THE LIBRARY OF THE

UNIVERSITY OF

NORTH CAROLINA

ENDOWED BY THE

DIALECTIC AND PHILANTHROPIC

SOCIETIES

MUSIC LIB.

UNIVERSITY OF N.C. AT CHAPEL HILL

00024311102


This book is due at the MUSIC LIBRARY Qp the last date stamped under "Date Due." If not on hold, it may be renewed by bringing it to the library.
D'JJI RETURNED	^yjf RETURNED















		1

Digitized by the Internet Archive

in 2013

http://archive.org/details/chuchinchowmusicnort

nc-^z7 l i i , a o> *■ MUSIC LIBRARY

U^car fffcpe e<0d Lily Dray tor? Product! op. UNC-CHAPEL HIUL

REVISED EDITION

Cfcu Ch'm CFiow.

/7 S72u§>ieal trfale of the Gagt ^ld by

y FredepieTvorton.

Vocal 'Scope 8/- /pet

LONDON,

KEI<fti, PROW^E <&G? LT°

159, NEW BOND ^TREET, W. PUBLISHING DEPT-.. 42-43, POLAND yTREET, W-

Public Performance of aft cr any part of the work strict/y Forbidden

Application far the right a F performance most br made to Messrs Samuel FrenahMd.26.hauthampfa.nbt Strand w.c.2.

O^G^R fl^GHE % LILY BRGVTON PRODUCTION

Fii/ ->rfonr)86 August 3l5t I?l6 at

Hi; . UE^Ty'^ THEATRE LONDON, ^-W.

GHU GRIN GHOW

fl l^\\J^> I (2 A L cffl LE OF TME Efl^T

told bv OSGF1R (=ISGHE apd Set to XTlapic by

Frederic AIortoaj.

'DRf=IMf=ITIS PERSONS.

flbu Ha^ar) /T^e 5!?ayk of the Robber*^/ O^CAR fl^CHE

Ka^in? Baba /# W&alth-y MerchaiytJ UflME^ HERBERT.

Pli Baba / 'Ka^/m'^ Roor* B^ot/^&r^J COURTICE POUND^...

Nup Al-Huda G\i,..{tf// Baba'p SotpJ U.V. BRYANT

Abdullah (Ka^in)'^ St&vsard) NORMAN WILLIAM^

Otbal) /ft ^ta/Z-Keetpe^J WILL If! M HOLLER

Baba Mustafa....//? Cobbl&n) FRANK COCHRANE

Mukbil W- DAVIDSON

Mu5ab ) fkM , _ __ _. , B ,i /5PENCERLLOYD

KbuzayrT}ah) j ^ ^ ' ' \ JULIAN CROS^

fllcotorr) (Kapiro'^H&ad W/f&J AILEEN D'ORME

Mah,bubab, fflh Eaba'^, WifetJ SYDNEY FAIRBROTHER

Bo^tag (Mahbubab.'^ ^ervaot) , ANNIE MOORE

ZaQ.in? ) i D&a/an J (BESSIE MflcJOR

Fiti^er^ )"~fowrreo "iNTHJsvtRsiott) \LI^fl COLEMAN. _..

Manjyaoab ----- ■, ...VIOLET ES^EX

Zah)nat Al-Kulub LILY BRAYTON

Robbers, Dagcer'jp, Servant*?, Slavey.

SY/vlOP^I^ OF SCE/NE5 ACT... I AGT.H

5CENE I- KA5IM BABA*5 PALACE 5CENE I. KASIM E>ABA'5 PALACE

2. MflRJ ANA H'5 WINDOW. 2. 1 N THE STARLIGHT...

3. THE CACTUS GROVE.. 3. TH E CAVE

„ 4. THE SILK 5TALL „ 4-.PICTURE SET

„ 5.KAJ3IM BABA'3 PALACE , 5. THE BAZAAR

„ 6. [Same as Scene 4)

„ 7. KA^IM BABA'5 PALACE

5ceoe^y:paiQted by JOSEPH aQd PHIL MARKER.

Tl?e play produced by OSCAR ASCHE.

CMU CHIN enow

Contents

Act I

Prelude .. Scene I. Song- (Abdullah & Chorus)

Entrance of Chu Chin Chow Javanese Dance .. Song ( Marjanah & Chorus) .. Finale ..

Scene II. Serenade (Nur Al-Huda & Marjanah)

Scene III. Song- (Ali Baba) .. Song (Ali Baba) .. Robbers' March ..

"hebe be oysters" "i am chu chin chow"

"cleopatra's nile" "j'll sing and dance"

"corraline"

"my head, my head"

"when a pullet is plump"

"we are the robbers of the woods"

Scene IV. Song- Trio (Ali Baba, Marjanah & Nur Al-Huda) .. "WHY SHOULD I REPINE" Song (Marjanah) - .. "I LOVE THEE SO"

Duet (Marjanah & Ali) .. .. "ALL MY DAYS TILL END OF LIFE"

Scene V. Song (Abdullah) Finale ..

"BEHOLD" 'THE ROBBERS' MARCH"

Page 1 8 15 18 22 26

34

39 41 44

47 51 56

63 73

Act II

Scene 1.	Introduction
	Dance „
	Song (Alcolom)
	Song _
	Song „
Scene II.	Song
Scene III.	Interlude Music ..
	Jewel Ballet
	Chorus ..
	Song (Hasan)
Scene IV.	Interlude Music ..
	Song ( Alcolom)
Scene V.	Interlude Music ..
	Song (Baba Mustapha)
	Bazaar Music
	Song (Fruit Girls)
	Mannequin Scene
Scene VI.	Duet (Alcolom & Ali Baba)
Scene VII.	Interlude Music ..

Song (Abdullah & Chorus) Finale ..

"/ LONG FOR THE SUN"

.. "HAIL THE GRAND WAZIR"

"MAHBUBAH"

'/ BUILT A FAIRY PALACE IN THE SKY"

"ROBBERS' MARCH" "THE SCIMITAR"

"ANYTIME'S KISSING TIME"

"THE COBBLER'S SONG" "WE BRING YE FRUITS"

"HOW DEAR IS OUR DAY"

"OLIVE OIL" "WEDDING PROCESSION"

74 75 78 86 93

102

105 107 108 110

112 114

118 120 125 128 138

154

161 163 167

LIBRARY UNIV. OF

HORTti n^ROTJNA

CHU CHIN CHOW.

A MUSICAL TALE OF THE EAST.

OSCAR ASCHE.

FREDERIC NORTON.

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ENTRANCE OF CHU CHIN CHOW.

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Dialogue (Abdullah) "We are the dust beneath thy feet, O Chu Chin Chow. I will acquaint my lord of thy arrival."

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Procession and Dance leadings-Entrance of Ali Baba.

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J

CLEOPATRA'S NILE— (Marjanah & Chorus).

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24

MAR.

CHO.

blue moon-light is sil-v'ring o'er

f

£

the Nile

i

I I i J> i

Ste-

ele - o - pat - ra's Nile

t-±

j'tJ ^ q

fc»

iK

jlv h j ir j f

^?

@s

i^i

* 1

B

cresc. ff . t9-

1&-1-

MAR.

£

Then the ghosts of those she plea -sured for

a while

PIS

^

ipiip

CHO.

Cle - o - pat - ra's

i^f

k

IH* ife p

t

i=fc

7 a i

m } \

h-

j^l

-«-

3

r

T

i

r i m bM i

^^

mm

MAR.

CHO.

P ^ P r =

To keep their mid-night tryst.

Come float - ing down the mist

Pus

Nile

^

*

I

fia:

*±3zf

iat

l)3» J

■J

^-U

^

f=^f

(8141)

25

MAR

m

Up p ftp I M r MM

Ghosts of Pas-sion's Pil - grims of the Nile

i

CHO

¥

f=P

Ah

i i 1 j i

JE

ffpy

s

i^s

3

!>5

#*

sa

r/7.

S5

^— ^

$

id

m

fa

MAR.

P=P

Ah

3==fe

CHO.

Ah

(2141)

26

K

CT'E: "I'll sing and dance!

Ali Baba.

Piano.

i

Fairly quick.

I

fa

±

*•"

FINALE- SCENE I.

"I'LL SING AND DANCE!'

£

e 7 7-

P | J' 7 7 p | J^^g

9*

I

5

1 11 sing

h.

and dance

111 dance_ and

£

-7— ^

*

m^f 7-

*

PW

1

-^ ^ a m i r

£

aa

ALL

sing Do

y - thing",

do

an

thing_ To

mm

•

•« — ■ — < i

-9 — 3-

-3 f-

yFT^

5

* h J^ 3 t> I i> i^~> i I J>

^

P^

ALL

» <f

£

bring the ring Of for - ty thou- sand pie - ces on the ground,

F^r^-f

ja — w

^

3

£Efe*

^S

f

Sil - ver pie - ces. gold - en pie - ces, ring- ing out their sound

3 a:

-*-^ s— r

±

^=t

f

i=¥

i f

*=4^

=F=£

il4i:

27

ABU HASAN.

ft^Mq^^ IP I J> ^

»

ALL

P

i

?^^

Pie-ces wink- ing, blink- ing,chink-ing, clink -ing on the ground. He can - not

fc=n=B

^r

?*#*-

r^

#» i

t * *

§~r

[Wi

&

j: ^

-J. , li

i

h 7 J

^^

9=*

7

F

?

r^r

M AR JANAH & NUR AL -HUDA •

I

S

J AS,

W

^EEE3^

dance, He

can

not

sing.

And yet he'll bring the

*m

1 ,Ln3Z^5

£±3

^7=5

S^5

^

^F^l

r~ r

ft — J

gl^V1 i

P^T

S^EEE

|se|||e|^

£

±=g=t

MAR.

& NUR.

^j Ljag p i i i p ^^

glor

lous ring

Of for - ty thou- band pie-ces on the ground.

jf*"^ 7 ;

E

I

m

J

t9* «

ill i

*=*l*:

1^^-,-W^

^

gfr V^ UJ^

r*

tj. bJi

a^

-7 — ■>

f

£EE£

^E*

?

F> y 7

p**f

MAR.f

& NUR.

