OLD CLASS Bot A BMED Handle with EXTREME CAR This volume is damaged or brittle and CANNOTbe repaired! photocopy only if necessary return to staff do not put in bookdrop Gerstein Science Information Centre ,a / // _ ^'s THE COLOURS OF FLOWERS. NATURE SERIES. x f THE i,, 'O • COLOURS OF FLOWERS AS (J ILLUSTRATED IN THE BRITISH FLORA BY GRANT ALLEN WITH ILLUSTRATIONS Jtonfroit MACMILLAN AND CO. 1882 The Right of Translation and Reproduction is Reserved. Ijfonbon : R. CLAY, SONS, AND TAYLOR, BREAD STREET HILL, B.C. PREFACE. THE first germ of the theory contained in this little volume was originally set forth as an article in the Cornhill Magazine, and I have to thank the courtesy of the Editor and Publishers of that periodical for their kind permission to expand it into its present far fuller form. I have been encouraged thus to give it shape in a more permanent dress by the friendly appre- ciation of the late Mr. Darwin, who wrote to me as follows with regard to the central idea of my original paper — the derivation of petals from flat- tened and abortive stamens : — " Many years ago I thought it highly probable that petals were in all cases transformed stamens. I forget (except- ing the water-lily) what made me think so ; but I am sure that your evolutionary argument never occurred to me, as it is too striking and too appa- rently valid ever to be forgotten." It appeared to me that if the idea so commended itself to Mr. Darwin, it might also commend itself to other vi PREFACE. evolutionary biologists ; and I have ventured ac- cordingly to work it out here to its furthest legitimate conclusions. My acknowledgments are due in the highest degree to Sir John Lubbock's admirable little work on British Wild Flowers in Relation to Insects, and to Mr. Bentham's British Flora. I also owe much to Sir Joseph Hooker's Student's Flora, to Professor Sachs's Botany, and to other books too numerous to mention. Personally, I have to thank my friend Mr. F, T. Richards, Tutor of Trinity College, Oxford, for many valuable sug- gestions and corrections of which I have gladly availed myself. G. A. CONTENTS. CHAPTER I. THE ORIGIN OF PETALS . CHAPTER II. GENERAL LAW OF PROGRESSIVE COLOURATION 17 CHAPTER III. VARIEGATION 6l CHAPTER IV. RELAPSE AND RETROGRESSION 71 CHAPTER V. DEGENERATION 91 CHAPTER VI. MISCELLANEOUS . IIO THE COLOURS OF FLOWERS. CHAPTER I. THE ORIGIN OF PETALS. EVERYBODY knows that flowers are rendered beautiful to us by their shapes, by their perfumes, and above all by their brilliant and varied colours. All people who have paid any attention to botany further know that not every flower is thus bright and conspicuous ; as a general rule, only those blossoms which depend for their fertilisation upon the visits of insects are provided with special attractions of honey, scent, and vivid hues. An immense number of flowering plants, perhaps even the majority among them, produce only small and unnoticeable inflorescences, like those of grasses, Oaks, conifers, and many other field weeds or forest trees. The flowers that most people observe and recognise as such, are the few highly developed forms which possess large expanded coloured surfaces to allure the eyes of their insect fertilisers. It is with flowers in this more popular and ordinary sense that we shall have to deal mainly in the present little $ B THE COLOURS OF FLOWERS. treatise ; and our object must be to determine, not why they are all as a group brightly coloured, but why this, that, or the other particular blossom should possess this, that, or the other particular hue. Why is the buttercup yellow, while the stitchwort is white, the dog-rose pink, and the harebell blue ? Why is the purple foxglove dappled inside with lurid red spots ? Why are the central florets of the daisy yellow, while the ray-florets are pinky-white ? Why does sky-blue prevail amongst all the veronicas, while yellow pre- dominates in the St. John's worts, and white in the umbellates ? These are the sort of questions which we must endeavour briefly to answer, by the light of modern evolutionary biology, from the point of view of the function which each colour specially subserves in the economy of the particular plant which displays it. The brilliant pigments of flowers usually reside in the specialised organs known as petals, though they are sometimes also found in the sepals and bracts, or more rarely in the stamens and even in the pistil. For the sake of those readers who happen to be imperfectly acquainted with the subject at large (and also to bring the botanical reader definitely into the required point of view), it may be well to begin with a very brief description of the organs which go to make up a typical flower, together with a short account of the part played by colour in general in the fertilising function. The essential elements in the flower are not at all the showy and brilliant leaves which we usually associate most with the name, but a set of compara- tively small and unnoticeable organs occupying the THE ORIGIN OF PETALS. centre of most ordinary blossoms. The simplest type of flower consists of two such organs only, a pistil or ovary containing an embryo seed, and a stamen which produces the pollen necessary to im- pregnate it. The production of seed is in fact the sole function of the flower ; every additional part is only useful in so far as it conduces to this practical end. In the most simple (though not the most primitive) blossoms, fertilisation