every moment, come. We every moinrnl come, We ev - ery moment come.
8. His grace will, to the end, Stronger and brighter shine : Nor present things, nor thiugs to come, Shall quench this spark divine, Shall quench this spark divine, Shall, &u.
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1. To God, in whom I trust. I lift my heart and voice ; Oh '. let me not be put to shame, Nor let my foes re - joice.
2. Thy mer - cies, and thv love, O Lord, re - call to mind; And gia - cious-ly con - tin - ue still, As thou wert ev - er, kind.
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1. The Lord my shep-herd is; I shall be well sup -plied; Since he is mine, and I am his, What can I want be - side?
3. If e'er I go a - stray, He doth my soul re - claim ; And guides me in his own right way, For his most ho - ly name.
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2. He leads me to the place Where heavenly pasture grows ; Where living wa - tersgent-ly pass, And full sal - va - tion flows, And full sal - va - tion flows. 4. While he affords his aid, I cannot yield to fear ; Tho' I should walk thro' death's dark shade My shepherd's with me there, My shepherd's with me there.
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Medium. With Expression.
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1. The day is past and gone, The' eve - ning shades ap - pear; Oh, may I ev - er keep in mind, The night of death draws near.
2. Lord keep me safe this night, Se - cure from all my fears ; May an - gels guard me while I sleep, Till morning light ap - pears.
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1. Sweet is the work, O Lord, Thy glo - rious name to sing, To praise and pray — to hear thy word,
2. Sweet — at the dawn-ing light, Thy boundless love to tell; And when ap - proach the shades of night,
And grate - ful offerings bring. Still on the theme to dwell.
180
Rather Slowly. 1st Tenor.
SHELBY. S. M.
Quartett for Male Voices.
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1. The swift-de - clin - ing day, How fast its mo- merits fly ; While evening's broad and gloom - y shade Gains on the -west - em sky.
2. Ye mortals, mark its pace, And use the hours of light ; For know, its Ma - ker can com - mand An in - stant, end - less night.
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1. Your harps, ye trembling saints, Down from the wil - lows take: Loud to the praise of love di - vine, Bid 6. Blest is the man, O God, That stays him - self on thee ! — Who waits for thy sal - va - tion, Lord, Shall
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V. O. T.
181
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4. My gracious God, how plain Ave thy di - rec-tions given! Oh! may I nev - er read in vain, But find the path to heaven! 3. How per -feet is thy word! And all thy judgments just! For - ev - er sure thy prom-ise, Lord, And we se - cure - ly trust.
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BOVINA. S. M. *
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1. The Lord my shepherd is ; I shall be -well sup - plied ; Since he is mine, and I am his, What can I want be - side ?
2. He leads me to the place, Wheve heavenly pas - ture grows ; Where liv - ing wa - ters gent - ly pass, And fall sal - va - tion flows.
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4. My gra - cious God, how plain Are thy di - rcc-tions given ! 3. How per - feet is thy word! And all thy judgements just !
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Moderate Close and Gliding 3
Theme from VERDI
183
1. Oh, bless - ed souls are they Whose sins are cov - ered o'er ; Di - vine - ly blest, to whom the Lord Im - putes their guilt no more.
2. They mourn their fol - lies past, And keep their hearts with care ; Their lips and lives, with - out de - ceit, Shall prove their faith Bin - cere.
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1. The swift -de - clin - ing day, How fast its mo-ments fly! While eve - ning's broad and gloom - y shade Gains on the west -em sky.
2. Ye mor-tals, mark its pace, And use the hours of light; For know, its Mak - er can com-mand An in - stant, end -less night.
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1. Grace 'tis a charming sound, Har -mo- nious to the ear! Heaven with the ech - o shall re- sound, And all the earth shall hoar.
2. Grace first contrived a way To save re- bol-lious in.-m; And all its steps that grace dis - play Which drew the won - drous plan.
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1. "The Lord is risen in -deed!" — Then jus - tice asks no more ; Mer - cy and truth are now agreed, Who stood opposed before, Who stood opposed before.
2. "The Lord is risen in -deed I" — Then is his work performed; The mighty captive now is freed, And death, our foe, disarmed, And death, our foe, disarm*
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Uentlt- mid Gliding. Messa dl Voce
V 0 T.
185
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1. How sweet the melt-ing lay, Which breaks up - on the ear, When at the hour of ris - ing day, Christians u - nite in prayer.
2. The breez - es waft their cries, Up to Je - ho - vah's throne j He lis - tens to their hum - ble sighs, And sends his bless - ings dowa
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Devotional.
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1. Come to the house of prayer, O thou af - flict - ed, come ; The God of peace shall meet thee there ; He makes that house
2. Come to the house of prayer, Ye who are hap - py now ; In sweet ac - cord your voi - ces raise, In kin - dred horn
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With Life and Animation.
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CALMAR. S. M.
Gregorian Chant.
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2. 'Midst heathen na - tions place The glo - ries of his throne ; And let the wonders of his grace Thro' all the earth be known, Thro' all the earth be known. II, ii l i I I i . I I ! I i I i fS
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1. I lift my soul to God ; My trust is in mt name : Let not my foes that seek my blood, Still triumph in my shame.
2. From ear - ly dawn-iug light Till eve - ning shades a - rise, For thy sal- va - tion. Lord, I wait, With ev - er - loug- ing eves.
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1. Sweet is the work, O Lord, Thy glo - rious Dame to sing, To praise and pray, to hear thy word, And
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3. Then, if our days must fly, We'll keep their end in sight ; We'll spend them all in wis - dom's way, And let them speed their flight.
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I dread im - pend-ing doom : But sure a friend - ly whis - per says, " Flee from the wrath to come."
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1. With hum-ble heart and tongue, My God, to thee I pray : Oh ! bring me now, while I am young, To thee, the liv - ing way. 4. Oh ! let thy word of grace, My warm-est thoughts em-ploy ; Be this through all my fol - lowing days, My trea - sure and my joy.
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1. Come, Ho - ly Spi-rit, come, With en - er - gy di-vine; And on this poor he - night -ed soul "With heams of mer-cy.
2. Oh! melt this fro-zen heart; This stubborn 'will sub - due ; Each e - vil pas-sion o - ver - come, And form me all a
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1. Welcome, sweet day of rest, That saw the Lord a - rise ; Wei - come to this re - viv-ing breast, And these re - joic - ing eyes ! And these re - joic - ing eyes !
2. My will - ing soul would stay In such a frame as this, Till called to rise, and soar a - way To ev - er - last - ing bliss, To ev - er - last - ing bliss.
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1. Our Captain leads us on ; He beckons from the skies, He reaches out a starry crown, And bids us take the prize, He reaches out the starry crown, And bids us take the prize.
2. " Be faithful unto death, Partake my victoi-y, Aud thou shalt wear tlus glorious wreath, And thou shalt reign with me, And thou shalt wear this glorious wreath, And thou," <fcc.
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1. Howhon - ored is the place Where we a- dor - ing stand! — Zi - on, the glo - ry of the earth, And beau - ty of tho laud. 4. J 1 ere taste un-min - gled joys, And live in per - feet peace, You, that have known Je - ho - vah's name, And ven - tured on his grace.
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1. O bless the Lord, my soul, Let all with - in me join, And aid my tongue to bless his name, Whose fa - vors are di - vine.
2. O bless the Lord, my soul, Nor let his mer - eies lie For - got - ten in un - thank - ful - ness, And with - out prai - ses die.
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1. A - rise, and bless the Lord, Te peo - pie of his choice ; A - rise, and bless the Lord your God, "With heart, and soul, and voice.
2. Though high a - bove all praise, A - bove all bless - ing high, Who would not fear his ho - ly name, And laud, and mag - ui - fy ?
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1. Se-rene I laid me down, Be - neath his guar-dian care; I slept — and I a - woke and found My kind Pre - ser - ver near.
2. Thus does thine arm sup - port This weak, de - fence - less frame ; But whence these fa- vors, Lord, to me, All worth-less as I am?
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1. Thy boun - ties, gracious Lord, With gral - i - tude we own; We praise thy prov - i-den-tial care, That showers its bless- iligs down.
2. With joy thy peo-ple bring Their off- 'rings round thy throne ; With thankful souls, be-hold, we- pay A trib-ute of thine own.
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1. Be - hold the morn-ing sun Be - gins his glo - rious way; His beams through all the na - tions run, And life and light con - vey.
2. But where the gos - pel comes, It spreads di - vin - er light, It calls dead sin - ncrs from their tombs, And gives the blind their sight.
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1. Most gra - eious God, re - Teal Thy will con-cern-ing me; What - e'er I do — what - e'er I feel, ' I fol - low thy de - cree.
2. The coun - sels of thy 1 Be on my heart im - pressed, It then shall at thy bid -' ding move, And at thy bid - ding rest.
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T. HASTINGS. From the "Musica Sacra.'
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2. Oh ! watch, and fight, and pray ; The battle ne'er give o'er ; Re - new it boldly ev - ery day, And help di -vine im-plore
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2. Far be thine hon-or spread, And long thy praise cn-dure, Till morning light and eve-uing shade Shall be ex-changed no more.
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1. My son, know tbou the Lord, Thy f;i - tliers' God o - bey; Seek his pro-teet - ing care by night. His guar - dian hand by day.
2. Call while he may be found, Oh seek him while he's near ; Serve him with all thy heart and mind, And wor - ship him with fear.
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1. Our Captain leads us on. He beckons from the skies : He readies out a starry crown. And bids us take the prize ; He reaches out a starry crown, And bids us take the p;-ize.
2. " Be faithful unto death. Partake mv vietorv. And thou shalt wear this g. :i.>us wreath. And thou shalt reign with me. And thou shalt wear this glorious wreath. And thou," <fce
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2. Thro' all the earth be - low, Thy ways of grace proclaim, Till dis - tant na-tions hear and know The Sa-viour's blessed name, The Saviour's blessed name.
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1. O Lord, our heavenly King, Thy name is all di-vine ; Thy glories round the earth are spread. And o'er the heavens they shine, And o'er the heavens they shine. 5. How rich thy bounties are ! How wondrous are thy ways ! That from the dust, thy power should frame A monument of praise, A mon - u - ment of praise.
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1. The day is past and gone, The eve - ning shades ap - pear ; Oh, may I ev - er keep in mind, The night of death draws near.
2. Lord, keep me safe this night, Se - cure from all my fears ; May an - gels guurd me while 1 sleep, Till morn - ing light ap - pears.
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1. How gen - tie God's com-mauds! How kind his pre - cepts are I Come, cast your bur - dens on the Lord, And trust his con - stant care.
2. His houn - ty will pro - vide ; His saints so - cure - ly dwell ; That hand, which bears ere - a - tion up, Shall guard his chil - dren well. N_J |_T-J ^_r_^_^_n _T T_^,S_^
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2. Thy mer-cie; and thy love, O Lord, re - call to mind; And gra - cious - ly con- tin- ue still,
Nor let As thou
my foes re-joice. wert ev - er, kind.
DERBY. S. M.
Slowly.
Contributed by H. K. OLIVER.
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3. 0, then my spi - rit faints To reach the land I love — The bright in-her - i - tance of saints, My glo - rious home a - bove.
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KIRBY. S. M.
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2. His mer-cy and his love Are boundless as his name ; And all e - ter-ui - ty shall prove His truth re - mains the same.