43

ALI BABA.

gM^^^pd^"^^ 1 ^ *£ttJ iJ 1 ^

Pie-ces wink-ing, blink- ing, chink- ing, clink- ing- on the ground.

w.

m

^^

gas

:fc=±

♦

3=*

,iJ- j . I*J> >P » *

(3141)

^p Y * -

28

4-

ALL.

TT^^

Ha ha!

ha ha!

Ha.

ha!

I

IR

3=^

3EE5

Pi 7 j

PP

^5

^

3

3=5=— =¥

* E*

f-

« 7 «

^=£

w- — w

#■ — #

f

^hfp p i i ^^

ALI BABA.

S^

e_ p p #p i i j^ i i

ALL.

ha ha!

Ha!

For- ty thou -sand pie-ces.

=*=q

m

*&=&

±=*

w

r^r

g n » J

^#

7

d=

i

F

t=£

P 7 > P

P-^^T

* .. ALL. ALI BABA.

Ha, ha, ha, ha, ha, ha!

Sil-ver pie-ces, gold- en pie-ces, clink-ing out their

I

±z

ft

yf 1 jf

i

#*

v^xf

"LJ

f

-7 — 7-

p ' p 7 ' p ' p r=f

r^

? 7 y p

ALI.

P^i

Joyfully.

3=^

i

tg-ir p i r ^pi

sound.

I'll dance and sing, Do an

y - thing

7 j) 7

1*

ff

M

I

pi

j> 7 p r

t

i

t

To

&

(ziM)

29

ABU HASAN & KASIM BABA.

I

£

H

5ESS^5^5

wrm*$

ALL

^^*

zz:

■ ■

hear them ring up - on the ground.

Ha ha ha ha ha ha ha!

#tanN

m

$

£

m

ft

'# ftp

in

W*

m

H

I

it

1

i

*

r

p 7 7p

#*

HAS.

& KAS.

iii

ALCOLOM & ABDULLAH.

FP^

5^5=5

f

# — *- Ha ha ha ha ha!

A - las! I fear he'll nev - er hear The

PP

*

t

•Pi

ip*

>t

P* *#»*

?

r

?-

'l^

i

*

T"T

P

r

ALC.

& ABD.

*

»

ALI BABA.

£

*

J7*— ?-

£

-y-r

*

pie - ces clink - ing out their sound. I'll sing and dance, 111

0^m

mm

f**

pe#

^

I

fc

^=y

jpspf

p*

m

5

ALL

y^^iu-tJ

jh-ji j'i i r^s

dance and sing_ Do_ an

y - thing, do an - y - thing- To.

$

^i

^^

«=■

' i i|

^E

-• •-

^^

J

-• •-

(3141)

30

ALL

^^^^m^^m^m^mmm

bring the ring: Of for - ty thou-sand pie-ces on the ground;

P

Sil-ver pie -ces,

ALL

.*:

±JLi~\4^L±+

£

NE^FF=?=3^

gold -en pie-ces, ring- ing out their sound.

Pie-ces wink- ing, blink -ing, chink-ing,

P^fl

1

f

tm

* — •■

z=±

§ § i

* * *

m=t—7^

P""^

4z=&

h-r— h

T^

9 — «=5

*

T

+=£

3

£

r

^=*

ALL.

£EEE$E3E3

i

ALL

2

ft ft

>ft ft-

r V V

$^m*

ft *

P^g

HH

clink -ing on the ground.

Ha ha!

ha ha!

m

A

±3

^^n- 7 j^p^p

t * *

^

i

#^#

§9

ia — a

^=^

r

r^^r

• — #

^^

I

^. _«

■ — ■_ — ^_ ) P I

ALL.

P

^

2=2

Ha

ha!

ha ha!

ha1

i

pp

s

^

pp^i

*

• — «-

i

^fr-3->

fl^

Otiii)

31

ALI BARA.

ALL.

4* I p M ^ ii^ * P P P P l1^^

ALL

For - ty thou- sand pie - ces:

Ha ha ha ha ha ha!

^fff

md

i

Sfe

m

f

r^f

T=^

r**t

f

■^ — r

-t — t

■f *h

■t — r

ALI BABA.

p g J) -JM p p 1 Jl I |T ^ g gFfjj

ALI

Pie - ces wink - ing", blink - ing, chink - ing, clink - ing, on the ground.

I

*=+

■ •:

S 3 W

* — 3 P»

ff^

^

i

^

£

w iJ

SOLO & CHORUS.

TT^^

p ' *

P ' P

>

b=f*

i

£

P

f

SOLO

& CHO

^pb^ \

He'll dance

and

i

sing,

M.'

Do an

y - thing,

to

t

f f iff

|

fe^^BI

i

i*

m

3=z=5

^3

JT

^^

A*

%

t

i*

w

^3

j.

¥i

fe^t

utai

-40B-

5

P

3?

SOLO

& CHO.

S

Ji

hear

h

them ring

up - on

%

the ground.

42.

i

p

I

^

fef= i

i< i .

3=e

IV* » — %

Vt

m

is.

ifc

If

(2141)

32

ALI BABA

I i) j> I I^R

i

ALI

P^f

For - ty thou - sand pie - ces

ring- - ing out their sound.

m

5?=il

5 — rf

:7=Ei

^

^^

£

7 7

•# *

ALL.

2

*«S3:

e

s

A

W B *

¥

ALL

Ah!.

J."

Ah!.

S

dl

n^TQ

Ah!.

ifej

M

jb=^

^^^^

a^

:*=*=!=*:

* *

tjS i

TT

§*

F 3

v) j j

7 7

«' 7 7

^

# =:

ALI BABA

p g g i) i) I J> P j jig

jr.

ALI

^^

Wink- ing, blink- ing, chink - ing,

clink - ing all the ground

PP

3 33:

^S

i

-©-

7 7

p r

7 7

f 7

7 1

F f "f

V ^ u CHORUS.

CHO.

(2141)

J,

m

CHO.

Ah!.

P

¥

£

s

± J)

M M ^

Ah!.

till1 ^f?

33

Ah!

#*N

f

*=#

i»?

Pip

ib*

W

I

i**

Pip

^

fc^

5Jf3-

g

4

CHO.

P/o^y during change of Scene.

Tranquillo

Signal from Orchestra for Curtain (at 10 th bar).

pr* 1 I J> I j I j, J> J B J> j I j J> J I J' j' Jl j

ee

=3

t

it

fcj

J—3

?

a?

IF

SB

«P

* 3

^

3

ife?

-fi

PUP

&&

*GU

wg

ftff

Of

(2141)

S=1F

^F

34

Scene II.

SERENADE— (Nur Al-Huda & Marjanah.) Con moto grazioso.

Piano.

£ Si

m ifn

u.

Piii tranquillo.

&m

W

p

1

ft

1

i i f

4 0 # z=

1

F

r F

yfe a

P4 j

^

(Curtain)

#r=p?

JpJ LJlj

i

^

1=6*

T

r

p#p=£

A

ru

irt3

«*

&

f-

f

^T

r

7

rs.

*8:

Con moto.

NUR AL-HUDA.

t H i, ||l|"llt A i ^T^

SHE

NUR

Mar O

spir

ah, O list it of Ian

to my g"our- ous

itfMM-fU

m

M

■*t—*t

3=±

E

f

3

^

r

nkt±

3

H

V 1 lz

m

w

7

7 7

j *

7 l

'3141)

r

35

NUR.

£

g p p r #

^

^^

sighs night

Seeth - ing and breath Hast - en each lag

ing with fire gard - ly hour

Thy

No

^1 ?- n£g

i a j i!#.-

*

i

i=

p

t>:* K 1 1 JE

±

teEE*

f

=S

m

-y— y-

r

f

n»

f%. aitt^^

f) i J>

^pp

NUR.

2Z

lov - er Nur Al - Hud - a cries

joy can I know till the light

Prays that thou quench his de O - pen the eyes of my

3±

•n

n

®=T%

mm

I

fcEE

^m

±=s

$

W-

NUR.

f

¥

flow'r.

With love

Oh watch

with

me

that by

m

r\ t- j-i

3:

^f^^ii-

i±

np

1*

S^s

-? — 7 ^=2

7 7

J7 7_

§A

NUR,

£

F

1 1

ne'er.

loves

en

chant -

will - ed

tire, bow'r,

1 — t

"w

*P^

v 3

Fitl

4*

fe^

"7 7

fc^

(2141)

Sfe

-st-st

m

¥

■r

zt=t

i

f7 7* f F7 7* f

36

NUR

i

A

Tranquillo.

m i j> j> i.^^

I I J^ i

j — ^

Come Mar - jan - ah, come a - while Heart on lips I cry for her

Wait not till the Ev - 'ry breath a

sun doth smile sigh for her

fc

USB

5

f^f

PI

^F=^

77

**

cresc.

as

E p i IFR i p p

i

•) J) K~^

NUR.

P

1

Come thou dan - cer from the Nile, Cor - ra - line

Death were sweet to die for her Cor - ra -line

Cor - ra - line, my love Cor-ra - line, my love

~wm

^

mm

P

r^Jf

cresc.

mm

fli

L^

ATI

U

rit.

MARJANAH. (behind window, not seen)

S3

NUR.

£

^^

«A

my my

love! love!

Nur Al - Hu da

n

h

^Ff\

m

i

z=t

ieej

±Jfc

J

4=

J

±=fc

cr

-r

•r

■r

gg

^

# d- " "Id-

gg j)*-*.

•y •/ jt

^

^:

i

MAR.

S1 ,-CT4iJpf

^^^

c£ZT tJ-'H

(Cello.

V r ^3ri^

±±

W V

^^

p 7p »

J,7 7 i 'i

Nur Al

Hu

3±

da! (Clar. & Bsu.)

Iff

If*

1

(2141)

37

MAR.

#=S=3E

r t

^a

iffffi

j g J1 •>■ J1

r=3ip

Love, I fly on wing's of

love to

mm

fei§

V

m

=*

m

^=^:

pp^

'7 i i j

*

&

5 V JH ^

7 7 33 5

Mi J

a

*)—*-

B:

^f— V-

IP

#

(appearing- at window)

Tranquillo.

j J) i J) j I i^

I J' J> i)

B

ill 73

MAR.

thee.