is effected by a grain of pollen from a stamen falling upon the stigma or sensitive surface of the pistil, and thence sending forth a pollen-tube, which penetrates the ovule or embryo seed, and so impregnates it. As a rule, however, it is not desirable that a flower should be fertilised by pollen from its own stamens. Mr. Darwin has shown in many cases that when a pistil is fecundated by pollen from a neighbouring blossom, or still better from a different plant, it sets more and sounder seeds, or produces heartier and stronger young seedlings. To attain the benefits of such cross-fertilisation, many plants have acquired special peculiarities of structure : or, to put it more correctly, those plants which have spontaneously varied in certain favourable directions have been oftenest cross-fertilised, and have thus on the average produced more and stouter offspring. The advantage thus gained in the struggle for existence has enabled them to live down their less adapted compeers, and to hand on their own useful peculiarities to a large number of descendants. There are two ways in which plants have ensured such a benefit ; the one is by adapting themselves to fertilisation by means of the wind, the other is by adapting themselves to B 2 THE COLOURS OF FLOWERS. fertilisation by means of insects. The first class are said to possess anemophilous, the second class entomophilous, flowers.1 It is with the latter alone that we have here mainly to deal. Entomophilous or insect-fertilised flowers are those in which the pollen is habitually carried from the stamens of one blossom to the pistil of the next on the head or legs of butterflies, bees, beetles, or other flying arthropods. In order to allure these insects, and to induce them to visit one flower after another of the same kind, the plants have often developed small quantities of honey in the neighbourhood of the essential organs, as well as specially coloured floral leaves known as petals. Accordingly, a fully evolved entomophilous blossom usually consists of the four following whorls, or sets of parts, beginning from within outward. First, in the very centre, the pistil, or carpellary whorl, consisting of one or more carpels or ovaries, each containing one or more embryo seeds. Secondly, outside the pistil, the staminal whorl, consisting of one or more pollen-bearing stamens, usually three or six in the great class of Monocotyledons, and five or ten in the great class of Dicotyledons. Thirdly, outside the stamens, the corolla or petaline whorl, consisting of several separate or united petals, usually three in the Monocotyledons and five in the Dicotyledons. Fourthly, outside the corolla, the calyx or sepaline whorl, consisting of several separate or united sepals, usually the same in number as the petals. The position and arrangement 1 For further particulars see Sir John Lubbock's work on British Wild Flowers in Relation to Insects, in the Nature Series. THE ORIGIN OF PETALS. of these parts is shown in the accompanying diagrams (Figs, i and 2). As regards function, the pistil produces the seeds and grows later into the fruit. The stamens produce pollen, to impregnate the pistil. The petals attract the fertilising insects by their bright colour, and advertise the honey, if any. The calyx covers up the flower in the bud, and often serves to protect it FIG. i. — Diagram of typical primitive monocotyledonous flower. «, carpels; />, inner whorl of stamens ; c. outer whorl of stamens; d, petals; e, sepals. Each whorl consists of three members. from the attacks of useless creeping or honey-eating insects. One more preliminary explanation is necessary before we enter upon the consideration of our main subject. Flowering plants, at a very early date in their history, split up into two great divisions. One of these, the GYMNOSPERMS, to which all the oldest fossil plants belong, as well as our own modern conifers and cycads, possessed and still possess flowers and fruits of a very simple character. Each 6 THE COLOURS OF FLOWERS. blossom consists as a rule of a single stamen or a single naked ovule, growing on a scale or an altered leaf: and they display some remarkable analogies with ferns, club-mosses, and other flowerless plants. Of course, they never have petals or coloured organs. The existing Gymnosperms may be regarded as living survivors of a great class, once dominant, but now nearly extinct; and their flowers probably still preserve for us the original type of all blossoms, very FIG. 2. — Diagram of typical primitive dicotyledonous fl >wer. a, carpels; b, stamens ; c, petals ; d, sepals. Each whorl consists of five members. slightly altered by time and circumstances. This is especially the case with the cycads, small tropical trees of palm-like appearance, whose inflorescence is the very simplest of all known flowering plants. The other great division, that of the ANGIOSPERMS, has always more fully developed blossoms, often entomo- philous, and possessed of brilliant colours. It split up again at an early period of its development into two secondary large classes, those of the Monocotyledons THE ORIGIN OF PETALS. and the Dicotyledons. These important classes are distinguished from one another by several special points of structure ; but the most striking one, so far as regards our present subject, consists in the fact that the Monocotyledons are generally arranged in whorls of threes, while the Dicotyledons are generally