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1. Awnke,and sing the song Of Mo-ses and the Lamb ! Wake every heartand ev-cry tongue, To praise the Saviour's name, To praise the Saviour's name. 2 Sing of his dv - nag love— Sing of his ris - ing power — Sing how he in- ter - cedes a- bove, For us; whose sins he bore, For us, whose sins he bore.
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1. Se - rene I laid me down,
2. Thus does thine arm sup-port
Be - neath his guar This weak, de - fence
dian care : I slept — and I a - woke, less frame ; But whence these fa - vors, Lord,
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and found My kind Pre - ser ver near.
to me, All worth-less as I am?
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With deep Solemnity, subdued tone. Medium Time
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1. Did Christ o'er
2. The Son of
sin - ners weep, And shall our cheeks be dry ? God in tears, The wondering an - gels see !
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CARROLL.* S. M. (duo soprani.)
Sing this tune alternately with Cyprus.
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1. The Lord my shepherd is ; I shall be well 2d Voice.
supplied ; Since he is mine, and I .
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* Dwo. as sung by Mrs. Taylor and Mrs. Ingalls, at Strong Place Church, Brooklyn.
CYPRUS. S. M.
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1. The Lord my Shepherd is; I shall be well
2. He leads me to the place, Where heavenly pas
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sup - plied ; Since he is mine, and I am his, What can I want be - side f ture grows ; Where liv - ing wa - ters . gen - tly pass, And full sal - va - tion flows.
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COLUMBO. L. P. M., or L. M. 6 lines.
211
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1. The Lord my pas-ture shall pre - pare, And feed me •with a shep -herd's care ; His pre-sence shall my wants sup - ply, And guard me -with a watch-ful eye :
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My noon-day walks he shall at - tend, And all my mid - night hours de - fend.
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1. Let all the earth their voices raise, To sing a psalm of lof- ty praise
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To sing and bless Je - ho - vah's name ; His glo - ry let the hea - then know, His won - ders to the na - tions show, And aU his sav - mg works pro-claim.
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1. The Lord hath spoke, the might - y God Hath sent his sum - mons all a - broad, From dawn - ing light till day de - clines ; 3. As - sem - ble all my saints to me (Thus runs the great, di - vine de - cree,) That in my last - ing cov' - nant live,
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And off' - rings bring with con - stant care : The heavens his jus - tice shall de - clare, For God Him - self shall scu - tence give.
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Je - ho - vah here has fixed his throne, And triumph in his mighty name.
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R A PTU R E. C. P. M.
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1. 0 thou that hear'et the prayer of faith, Wilt thou not save a soul from death,
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1. Oh, could I speak the match - less worth, Oh, could J sound the o;lo - ries forth. Which in my Sa - viour shine! I'd soar and touch the heavenly strings,
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2. I'd sing the precious blood he spilt, My ransom from the dreadful guilt
Of sin and wrath divine : I'd siog his glorious righteousness, In which all-perfect, heavenly dress
My soul shall ever shine.
3. I'd sing the characters he bears, And all the forms of love he wears,
Exalted on his throne : In loftiest songs of sweetest praise, I would to everlasting days
Make all his glories known.
4. Well, the delightful day will come, When my dear Lord will bring me home,
And I shall see his face ; Then, with my Saviour, brother, friend, A blest eternity I'll spend,
Triumphant in his grace.
CARLTON. C. P. M. *
Allegretto, VIgoroso.
V. C. T.
217
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1. My God, thy boundless love I praise ; How bright on high its glo - ries blaze ! How sweetly bloom be - low ! It streams from thine eternal throne ;
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2. Tis love that paints the purple morn. And bids the clouds, in air upborne,
Their genial drops distil : In every vernal beam it glows, And breathes iu every gale that blows,
And glides in every rill.
Thro' heaven its joys for - ev
And o'er the earth they flow,
And o'er the earth they flow.
- 3. But in the gospel it appears, In sweeter, fairer characters,
And charms the ravished breast ; There, love immortal leaves the sky, To wipe the drooping mourner's eye,
And give the weary rest.
4. Then let the love that makes me blest, With cheerful praise inspire my breast,
And ardent gratitude ; And all my thoughts and passions tend To thee, my Father and my Friend,
My soul's eternal good.
218
DAL ST ON. S. P. M.
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A. WILLIAMS
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219
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1. Faith is the Christian's prop. Whereon his sorrows lean : It is the substance of his hope. His proof of things unseen : It is the an-chor of his soul When tempests rage, and billows roll.
2. Faith is the the polar star, That guides the Christian's way. Directs his wanderings from afar To realms of endless day ; It points the course, where'er he roam, And safely leads the pilgrim horns.
3. Faith is the rainbow's form, Hung on the brow of heaven, The glory of the passing storm, The pledge of mercy given ; It is the bright triumphal arch, Through which the saints to glory march. S
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1. O, what is life ? 'tis like a flower, That blossoms and is gone ; It flourish-es its lit - tie hour, With all its beauty on : Death comes, and, like a wintry day, It cuts the lovely flower away.
2. O, what is life ? 'tis like the bow That glistens in the sky ; We love lo see its colors glow ; But while we look, (hey die : Life fails as soon ; to-day, 'tis here, To-morrow it may disap - pear.
3. Lord, what is life \ if spent with thee In humble praise and prayer, How long or short our life may be, We feel no anxious care : Tho' life depart, our joys shall last, When life and all ltsjoys are past.
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1. Praise the Lord — his glo - ry bless — Praise him in his ho - - li - ness; Praise him as the theme in - spires, Praise him as his fame re - quires. 4. All who dwell be - neath his light, In his praise your hearts u - nite ; While the stream of song is poured, Praise and mag - ni - fy the Lord.
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1. Rock of A - ges ! cleft for me, Let me hide my - self in thee ; Let the wa - ter and the blood, From thy side, a heal - ing flood,
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2. Should my tears for ev - er flow, Should my zeal no Ian - guor know, This for sin could not a - tone ; Thou must save, and thou a - lone ! In my hand no price I bring ! Sim - ply to the cross I cling.
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1. While, with ceaseless course, the sun Hasted thro' the for - mer year, Ma- ny souls their race have run, Never more to meet us here :
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1. On thy church, O Power di - vine, Cause thy glo - rious face to shine ; Till the na - tions from a .- far Hail her as their guid - ing star.
2. Then shall God, with lav - ish hand, Scat - ter bless - ings o'er the land; And the world's remot - est bound With the voice of praise re - sound.
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2. Oth - er ref - uge have I none — Help-less hangs my
bo - som fly ; While the ra - ging bil - lows roll, While the tem-pest still is high ; soul on thee ; Leave, oh ! leave me not a - lone ! Still sup - port and com - fort me.
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1. Lord, we come be-fore thee now ; At thy feet we hum - bly bow ; O, do not our suit dis-dain ; Shall we seek thee, Lord, in vain ?
2. Lord, on thee our souls de - pend ; In com-pas-sion now de-scend; Fill our hearts with thy rich grace ; Tune our lips to sing thy praise.
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1. Now be-gin the heaven -ly theme ; Sing a-loud in Je - sus' name ; Ye who his sal - va - tion prove, Ti'i-umph in ro - deem - ing love.
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2. Soon for us the light of day Shall for-ev - er pass a -way; Then, from sin and sor - row free, Take us, Lord, to dwell with thee.
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2. Ye are tra-velling home to God, In the way the fa - thers trod ; They are hap - py now — and ye Soon their hap - pi - ness shall see.
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1. Who, O Lord, when life is o'er, Shall to heaven's blest mansions soar ? Who, an ev - er - welcome guest, In thy ho - ly place shall rest ?
2. He whose heart thy love has warmed ; He whose will to thine conformed, Bids his life un - sul - lied run ; He whose words and thoughts are one.
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I have sought the world a - round, Paths of sin and sor-row trod, Peace and com - fort no-where found.
1. Peo-ple of the liv - ing God,
2. Now to you my spi - rit turns, — Turns, a fu - gi - tive un - blest ; Breth-ren, where your al - tar burns, O re - ceive me in - to rest.
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1. Lord, we come be - fore thee now; At thy feet we hum-bly bow; Oh, do not our suit dis-dain! Shall we seek thee, Lord, in vain? 3. In thine own ap - point - ed way, Now we seek thee — here we stay ; Lord, we know not how to- go, Till a bless-ing thou be - stow.
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1. Thou that dost my life pro - long, Kind-ly aid my mora-iug song; Thank-ful from my couch I rise, To the God that rules the skies.
2. Thou didst hear my eve-ning cry; Thy pre - serv - ing hand was nigh; Peace-ful slum-bers thou hast shed, Grate-ful to my wea.ry head.
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WARNING. 7s. *
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1. Haste, 0 sin-ner, now be wise;
2. Haste, and mer - ey now im - plore ;
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LUTHER. 8s & 7s. (peculiar.)
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1. Great God, what do I 6ee and hear ? The end of things ere - a - ted ; The Judge of man I see ap - pear, On clouds of glo - ry seat - ed :
2. The dead in Christ shall first a - rise, At the last trum-pet's sound - ing, Caught up to meet him in the skies, With joy their Lord sur - round - ing : S. But sin - ners, filled with guilt-y fears, Be - hold his wrath pre - vail - ing ; For they shall rise, and find their tears And sighs are un - a - vail - ing :
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Tlie tram - pet sounds ; the graves re - store The dead which they con - taiued be - fore : Pre - pare my soul to
No gloom - y fears their souls dis - may ; His pres - ence sheds e - ter - nal day On those pfe - pared to
The day of grace is past and gone; Trembling they stand be - fore the throne, All un - pre - pared to
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MOUNT VERNON. 8s & 7s.
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1. Sis - ter, thou wast mild and love - ly, Gen-tle as the summer breeze, Pleasant as the air of evening, When it floats a - mong the trees.
2. Peaceful be thy si - lent slum-ber — Peaceful in the grave so low : Thou no more wilt join our num-ber ; Thou no more our songs shalt know.
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1. In the cross of Christ I glory, Towering o'er the wrecks of time; All the light of saered sto - ry Gathers round its head sublime, Gathers round its head sublime. 3. When the sun of bliss is beaming Light and love upon my way, From the cross the radiance streaming Adds new lustre to the day, Adds new lus - tre to the day.
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1. See the leaves a -round us fall-ing, Dry and •withered, to the ground. Thus to thoughtless mor - tals call - ing, In a sad and sol - emn sound, —
2. " Youth, on length of days presum - ing, Who the paths of pleas - ure tread, View us, late in beau - ty bloom-ing, Numbered now a - mong the dead.
3. "What tho' yet no loss - es grieve you ; Gay with health and many a grace; Let not cloud -less skies de - ceive you ; Sum - mer gives to au-tumn place.
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GLADE HILL. 8s & 7s.
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4. On the tree of life e - tcrnal Let our highest hopes be stayed ; This alone, for -ever vernal, Bears a leaf that shall not fade, Bears a leaf that shall not fade.
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1. Lo! the Lord Je-ho-vah liv - eth ! He's my rock, I bless his name! He, my God, sal-va-tion giy - eth ; All ye lands, ex- alt his fame. 3. O'er his en - e - mies ex - alt - ed, Great Re - deem - er, see him rise ! Tho' by powers of hell as - sault - ed, God sup - ports him to the skies.
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2. God, Mes - si - ah's cause main -tain- ing, Shall his righteous throne ex-tend : O'er the world the Saviour reign-ing, Earth shall at his footstool bend. 4. Je - sus, hail! enthroned in glo - ry, Therefor - ev - er to a - bide; All the heavenly host a - dore thee, Seat-ed at thy Father's throne.