*A

a

8

< Ere thy song- had reached the skies, Dreamed 1 one had

i

^5

&ee

3=2=17:

I

^

^ ~r

-r

* *

^

^#r?

£

fe:

F ^ f F ^ jf

A

a j j

p p i i i wf r i i f*.

MAR.

kissed mine eyes Who had brought such sweet sur- prise Who but thee,

*A

m

F=ff

P

^r Jl^r

is

i*

iCU

ff — s

A

i i J' i) J^7

MAR

£

eyes of me, my love, my

love .

A

£

i

8

»

nPl

i

J

±±

j

±dt

i?S-S * 9

£

tT

f

bi i j

IS

7 7 | 7.

f^r^fP^T

#

Dialogue, during which play % to £g Then stop for cue:- Near the Turquoise God in the Cactus Grove.

(2141)

38

very slowly

NOTE: This bar should start after the cue simultaneously with Nur Al-Huda kissing her hand. It should be drawn out as he lingers with her hand, the last of the six notes finishing as she disappears.

CUE: "And on thee, O love of loves." NUR AL-HUDA

i

feft

SB;: 2 -5

i) j> i i j i

I i j> i i J. J

li^^y

*' a

*' ■

c/ Sleep, Mar - ja - nah, sleep a - while, Meet me when the

sun doth smile.

ffifrff

S

£

W

5E

i

f

mi

p

^-^5

-5

j j) I I gi g r i F p

ra//.

fi J> h i)

S^

NUR

Fly from bon-dage, fly from guile, Cor- ra - line,

Cor - ra - line my love,

#if

^^

P * 1?

^3»

?i|^J

■*»-

cresc.

si

Da

77

ra//.

t

7^

■jb: 3

NUR.

feft

P

/C\

£*

^

?z:

&

5£

my

love!

#

tt

/?N

si

s

3±

i

ir

^Z" a tempo

T=3

J

i=4:

f

fi

i

J

«

^±

-r

£

■ST

jf 7 7 .* p p 7 ^ w

During change of scene play from % to %. (fand very emotionally) repeat if required.

(2141)

39

m

Scene III.

SONG— (Ali Baba!)

"MY HEAD, MY HEAD."

COE: 'Light.'

Moderato e marcato.

%

U

Curtain.

&

B V I •

*=*F

E

Piano.

f

in.

■f

nhu iit\

m

g H

jfc_i

§^g

[T j j «

-*— *-

#

ft

^^

^=^

•/ 7^w»

/

/:

^v.yu

i&

y-

HHI

gas

£

-y— ^f-

-y— ^

-y— 7-

i&

jj M|.|»: |j||gj

^P

b^: jp^Ili^P

P^

£

W,

fe

'</"-

»y:

2

jjp up ijp^

£

JEEE

E

**

ALI BABA.

B5 - j

3=£

3^fc

ALI.

My head,

my head

It

u.

&

i

Pf

f

e

^^

F

T^T

f~T

f

gggil i

psempre stacc.

(2141)

40

ALL

i&E

i i J

3=£

weighs

like lead

I'm feel

f^Hf

^

r

I

t s*

•

aft

tag

*=^

ALL

^==^

dead my

head

si

f

^•i

1 J p

J J J

rri

Should

P

ALL

tt

H

be

tf»* iiWuJ-^

J i i

in bed

I'll drink

ss

I i^J|iJnj»

f

i j i *

r

^fc

±=i

a ff*:

^ ¥*

«A

#

fc^

3=£

*=£

ALL

stead

I'll drink,

I'll drink

in - stead.

pig

i

3=£

tfr a *

y I

3&

^^

i J

r

(2141)

41

O

Words in script vary (either may he used).

SONG.-(Ali Baba.)

"when a pullet is plump."

CUE: (Alt) "O ravisher of hearts'.'

Allegretto.

Piano.

m

nif Bright If/

s

Hii

^

1

2

/ ' Z

/fcf n

oYw .

^

ii

BE

I

Lightly.

S!

^5

S^

fe£

ff^-MH?

EEi

ALL

3=±=

/ ■

5 — 7— m

When a pul-let i* plump, she's ten-der:

When she's

£

P

') i •>

si;

6b; p

j i l

r

r»

s

^

v-y-r»

s

g j ggES 7 j

-y— r

UT

^

fi7 7 a

■ ■

*=«

^^

^E3

£

ALL

£

f

0 m

scraggy, no teeth can rend her,

m

'Tis so ev - en with a

m

7 I I y I g j ' j, j^=±

fa»

g^S

*r*

«.

I

>f

^ 7 7 J) 7 7

7 7 ^=£

7 7 k7 7=

P

l^

^

fmp*p r c

ALL

t

It

■ If she's fat one bl'^^s - es life,

I

wife,

■fit *

But if she's skin and bone,

Shell

H i ,; i

22"

^Pl

gj iTU

7—7 w^^H^

s

tt

^

2=±:

ft 7 l;«E

iS

g

fe

<9tM)

42

ALL

a little slower

r-j-iri^rnr i j- mp i \ | | |

p a

ev - er nag and moan;

'Tis then the pray'r to Al - lah ri -

£

ses-

TO

a

I

1!

^^S

^^-^

p colla voce

im

M*

■*■

exaggerated pathos

rt tempo

i v i j J!

ALL

Oh! to live a - lone!

^

If with

1

g 7 7

W:

w--

cresc.

dim r-rtt/ier slower

^3

%

it

S

*e£

fe?

S=P

P^

ALL

7 7

years a wife grows round - er,

You will ev- er be glad you

6

=?

77^/71=^

•) <-,

1

^~^M

« tempo gracefully

r- f Y ''

^

£

^5

fr=F

fe^

fe

-*— -3-

& J- Ja

ALL

5Ee3

£

g

£

found her.

If the hus - band goes a - stray,

Shell

7 7 £

e— m:

> > 1

2:

*?/

7 7 s 7 =£

f

S 7 7 J )

-y— y-

JEBE

(2141)

43

ALL

tir-y

^^

F

!£

:£

look the oth - er. way;

But if she's thin she'll rave,

mm

And

fc~« 7 *

^*-£

wm

\ ig 7 7 ^^-^

#:

TJ j ^^

^—7-

f=« '«

1=^:

5

-?— y-

£■

is:

fia

^b

ALL

£

make a man be - have: *

a little sloiver

P i r p r p

■ p

'Tis then the pray'r to Al - lah ri - ses —

m

E^

3=1=1:

zaiz:

»

^? colla voce

¥•

m

VBS'.

JTTt

^^

with pathetic inte?isiti/

5

fe£

te

P

ALL

y 7 d

2b=7r

:£

Dig deep my grave!

When a pul-let is plump, she's

«=s

^

_•/ •

y — y-

-y — 7-

f

*:

cresc.

dint ,

m

fe

J )t.M

i

w

^

f

-» — £

'/ 8

53

^

ALL

ten

der.

H

t

fe^b

E 7 7 _h 7 7

fei

s

-y— ?-

I ^^. __u.-^f

*f

§i

crv.ic.

colla toce

77 >

lightli/

**

F^f

^

i 1 yJ' ■

£=fc

(2141)

44

THE ROBBERS' CHORUS.

CUE: "Open, O Sesame" (under Sf age) .

Piano.

$

§S

m

w

E

3

^¥^W:-

r\

I i I Jj

1. We are the rob - bers of the

2. We hide all spoils we chance to

r\

3£=£

P3^

«

P

fc^S

i

MuMi

i

woods, gain,

And we rob ev' - ry one we can;

Of pre - cious jew - els, silk and gold;

We Of

gjj ji b* fe

£

i

l

Ttti

i • «

m

«^^

^

steal spi

the weal - thy mer - chant's goods, And

ces, per - fumes, wines and grain, In

m

^F

i

5 S3 *

^^

-• "«t

p?

sack each ca cav - ern grim

| Hi a

ra and

(2141)

45

i i i Ji

3

van: cold.

And

We

we count for - ty thieves all told,

are the rob - bers of the woods,

Our And

$

5S

i

nn

i

P^

T 1 ? }

i

s

-F=^

• *

im

k

br^t-X I I J

3

£

— 9

chief, the we rob

rreat A - bu Has - an ev' - ry one we can ;

Is

We

cle - ver,

steal the

craf - ty, weal - thy

m

im

^

i

1

I

TJ

?

i> *

6~ f

If

g^

~*

* y

If5

^^

^f^

^7 — " plan, van..

cool and bold, And

mer - chant's goods, And

we can al - ways trust his pil - lage ev' - ry ca - ra

m

i — t

m

f

"Shut! O Sesame!'

After 2nd Verse (as Cave shuts).

%

I

^F^i

£

~?

short dialogue.

(2141)

46

CUE: "Come!

I

fe

jE=^#^

j i Mjii

#

Wo are the robbers of the woods, And we rob ev'- ry one we can;

8

We

¥

J 5Ba 3

S

'J- IU h«=al

rfrr

s^p

^~3

m <r

*■: «

Si

I

i&

fc#

*

■ =tza:

^^

J P J. I J

■» ■#

#

fe=*

I

fe£

*

steal the weal - thy mer - chant's goods, And seek each ca - ra - van:

And

m

5 ^^

1*^

#*

^fri

«*

i

m

i

M

a i g

^

il B

3

fc^rjr^~:^

9

-* «r-

Our chief the great A - bu Has - an

we count for- ty thieves all told.

J J ■ Hi fl7T7~^

3P2

rrr?

* = 4:

9 a*-^

FFF

m * s

*

^

fei

» #> t?

P J-U

Repeat % ad lib

V *

If*

£

P^

f

1

plan"!

cle - ver, craf - ty, cool and bold, And we can al-ways trust his

4

h=+

m

^

■=*=

t~^

as

i

?ee*

W

* M

Repeat till CUE: (Ali) "Yea home to bed"

(2141)

Scene IV.

47

Q

SONG AND TRIO— (Ali Baba, Marjanah & Nur Al-Huda).