arranged in whorls of fives. At the present day, the two modes of arrangement are often obscured in various ways ; for example, among some Monocotyle- dons the stamens are doubled, or consist of two separate whorls, while the petals and sepals are coloured alike and are otherwise almost indistinguish-s able, so that the flowers seem at first sight to be arranged by sixes rather than by threes ; and again, among some Dicotyledons, one or more petals are suppressed, or added, or all the petals are united into a single circular or tubular corolla, so that the arrange- ment seems at first sight to be by fours, or by eights, or by threes rather than by fives. Originally, how- ever, all Monocotyledons had a trinary arrangement, while all Dicotyledons had a quinary arrangement ; and these fundamental plans can still distinctly be traced in by far the larger number of existing species. So much by way of introduction. Now, since the bright pigments of flowers usually reside in the petals, and since petals have for their main if not for their only function the display of such pigments as an attraction for the fertilising insects, it is clear that we must begin our inquiry by asking, — What was the original colour of the organs from which petals were developed ? For we may take it for granted that the primordial petals would at first follow the hue of the THE COLOURS OF FLOWERS. part out of which they were originally evolved. For example, if we ought to regard them as altered and modified leaves, then we may fairly conclude that the earliest petals were green ; while, if we ought to regard them as altered and modified stamens, then we may fairly conclude that they were yellow. Which of these two alternatives is the most likely to be true ? Apparently, the latter. Petals are in all probability originally enlarged and flattened stamens, which have been set apart for the special work of attracting insects. It seems likely that all flowers at first consisted of the central organs alone — that is to say, of a pistil, which contains the ovary with its embryo seeds ; and of a few stamens, which produce the pollen, whose co-operation is necessary in order to fertilise these same embryo ovules and to make the pistil mature into the ripe fruit. But in those plants which took to fertilisation by means of insects — or, one ought rather to say, in those plants which insects took to visiting for the sake of their honey or pollen, and so unconsciously fertilising — the flowers soon began to produce an outer row of barren and specialised stamens, adapted by their size and colour for attracting the fertilising insects ; and these barren and specialised stamens are what we commonly call petals. Any flowers which thus presented brilliant masses of colour to allure the eyes of the beetles, the bees, and the butterflies, would naturally receive the greatest number of visits from their insect friends, and would therefore stand the best chance of setting their seeds, as well as of producing healthy and vigorous offspring as the result of a proper cross. In this way, as we THE ORIGIN OF PETALS. have seen, they would gain an advantage in the struggle for life over their less fortunate compeers, and would hand down their own peculiarities to their descendants after them. But as the stamens of almost all flowers, certainly of all the oldest and simplest flowers, are yellow, it would seem naturally to follow that the earliest petals would be yellow too. When the stamens of the outer row were flattened and broadened into petals, there would be no particular reason why they should change their colour ; and, in the absence of any good reason, they doubtless retained it as before. Indeed, we shall see, a little later on, that the earliest and simplest types of existing flowers are almost always yellow, seldom white, and never blue; and this in itself would be a sufficient ground for believing that yellow was the original colour of all petals. But as it is somewhat heretical to believe, contrary to the general run of existing scientific opinion, that petals are derived from flattened stamens, instead of from simplified and attenuated leaves, it may be well to detail here the reasons for this belief, because it seems of capital importance in connection with our present subject ; for if the petals were originally a row of altered stamens set apart for the special function of attracting insects, it would be natural and obvious why they should begin by being yellow ; but if they were originally a set of leaves, which became thinner and more brightly coloured for the same purpose, it would be difficult to see why they should first have assumed any one colour rather than another. The accepted doctrine as to the nature of petals is io THE COLOURS OF FLOWERS. that discovered by Wolf and subsequently redis- covered by Goethe, after whose name it is usually called ; for of course, as in all such cases, the greater man's fame has swallowed up the fame of the lesser. Goethe held that all the parts of the flower were really modified leaves, and that a gradual transition could be traced between them, from the ordinary leaf, through the stem-leaf and the bract, to the sepal, the petal, the stamen, and the ovary or carpel. Now, if we look at most modern flowers, such a transition can undoubtedly be observed ; and some- times it is very delicately graduated, so that you can hardly say where each sort of leaf merges into the next. But, unfortunately