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GREENVILLE. 8s & 7s. 6 lines.
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1. Lead us, Heavenly Father, lead us O'er the world's tern- pest-uous sea; Guard us, guide us, keep us, feed us, I). C. Still pos - sessing ev - ery bless ing, If our God our Fa - thor be.
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Love with kind af - fections blending,
Pleasures time can nev - er cloy ;
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SICILIAN HYMN. 8s & 7s.
(Words adapted to the closing of religious exercises.)
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1. What of truth we have been hear - ing, Fix, 0 Lord, in
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2. Truth ! how sa - cred is the treasure] Teach us, Lord, its worth to know; Vain the
3. Till we leave this world for - ev - er, May we live be - neath thine eye ; This our
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1. Lo ! the day of rest de-clin-eth; Gath-erfast the shades of night — May the Sun, that ev - ershin-eth,
2. Soft - ly now the dew is fall - ing ; Peace o'er all the scene is spread ; On his chil-dren meek-ly call - ing,
3. While thine ear of love address-ing, Thus our part-ing hymn we sing ; Fa - ther, give thine eve-ning blessing ; Fold us safe be-neath thy wing.
Fill our souls with heavenly light. Pu - rer influence God will shed.
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1. Light of those, whose dreary dwelling Bor-ders -on the shades of death,
2. Thou, of life and light, Ore - a - tor ! In our deepest dark-ness rise ;
Rise on us, thy - self re - veal - ing, Rise, and chase the clouds be - neath. Scat-ter all the night of na-ture; Pour the day up- on our eyes. Ill III
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MYRTLE. 8s & 7s. *
Medium Time. Flowing Style
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1. Sa-viour, source of every blessing, Tune my heart to grateful
2. Teach me some me-lo-dious measure, Sung by raptured saints a
lays ; Streams of mercy, nev-er ceasing, bove ; Fill my soul with sa - cred pleasure,
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Call for cease - less songs of praise. While I sing re - deem-ing love.
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1. Hark! what mean those holy voices, Sweetly sounding thro' the skies? Lo! th' angelic host rejoi - ces, Heavenly hallo -hi jahs rise. Heavenly hal - le - lu - jahs rise.
2. Hear them tell the wondrous story. Hear them chant in hymns of joy, - Glory in the highest, glo - ry ! Glory be to God most high ! Glory be to God most high 1"
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251
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1. One sweet flower has drooped and faded, One sweet in - fant voice has fled, One fair brow the grave has sha-ded, One dear school-mate now is
2. But we feel no thought of sad - ness, For our friend is hap - py now ; She has knelt in soul - felt glad-ness, Where the blessed an - gels bow.
3. She has gone to heaven be - fore us, But she turns and waves her hand, Point-ing to the glo - ries o'er us, In that hap - py spi - rit land.
4. May our foot-steps nev - er fal - ter In the path that she has trod; May wewor-ship at the al - tar Of the great and liv - ing God.
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1. The- o-ries, which thousands cherish, Pass like clouds that sweep the sky ; Creeds and dogmas all may per-ish; Truth her
2. From the glorious heavens a-bove her, She has shed her beams a-broad, That the souls who tru-ly love her, May be
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1. Cease, ye mourners, cease to languish O'er the grave of those you love ; Pain, and death, and night, and an - guish, En-tcr not the world a - bove. 3. Light and peace at once de - riv - ing From the hand of God most high, In hk glo - rious presence liv - ing, They shall nev - er — nev - er die.
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2. While our si - lent steps are straying, Lonely, through night's dcep'ning shade, Glory's brightest beams are play -ing Round th' im-mor - tal spirit's head. 4. Endless pleasure, pain ex - clud- ing, Sickness there no more can come; There, no fear of woe in- trud-ing, Sheds o'er heaven a moment's gloom.
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1. Glorious things of thee are spok-en, Zi - on, ci - ty of our God ; He whose word can ne'er be brok - en Chose thee for his own a - bode. 3. On the Kock of a - ges founded, What can shake her sure re -pose? With sal-vation's wall sur - rounded, She can smile at all her foes.
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2. Lord, thy church is still thy dwelling, Still is precious in thy sight, Ju - dah's temple far ex - celling. Beaming with the goa - pel's light. 4. See, the streams of liv - ing wa-ters, Springing from e - ter - nal love, Well sup -ply her sons and daughters, And all fear of waut re - move.
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1. Sa-viour, source of ev-eiy blessing, Tune my heart to grateful lays ; Streams of mer-cy, nev - er ceas - ing, Call for ceaseless songs of praise. 3. Thou didst seek me when a stran-ger, "Wandering from the fold of God ; Thou, to save my soul from dan - ger, Didst re - deem me with thy blood.
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2. Teach me some me - lo - dious mea-sure, Sung by rap-tured saints a - bove ; Fill my soul with sa - cred plea-sure, While I sing re - deem-ing love.
4. Bv thy hand re - stored, de - fend-ed, Safe thro' life, thus far, I'm come; Safe, O Lord, when life is end - ed, Bring me to my heavenly home.
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1 j On the mountain's top appearing, Lo ! the sacred herald stands ! |
' ) Welcome news to Zi-on bear-ing, Zi - on long in hostile lands. \ Mourning captive ! God himself shall loose thy bands, Mourning captive ! God himself shall loose, die. Q ( Lo ! thy sun is risen in glo-ry ! God himself appears thy friend ; )
" I All thy foes shall flee before thee; Here their boasted triumphs end. ) Great deliverance Zion's King will surely send, Great deliverance Zion's King will surely send.
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1. May the glorious day of promise Come, and spread its cheer -ful ray, When the scattered sheep of Is - rael Shall no long - er go a When ho-sannas, When ho-san-nas, With u - ni - ted voice they cry. , ^ ^
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When ho-san-naa,When hosan-nas With u - nit-ed voice they cry. King of Is -rael, King of Is -rael Come, and set thy peo -pie free.
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2. 0 - pen now the crystal fountain, Whence the healing streams do flow ; Let the fie - ry
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thou art mighty; Hold me with thy power -ful hand: Hold me with thy powerful hand : Bread of heaven, Bread of heaven, Feed me till I want no more, cloud-y pil-lar Lead me all my jour - ney through, Lead me all my journey through: Strong De-liverer, Strong De-liverer, Be thou still my strength and shield.
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1. Lo! he com- eth : countless trumpets Wake to life the slumbering dead ; 'Mid ten thou - sand saints and an - gels See their great, ex - alt- ed Head ;
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2. Full of joyful expectation,
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Hallelujah ! Welcome, welcome, Judge divine.
3. " Come, ye blessed of my Father ;
Enter into life and joy ; Banish all your fears and sorrows • Endless praiBe be your employ .
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Subject from CHEETHAM.
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1. Lo! lie come8, with clouds descending, Once for favored sinners slain! Thousand thousand saints at -tending, Swell the triumph of his train
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1. Come, ye sin - ners, poor and wretched, Come, in mercy's gracious hour,
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1. O'er the realms of pa - gan darkness Let the eye of pit - y gaze ; See the kindreds of the peo - pie Lost in sin's be - wildering maze ;
2. Light of them that sit in dark-ness, Rise and shine ; thy blessings bring : Light to light-en all the Gen - tiles, Rise with heal - ing in thy -wing :
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Mny the heathen, now adoring Idol gods of wood and stone,
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Let thy glory fill the earth as floods the sea
4.
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Let the company of heralds
Spread thy name from laud to land ;
Lord, be with them, Alway, to the end of time.
With Feeling, and not too Slow.
LACONIA. 8s, 7s&4s.
(The Missionary's Farewell.)
V. 0. T.
August 11th, 1853
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love thee love - ly- pleas - ure,
All thy scenes, I love them veil : Friends, con -nee - tions, hap- py country, Can I bid Joys no stran-ger heart can tell: Hap- py home, in - deed I love thee: Can I, can Ho - ly days and Sab - bath bell, Rich - est, bright - est, sweet - est treasure, Can I say
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4. Yes, I hasten from you gladly —
From the scenes I loved so well : Far away, ye billows, bear me : Lovely, native land, farewell:
Pleased I leave thee, Far in heathen lands to dwell.
5. In the deserts let me labor ;
On the mountains let me tell How he died — the blessed Saviour —
To redeem a world from hell : Let me hasten, Far in heathen lands to dwell.
6. Bear me on, thou restless ocean;
Let the winds my canvass swell : Heaves my heart with warm emotion While I g" Far hence to dwell;
Glad I bid thee, Native land, farewell, farewell.
262
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2. Where can the mourner go, And tell his tale of grief ? Ah ! who can soothe his wo, And give him sweet relief? Earth cannot heal the wounded breast,Or give the troubled sinner rest.
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2. Let all adore the Lord, And praise his holy name, By whose almighty word They all from nothing came ; And all shall last, From changes free ; His firm decree Stands ever fast.
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2. Ar - rayed in beauteous green, Ar - rayed in beauteous green, The hills and val - leys shine, And man and beast are fed By prov - i -
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2. My feet shall never slide, And fall in fatal snares, Since God, my guard and guide, Defends me from my fears.
Those wakeful eyes, That never sleep,
Shall Israel keep When dangers rise.
3. No burning heats by day, Nor blasts of evening air, Shall take my health away, If God be with me there :
Thou art my sun, And thou mv shade.
To guard my head By night or noon.
4. Hast thou not given thy word To save my soul from death ? And I can trust my Lord To keep my mortal breath : I'll go and come, Till from on high
Nor fear io die, Thou oall me home.
274
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1 Yo tribes of Ad- am, join With heaven, and earth, and seas, And of - fer notes di - vine To our Cro - a - tor's praise. Ye ho - ly throng Of an - gels bright,
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1. Rise, Sun of glo - ry, rise, And chase the shades of night, Which now oh - scure the skies, And hide thy sa-ored light:
2. Now send thy spi - rit down On all the na - tions, Lord, With great sue - cess to crown The preach - ing of thy word.
3. Then shall thy king-dom come A - mong our fall - en race, And all the earth be - come The tem - pie of thy grace.
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heart as - pires, With warm de - sires To see my God
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1. Wei - come, de - light - ful morn; Sweet day of sa - cred rest,
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I hail thv kind re -turn; Lord, make these moments blest : From low de - sires And fleet-iug toys, I soar to reach Im- mor -tal joys.
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How pleas - ant and how fair The dwellings of thy love, Thine earth - ly tern - pies, are !
0, happy souls, who pray Where God appoints to hear !
O, happy men, who pay Their constant service there !
They praise thee still ; And happy they
Who love the way To Zion's hill.
They go from strength to strength, Through tliis dark vale of tears, Till eacli arrives at length, Till each in heaven appears : O glorious scat, I Shall thither bring
When God, our King, I Our willing feet !
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1. A debtor to mercy a - lone, Of cov - e - nant mercy I sing ; Nor fear, with thy righteousness on, My person and offering to bring ;
2. The work which his goodness be - gan, The arm of his strength will complete; His promise is yea, and a - men, And uev-er was for ■ feit - ed yot;
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The ter - rors of law, and of God, With me can have nothing to do; My Saviour's o-bedience and blood Hide all my trans -gressions from view. Things fu-ture, nor things that are now, Not all things, be - low nor a- bove, (Jan make him his purpose fore -go, Or soy- er my soul from his love.