"WHY SHOULD I REPINE.':

CUE: Segue at Light from stage.

Ali Baba.

Piano.

k&=z

Larghetto.

ALI BABA.

g V a 7

8-

* i i i

A - wah!.

#£jEj

^?

3

s

g H/ 8

g Q 7

i

r-^fT

i

Xj-Ui

^

rrn r?-j

F

e

j ^iiJ

i

f f r f

P v v '[It

<§^ i p g p" pi^- i p u^

^^j

ALL

Tern - per- a - men - tal am I

#

t*

S

*

&

And so

=4

I go

my

^

i^£^

J • b*^

f

PI * j

rf

r

»i

£E^t

cresr.

m

=f

-°t — 7-

jm

^

s

£

a

ALL

way a lone way with smiles but of - ten a sigh

m

Wk

IP

M

1 W- "

p

T

^— ^

(3141)

48

ALL

#

-e-^-

P

wah!

'r M' p p iJ

child of na - ture am I

foco rit.

i m «j'

A child of

w

»

PS

ft*=j=»:

i

P#f

£

as

!

i

co//« -yoce

J^J.)

S

fe=«

f^pr

B

^

£

p3p

l m Ji

ALL

mood

mis-un - der - stood

But

j^-j m »■

*

m iff

m

V i 7

w

r

i*

r#//. Zfe brightens up on seeing the silks.

ib

i

f

t^lPf'r 1

-7 g 1/

r

w/"

I*

Lightly. TVo/ yK/'r/fc fo//' bright.

m

^

a

^^

5

ALL

^

why should I re - pine

when here is rai - ment fine!.

The

Pfc

$

1=1

1: a^I:

W -W ~9

~m -w

* tr~t

* «-*

as

i

i^

i

^^'7 7

F^ry

J7-^-

jf 7 7 P 7 7 "JT 7 7

7 7

#

t*

^

&

p I J Jr^h=^p

ALL

P

1 I1

rar

est in the Or - i - ent, To suit the thin or cor - pu-lent There's

i

fe J I j> "

gg

M>

5 •> ^ ,^=y

-*— E

JjW

"LJLf t-i-T

«

J.

*

f i

fcTz

^7 7 j) j) 7 7

f^f

=¥==

J ]wj> j fc

|J 7 7 P T

(2141)

49

ALL

*

£P^F

S

gold e-nough to buy.

P^

JHI" j "P

te

f

what - e'er may please the eye

US

*

3=1

w

T

* *-* #

s

u Jr "

j. J jjj

a

f

r^

v y 7 f

[I n i t

7 V

7 7

jp r j r pi r J>J pi J P J p|j- ' si fff

ALL

thou - sand hues to match the bloom of peer - less Al - co - lorn

So why should I re

f

71 jT^

J i I i

l)» » l>

as

ea

r~3

£

*

=±=*k

7 S 7 7

3zffc

f=FF

7TT

kfe

£

ALL

MAR

& NUR

5

^

*

pine

when here is rai - ment fine

The rar - est in the

#

J#

MARJANAH & NUR AL-HUDA.

8S

P PUp

fS-1-

Here is rai - ment fine.

Rar

#

!*

a

at

^

■=^=ii^p^

«

t— ff

* *

7 7

.W. v

ft

Jjpjn

*

j) 7 7

^^

P 7 S [T=¥=¥

|M 7 p , 7 |J » ? * 7

AL..B3S

£

■ • ■

I

p i j j' j j) i r p r p

w

Or - i - ent To suit the thin or cor - pu-lent There's gold e-nough to buy what

MAR

& NUR.

Pi

a

up r p

m

$

- est in the Or -

- i - ent There's

gold.

to buy

m

r p »»

is

t???

Si

4&

P^ 7

I

^^

i

5=£

F^y

7 7

f

■r

*-?-

7 7

7-7-

^7 7

(2141)

50

ALL

%

M

f^

■Mf j "ff

P

PP

£

* ■

P

e'er may please the eye

A thou - sand hues to match the bloom of

MAR.

& NUR.

m j. j

3

d£

P

pe§^P

gold

to buy

All hues to match the bloom

of

^^

#^

f

r

s

B J-

J

| 7 7

tTJ J)

^-7-

P7 7 f

|J 7 7 *

7 7

j fe J p

i

I > I j u w w^

ALL

MAR.

& NUR.

f

My Al

peer - less Al - co - lorn

co - lorn

4

Ms

g

£

MAR

k

J=^M

Al - - co

P

-r *p t

NUR

peer - less Al - co - lorn Al - co - lorn.

ft

7 7 £

^

■H-. I V

V

-r

^

i

=5==fr

3==t

t

P

<©-=-

3=^

*3

ALL

MAR.

& NUR.

My Per - sian plum..

fed>

"MS?

^#

£

*ee

7

lorn The Per - sian plum.

^iJy 1 n; i

1*

JfflEf

7 7 I 7

55

5±

m

j>

§m

^

;i

HE

(2141)

51

R

SONG- (Marjanah)

I LOVE THEE SOM

CUE: (Marjanah) "Doth a woman ever tire of hearing what she feareth to be true'.'

Marjanah.

Piano.

i

Andante. Not too fIou

fei - =

WV

m

yLj

^m

nif with restrained emotion

^m

\*

&

hm

Bl

dim.

m

^

Al

w

Andante con moto.

^

i

MAR.

S

£

fep

-S3-

-though I've of ten asked be - fore And thou hast an-swer'd yea,

PPPJIP

PI

m

± i'j. /

m

^

j

T*

r

1*3-

* T *^ *^r

^

i oa:

3

f

« — In*

it

i=l

MAR.

° ^ -rn J -F

r r- 1 r lt

ask the ques tion yet once more, Oh do not say me nay.

Wilt

m

^

i

V

^

r

^

^*

p

(2141)

52

MAR.

thou de vote thy

i

n 0

m

-&*-

$

life to me, And

m

f=f

cresc.

AX^

f

^^

dim.

al - ways for

me care,

And

#:

r?^

cre.sc.

-G

«N>

£

W

dim.

£

H

MAR.

a

«^

i

a a

i^f?

£

take no oth - er wife to thee, Oh

let me hear thee swear.

&

«fe£

If

f

W

si p^^

»

3:

# t>#

fc^^

19-*-

Zgrr-

MAR.

-&■

love

thee so,

love.

thee so,-

Art

i

W^>

mm

£

■ m

3?:

IS

« *

1.3

S

*Uj-^

aj?^^

p«f i

r

m

?

-o-

^^^

£3

*

^5

m

MAR.

F

sure thou wilt not for - sake me soon, Will a

vow

to me now be too

I*

tjrjr

-©-

(2141^

53

MAR.

iHP

£

-fit-

great a boom That love will not

die.

O swear throug-h a

m

§

wu

«

-o-

zz:

g .J

j J'^JJ-^W

nSTT

marked

-o-

»r » r

i

-<s*

3^:

¥=f

lie!

t^-HM

i

*,

MAR.

£

Oh swear, my love, Be ev - er true, 1 love thee

^m

pi##

f%ijH4nft#

w^

PSF^

3

I

Se

MAR.

-o-

N

si_f

Al -

m$

a

Si

s

cresc.

.dim.

«

^

JMg

£

?

-e

ig^

i

EfegEgl

3=^

MAR.

£

P

tho' thou hast soothd my mind to sleep And lulled my heart to rest,

m

J. $t^r

^m

* T* r-r

* i

p — «-

£3

1*

VT

pp

3 Ml

-0 »#-

Yet

J- Al. ^

f

(2141^

54

MAR.

&m

*

^

t

j r i r p

-s>-

^

prom - ise all your

vows

to keep, Oh grant me this re - quest.

Wilt

^f^fEi

s

^7

3=^

ii*

£

»-J I j

tr

B"

a:

^|

sr

r^-^f

Gathering favour.

h J J 4J-4

^

£

■ a

MAK.

^

£

^S*-5-

thou ne'er seek a

fair- er bliss Than in these arms to live. Nor

^J ;i

I

J^-^

«

|PW

=»

r —

m

Alji

^

#

£

iH

p r j i r ^

MAR.

f

long for yet Some rar - er kiss Than my poor lips can give.

m

s-

f

:z:

B 1 r

jy t£

it

is:

ft

s

# 1?#

MAR.

s

■ N.

love.

thee so,

S

-• — m-

zzt.

m

$M

^

-ui

Is:

love.

thee so:

Art

i 3 '^

£

f

!141)

55

MAR

&

m

^^

mmm

nJ M

wmm

sure my smile thou'lt not turn to tears, Nor be guile me by will in the

i^^-H

«

4

f T f

:§:

-O-

rrexc.

MAR.

s r i r

fS^-

com ing- years Oh! let not love die

And ten der ness

Be

an

g ■:

nJ- J~'fJ|ffi^

* t^f't

ictrked.

i

T

tji» rJg

35

-€►-

ff=f

i

jte=fe

^

22:

i 1 B f

MAR.

£

fly;

Be ev er true, 1 love thee so, 1 love thee

m

i i^i K^B

^^

www

Vt

cresc

ww^

:£

■**•

3CE

P

&

MAR.

1 love thee.

love.

thee so!

P +.

ii-l

l

m

HE

S

»

S

4

pc

colla voce

m

Jfl

I

i

/

3**E±|

351

f

^

S*

(2141 '

56

DUET.- (Marjanah and Mi Baba.)

'ALL MY DAYS TILL END OF LIFE!'

CUE: (Marjanah) "Yea, yea, my love"

Allegretto.

brig ft fit/

Marjanah.

Piano.

I

*EBE

?

All my days till

%

s

fTlCP

Hi

J» /fetftfy

i

#

"MAR.

end of .

life

I will be his

sooth - ing wife.-

g i i

#^

i

r

s

^ i

§

i

ZEE

f

5

W

221

MAR.

m : -m

**

Nev - er dole - ful, ev - er gay,

Chas - ing wor - ries from his way,

1 J 1 j

i

*

f

r

p-

r

■r

^"J i p

f

fl

f

MAR.

^ P J^ J^ | J

(.2141)

MAR. ^4

57

3EEZE

please. ALT BABA.