for the truth of the theory as ordinarily understood, we now know that in the earliest flowers there were no petals or sepals, but that primitive flowering plants had simply leaves on the one hand, and stamens and ovules on the other. The oldest types of flowers at present surviving are certain Gymnosperms, such as the cycads, of which the well -known Zamias of our conservatories may be regarded as good examples. These have only naked ovules on the one hand and clusters of stamens in a sort of cone on the other. The Gymnosperms are geologically earlier than any other flowering plants. But, if petals and sepals are later in origin (as we know them to be) than stamens and carpels, we can hardly say that they mark the transition from one form to the other, any more than we can say that Gothic architecture marks the transition from the Egyptian style to the classical Greek. It is not denied, indeed, that the stamen and the ovary are themselves by origin modified leaves — that part of THE ORIGIN OF PETALS, n the Wolfian theory is absolutely irrefutable — but with the light shed upon the subject by the modern doctrine of evolution, we can no longer regard petals and sepals as intermediate stages between the two. The earliest flowering plants had true leaves on the one hand, and specialised pollen-bearing or ovule- bearing leaves on the other hand, which latter are what in their developed forms we call stamens and carpels ; but they certainly had no petals at all, and the petals of modern flowers have been produced at some later period. It is probable, too, that they have been produced by a modification of certain external stamens, not by a modification of true leaves. Instead of being leaves arrested on their way towards becoming stamens, they are really stamens which have partially reverted towards the condition of leaves. They differ from true leaves, however, in their thin, spongy texture, and usually in the bright pigments with which they are adorned. All stamens show a great tendency easily to become petaloid, as it is technically called ; that is to say, to flatten out their filament or stalk, and finally to lose their pollen-bearing sacs or anthers. In the waterlilies — which are in certain ways one of the oldest and simplest types of flowers we now possess still preserving many antique points of structure unchanged — we can trace a regular gradation from the perfect stamen to the perfect petal. Take for example our common English white waterlily, Nymphcza alba (Fig. 3). In the centre of the flower we find stamens of the ordinary sort, with rounded stalks or filaments, and long yellow anthers full of pollen at the end of each ; then, as we move outward, 12 THE COLOURS OF FLOWERS. we find the filaments growing flatter and broader, and the pollen-sacs less and less perfect ; next we find a few stamens which look exactly like petals, only that they have two abortive anthers stuck awkwardly on to their summits ; and, finally, we find true petals, broad and flat, and without any trace of the anthers at all. Here in this very ancient though largely modified flower we have stereotyped for us, as it were, the mode in which stamens first developed into petals, under stress of insect selection.1 F;c. 3. — Transition fr:m stamens into petals in white waterlily (Nymphara alba): " But how do we know," it may be asked, " that the transition was not in the opposite direction ? How do we know that the waterlily had not petals alone to start with, and that these did not afterwards develop, as the Wolfian hypothesis would have us believe, into stamens ? ° For a very simple reason. The theory of Wolf and Goethe is quite incompatible with the doctrine of development, at least if accepted as a 1 The waterlilies belong to a very ancient type, in some respects partially intermediate between Monocotyledons and Dicotyledons ; but the comparative unification of their pistil shows them to have under- gone considerable modification. THE ORIGIN OF PETALS. 13 historical explanation (which Wolf and Goethe of course never meant it to be). Flowers can and do exist without petals, which are no essential part of the organism, but a mere set of attractive coloured advertisements for alluring insects ; but no flower can possibly exist without stamens, which are one of the two essential reproductive organs in the plant. With- out pollen, no flower can set its seeds. A parallel from the animal world will make this immediately obvious. Hive-bees consist of three kinds — the queens or fertile females, the drones or males, and the workers or neuters. Now it would be absurd to ask whether the queens were developed from an original class of neuters, or the neuters from an original class of fertile females. Neuters left to them- selves would die out in a single generation : they are really sterilised females, set apart for a special function on behalf of the hive. It is just the same with petals : they are sterilised stamens, set apart for the special function of attracting insects on behalf of the entire flower. But to ask which came first, the petals or the stamens, is as absurd as to ask which came first, the male and female bees or the neuters. Indeed, if we examine closely the waterlily petals, it is really quite impossible to conceive of the transi- tion as taking place from petals to stamens instead of from stamens to petals. It is quite easy to under- stand how the filament of an active stamen may become gradually flattened, and the anthers (or pollen- sacs) progressively void and functionless : but it is very difficult to understand how or why a petal should first begin to develop an abortive anther, and then a partially effective anther, and at last a perfect stamen. 