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1. The winter is o - ver and gone, The thrush whistles sweet on the spray, The turtle breathes forth her soft moan, The lark mounts and warbles a - way.
2. Shall ev - er - y creature a - round Their voi - ees in concert a - nite, And I, the most favored, be found, In praising, to take less de - light.
3. Awake, then, my harp, and my lute ! Sweet organs, your notes softly swell ! No longer my lips shall be mute, The Saviour's high praises to tell.
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1. This God is the God we a - dore, Our faithful, un-change - a -ble Friend, Whose love is as large as his power, And neither knows measure nor end.
2. 'Tis Je - sus, the first and the last, Whose Spi - lit shall guide us safe home ; We'll praise him for all that is past, And trust him for all that's to come.
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1. How sweet on thy bo - som to rest, When nature's af - fliction is near ! The soul that can trust thee is blest, Thy smiles bring my freedom from fear. 3. This promise shall be to my soul A messen - ger sent f-om the skies, An anchor when billows shall roll, A refuge when tempests a - rise.
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2. Though eheerless my days seem to flow, Though weary and wakeful my nights, What comfort it gives me to know 'Tis the hand of a Father that smites !
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But the Christian shall en -joy Health and beauty soon a-bove, Where no world-Ty griefs an - noy, Se-cure in Je - sus' love, Se - cure in Je - sus' love.
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The dark - ness of the grave ; And death is just be - fore us : God takes the life he gave.
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1. We come, with joy and glad - ness, To breathe our songs of praise, Nor let one note of
2. The sound is wax - ing strong - er, And thrones and na - tions hear, — Proud men shall rule no
3. And then shall sink the moun - tains, Where pride and power are crowned, And peace, like gen - tie
sad - ness long - er, foun - tains,
Be min - gled in our lays ; For God the Lord is near; Shall shed its pure-ness round;
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And He will crush op - pres - sion, And raise the hum-ble mind, And give the earth's pos - ses - sion A
O Ood ! we would a - dore thee, And in thy shad-OW rest; Our fa - there bowed be - fore thee,. Anil
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From ev - ery mor - tal trea - sure, That soon will fade and die; — Or threat -ens us to - mor - row, Hope turns our eyes a - way,
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land of light, And feel our sor - rows end - ing, In in - fi - nite de - light.
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Upward from this dying state Bid my waiting soul aspire ;
Open thou the crystal gate; To thy praise attune my lyre :
Then, triumphant, I will join the immortal choir.
3. When the mighty trumpet blown,
Shall the judgment dawn proclaim-, From the central, burning throne, 'Mid creation's final flame,
With the ransomed, Thou wilt own my worthless name.
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1. My God, my Fa - ther, while I stray Far from my home on life's rough way ; Oh teach me from my heart to say, Thy will, my God, be done.
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1. Blest is the hour when cares depart. And earthly scenes are far, When tears of woe forget to start, And gently dawns up-on the heart De-vo-tion's ho - ly
2. Blest is the place where angola bend To hear our worship rise. Where kindred thoughts their musings blend, And all the soul's affections tend Beyond the veiling
star, skies.
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1. Beyond where Cedi'on's waters flow, Be-hold the suffering Sa-viour go To sad Gctbsemanc ; His countenance is all di-vine. Yet grief appears in every line. 2. He bows beneath the sins of men; He cries to God, and cries a - gain, In sad Gethseniaue; He lifts his mournful eyes a-bove, "My Father, can this cup re-move ?"
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"WILL YOU GO?
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1. We're travel-iDg home to heaven a-bove, Will you go? will you go ?<To sing a Saviour's dying love, Will you go ? will you go ? Our sun will there no more go down,
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2 We're goin°- to walk the plains of light, Will you go ? will you go ? Where perfect day excludes the night, \\ ill you go ? will you go ? The crown of life we there shall wear,
3 The way to heaven is straight and plain, Will you go ? will you go ? Re -pent, be - lieve, be born again, Will you go \ will you go ? The Saviour cries aloud to thee,
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Our moon no more will be withdrawn, Our days of mourning past and gone, Will you go ? will you go ?
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The palm of vie - tory ev - er bear, And all the joys of heaven share, Will you go ? will you go ? Take up thy cross and fol - low me, You then shall my salva-tion see, Will you go ? will you go ?
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1. Create, O God, my powers a-new, Make my whole heart sincere and true ; Oh cast me not in wrath away, Nor let thy soul-enlivening ray Still cease to shine.
2. Restore thy favor, bliss divine ! Those heavenly joys that once were mine ; Let thy good Spirit, kind and free, Uphold and guide my steps to thee, Thou God of love.
3. Then will I teach thy sacred ways ; With holy zeal proclaim thy praise ; Till sinners leave the dangerous road, Forsake their sins, and turn to God With hearts sincere.
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1. O lay not up up - on this earth Your hope, your joy, your treasure ;
2. Barth'B joys, like dew-drops, fade a - way, Like clouds its visions van-ish;
Here sor A - bove
-row clouds the pilgrim's path, And blights each opening pleasure. , no night can chase the day ; Those joys no change can ban-ish.
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God of evening and of morning, Great Source of all ! , Wlnle our hearts with love are burning, [Omit . . j Prostrate we fall ; Now thy sacred throne addressing, And our follies all confessing, We entreat a Father's blessing, Lord, hear our call.
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1. Alas ! how poor and little worth Are all those flittering toys of earth That lure us here ! Dreams of a sleep that death must break : Alas ! before it bids us wake, They disappear.
3. Our birthis but a starting-place ; Life is the running of the lace, And death the goal : There all those glittering toys are brought ; That path alone, of all uusought.Is found of all
4. O, let the soul its slumbers break, Arouse its senses, and awake To see how soon Life, like its glories, glides away, And the stern foot-steps of decay Come stealing on.
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2. The storm that sweeps the wiii - try sky No more (lis - turbs their deep re - pose, Than sum - mer eve - ning's la - test sigh, That shuts the rose.
3. Then, tra - veller in the vale of tears, To realms of ev - er - last - ing light, Thro' time's dark wil - der - ness of years, Pur - sue thy flight.
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Hark, hark ! the.gospel trumpet sounds, Through earth and heaven the echo bounds ; Pardon and peace by Jesus' blood ! Sinners are reconciled to God By grace divine.
1. Hark, hark ! the gospel trumpet sounds,
2. Gome, sinners, hear the joyful news,
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2. Weep not for the spi - rit now crowned With the garland to martyrdom given ; 0, weep not for him : he has found His reward and his refuge in
3. But weep for their sor-rows who stand And la - ment o'er the dead by his grave ; Who sigh when they muse on the land Of their home far away o'er the
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2. O, by the an-guish of that night, Send us down blest re - lief ; Or, to the chastened, let thy might Hal - low this grief, Hal - low this grief.
3. And thou, that when the star - ry sky Saw the dread strife be - gun, Didst teach a - dor - ing faith to cry, " Thy will be done," " Thy will be done."
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2. On-ward speed thy conquering flight, An - gel, on-ward haste; Quickly on each mountain's height Be thy standard placed; Let thy bliss-ful
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Heathen fanes des - troy, Spread the gos - pel's ho - ly trust, Spread the gos - pel's joy. Spread the gos Far o'er vale and hill, Till the sweetly - ech - oing note Ev - ery bo - som thrill, Ev - ery bo
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1. Lift not thou the -wail - ing voice ; Weep not : 'tis a Chris-tian di - eth: Up, where blessed saints re - joice, Ransomed, now the spi - rit fli - eth:
2. They who die in Christ are blest: Ours be, then, no thought of griev-ing : Sweet - ly with their God they rest, All their toils aud trou-bles leav-ing:
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High in heaven's o wn light she dwelleth; Full the spng of triumph swell-eth : Freed from earth, and earth-ly Fail -ing, Lift for her no voice of wail - ing. So be OUTB the faith that sa-vcth, Hope that ev - ery tri - al bra-veth, Love that to the end en- du -reth, And.'thro' Christ, the crown se-cu - rcth.
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1. Praise ye Jehovah's name,Praise thro' his courts proclaim, Rise and adore ; High o'er the heavens above Sound hi* great acts of love, While his rich grace we prove, Vast as his power.
2. Now let the trumpet raise Sounds of triumphant praise, Wide as his fame : There let the harp be found ; Organs, with solemn sound,Roll your deep notes around,Filled with his name.
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2. 0 Fa - ther, iu that hour, When earth all helping power Shall dis - a- vow, When spear, and shield, and crown Jn faintness are cast down, Sus- tain us, thou I
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1. Child of sin and sor- row, Filled with dis-may, Wait not for to-mor-row, Yield thee to-day, Heaven bids thee come, While yet there's room :
2. Child of sin and sor-row, Why wilt thou die ? Come, while thou canst borrow Help from on high; Grieve not that love, Which from a - bove.
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From "Spiritual Songs." By permission.
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2. Child of ;- in; and sorrow, Why wilt thou die ?Come, while thouCanstborro'wHelpfromoD nigh; GrieVe not that love, Which from above, Child of sin and sorrow, Would bring thee nigh.
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THOS. HASTINGS. By Permission, from the " S. Songs."
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1. My faith looks up to thee, Thou Lamb of Calvary ; Saviour divine, Now hear me while I pray, Take all my guilt away ; O, let me from this day, Be whol - ly thine.
2. May thy rich grace impart Strength to my fainting heart ; My zeal inspire ; As thou hast died for me, O, may my love to thee, Pure, warm, and changeless be — A living fire.
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2. Jesus, our Lord, descend ; From all our foes defend, Nor let us fall ; Let thine almighty aid Our sure defence be made, Our souls on thee be staved ; Lord, hear our call
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2. Lord, in thy name we come, Thy bless - ing still im-part; We meet in Je - sus' name, And in his name we part.
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2. No conqueror's sword he bore, Nor warlike armor wore,
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3. Unwilling kings obeyed.
And sheathed the battle blade, And called their bloody legions from the field.
Iu silent awe they wait,
And close the warrior's gate, Nor know to whom their homage thus they yield,
4. The peaceful conqueror goes, And triumphs o'er his foes,
His weapons drawn from armories above.
Behold the vanquished sit,
Submissive at his feet, And strife and hate are changed to peace and love.
306
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1. Thro' thy protect - ing care, Kept till the dawning, Taught to draw near in prayer, Heed we the warning : O thou great One in Three, Gladly our souls would he
2. God of our sleeping hours, Watch o'er us waking, All our imperfect powers In thine hands tak-ing : In us thy work fulfil, Be with thy children still,
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1. Thou, who didst stoop below, To drain the cup of woe, And wear the form of frail mortalit v. Thy bless"d labors done, Thy crown of victory won. Has: pass'd from earth, nass'4 to thy home on high.
2. It was no path of flowers, Thro' this dark world of ours, Beloved of the Father, thou didst tread ; And shall we, in dismay, Shrink, from the narrow way, When clouds and darkness are around it spread ?
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2. For - give our transgressions, And teach us to know That hum - ble com - pas- sion Which par- dons each foe : Keep us from temp - ta - tion,
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2. Though nature's strength decay, And death and hell with-stand, To Ca-naan's bounds I urge my way, At his com - mand : The wa - tery deep I
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The goodly land I see,
With peace and plenty blest, The land of sacred liberty
And endless rest : There milk and honey flow,
And oil and wine abound, And trees of life for ever grow,
AVith mercy crowned.