\> r p

mm

1

S

That same tale was told to me

By Mah - bu - bah, so said she:

Ss

M

i

^^

f=S=^E

f Hf

*LZ

S

^

-M9 ■ «

^ ^ ^

f

^

r

j=^

ALL

S

Sooth - ing si - lent hap

py home

Nev - er would I

EE

i

\> 7 N

mZ-^*

3:

!SFI

< - m

*csir

5*pRrTi

*

m

£

it

P^

i

f

f=

MARJANAH.

1 | | "P>^^

ALL

32

wish

to roam:

So I Nur al - Hu - da

tell,

Now.

I^Jrli 1 1

CJ'f jf **

in'1-"

S=H^>c=1

v *

v «f

XE

i^

^

P

3CE

r r * r

r

t&^W J J jTTffi ffl

ALL

3X

I ev - er live in (Well?) Hap - pi - ness at home.

W

©

Pi

W"9 »

3e

3±3e

CW/« J'ftf?

*^

J^i^

#^s

f

(31'.i:

58

MARJANAH.

£

Add at night when he would rest,

&-f— j-i— i

S

fai

i

£

I will sing- what

-JT-j— j — j

J.

J:

r « r * ^

ini

3

^

MAR.

he loves best,

Smooth his pil - low, fan his face,

H-M-4

^mm

E

J:

t

* r *

f

m

JUj-J-^L-i

MAR.

**>

£

Kiss him one good - night em-brace;

In the morn - ing when he

^n^m

mm

^^M

m

i

u

p

¥

-o-

TT

-4X.

f) ji j) ^r^i j

MAR.

w

wakes,

poco rit.

m

■z&z

Sher - bet I will bring.

25

a tempo

i

"3 U

ZEE

and

(2141)

59

MAR

$

o

cakes.

ALI BABA.

i r f

m

E

m

That same tale was told to me

By Mah - bu - bah, so said she,

i

f-M-i

rrtij-i

i

w*

f=^f

t r i,jr y y

s

w

*

3

-Lag «

f

F^

r

^i

# I p

tef

2

ALI.

P^

d P|»

Peace - ful slum-ber sweet and mild, Nev - er would my nights be wild:

5=

3if5

is

I 7 _N

1

«~3

HTfJj

:zi

*g*iyg

#

m

i

^

i^=

rE?EEf

p.

f

p *p ^ -hJi j r -^J- i

MAE.

ALI.

So un - to my love I vow —

i J^J'^JUittJ j— J

Sleeps Mah - bu - bah like a

feS!!

s

^£

«■=!

Zn=

v #

S

TV

f— T f— T

W9

F

*±

(2141)

60

MAR.

ALL

( Vfio ken)

I — f^=f

How?

« tempo

How I

jpoco /•«/.

i r p p i

love my Nur al - Hu

feEE

i^

♦ — #

Soft - ly breath - ing child.

^dn^-

m

mm

3

« tempo

3:

3

£

MAR.

ALL

-da!

#

i

Love my

How I loathe my Mah - bu

bah!

w I

P6=i«

=£-|> B

#*

f

i

J^^L

^

f=F=r

poco rit.

^m

-o-

1

MAR.

ALL

Nur al - Hu

da!

i

£

3E

Loathe my Mah - bu

bah!

P j~~1

«-*

§=1=4

^

^ r *

/

u

i

u§

(ai4i)

Scene V

61

Die away as curtain rises. CUE: Light from Stage.

Moderato e marcato.

Piano.

«

£=£

£

//

^m

wtdt

A.

n

^

ffH^P-

r

i

g±==g=a

: T *

s

r^

I

/?\

>$ « /////*> quicker

-©-

A*

r J J

nj a

P

*T=F

IT

^N

"T

^

#=F

£

i

g

^.

g

£

_fi.

£

H»-

r^

r vi/

r cj r cj

Iqg^

J3E

^

in J f3-

tzgra

£

BET

r

r r

rf//// « nd stop as buyers

J enter.

j2_

S

j5.

r~Lrr trr ur er r — err — err err er

*

P

s

^

#

f

f d g d

rxryi

r

^

^7

r nrr err err cj* r — err — Lrr~tir er

*

3

#

■ M

ft±=&

£

lilM

F^^

F

js.

s

j5

«-=-

r err err err err err err irr er

*

g * ' j ;=

g <i •

f

S

ME g *

Wf

W~^TT

7

1

ggjEg

_S

a^

_fi

r err cj" t- err er r err — *

r — trtrr

At CUE: "See that none else enter" repeat from $£• while names are being called.

(2141)

62

U

CUE: (Abdullah) The merchant, Chu Chin Chow of Shanghai, China, is bidden to the sale. Swell up at "Let the sale begin" and dim off and stop as Auctioneer bangs the floor.

Slow and grand.

7=&

i

WW

W

t=¥S

a ft:

*

fcEi

jjy

^

— ■ ■» — • — •

— ■ «*■

Hf^l

4

Heavy, stately and slow.

Quicker

m

i g g — »

r Ezra p

a ■ — 9 j

£

-e-

XT

a tempo

Quicker.

m

•*

a:

a: — a

«— »

y

i g g — »

a — ■ p

»

#

Less slow.

i

-e-

s=

-»-

S

^ ^

cresc.

-»-

S

-e-

^v

-©-

^o-

-*»-

-o-

r-f-rrTTTT-^TT r t * r r r * r r r jt rr

Zfss quick than before.

4

M

i#*

m

w

cresc.

m

HE

=3t

'3^

y

-e-

3jr

r i r r

fT?

3E

a=a

V Repeat [Tj from % as required.

(2141)

63

w

SONG. - (Abdullah.)

"behold:'

Abdullah.

$

Fairly slow.

&

» *■

^

-9-

%

Piano.

/

m^

£

££

•-=-

f

f r f *■

w

r

r ca

*

2£

- i v h )

:V

ABD.

«-*-

Be

hold!

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hold!

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that

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65

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Dan - cers ri - p^n'd by the sun,

rather lighter

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strongly marked

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(2141)

66

m

CUE: (Abdullah) "and the desert dancers come into the ring."

Allegro frenetico.

ff

<l»i k k i

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imm

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„, „ .... , .,., „ "O ye, who in walled cities dwell,

CUE: "display your g.fts. ^ ^ yg ^^ of ^

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P

1 I 7

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A55-

3E

s

(2141)

67

DANCERS. "He, he, of Life"

Z AH RAT. "O ye, who strive to buy and sell , What taste have ye of strife"

DANCERS. "He, he, of strife"

I

uT^lT^

3S

ZAHRAT. "O ye who breath but reek and dust Who hoard your wealth for moth and rust Whose veins are clogged by lazy lust What can ye feel of passion's gust?"

3

&£

if

ad lib.

m

i

a — arzara

a — a

azaza

0 — 0

DANCERS. "Yaha,Yaha,but we! but we?"

ZAHRAT.

" Yea, we who in the desert live' Quicker

DANCERS. "Yea, live and live'

ZAHRAT. "Yea, we who sell not love, but give"

m

s»

ad lib.

1

m

DANCERS. "Yea, give and give"

ZAHRAT.

"Yea, we whose blood is hot and red By desert sire and mother bred Whose love is not by riches fed With lips and teeth we kisses shed."

(2141)

68

DANCERS

"We live, we live"

ZAHRAT. "See their bodies whirling", throbbing"

DANCERS. "Throbbing, throbbing-"

ZAHRAT.

"See their bosoms heaving-, sobbing"

S

«=S

rs:

5 i £

Wf

ad lib.

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DANCERS. "Sobbing, sobbing"

ZAHRAT "See their mad eyes.

gleaming"

gj=j | g

I

f

ad lib.

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£

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ZAHRAT.

"See their love blood.

i

Hear their screaming"

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DANCERS.

"Screaming, screaming

(2141)

69

Allegro.

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it

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9T9 # 4 * * *^1

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(2141)

70

SONG— (Abdullah).

"BEHOLD."

CUE: When Abdullah strikes Tom-Tom.

Fairly slow.

Abdullah.

Piano.

s

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f

r

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Be - hold!

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But be ye bold, Both young and old, Be - hold!.

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(2141)

71

ABD

m

tenderly

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f

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, *

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that

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gleam:

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CUE: Abu Hasan of Khorasan.

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(2141)

73

AA

THE ROBBERS' CHORUS

CUE (Hasan) "And forty more — dost thou forget?" Swell up as Robbers appear on S/ag~e.

In March time.

We are the rob-bersof the woods,

And we rob ev - Yy-one we

Piano.

g^

1

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i ? *

mp well marked throughout

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i

r T T f

a; — a: — a*

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We steal the weal- thy mer- chant's goods, And sack each ca - ra

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And we count for - ty thieves all told,

Our chief the great A-bu Has-

Kppii

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Is cle - ver, craf- ty, cool and bold, And we can al- ways trust his plan.

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BB

.4/ CUE: (Hasan) The peace upon you all" repeat |AA| till end. of Act I.

'8141)

74

Act n.

cc

Scene I.

INTRODUCTION.

Fairly quick.

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m

w

3=*=

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Piano.

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(3141)

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CUE: (Kasim) "And let my dancers dance'1

DANCE.

75

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s

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(8141)

76

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(2141)

77

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Tempo I.

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(2141)

78

EE

"I LONG FOR THE SUN.'

CUE- "Come sing to me a song of love."

Moderate

m

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Andante con moto. P

i

p±±a

m

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mp'

5

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How can I sing from a

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quicker

heart that's cold From a heart that's bought by a bid

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der's gold A

kk=*

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r^nf^u up r r imp I g I

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song_ of pas - sion of love of life With a will_ at war and a

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m=£

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quicker

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(2141)

i

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accel.

79

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love

from a

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(3141)

80

CHORUS.

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for the sun

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slow

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and for free

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death

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fling heat

of thy cold

Har -

em.

(214-1)

SOLO.

much quicker

81

#^=^

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££

fej

i£

I

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To a - wake as one wakes from a tor - turing- dream To a - wake as one

A

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n

much quicker

m r i i

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rail.

a tempo

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wakes from a tor - turing- dream

I long

for the sound

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ST

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of the bound

less

sea.