There dwells the Lord our King,
The Lord our Righteousness, Triumphant o'er the world and sk>,
The Prince of Peace, On Ziou's saore'd height,
His kingdom still maintains, And, glorious with his saints in light,
For ever reigns.
310
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Along the banks where Babel's current flows. Our captive bands in deep despondence strayed. While Zion's fall in sad remembrance rose. Her friends, her children, mingled with the dead The tuneless harp, that once with joy we strung.When praise employed, and mirth inspired the lay, In mournful silence, on the willows hung, And growing grief prolonged the tedious day.
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1 . Along iln banks wfc< re Babel's currenl flows. OtiRcaptive bands in deep despondence strayed. While Zion's fall in sad remembrance rose, Her friends, her children, mingled with the dead.
2. The tuneless harp, that once Willi joy we strung, \Vh< n praise employed, and mirth inspired the lay, In mournful silence, on the willows hung, And growing grief prolonged the tedious day.
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1. Again the day returns of bo-ly rest, Which, when he made the world, Jeho-vah blest ; When, like his own, he bade our labors cease, And all be piety, and all be peace.
2. Let us devote this con-se-crated day To learn his will, and all we learn o-bey ; So shall he hear, when fervently we raise Our supplications, and our songs of praise.
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Are followed by gloom, or be- clouded with fear, Arc followed by gloom, or be And the cup of thauksgiv-ing with penitent tears, And the cup of thanksgiv- ing with penitent tears. N I ,,. - , I I _| \-4-^ slow-
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8. I would not live alway ; no — welcome the tomb : Since Jesus hath lain there, I dread not the gloom ; There sweet be my rest till he bid me arise To hail him in triumph descending the skies.
4. Who, who would live alway away from his God — Away from yon heaven, that blissful abode, Where rivers of pleasure flow bright o'er the plains, And the noontide of glory eternally reigns?
6. There saints of all ages in harmony meet,
Their Saviour and brethren transported to greet :
While anthems of rapture unceasingly roll,
And the smile of the Lord is the feast of the soul.
EAST ON. lis.
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2. Thro' the val - ley and sha - dow of death though I stray, Since thou art my Guar - dian, no e - vil I fear ; Thy rod shall de - fend me, thy
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2. Joy of the com-fort-less, light of the straying, Hope when all o - thers die, fade - less and pure, Here speaks the Comforter, in God's name 6ay - ing,
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2. The Lord is great : his maj-es - ty how glorious ! Resound his praise from shore to shore ; O'er sin, and death, and hell, now made vi
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millions unnumbered, in daikness profound, SSI1 groping their desolate way; Unheard the mild accents of mercy's sweet sound, Unseen the bright glimmerings of day.
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House of our God, with cheerful anthems ring, While all our lips and hearts his glory sing ; The opeuiug year his graces shall proclaim, And all its days be vo-cal with his name ;
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1. Te servants of God, your Master proclaim, And publish abroad his wonderful name ; The name all-victorious of Jesus extol ; His kingdom is glorious, he rules over all.
2. God ruleth on high, almighty to save ; And still he is nigh, his presence we have : The great congregation his triumph shall sing, Ascribing salvation to Jesus our King.
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2. O Jesus, once rocked on the breast of the billow, A - roused by the shriek of despair from thy pillow,Now seated in glory, the mariner cherish, Who cries in his anguish,
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sing like those in glo - ry. We lift our hearts and voi-ces In blest an - ti - ci - pa - tion, And cry aloud — and give to God The praise of our sal-va-tion,
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1. See, daylight is failing o'er earth and o'er ocean, The sun has gone down on the far-distant sea j O, now. in the hush of life's fit- ful corn-motion. We lift our tired spirits, dear Saviour, to thee.
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2. Full oft wast thou found afar on the mountain, As eventide spread her dark wing o'er the wave; Thou Son of the Highest, and life's endless fountain, Be with us, we pray thee, to bless and to save.
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1. When temptation's darts as- j When the world is dark around l How sweet, to muse with joy- ("Where the wicked cease
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LET THE WORDS OF MY MOUTH. *
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Let the words of my mouth, and the mea-i - ta-tions of my heart, be always ac - cept - a - ble in thy sight, 0 Lord, mv strength and my Redeemer, be al-wavs ac-cept-a-ble, ac-
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THE WANDERER NO MORE WILL ROAM. * Arranged from DONIZETTL
1 Behold what manner of love the Father hath bestowed upon us, that we should be called the sons of God ! Beloved, now are we the sons of God "—1 John, hi. 1, 2.
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* 1. The wanderer no more will roam, The lost one to the fold hath come, The prodigal is weleom'd home, 0 Lamb of God, in thee, The prodigal is weleom'd home, O Lamb of God, in thee. 2 Tho' clad in ra"s, by sin defiled, The Father hath embraced his child, And I am pardoned, reconcil'd, 0 Lamb of God, in thee, And I am pardoned, reconcil'd, 0 Lamb of God, in thee.
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It is the Father's joy to bless, His love provides for me a dress, I A robe of spotless righteousness, O Lamb of God, in thee.:||
Now shall my famished soul be fed, A feast of love for me is spread, I :I feed upon the children's bread,
O Lamb of God, in thee.:||
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Yea, in the fulness of his grace, He puts me in the children's place, || : Where I may gaze upon his face, 0 Lamb of God, in thee.:|
I cannot half his love express, Yet, Lord, with joy my lips confess ||:This blessed portion I possess,
O Lamb of God, in thce.:||
It is thy precious name I bear, It is thy spotless robe I wear, I -.Therefore the' Father's love I share, O Lamb of God, in thee.: |J
And when I in thy likeness shine, The glory and the praise be thine |:That everlasting joy is mine,
0 Lamb of God, in thee.: ||
* Poetry from the " American Messenger." For the above, and other similar selections of beautiful words contained in this work,' the Editor makes due acknowledgement to Mr. Irving W. Harts- horn, of Lunenburg, Vermont.
FATHER, THY HAND HATH FORMED.
V. C. T. Words by MARY HOWITT.
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I WILL ARISE AND GO TO MY FATHER.
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sinned, I have sinned against heaven aud before thee, before thee ; And am no more worthy to be called thy son, Andain no move worthy to be called thy son.
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earth with her ten thousaud. thousand, thousand tongues, Shall fill thy courts with sounding praise, Shall fill thy courts with sounding praise, Shall fill thy courts with sounding praise.
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BROTHER, REST FROM SIN AND SORROW.
Fare thee well. Burial Hymn.
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3:
THE DRUNKARD'S CHILD.
A Temperance Ode.
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EN MORNING'S FIRST AND HALLOWED RAY. continued.
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LORD, DISMISS US WITH THY BLESSING, (dismission.)
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THE MARINER'S PRAYER. (solo.)
Originally written for, and sung by Mrs. V. C. Taylor.
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v. a t.
Words by MRS. HEMANS. Dim.
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Come, Come, Come, Come, (
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Allegretto. Borrowed theme, eight measures.
CONTINUED.
343
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die to meet us all a - bove, How beauteous are their feet, Who stand on Zion's hill ! Who bring salvation on their tongues, And words of peace reveal. How
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ORDINATION ANTHEM. concluded.
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CONCERT ANTHEM. continued.
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THE TURF SHALL BE MY FRAGRANT SHRINE.
To the Chorus, lower score, Slow.
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Psalmist. Hymn 757.
CHANTS.
No. 1. THESE MORTAL JOYS, (hymn.)
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3
V. O. T.
These mortal joys, how soon they fade ! How swift they pass a - way
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No. 2. GLORIA IN EXCELSIS.
1. Glow be to 3. O Lord God, 9. For thou only
God on heaven - ly art
high, King, holy j
and on earth, God the thou .
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362
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No. 3. VENITE EXULTEMUS. (double chant.)
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0 come, let us sing un - |
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For the Lord is a . |
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The sea is his, and . |
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Glory be to the Father, and . |
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the |
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let us heartily rejoice in the .
and a great
and his hands pre - - - - - and we are the people of his pasture, and the and .......
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Cheerful.
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with |
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and the strength of the . . .
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let the whole earth . . . . .
and with righteousness to judge the world and the
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Kb. 4. HOW PLEASANT. (hymn.)
world without end
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1. Praise the Lord, ......
3. Who forgiveth ......
5. O praise the Lord, ye angels of his, ye that ex- 8. Glory he to the Father, and
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sin
strength, Son,
and all that is within me .....
and
ye that fulfil his commandment, and hearken unto the and .........
praise his healeth
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6. O praise the Lord, all ....... .
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now, j and ever shall be
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Psalmist, Hymn 1133.
No. 6. 0 GOD, MY INMOST SOUL CONVERT.
(hymn.)
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1. O, be joyful in the Lord,
3. O, go your way into his gates with thanksgiving, and into his
4. Glory be to the Father, and . ....
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4. For the Lord is gracious, his mercy is 6. As it was in the beginning, .
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it is he that hath made us, and not we ourselves ; we are his people, . . . . .
and his truth endureth from generation to . and ever . . . . - .
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CHORISTER'S INDEX TO WORDS, OF ALL METRES CONTAINED IN THE BOOK,
No i ►.— In addition to our remarks in the preface, on the subject of odd metres, we would further observe; that a9 our sole aim lias hern to produce a work of the most practical valnr, we have, therefore given iii" various me! re j :i supply of appropriate tunes, according to their pro rnta importance in the scale of toe. SeYen-fiJjghths of the Hymns used in puljitcr worship, :ire of the Long, Common, short, Long I'ar-
tlcular, Comn Particular, short Particular, Sevens, Eights and Sevens, Bights, Sevens nod Fours, and Hallelujah measure : the provision, therefore, for these metres, in comparison to the various other odd oneg,
should la-, as seven to one \ et, except - ich Hymns as show a di i repancy ol measure between their several stanzas, we believe thai desirable tunes will be found in these pages for all iho odd metres in use. Xhe difference, therefore, between a Chorister's index of exclusively odd metres— many of which, the tunes assigned for their performance to, he is directed to observe sundry "slurs," "repeats,'1 and "omissions,*1 — i«. the following arrangement not only meets the occasional wants of all odd metres of regular measure, but proves a guide in the adaptation of that portion of Psalmody, where the Leader's labors »re most general-
I] I on lined.
\ charge to keep itu
\ deb 878
Again the daj 31 l
\i.i ! how poor 293
All hail, the
Along the oanks '110
And can mine Ill
And will the 159
Angels from the 202
Angels! roll Ihe 231
\ noil pi ir mx days' 33
ml bless 193
Arise in all 43
I rise /e people lira
As body when 57
As How's the '-'83
Asleep in Jesus 63
Assembled at 71
\s showers 96, 101
Awake, and sing 208
Awake, my sold 133
a« ake ray tongue .98
Awake, our drowsy 278
Awake the trumpet's 42
Awake, ye saints 164
Author of good 118
He lln.u exalted 89
Re thou, OGod 81,94
Begin, my soul 214
Begin ihe high 131
Behold Hie glories 149
Behold II totaling.. 172, Kjl, 182,
IKti, 195.
Behold the western 107
Heboid thy 114
Beyond where • 'edron's 290
Blessed be thy 2R1 I By cool Siloam's 103
Bless, O my 92 Cease, ye mourners 252
Blest are the pure 174 [Child of sin and 3(io
Blest hour, win. n 31 Children, hear the 203
lilest is the hour 290
Bright and joyful. . .' 233
Brightest and besi :ti7
Broad is the 45
Brother, thou art 290
Children of 239
Christ, whose glory 238
Come away to 304
Come, dearest Lord. 54
Come, gracious 78, 82
CHORISTER'S INDEX.
365
Come hither.-. 80,93
Come, Holy Ghost II?
Come, Holy Spiril (S. M.) 101
Come, Holy Spirit, from 151
Come, let us anew 296
Come, let us join «5, 142
Come, sound his 170, 1 07
Come, thou Almighty 302
Come to the house 185
Come, weary 1)5, 85
Come we that > ,-., ,-,-
The h 1 1 1 ot ... 1
Come, ye disconsolate 314
Come, ye sinners 253
Come, ve that 2fi8
Create, O God 292
Daughter of Zion 313
Day of judgment 262
Dear Lord 124
Dear Refuge 120
Did Christ o'er 209
Do not I love 124
Early my God 109
Ere I sleep 304
Eternal God 39
Eternal God Almighty f>2
Eternal Source 105, 187
Eternal Spirit 163
Eternity is just 41
Exalt the Lord 200
Faith is the brightest 110
faith the Christian's 221
False are the men 30
Ear from my GO, 07
Ear from the 145
Father, who in 295
Flung to the 302
Friend after friend 218
From all who 97
From every earthly 287
From every stormy 38, 80
From Greenland's' 285
From Jesse's 311
From morning dawn 71
Give me the wings 253
Give to the Lord / -„
The Lord proclaims ( J
Glorious things 253
God in his 61, 88
God is the refuge 64, 72, 77
God of evening. 293
God of my liTe 95
God moves in a lit)
God, my supporter 150
Grace 'tis a 184
Gracious Spirit 235
Great Father of (C. M.) 146
Great Father of (H. M.) 268
Great God, indulge 53
Great God, to the 73
Great God, what do 244
Great Is the Lord (S. M.) 175
Great is the Lord(L. M.).47,79, 88
Great Shepherd 138
Great source of. 90
Guide oae, 0 250
Hark, hark | the 294
Hark, sinner 315
Hark! the herald 224
Hark! what mean 250
Haste, O sinner 213
Have mercy, Lord 169
Head ofthe 321
He reigns j 53
In robes. S
High let us 139
House of ..ur 318
How beauteous 171
How blest the 52
How charming 199
How sweetly Bowed 74
How far beyond 154
How gentle 200
How helpless 159
How honored is 192
How oft 108, 123
How pleasant 87, 96
How pleasant and 219, 200
How precious 104
How short 108
How sweet and 141
How sweet on thy 280
How sweet the (L. M.) 99
How sweet the <S. M.) 185
If human 100
If. through 169
I hear at morn 207
I lilt mv soul J87
I love thy 213
I love to steal 104, 140, 152, 106
I'm not asham'd 153
Indulgent Lord .50
In evil long I ...
I saw one. . (
In the cross of. 245
In trouble 103
In vain we 151
I waited meekly 160
I would not live 312,314
Jesus, and shall 49
Jesus, 1 love 150
Jesus, Saviour 229
Jesus, thy 32, 57
Joy to the world! 107
Judge me 51, 90
Just are thy 39
Keep silence 143
Kingdoms and thrones 97
Lamb of God 237
Lead us, Heavenly 218
Let all the earth 211
Let every creature 40
Let every mortal 158
Let not despair 117
Let one loud
Let son ;s ol (C. M.)
Lei songs of IS. Mi
Htje is the lime 35.
Lift not thou
Light of those
Lung as I live (C. M.)
Long as 1 lue \L. ,M.)
i.o ! In- comes 257,
Lo ! he cotneth
Lo ! the day
Lo ! the Lord
Lord, before tin
Lord, how delightful 44
Lord. let thy
Lord of hosts 223,
Lord of the worlds 276,
Lord, thou wilt
Lord, we come
Lord, when thou
Lowly and solemn
Majestic sweetness
Mark the soft
.Mary to the
May the glorious 25 5,
Mistaken souls
Most gracious God
My drowsy powers 102,
My faith looks
.My former hopes
My God, accept
My God, how
My God, my
My God, thy
My maker and my 190,-
My opening eyes.
My Saviour and
My Shepherd
My son, know
My soul, be on 168,
My soul lies
My soul, thy
My soul triumph ant
No more, my God
No war, nor
Now begin the
Now be my heart
Now in the heat
Now shall my
Now the shades 235,
O, all ye lands 118,
O all ye nations
O all ye nations, praise the Lord
O, all ve people
O, bless the 177, 193,
O come, loud 61
O could I
O could I speak 2'5,
O, could our 139,
O'er mountain.
O'er the realms..
O for a sight
.62
134 208
40 298 249 123 .55 250 258 249 247 227
93 .411 230 277 121 ■:•■: .46 29!) 1IU 271 220 256 155 196 136 301 189
too
.83 289
217 19.V .58
l'.!7
138 199 19H W8
.84 .37 116 241 [S3 131 I 17 .80 202 , 94 121 216 148 156 260 .98
O for that tenderness 148
O God, our help 102
<> God, to earth 203,204
O happy day 43, 50
O, happy is 159
i ). happy saints .78
oh bTessed souls 201
Oh! for a closer 140, 142
Oh lor the death 203
Oh, that thy 164
Oh 'twas a.'. 145, 147, 153
O. in the morn ml
O lay not up 202
t ) Lord our 205
Once more before 303
Once more my 141, 150
One sweet flower 251
On the mountain's 255
Oil thy church 228
Onward speed 297
O praise the 35, 59
O praise ye 319
(), that I knew 112, 165
O that the 113
t ) thon in whose 316
0 thou that 214
(l thou whose 281
Our Captain 192, 200
Oar Father in 308
Our heavenlv 175
O, what is life? 221
O, where is now 99
O worship the 318
People of the 242
Praise the Lord 223, 231
Praise to God 225
Praise ye Jehovah's 299
Prayeris the 1 12, 155
Rejoice ! the Lord [go
Return, my wandering 72
Return, my soul 70
Reviving sleep 38
Rise, my soul 285
Rise, Sun of. 275
Rock of ages 225
Sacred wisdom 227
Safely through 240
Saviour, bless thy 230
Saviour, source of 250, 254
See gentle patience 69
See Israel's gentle 140
See the leaves 240
Serene I laid 194, 209
Shine, mighty 122
Show me, 0 305
Since all the 126, 130
Sing hallelujah 289
Sing praises to 168, 187
Sing to the Lord 40
Sing to the Lord (CM.; 120
Sinner, O why 47
Sister, thou wast 245
Softly now the 237, 239
So let our •. 33, 79
Soon may the 92
Stand up, in; soul 08
.Stand up. O mv 310
S: Ml e\ ruing conies 88
Spirit of peace 157
Sweet is the (S. M.)...I74, 179, 186
Sweet is the memory 136
Sweet is the scene 32, 60
Sweet is the work 56
Sweet was the 127
Teach me 108
The day is 179, 205
The flowery . , 95
The God of 317
The God who 303
The heavens declare 42, 48, 51
The Lord hath spoken 212
The Lord is great 315
The Lord is my 313, 320
The Lord is risen 184
The Lord Jehovah (H.M.) 272
The Li ird Jehovah (S.P.M) 218
The Lord. my. . ..171, 178, 182,210
The Lord, my pasture 211
The Lord our 157
The man is 196
The mellow eve 284
The morning flowers 76
The morning light 284
Theories, which 251
The peace 69
The Prince of 320
The swift declining 180, t83
The winter is 279
There is a calm 294
There is a hope 135
There is a land 1 37
There is an hour of ) ,o0
hallowed peace... j" There is an hour of ( .,n,
peaceful rest J "
There is a river 84
There seems a 70
The Saviour calls Ill, 152
The solemn stillness 132
Thine earthly ( „.
No more j • . . .
This is the God 279
Thou art gone 314
Thou great Instructor 67
Thou lovely source 162
Thou that dost 217, 243
Thou who didst 307
Thro' thy protecting 306
Thus far the > -s „-
I laymy... \ 55' 8o
Thy bounties 196
Thy name 198
Thy praises, 0 81
Time is winging 282
'Tis midnight 70
To bless thy 202
To-day the' 3til
To God, 1 lift 205, 273, 274
To God, in 177, 207
To our Redeemer's I5G
To spend one 267
'Twas in the watches 115
I'p to the 82
U ail, O my 68
Wake the song 228
VVe come with 186
We come with joy and 286
Weep not for 295
Welcome delightful 200, 272
Welcome sweet day 181, 191
We're traveling. . ." 291
We've no abiding 49, 52. 84
What glory gilds 144
What of truth 248
What shall 1 115
When all thy 102
When fainting in 143
When I can trust 222
When languor 154
When shall we 306
When sins and 101
When the soft 74
When the vale 288
When trouble fills 135
When thro' the 321
When verdure 107
When we our 41
Where is my 269
Where shall we O.'i
While my Redeemer's 200
While now, upon 75
While thee, I seek 129
While with ceaseless 226
Whom have we 119
Who, O God 236, 241
Why do we 106
Why, O my 163
Why on the 54, 77
Why should the 133
Why should we 44, 100
With all my 03
With humble heart 190
With my whole 83
With one consent 34
[ With youthful hearts 213
I Ye boundless 209
Ye humble 116
I Ye mighty 40
i Ye servants of. 172
! Ye servants of God 319
I v
Ye tribes of 264, 267, 274
Yes, God himself.
.309
Y'es, my native 261
Yes! the Redeemer 270
Your harps, ye 176, 180
Zion awake 45, 75
366
METRICAL INDEX TO TUNES,
L. M.
Albuera
Aldebaran
Allendale
Ambroze
Anlhem.
Appleton
Arnheim
Anion
Athol
Auber
A von
Hantam
Bein
Belzoni
Bidel
Blanford
'h>n
Hour
Blockley
Bross
Burbank
Caleb
Cape Ann
Casfna
Chatham
Clinton
Cochinauia
Corsica
' ul vorth
Danvers
Darley
Darue
Delaware
Denslow
Departure, Double
link.' Street
Edwards
Effingham
Kljria
Evening
Exhortation
Federal Street
Flushing
i olger
Fraraingham
Franklin
Futurity
Greenwood
Halifax
Hamburgh
Hebron
flilliar, (Double).. llnaly
Ingalls
In million
low t
lrcni
34 54 99 100
84 48 B9 :!-.' 67
47 101
84 [00
85
70
Ivison
Kelly
42 Kenl
7 1 Kenyon
70 Lawrence
9T1 Linwood
i.l I... .van
98 Lowville
39 Lnellen
65 Luton
71 Lycoming
73 Mansion
Marchard
Marks
Marshfleld
Mention
Mesmer
Mobile
Monmouth
Moravia
Moscow
Nazareth
New Hamburgh.
New Hartford. . .
Northflold
Oberlin
Old Hundred
94 ' ntawa
40] Pacific
Parodist
Patterson
Perrin
Portugal
Quito
Hemsen
Hepose
Rockingham, . . .
Rolto
Rothwcll
Roxbury
Russia
Rutland
Safford
Salem
Sangerneld
Schmidt
Sidale
Sinclar
Bmilhfield
Solitude
St. Marks
Stone
StOnefleld
Straw burj vale . . Sum men die. . . .