To be free,

m

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free,

free from my chains, to be free!

free!

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cresc. A.

(3141)

82

jt- * j v pir1

CHORUS.

_// sostentiio

P

■z^ry slowly

I long

marcato

3

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J^" broadly

P

f

for the sun

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breath.

to es - cape from this grave

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from this liv

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death

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fling heat

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w

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of thy cold

ki?_*

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much quicker

y jo u. J' j

835

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To a - wake as one wakes from a tor - turing dream, to a

^m

s

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si

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much quicker

fefe

3->-p-

^

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(3141)

83

& i "pr iy- m

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rw//.

a tempo

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free from my chains, to be free!

free!

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(8141)

84

TF\

EXIT

C'JE: Gong.

Moderato doloroso.

CHORUS (with half closed lips.)

k£

i

CHO.

f

m5

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f^N=j=f

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p

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3E3E

(2141^

85

CHO.

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ill

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r

is

Lento.

iH— r

CHO.

¥

4 i m,H

4*^£

I

i

Si

^=r=£

w

^

4); j [,

U

H

%

i^rr-jr

j I I ',:

(8141)

86

IGG

This song as an Ensemble is optional.

"HAIL THE GRAND WAZIR'.'

Allegro vivace

m

i k Ju M k k Mr, tJjk*A

P=

^S

Piano.

'«/

cresc.

m^m 7 ko

55 7 -juLJ

g 5 K7 7

f

¥

,7 7 i7 7

i

r=i

i-ti

v-r-^

J tli i* til

S§S

u

lei

J=p^-J>

5=5:

P^

a

«v-

f

iss*

-7— TP-yiMf

±=±

=t=7=

5_7 K7 i

=S

£

I^F¥

S^r-7i^^jT,Trf^fBTi'r3 JTi

^

«r

f

r

PPI

fWf

*#

^

Jtt

£

M

5=2:

I

3=t

I

3=7=

22

p-7|TT~pTjrY7

ALI BABA.

f j jTj J'ir |

KASIM.

£

^fete>

is

ALI. -fflyfr-

i

Hail, the Grand Wa - zir to be, Who is he? Al - i Ba-ba the First,

i

ffSf

V

gR , i

35

-^-?-

=73

* #

=7=7=

===5

* 2

=7=7=

Jt 3

===7=

^^^

-y— y-

22:

p yfyv

(2141)

87

ALCOLOM.

KASIM.

ALL

4

% I m r I

^p

MPT

ALC.

£

Al - i mine how won - drous fine, He's in wine,

I've un-quench-a - ble

m

w^§

i ' i

t* — *^* — *

p — *

t* — *

f* *-*

W^~

±

^^

a

^^

p 7 1 7 7 ^7 j^^T-L^ j^

3 — £

I

KASIM.

I 'if i, _f>

1

S

ALL fefas

m *

thirst,

Why hast thou cast off thy rags Whence this rich ar -

^hFtfinj^

BfiF3!

■y— r

-»— »-

f^Ff

-y— ^

if^Ti

f

i

irr^ j j)

^-r-r-jt-

1 i •> j

a

f

7 7 ^. 7 7 ' ■:

f

3 W

i

ALL

JZZ M ml S '

i

kas. -fik-fr

P

ray!

For thy ans - wer see the bag's

Let them say my

*

1

m

5 *4 m ->

-r— y-

jy-^

j7-^

r

a=za

r

If

f^f

v #

^>V 7 * ^

fr v i A

7 7 j

§ 7 I

KASIM.

^m

p

BE

fcEE

ALL -fM>

P

say,

By Al ALCOLOM.

lah what con-tain the bags then Pray-

^^

ALC.

By Al

lah what con-tain the bags then PraY-

mm

zt=t

f hF i

j? a fTj

1 V |, J) 7 V [ J) v •> j

f

r^r Jw ^

^

7 J}7 7

(8141)

88

ALL

REFRAIN. ALI BABA.

fEfFf

£

m

wz

^

Piec-es of gold for Al

m

i, for Al

for Al

I i .P£=i

i ju is

^

3=^a

*

i>

^^

i

J

7 7 _ ,F=^:

f

7 7 _ 7 7

f

7 7 _ 7 7

7 7 * 7=r=7:

rnr

I) J) J^J 1 1 J. i Jli'iti' I j I

^^

ALL

P

Al - i is rich - er far

Than broth-er Kas - im Ba - ba

So

mmmmi

^

t=im

i

3E*

-7—^

?S*

J7— 7-

3f

m

#^^

£i

S 7 7 l.^^B

-7—^

^J>^r g

ALL

?

£

P^P

^H

make a Sa - laam to Al

I prom - ise good - ly cheer

$

i — jn j

^^^

i ^ A

^m

i

r fr f

r f

^^i

^^

j2

7 7 v=2=%

-y—y-

ff77^:77p7 7^77^:

j P h 'r ^ jl P i Jl j j) lj- ^^^

ALL

dai - ly dinner for Saint and sin - ner When I am Grand Wa - zir.

i w i

«j 7 7 J) 7 7

f

7 7 j

*

S

^

=^^

&

1—1— | 7 1

(8141)

89

f . ft

f

M 5 v

.pe.

-?— fc

f ft

-7— y-

:fr— fr-

j 7 7 j =^

# # ■#

fe^f

7 i 7 7.

KASIM. (Very excited)

f

£

^

KAS.

£

Where hast thou g-ot all this wealth,

Stole by stealth

* *

t a

t 2

^0 7 7 .j

7 7

J7. 7_

7 7

ALL

KASIM.

I

ALL

?

£

Broth - er Ba - ba will burst,

Now un - less thou

P3^

I

r ■ «=se

* — *

§s

a' 7 7

7 7

122

f

^=^

f

-7—7 — = — 7 7-

=7 7-

f

ALL

rf~t

w

^

i

P

Plpip

*=r

KAS.

tell me true Thou shalt rue, Splut - ter stut - ter thy worst,

I h if7} J7! iPJlPi

a-^7— iiEjJF^F^

i 7 »i Hi T

J.

F 7 7 ff J y

l>, - i

7

7 7 V 7 ^

jt— ¥

5 — 7-

(2141)

90

all hfe i [ir J)

1

■ g

^=y

i

Here do I make good my bid

For - ty thous - and, So;

¥

^

-y— *-

r

:■•=■•:

-*—*-

f^f

±z3b

r

-y— £

^J)7 7 T^^

v 5 I

5E3E

^^

J) 7 7 J.

i

KASIM.

KASIM & ALC0L0M

KAS. -ffly-fr

±-

Jl I J J)

Tell me where thy for - tune's hid,

Or to just - ice go

I

5Et

£

a

=*=i=

I5=!F

3=±

J=J:

:*=*:

i=3fc

r

T

r=$

T

§fe=fefcfcEi

^T-v I J

iLs-i i [I

V 7 I

*

S *

3E

r Mr i

^^

KAS.

ALC.

f

- wah.

The Wa - zir of po - lice

will

know.

^^m

^^

m

1=F

- wah.

The Wa - zir of po - lice

will

know.

mmm

^l

\) i •> i

^

i t a v-»-

cs

£

^f¥

^7— ^

-¥— £

-y— r

ALI.

^

ALL

£

^

#

Naught is a - miss with Al

i, with Al

i_ Jl* Jl u irr

i

»

/?

foFfe

^

y 11 s 7 7 7 7 V =77 [J 7 7 = 7

f^

7~7 IT 7 7

F7 7 P

(8141)

91

ALL

i^S

« iE

pgp

fe5^

^^

Al - i is pur - er far

Than driv - en snow in Per - sia

So

fo l- f1^

0m

i S»

i

^f—^-

2=£

¥

fe^

J 7 7 — aS

^s

g^Vf 7 |,.gE3

fe 1 1 r i

^^

^

ALL

step thou a - side with Al

i I'll whis - per in thine ear

fca=--fr-r^l

3=£3

i a* i

r r r F

?' * v p y > ~r^ f ' »!

-9—7 y-7— ¥

J | J |

S^il

^-^

fc^

ALL

tttttt^t^

tale of won-der Of good - ly plunder Sa - laam the Grand Wa - zir.

PT-tr->i'

£

mm

=^

r^lz3

v? v j i=$

m

>r

»f. if

it^j* * ij

7 7 ,£3^

J 7 7 f~7~T

-7—7-

5 — 7-

ALC.

& MAR.

#

ALCOLOM & MARJANAIL

M

r Uu

Ah

la la la.

Ah la la la la la.

>

CHORUS

m 1 1 r -f

i

CHO.

£

?

\

Naught is a - miss with Al

i, with Al

i Jit J£

I m i

i B I

>>/*

^#^

^^

i

7"^ rT~7 7

[J 7 7 ==7 7 ■ JJ 7 7 = 77^7 7=77 p 7 7 p

^141)

92

ALC.

& MAR.

£^^E

-f—t

\ p p

-7— -v-

La la,

./

J J> I I J 1

B j TO

¥^^

CHO.

g«f

Al - i is pur - er far

Than driv-ensnow in Per - sia

So

I i J) i J

i=j^r 7 B =te

i

-y— y-

^5

fa

fe^

====

5=5:

====

tar

ALC.

& MAR.

I

S

HP

Ah.

la la la.

Ah.

la la la

cho. ( ^v j) j> J~[» p

^

i^£

step thee a - side with Al

i He'll whis - per in thine ear

»

^=5

^-TJ^=jk

i

*==5

a^— m

r it r p

r

f

j 7 7 -!$=?— ?

•7—5-

-y— y-

f

5 — 7 — _ 7 7

T

7 7 _ 7=7-

ALC.

& MAR.

| j Up 1 1 ii p 1 1? |

PEP

5 — 7-

la la la la

Ah.

la.

J

^r | py-rrr J'hF Jlp ir J^^

CHO.

zz

\(

tale of wonder Of good - ly plun-der Sa - laam the Grand Wa - zir.