Sumpter
Sunderland
Surrev
35 92 65
87 49 75 7:i
33
911 (i3 5 S 86 59 53 42 74 59 S3 35 95 53 43 '.in 4!l '.'I 81 44 04 85 ', 93 82 61 68 58 81
HI 46 67 36 52 5i 78 78 57 90 76 63 38 70 94 89 47 til m; 56 72 83 34
Swiftshire
Talahassee
Tat:. :'l
Tempi.
Trenton
Trivoii
Turner
Upton
Uxbridge
VelnscO
Vine Vale
Ward
Ware
Warren
Warrington
Wells
Wetherstii-kl. . . .
Windham
Zenia
Zephy r
C. M-
A\bion
A Ibree
Allegan
Andrus
Anil. it'll
Arlington
Ashmead
Atlas
Auburn
Balerma
Barby
BeHondi
Bemerton
Bermuda ..
Blackburn
Blossom
Bolton
Bradford
Brattle St., (Dbl;.
Brookfleld
Brown
Brownell
nam. . . .
Burford
Burwell
Byefleld
Calvary
Cambridge
Camden
i ihester
Ohesterfleld
China
Christmas
i Han ml. .n
i lolchester
Coleshill
Consecration. . . .
nil 159
i:,i
136
167
150
115
143
135
159
Ml
129
10.)
165
I n
120
I Hi
12
l :o
154
104
J 59
III.
108
119
112
I ill
120
ill
123
139
106
133
J 15,
I53i
108
1661
Coronation
li imster
Desire
Devizes
Iiruuiniond
Dunchurch
Dundee
Dunkip
Ellery
Elton
Lminersnn
Eiisworth
Er eville
Ferris
Flower Vale
Fountain
Frizzelle
Galena.:
Gardner
Geneva
Grafton
Hamlin
Hanson
Heber
Ilensly
Herkimer
11. .llister
llonesdale
Iliintersville
Hyrcanus
Jazcr
Jeddo
Jordon (Double)..
.luniala
Lansing
Lewnel
Lintz
Litchfield
Lloyd
I.utzen
.Majesty (Double) .
Mear
Mnllielil
Meditation
MelK'C
Meriden
Miami
Montgomery (dbl)
Moravian Hymn. .
Mulvania
Myrilon
Norwalk
< linnipotence
< ineiila
Ortonville
Park Place
Parma (Double). .
Palinos
Peace
Pendleton
136
M I
1)2
130
161
160
102
16-
108
130
12a
!03 126 163 128 155
101
113 148 126 137 Mo 145 121 131 127 111 117 134 147 138 166 131 118 :.v; 109 153 135 125 152 no 151 119 105 140 122 133 LOS
158 Peterborough . . 107 Pleasant valley.
I 13 Ree-e
142 Resignation
144; Retirement
123 Richmond
117 Rimlge :.
142 Rochester
162 SeftOB
155 Serenity
153 Springfield
144| St. Ann's
St. John's
St. Martin's
Stephens
Stillwell
Suhlen
Swanwick
Tehama
Tiffany
Vernon
Vesper
Vienna
Volaska ,
Volga
Volindia
Wals'ail
H alerbury
Whitehall
Wilmington
Winter
Woodland
Woodstock
S. M.
Ashburner (Dbl).
Assyria
Alliens
Bethoren
Bertram!
Bladenbtirg
Hot ma
Braden
Brenes
Britain
Burnett (Double).
i laird
i almar
Carlos
I 'lit". .11
i leresep
i liardon
i niter
Cyprus
Danlon
Dawn.*.
Derby
Doremus
Dover
150 156 . 164 103 145 161 158 150 133 107 160 106 116 147 138 139 152 122 157 154 121 132 118 124 111 124 108 163 15li 140 113 148 146
201 190 175 193 196 206 182 183 209 208 178 169 186 205 210 191 191 184 210 179 185 207 169 175.
Durell 192
Durham 185
Erfurth 169
Essex 18i
Falkirk 200
Flaibush 179
Colden Hill 177
Gonzales 184
Cregorian 206
Heathford 192
Henry 172
Hernando 207
llerschel 196
Hewlett 188
Honesley 205
Horeb 171
Hosea 202
Hudson 19'
■lellio 194
Kensington 193
Kirby 208
Lahan 198
Laborde 183
LamecJine 176
Lanesborough.. . . 172
Lanning 195
Linsey 202
Lisbon 181
Lonsdale 173
Lorain 204
Lunenburgh 174
Marvin 177
Melven 169
Middletown 203
Nebo 171
Northatn 199
Oldl'ord '. 187
Olmutz 180
Paddington 187
Peri-ia 203
Priestley 199
Roslin 188
Shelby 180
Shirland 195
Silver Street 170
Sinope 174
Sparta 200
Sprlngvaie 170
St. Thomas 197
Sluaii 190
Sylvester 168
Thatcher 204
Turin 209
Umago 168
Wale 182
Warner 176
Watchman 186
Zelte 194
L. P M. or L. M. 6 lines.
Blue-Bell 213
Brevint 212
Colombo 211
Creation 213
St. Helen's 211
C. P. M.
Ailhlone 214
Carlton 217
Raplure 214
Satiford 215
Southbridge 216
S. P. M.
Bethel 220
Burkett 219
Dalston 218
Maltoria 218
S. H. M.
Nashua 221
C. H. M.
Bulwer 222
Hawley 221
7's.
Advent 233
Azores 242
Barllett (Double). 224 Beaumont (6 l's).. 238
Bellefont 239
Beuevento (Dbl).. 226
Brennen 227
Brent.... 242
i 'anaslola 232
Cherubina -233
Crete 236
Depew 223
Dilwnrth 230
Herald 235
Holly : 239
Howd 227
Ithaca 232
Kilton 241
Kingsley (Double) 234 Martyn (Double). 226
Milgrove 223
Milo 237
Minlurn 235
Nebraska 241
Nineveh 228
Nuremburi^h 230
Pleyel's Hymn 237
Refuge (Double). . 229
Resurrection 231
Saland 231
Tabor (6 lines)... 22'
Thebes 231
Warriner 228
Warming 243
Warzel 225
Wihw 243
Worship (6 lines). 240
8's & 7's.
Amazon 249
Bowring 245
Cemetery 251
Elvah 25(1
Erilh (Double)... 254 Feiiii eland (Dbl).. 24'
Glade Hill 246
Glendale 246
Coshen 249
Greenville (6 l's;.. 248
Immutability 251
Indus (Double)... 252 Moultrie (Double) 253 Mount Vernon... 245
Myrtle 250
Sicilian Hymn 248
8's & 7's, Peculiar
Genin 292
Luther • 244
Standish 292
8'b, 7's & 4's.
Boytlen
Braham
Brinkriff
Calabria '.
Cazcnovia
F.ntield....
Hubert
Kelsey
I.aconia
Kiiihlnnd
Suffolk
Wilmantic
Zion
250 256 260 262
258 259 362 256 36 1 263 257 255 255
H.M.
Belhwen 274
Britannia 274
llrimfleld 276
Caniine 269
Fernald 277
Fross 270
Haddara 272
Harwich 270
Hawthorne 268
Jnllien m 266
Lamoin 260
Lenox 267
Luzon 275
Palmer 267
Seasons 271
SI. Philip's 268
Tillery 264
Triumph 272
Warsaw 273
Zerno 265
8's.
Berkley 279
De Fleury 'Dbl).. 280 Dwindle (Double) 278
Carlnev 281
Gorton 28 1
Spring 279
7s & 6's-
Adonus 282
Amsterdam 285
Dryden 287
Missionary Hymn. 285
Ondei 286
Petersham 284
Riverton 283
Webb 284
7'S & 4'S. Alvah 288
8's & 6's.
Badew 290
Carlini 289
Gardner 290
Granger 289
L'nadilla 291
"Will yon go?".. 291
8's & 4's.
Cripen 293
Fondelino 293
Mayhew 294
Orlando 294
8'S & 9'8.
Otumba 295
8's, 6's & 4's. Corlis 295
7'S, C's & 8*8. Gusuivu* 296
METRICAL INDEX TO TUNES.
367
5's &12'8. Hazel 296
7'S & 5'S. Quintz 297
7's & 8's. Kimeler 298
6's & 4*s.
America 299
"Child of Sin'*... 300
Faith 30!
Hill 301
Irving 300
Italian Hymn 30-'
Jaell 299
6'8.
Hatfield 303
Nile 3«3
Zirolese 302
6's & 9's.
Justin 304
8's, 3's & 6's. Caria 304
5's & 10's. Bavaria 305 ' IIKI> ■
Kvle 306
Wharton 303
6's & 10 's.
307
6's & 5's.
6's, 8's & 4's.
Kautz 306 ' Hesiner
309
10'S. |Lisdon 312
Charldaea 310 Portuguese Hymn 320
Dante 310
Liden 311
Savannah 311
It's & 10's.
Brunswick 314
Folsoin 317
H'S-
' Daughter of Zion' 313 12's & It's.
Easton 313|Holyoke 314
Holyoke 311 Ophir 315
It's & 8'S. Lyons 319
Alanthus 3 hj Montague 317
Orange 316 12's, It's & 8'S.
Plenitude 315 Burlington 320
10'S & 11'S.
Devonshire 319
(Jallalin 318
Hinton 318
12's. '•Save Lord, or".. 321
P.M.
Pisgah 321
INDEX TO ANTHEMS, SENTENCES AND CHANTS.
Before Jehovah's Awful throne 32'
Brother, rest from sin and sorrow 330
Concert, Anthem 3J9
Dedication Anthem 344
Father, thy hand hath formed the flower 324
I will arise and go to my father 3-26
Let the words of my mouth. 321
Lord, dismiss us with thy blessing. . . 336
Ordination Anthem 341
Save, Lord, or we perish 321
See day-light is fading 322
The wanderer no more will roam. . . . 324
The Drunkard's child 332
The Mariner's Prayer 340
The turf shall be my fragrant shrine.. 355
Where the wicked cease from 322
When morning's first and hallowed ray 334
CHANTS.
Ho.
1. These Mortal Joys (Hymn) 360
2. Gloria in Excelsis 361
No. 3. Venite Exultcmus (Double)... 362
4. How Pleasant (Hymn) 362
5. Benedic Anima Mea (Double) 364
6. OGod, my inmost soul convert. 364
7. Jubilate Deo 363
INDEX TO OLD TUNES
L. M.
Arnheim 39
Blendon 89
Duke Street 40
Effingham 82
Exhortation 37
Federal Street 69
Hamburgh 97
Hebron 55
Kent 65
Luton 63
Mention 42
Monmouth 53
Nazareth 53
Old Hundred 81
Portugal 82
Quito 61
Rockingham 81
Rothnell 46; Christmas
Surrey 64
Tatnal 43
Uxbridge 51
Ward 55
Ware 34
Wells 46
Windham 45
C. M.
Antioch 167
Arlington 150
Balerma 159
Bolton 116
Bradford 127
Brattle Street 129
Cambridge 120
China 106
. 133
Russia 36 coronation 158
Sterling 94 Devizes 142
Stunefleld 91 1 Dundee 117
Fountain 130
Geneva 162
Jordon 137
Litchfield 127
Lutzen 117
Mear 147
Ortonville 119
Parma 149
Patmos [28
Peterborough 150
Rochester 150
Si. Ann's 106
Si. John's 116
St. Martin's 147
Svvanw ick 1 22
Woodland 148
Woodstock ]46
S. M.
Dover 1 75
Golden Hill 177
Henry 1721
Lahan 198
Lanesboro' 172
Lisbon 181
I IIIIIUIZ 160
Paddington 18
Shi eland 195
Silver Street 170
St. Thomas 197
Thatcher 204
Watchman 186
MISCELLANEOUS.
Aithlone 214
Amsterdam 285
Benevento 226
Burlington 320
De Fleury 278
Dolstoji 218
Folsoni 317
Greenville 248
Haddam 272
Harwich 276
Hinton 318
Hotyoke (I would not) 314
Italian Hvmn 302
Lenox 267
LyonJ 319
MajfM
Mj^Kunry Hymn
Vernon 245
mburgh 230
yd- Hymn 237
ortuguese Hvmn 380
Rapture ." 214
Savannah 311
Sicilian Hymn 248
St. Hellen's 211
Tabor 225
Webb (The morning light) 2-4
Worship ("Safeh through,") 240
Zion ' 255
ALPHABETICAL INDEX.
Adonus 282
Advent 283
Aithlone 21-4
Alanthus 310
Albree 159
Albion 11»
Albuera 42
Aldebaran 71
Allegan 151
Allendale 70
Alva 288
Amazon 249
Ainbruze 9*
America 299
Amsterdam 285
Audrus I3G
Anthem 61
Antioch 167
Applulun 9-1
Arlington 158
4rnheim 39
Anion 65
Ashburner 201
Ashmead 115
Assyria 190
Athens 175
Athol 71
Atlas 143
Auber 73
Auburn 135
Avon 34
Azores 242
Badew 2911
Balerma 159
Bantam 54
Barby Ill
Barttetl 224
irla 305
Beaumont 238
Bein 99
Bellefonte 839
Bellondi 12
Belzonia 100
Bemerton I"."'
Benevenlo 229
Berkley 279
Bei muda 105
Bertrand 198
Bethel
Belboren 193
Betbuen 274
Bldell 84
Blackburn Ill
Bladeiiburg 206
Blanford 48
Blest Hour :u
Blendon 89
Blockloy Ii7
Blossom 120
Christmas. Clapton
Clarendon. Clinton
Blue Bell 213
Bolton 116
liovilia 182
BowriDg 245
Boyden 259 Cochinquia
Braden 183 '
Bradford 127
Braham 256
Brattle Street 129
Brenes 2Q9
Brennan 22'
Brent 242
Brevlni 212
Brirntleld 276
ISrinkrili 260
Britain 208
Britannia 274
llrookfieid 154
Bross 47
Brown 104
Brownell 159
Brunswick 314
Buckingham 146
Bulwer 22-2
Burbank 10)
Burford 108
Burkett 219
Burlington 320
Burnett 178! Demster
Burtis B4 Denslow
Burwell 119 Departure
IS\ field 112 Depew
bria 262] Derby
I 'u la vary 164 Desire
Caleb 100; Devizes
Calmer IBS Devonshire
Cambridge 120| Dilworth
Camden Ill Doremua
llota 238 Dover
Canline 269] Drummond
Cape Ann 85i Dryden
304 Duke Street
' 169 Donchurch
Carllni 289; Dundee
Colchester,
Coleshill
Columbo
Consecration
Corlis
Coronation
Corsica
Creation
Crete
Cripen
Culver
Culworth ,
Cyprus
Dalston
Dante
Dan ton
Danvers
Darley
Darue
Daughter of Ziou
Dawn
De Fleury
Delaware
Carlos 205
Carlton 217
Carroll 210
70
Cazenovia 258
Cemol iv 251
I :n
Chaldtea 310
Chardon 191
Chatham 94
Cherublni 233
Chester lit
Chesterfield 139
Child of Sin 300
China 100 Erfurth
Duniap
Durell
Durham
Dwindle . .
[l . . . .
ii ards.. .
EfQngham .
Ellery
Elton
Elvah
Eljria
Emmorsou. Enfleld.... Ellsworth. .
133
198
115
40
62
151
108
211
166
295
158
40
213
2:!6
992
184
96
210
218
310
179
98
54
48
313
185
280
45
107
51
611
223
207
143
142
319
230
169
1
144
28
46
123
117
142
192
185
278
313
72
82
162
155
250
50
. 153
259
111
189
Erieville 136
Erith 2.54
Essex 181
Evening 88
Exhortation 76
Faith 301
Falkirk 200
Federal Street 09
I'Vnneland 247
Fernald 277
Ferris 114
Flatbush 179
Flower-Vale 112
Flushing 96
Folger 101
Folsoni 317
Fomlelino 292
Fountain 130
Framingham 80
Franklin 79
Frizzelle 161
Fross 270
Futurity 41
Galena 160
Gallatin 318
Garden 290
Gardner 102
Garlney 281
Geneva 162
Genin 293
Glade Hill 240
Glendale 24ii
Golden Hill 177
Gonzales 184
Gorton 281
Goshen 249
Grafton ioa
Granger 288
Greenville 248
Cn-cnwood 32
Gregorian 206
Custavus 29li
lladdam 272
Halifax 69
Hamburgh 97
Hamlin 130
Hanson 128
Harwich 276
Hawley 221
Hawthorne 268
Hatfield 303
Hazel 290
Heathford 192
lleber 103
Hebron 55
Henry 172
Hensley 126
Herkimer 163
Hernando 207
Herold 235
Herschel 190
Hewlett 188
Hill •. ... 301
Hilliar 66
Hinton 318
Holley 239
Hollister 128
Holyoke 314
Homsjey 205
Honesdale 156
Iloreb 171
Hosea 202
Hosmer 309
Howd 227
Hubert 262
H udsun 197
Huntersville 104
Hyrcanus 113
lllsly 307
lmaly 79
Immutability 251
Indus 252
[ngalls 62
Invitation 93
Iowa 83
Irena 88
Irving 300
Italian Hymn.... 302
Ithaca 232
[vison 35
Jaell 299
Jazer 148
Jeddo 126
Jeuto 194
Jordan IS
Jullien 266
Juniata 140
Justin 304
Kantz 306
Kelly 92
Kelsey 256
Kensington 193
Kent 65
Keuyon 87
Killon 241
Kitnelcr 298
Ktngsley 234
Kirby 208
Kvle 306
Laban 198
Labordc 183
Laconia 261
Lamartine 178
Lan 209
Lanesborough.. . . l
Lannlng 195
Lansing 145
Lawrence 49
Lenox
Lewnel
Liden
Linsey
Lintz
Linwood
Lisbon
Lisdon
Litchfield
Lloyd
Lonsdale
Lorain
Louvan
Lowville
Luellen
Lunenburgh
Luther
Luton
Lutzen
Luzon
Lycoming
Lyons
Majesty
Malloria
Mansion
Marchard
Marks...-
Marshfield
Marlyn
Marvin
Maybew
Mear.
Medfield
Meditation
Melven
Menee
Mendon
Meriden
Mesmer
Miami
Middletown
Milgrove
Milo
Mint urn
Missionary Hymn
Mobile
Monmouth
Montague
Montgomery
Mornv ia
Moravian Hymn .
Moscow
Moultrie
Mount Vernon.. .
Mulvania
Mvriton
Myrtle
Nashua
Nazareth
267
12'
311
202
131
75
181
312
127
141
173
204
73
33
90
174
244
63
117
275
57
319
134
219
52
86
59
33
226
177
294
147
138
166
109
131
42
118
74
157
203
233
23
223
285 59 5:1
317 109
35 153
9! 253 245 135 125 250 221
53
Nebo
Nebraska
New Hamburgh. . New Hartford....
Nile
Nineveh
Northam
\orthfield
Norvvalk
Nuremburg
Oberlin
Oldford
Old Hundred
Olmutz
Omnipotence
Ondei
Oneida
Ophir
Orange
Orlando
Ortonville
Ottawa
Otumba
Pacific
Paddingtou
Palmer
Paradise
Park Place
Parma
Palmos
Patterson
Peace
Pendleton
Pen in
Persia
Peterborough
Petersham
Pisgah
Pleasant Valley. •.
Plenitude
Pleyel's Hymn
Portugal
Portuguese Hymn
Priestley
Quints
Quito
Rapture
Reese
Refuge
Remsen
Repose
Resignation
Resurrection
Retirement
Richmond
Rindge
Riverton
Rochester
Rockingham
171'Rollo
241 ! Rnslin
43 Rolhwell
90 Roxburg
303 Russia
228] Ruthland
199 Rutland
49 Saflbrd
152 Saland
230 Salem
Sanford
Sangerfield
Savannah
" Save, Lord, orv
Schmidt
Seasons
Serton
Serenity
Shelby.
91 186
81 [80
no 286
151 315 316
294! Shirland.
119 -II
995
in 18! 267
85 105 149 122
77 132 in-.'
93 803 150 284 331 156 315 231
68
320 1 09 293
III
81 1
164 229 68 58 103 231 145 It]
'158
283
150
81
Sicilian Hymn.. .
Sidale
Silver street
Sinclair
Sinope
Slumber
Smilhfleld
Solilude
Southbridge
Sparta
spring
Springfield
Springvalc
Standish . .
Stephens
Sterling
Slillwell
Stone..
Slonefiekl
Slrawburyvale. . .
St. Ann's
St. Helen's
St. John's
Si. Mark's
St. Minim's
St. Philip's
St, Thomas
Stuart
SuflbUt
Sulden
Siniimcrville
Sumpter
Sunderland
Surrey
Swanwirk
Switlshire
Sylvester
Tabor
80
188
46
67
30
263
52
50
231
78
215
78
311
321
57
271
133
107
180
195
248
99
170
76
174
63
52
76
210
200
279
160
170
293
138
94
139
47
91
86
100
211
110
89
14
208
197
190
257
152
56
72
83
64
122
68
168
225
Talahasaee 74
Tatnall 43
Tehama 157
Temple 38
Thatcher 204
Thebes 236
Tiffany 154
Tiller? 264
Trenton 77
Triumph 272
Trivoli 41
Turin 209
Turner 83
Umago 168
Unadilla 291
Upton 92
Uxbridge 51
Velasco 75
Vernon 121
Vesper 132
Vienna 118
Vinevale 95
V, laska 124
Volga Ill
Volindia 124
Wale 182
Walsal 108
Ward 55
Ware 34
Warming 243
Warner 176
Warren 87
Warrmer 228
Warrington 39
Warsaw 273
Warzel 225
Watchman 186
Waterburv 163
Webb...." 284
Wells 46
Weihcrsfield 55
Wharton 308
Whitehall 156
•' W ill you goV".. 291
Wilmantic 255
Wilmington 140
W'llnii 243
Windham 45
Whiter 113
Woodland 148
Woodstock 146
Worship 240
'/(■lie 191
/coin 59
Zephyr 44
Zerno 365
'/.ion 255
Zirolese. . . 302
' '
V&l
SACRED MUSIC BY V. C. TAYLOR
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of gems i (' - il. r Music of hi 'treparation, will not I ointed in lhis work, jfhe words Lave i ullj seleet< d, so as to avoid the
childish not ■-■ i'un 1 in Glee Books. Se> ' the piyoes are arrau^ed for male voice-, ... ' the extrem ly low price of th •
i ...m'.o. Sul render it a desideratum for i1' 01. c or Quartette. Associations, i '.' ■ r musioal recreation in ordlii- Singing Schools. '• w II • warded, in any quantity, to any part of the country, and tramporta'' a pina. on receipt of the price (25
nt' y) by the
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DAl'IL- BTJP.SSSS & 00.
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