4'L m

m

&

«r y

:i:

7 7 _h V=*F

£

7 7 jj 7===^

7 7 jt

7 7 j

J) 7 7

;F

-» r-

===£

-y— »-

(2141)

IHHl

93

"mahbubah:

CUE (Nur Al-Hnda) "But what will Mahbubah say?"

Lightly and at fair speed. VAhJANAH.

Piano.

*

~nr

irTr

£

S^E

She will say her say_ All.

night and.

lining

y^jj *}

f

p— ^T

£3E=5

f

I

f=T

&=3

b=t=Adt

NUR AL-HUDA.

MAR.

H* J' Ji I J =s

1

ALCOLOM.

I j ji j> j1

za

day; All night and day;.

And in - deed she

5

£

I

f

V

E 7 .Vr^

»

r

S I 1

n

5*

il

£

¥

ALC.

^

£=*£

jl_j' j j

may,_ For.

am.

gay, Not lean nor grey

f

V

p^f

i? 7 ^Y" V 5

1

"2:

s

*

b-

r^T

1 ' s

f

ALL. (7?',£e a chant) . rather slower

a tempo

EfeS

£

/ P

■ ■

\LC.

f

f*

And so we all to

Al

lah.

pray

That Mah

m

IT

-»

rather slower

m

1^

^

~z:

**

J

a tempo

f

¥

i

(3141.)

94

ALL

BEFBAIN. Lively

ALCOLOM.

p p v p i m__L_ p ~n—ir- i p ip p ^(i

■bu - bah.

Mah - bu - bah, Mah - bu - bah, bu - bah, bu - bah, That

f n i i

^^

^

i I id

#- — #

jyi, J v ^^

£

i

ii

^

* , I > MARJANAH. ;>

ft P g 6 IP j J^ J* ^1 P=F P pip Jt J1^

ALC.

grim and slim Mah - bu - bah, bu - bah, Flat old cat, Mah - bu - bah, bu - bah,

¥

P^F=^

feE

^S

- — : a —

«i

1.3

3 St

i

F^f

55

^fr

!»=±

r^r

NUR AL-HUDA

nun. /VLi-iiui^rt. ;>. ^. ^

i.

ALL. II 2.

a

NUR.

?

IP

Bone and groan Mah - bu - bah, bu - bah, Bu-bah's had her day! And day.

f 7 f

«

¥

P*

fes*

^5

f

fe?Ei

tn:

7 K 7

ALL

»

ALL

ALCOLOM.

§ I ^ J'

g^g

' I O Q I j> fJl I J) I

fe

^

Yeh, we now will dine On_ love and wine. On love and

7 _T) 7

F^T

f

jj 7 P 7

i |) 7

S: »

P^

jj 7 = 7 :zj

^

±=

(2141.)

95

ALL

pj J^J~d|

KASIM BABA.

^m

s

wine, .

0.

^3

bro - ther mine! This

£=^

^P^

r

f

w

f

^^

J— — 3-

KAS

—f ^7* ^

ALL.

rather slower.

K-^LK

*

PUPlPi

a^zzfezi

house is thine Whilst I re - cline.

Such kind - ness

i 7 j

I

^7=1

si

tr^H

¥

r-^T^f

F

i

7-ir« —

rather slower.

I

^

*=5

a tempo

tt

TZZ

£

ALL.

you can

not.

de

cline:

Oh old

H

W

*^: I li

33Z

re:

*f

J^

a tempo

§

^

F

^

&EFBAIN. Lively

ALI BABA.

p g v -p— T-p- g 7 p -rp p p p 1 1 i ^^p

ALL.

Ba - ha, Old Ba - ba, Old Kas - im, curse him, Ba - ba!

jfN%^#

m I r

§

i=

fc

P

i a i

a

Oh,

fcEE^

3-1 ¥

(8141.)

96

ALL

ALCOLOM.

H

?=?

g

H^- j>*i g i i i i p Ji j^

mean and lean old Kas - im Ba - ba! Stut - t'ring-, splut - t'ring- Kas - im Ba - ba!

^±=3^

*E±

=*5«

p^f

n

s

I

g

^

^^^

r^"T

ALI BABA & KASIM BARA.

^

ALL I 2.

§

^P

KASIM BABA.

4j> i [ j I

What is thine is mine! ALCOLOM. (5"o ^//.j

Such mine. ALL

g^^^i

PPPP^PI

KAS.

5P

Plum py, stum - py, Al - i Ba - ba! What is mine is thine! Such mire.

#

■nrfr-r^

i*

f

r 7 *

ap

M^

^

p^i

s

^

2

3=_-fr-T— ?

#

KASIM BABA. (mysteriously,

P=5

=£

1SS

Now will I this night, Ere

#

SEE*

'I v S

¥=1 i J

m

t

m

p

wm

%

J i | *

3Z

f

r

F~T

KAS.

I J' J^3

■ jg -r — ■

l^&hEE^E^-J*

s

r^PM

light, Ere it be light,

4

\> i fe3

S J1 v

f

r

^^

i

r

-1— K

Prove wrong or right, This.

f^i

i^

^=5

h=

±

(sim;

97

KAS.

j,i \j rrr^^^

(Muck chant) rut her slower.

fa - ble trite of trea-sure bright.

So may thy

^m

m

h-

f

* t*

s

k

rJWJ

im

rr

rather slower.

A

F

KAS.

plans be

4

$^3

HZ

with - ered

o'er with

blight!

B

s

^^

a tempo

£

Oh, oh

3*

a tempo

i

3P

F

£

¥

SEFBAIN. Lively.

\ \ i P

P P P P i P P ? I

MM

KAS.

Al i!

Oh Al - i!

Oh bab - bling bro - ther Al - i!

Oh

^n , i

i

a

s

i^E?EE3

« #■

*n j, 7 fa

^~v~t

ii

h j 1

^ E g 0 j p ^ Ji IP P P P I P I B

KAS.

need - y greed- y bro -ther Al - i! Dot - ing gloat - ing bro - ther Al - i!

\ ; i I J

m

F'T'

'Tc

it

£

M

pup

(3141.)

98

KAS

*

r~r p p i $=+=&=$

,£^5

^

5

f^i

A LI & ALCOLOM

-A

P

Mud - died fuel - died bro - ther Al - i! Sat - an thee re - quite!

Oh

JEJ

^5

^

•

7 ^^^

f

e=

? 7 ?

as

£

fe

*=!

^

g — 5 — 7-

ALI.

&

ALC.

i p * p i p b 7 p i p p p ttp p y p

Al - i!

Oh Al - i!

Oh Al - co - lorn Oh Al - if

Be

gi n it-

1^ 7 =i«

^^

^^*

S j^ ? I

7 | 3

s£

if — 7-

ALI. &

ALC.

P P P 4Jf-H< J I P P P |M

fe>

3W

i

-t

-gull - ing, smil - ing Al - i B;i - ba! Laugh - ing, quaff - ing Al - i Ba - ba!

ALL

& ALC.

p p p p Lp j j Ji I j'=^ J) jj|

Sin - ful, skin - ful Al - i Ba - ba! Al - lah bless thy night!

7 P 7 ' P

(3141.)

99

CHORUS.

CHO.

Oh Al - i! Oh Al - i! Oh Al - co - lorn! Oh Al - i! Be

m- f- f- f- g e . f f f f . f :: g

§5

\

fl j ;

^

k

^

p

« m-

§

i •> I -

§

ft y f a

3S

^

I

a

^

fe=^

i

^=^

2=3

?

g ■

^=S

m «■

CHO.

guil - ing, smil - ing Al - i Ba - ba! Laugh- ing, quaff, ing- Al - i Ba - ba!

'H ff f f if f M l^ I 1? HH*

^

fed

i

1

i

4

f

r=^=T

f

^

t=^

i

*=^

^W

^f

m m

Sin - ful, skin - ful Al - i Ba - ba! Al - lah bless thy night!

CHO.

E

;n M'f f if f M iP^N#=f

p=*

mm

E3E

Jfi

pp

i

f

(2141)

100

[JJI

CHANGE OF SCENE.

Moderato.

Piano.

{Aifffrrr I

w/*

^m

B c^j lj

^

C^J LJ

■^ J J r4

i

fffrrr.(

a

EfE^EEf

r g S f 5 "

s

h#

o o o

&^m

i-J c^ c^

^ p ; r

-*£"-.

\t t _t

m ft

J J J

zm

• 9-

m

U U U

m

am eg;

f > B

J.

i

*-

^* *

#

* *

iff

■ mz

m

u a a

&^m

u cj cj

u u u

(2141)

101

I*

J

JL

t^jEE*

m

L^ U U

i! — i C-^ CJ

Z^

ZJ

j2

K Cfff £

-*=■

£=4

0 m 9M

£

-W- — <£-

^

a

:■ c

ZJ U U

Rr

£^ LJ U

u u u

m

tit

tejt

^?

rff//.

pp Y te

■ — ■ — js:

i

CJ CJT3

('Cello)

CODA.

sostenuto

m

iff!

r

m

ff

F3-f3-

AM

FT

Wj»

T

a

=s

B 4 II* fi

-e

77

f#^

^

TO

S±

[Curtain.)

-s

r

Si

r —

5^

a

#p

g=

e

^^

t

f

r

Repeat if necessary :

(2141)

102

iKKl

"I BUILT A FAIRY PALACE IN THE SKY."

CUE: (Marjanah) "But doth a woman ever tire of hearing what she fearethtc be untrue?"

Piano.

Andante. g i* — -

S

* j j> ii P j I i p i J' jl

I built a fai - ry pal - ace in the

^tm

p

§e

^3=

m

J f J J

r

i

h j J'

J» i I b J> j

S2j

^=^

J

£

zt

I —

'Twas built for two —

We'll wan-der year by year, Un

W

59

a i azzza

« 4 #

e

I

g" |

-o-

Copyright, MCMXVIII,by Keith,Prowse & C? Ltd.

'1M

103

-1

^^

P

gFrrrTm^

33:

■haunt -ed by the fear That love with - in my pal - ace e'er should die.

poco lit.

k

rjrr^ I J1 I i I >~ft

*

^

75 «r

sky, Men nev - er

3

*

a

do!

And

i7^

yet you built a pal - ace just as

$

f^m

o

t=*

^

i=f

*=

^^

i

s^

EE*

^^

p i i p p-p

I

high, You know it's true. You built it. in my heart, OhI

mf

B f f'f 1

J »g fe e

-f Eg I ee

*

r ; ; ;

o

2141

104

-h Jl | h Jt-hJ. h

-ii_

//ore/ ///.

i J J J

die

4

i

inMiiJ

crese.

^Ttt^

ii

My love for

^8

you.

P^

ti

dim.

r* Si hi: -:

**

a: 1;

W

rit.

? £3 u = : =:

Slower ffian before,

rife

it

a

£

_o_

i

M3=^

te^;

It

g

a

*

a *

XT

2141

Scene III.

105

LL

(Die away as curtain rises.)

Moderate

CHANGE OF SCENE. (after Fairy Palace Song.)

(214-1)

106

(2141)

107

MM

JEWEL BALLET.

CUE: (Kastm) "Open, O S...S...S ...S...S..."

(Marjanah) in a whisper "Open, O Sesame'.'

Piano.

J*

Slow and misterious.

r\

m

m&

BE

(Wind.)

53=

3E

:p-

*=?

(during- dialogue)

w^

(Violin.)

h^

-e-

1*

^

r=r

T^

B^

_Q_

m

-e-

-o-

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108

INNI

CUE: (Kastm) "Echoes all round me cry."

We are the rob-bers of the woods,

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And we count for ty thieves all told,

Our chief the great A- bu Has-

Is cle-ver craf - ty, cool and bold, And we can al- ways trust his plan.

At CUE: 'Open, O Sesame" segue.

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(As Robbers enter.)

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We are the rob-bers of the

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109

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And we rob ev - 'ry one we can; We steal the weal - thy

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(2141)

110

pp

SONG — (Abu Hasan and Chorus).

Words in script vary (either may be used). CUE: (Kasim) "What wilt thou do?"

"THE SCIMITAR"

Abu Hasan.

Piano.

With energy and emphasis, not too quick.

F=f

CHORUS. J

ABU HASAN.

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I draw my short sharp scim-it - ar — His scim-it- ar! My

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scim-it- ar! To end thy maud - lin mut-ter-ings, And close thy sen - ile

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stut-ter-ings: Carve thee up, carve thee down, Slice thee through from heel to

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crown;

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carve thee out, Whilst with pride my rob - bers

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CHORUS. f

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shout.

See his scim-it-ar! See his scim-it - ar! Ha! ha! ha! ha! ha!

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carve him down, Slice him through from heel to

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crown, Carve him in,.

carve him out,.

Whilst with pride we robbers

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shout See our scim-it- ars! See our scim-it- ars! Ha! ha! ha! ha! ha! ha!

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112

Scene IV.

QQ

INTERLUDE MUSIC.

Adagio.

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Words in script vary (either may be used) CUE (Ali) "The moon's a pander."

SONGrlAlcolom.)

"ANY TIME'S KISSING -TIME"

Alcolom.

Piano.

Moderate

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FREDERIC NORTON.

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Peo - pie have slan- dered our

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love se - rene,

Laughed at your pen -chant for me,

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Said you were too old to love— a mean

Li - bel on thy belle and thee.

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Still, we're_ a - lone, You are_ my own Bone of con-ten-tion to be!

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(2141^

115

ALC.[jfc'TXT~3r«|- | 1 J Youth is the time for lov

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ing,

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The con-tra - ry we're prov

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Look at us two to - day!

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Love has no charm, no mean

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Till man has reached his prime,

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Sure - ly 'tis so,

You ought to know

A - ny time's kiss - ing

time.

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Here would I be yet

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moon to spy,

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No one can guess where we are.

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117

ALC.

Youth is the time for lov

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The con-tra - ry we're prov - ing.

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Till man has reached his prime;

Love has no charm, no mean

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Sure - ly 'tis

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You ought to know,— A - ny time's kiss - ing

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118

Issl

Scene V.

CHANGE OF SCENE.

Larghetto.

Violin.

Piano.

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cantabile

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BABA MUSTAPHA;

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120

TT

SONG -(Baba Mustapha.)

'THE COBBLER'S SONG!

Andante con moto

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ffifott r r J^-^+j, j, j jni>ii

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sit and cob-ble at slip-pers and shoon From the rise of sun to the

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set of moon:

Cob-ble and cob-ble as best I may, Cob-ble all night and

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cob-ble all day, And I sing as I cob-ble this dole- ful lay:-

The

(2141)

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stout -er I cob-ble the less I earn, For the soles ne'er crack nor the

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up-pers turn, The bet-ter my work, the less my pay, But work can on- ly be

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as I cob-ble with neerdle and thread, I judge the world by the way they tread:

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122

MUS.

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Heels worn thick and soles worn thin. Toes turn'd out and toes turned in,-There's

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food for thought in a san - dal skin.

For

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prince and com-mon-er, poor and rich, Stand in need of the cob- biers stitch,

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Why then wor-ry what lies be - fore?

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Hangs this life by a thread— no

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123

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sit and cob-ble at slip-pers and shoon From the rise of sun to the set of moon:

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Cob-ble and cob-ble as best I may, Cob-ble all night and cob-ble all day, And I

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sing as I cob-ble, this dole - ful

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124

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CUE: "Mustafa, may it be done"

Repeat ad lib. and go to Coda at CUE: "Sing thy song, Come'.'

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BAZAAR MUSIC.

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(314-1)

128

WW

Words vary in script {either may be used).

SONG. - (Fruit Girls.)

'WE BRING YE FRUITS"

Allegretto. Not too quick.

Fruit Girls.

Piano.

mm

Krass.

With a swinging rhythm.

\ — \ -y- i g m ~i r i g »

We bring- ye fruits- of ev-'ry clime,

With a swinging rhythm.

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mm

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Peach, cult-an - i scent-ed lime, A - lep-poPear and ju-jube Plum, Gar-densEast and

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W^st they come; Buy, oh buy!

Buy, oh buy!

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2140

129

Msi

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f i p s pp

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Grapes with a lus-cious bloom Like black-est ra-ven's plume— In leaf-y

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bed they shine Like fin-gers hen -na'd fine:

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o- ranges that glow Avith life Like youth's passion's

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storm and strife, Flav-our'd figs of shane-ly mien,_ Silk - en balls of send-al green,-

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Here are al - monds pass - ing sweet, Pome-gran-ates with scar- let sleet,

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Gren - a - dos like Chi - nese jade, Tan - ger - ines lilce gold bro - cade,

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Buy, oh buy!

Buy, oh

buy!

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(Repeat 1st Verse for Exit.)

131

XX

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132

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CUE: (Hasan) "Sweetest Simsim bright and clear." Play till CUE : "A body" then segue.

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133

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134

[AAA]

CUE: (Hasan) "And the place from which thou started!'

Andante con moto.

BAB A MUSTAFA.

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(2141)

135

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(2141)

136

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CUE: "Water, water, cool and clear, sweet as Simsim bright and clear." Swell up as Mahbubah enters. Dim.for dialogue.

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(2141)

137

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CUE: (Mahbubah) "The men meant no ill in bidding me within" Repeat until (Alt) "Thou cat-fish!'

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138

DDD

The performance of this music must be governed by local circumstances. Numbers of girls and the size of the stage etc. all tend to vary the entrances, movements and groupings. This stiould be left to the producer.

MANNEQUIN SCENE.

CUE: "Alcolom, the ravisher of hearts reigns in the stead!'

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143

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144

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145

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146

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147

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(3141)

148

At general entrance.

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IFFF

OUE: (Shopkeeper) "Where to send these goods"

149

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(2141)

150

GGG\

At CUE: (Mahbnbah) "His smile is so innocent" swell up.

Finish as Marjanah says "O AH, we have sought for thee all over Bagdad'.'

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HHH

151

CUE: (Ali) "Which now shall go to Alcolom."

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(3141)

152

[jjjl

Play softly to cover Robbers' entrance; then stop.

In March time. _=im

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153

KKK

CUE: (Hasan) "Go!"

Repeat for change and finish at light from Stage, and segue |LLL|

Andante con moto.

BAB A MUSTAFA.

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I sit and cob-ble at slip-pers and shoon From the rise of sun to the

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set of moon: Cob-ble and cob-ble as best I may, Cob-ble all night and

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(2141)

154

LLL

Scene VI.

DUET — ( Alcolom and Ali Baba.)

Words vary in script (either may be used). Extra Verse optional.

HOW DEAR IS OUR DAY!'

CUE: Light from Stage.

Allegretto.

Alcolom,

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ALI BABA.

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dear is our day now that Kas - im's a - way!

De - lie - ious, aus-pic-ious our

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ALCOLOM. ALI.

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(3141)

ALCOLOM

With gusto

ALI

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155

ALC.

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Pet you! co- ;uette you! I'm not!

With rec - tar fill the gob - let up: Two

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My feast of love! My tur-tle dove!.

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lov - ing- hearts, one lov - ing cup:

Oh A - li!

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CUE: (Alt') "What fresh dishes hast thou ordered for the feast, Abdullah'

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CHANGE OF SCENE.

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Scene VII.

CUE: Signal from Stage.

This takes up curtain and softens at Zahrat's entrance. Continue until Abdullahfalls on his knee.

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CUE: (Zahrat) "Sing all of ye, to drown their cries'.' cresc.at cue: (Hasan) "The peace upon ye" finish at Hasans exit.

In March time.

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CUE: (Zahrat) "The peace of death, Abu Hasan of Khorasan.''

Andante. Abdullah

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CHORUS.

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CUE: (Zahrat) "Now only one remains, Abu Hasan of Khorasan'.'

Segue and play sufficient to cover entrance. (Stop as they kneel.)

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SS&

CUE: (Hasan) "Nor will ever hear again'.'

I draw my short sharp sci - mi - tar.

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167

VVV

CUE: (Zahrat) "On with the Wedding."

Lively and at a fair speed

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FINALE.

WEDDING PROCESSION.

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On with the wedding, Let joy be com - plete!— — Happiness is

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Here be_ true love none can buy or sell !

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