14 THE COLOURS OF FLOWERS. The one change is comprehensible and reasonable, the other change is meaningless and absurd. Of course, it is not intended to deny the truth of Wolf's great generalisation in the way in which he meant it — the existence of a homology between the leaf and all the floral organs : but the conception certainly requires to be modified a little by the light of later evolutionary discoveries. The starting-point consists of a plant having three kinds of organs, true foliage leaves, staminal leaves, and carpellary leaves : the petals and sepals are apparently later intermediate modifications, produced in special connection with the acquired habit of insect fertilisation. In many other cases besides the waterlily, we know that stamens often turn into petals. Thus the numerous coloured rays of the Mesembryanthemums or ice-plant family are acknowledged by many botanists to be flattened stamens. In Canna, where one anther-cell is abortive, the filament of the solitary stamen becomes petaloid. In the Ginger order, one outer whorl of stamens resembles the tubular corolla, so that the perianth seems to consist of nine lobes instead of six. In orchids, according to Mr. Darwin, the lip consists of one petal and two petaloid stamens of the outer whorl. In double roses (Fig. 4) and almost all other double flowers the extra petals are produced from the stamens of the interior. In short, stamens generally can be readily converted into petals, especi- ally in rich and fertile soils or under cultivation. The change is extremely common in the families of Ran- unculacece, Papaveracccz, Magnoliacece, Malvacecz, and Rosacece, all very simple types. Even where stamens always retain their pollen-sacs, they have often broad, THE ORIGIN OF PETALS. flattened petaloid filaments, as in the star of Bethlehem and many other flowers. The curious scales on the petals of Parnassia palustris are now known to be altered stamens. Looking at the question as a whole, we can see how petals might easily have taken their origin from stamens, while it is difficult to understand how they could have taken their origin from ordinary leaves — a process of which, if it ever took place, no hint now remains to us. We shall see hereafter that the manner in which certain outer florets in the compound flower-heads of the daisy or the aster have been sterilised and specialised for the work of FIG. 4.— Transition from stamen (a) to petal (l>) and sepal (c) in flower of double rose. attraction, affords an exact analogy to the manner in which it is here suggested that certain stamens may at an earlier date have been sterilised and specialised for the same purpose, thus giving rise to what we know as petals. In a few rare instances, petals even now show a slight tendency to revert to the condition of fertile stamens. In Monandra fistulosa the lower lip is sometimes prolonged into a filament bearing an anther: and the petals of shepherds-purse (Capsella bursa-pastoris) have been observed antheriferous. The hypothesis upon which we shall hereafter 16 THE COLOURS OF FLOWERS. proceed, therefore, will be that petals are really de- rived from altered stamens. We shall return at a later point to the proofs of this position, and examine a few arguments which may be brought against it. For the present, it will be better to put forward the remainder of our general theory at once, without interrupting the exposition by any alien controversial matter. For the most part, it must find its evidence in its perfect congruity with all the established facts of the science. CHAPTER II. GENERAL LAW OF PROGRESSIVE COLOURATION. IF the earliest petals were derived from flattened stamens, it would naturally follow that they would be for the most part yellow in colour, like the stamens from which they took their origin. How, then, did some of them afterwards come to be white, orange, red, purple, lilac, or blue ? A few years ago, when the problem of the connection between flowers and insects still remained much in the state where Sprengel left it at the end of the last century, it would have seemed quite impossible to answer this question. But now- adays, after the full researches of Darwin, Wallace, Lubbock, and Hermann Miiller into the subject, we can give a very satisfactory solution indeed. We now know,, not only that the colours of flowers as a whole are intended to attract insects in general, but that certain colours are definitely intended to attract certain special kinds of insects. Thus, to take a few examples only out of hundreds that might be cited, the flowers which lay themselves out for fertilisation by miscellaneous small flies are almost always white ; those which depend upon the beetles are frequently yellow ; while those which specially bid for the favour C 1 3 THE COLOURS OF FLOWERS. of bees and butterflies are usually red, purple, lilac, or blue. Certain insects always visit one species of flower alone ; and others pass from blossom to blossom of one kind only on a single day, though they may vary a little from kind to kind as the season advances, and one species replaces another. M tiller, the most statistical of naturalists, has noticed that while bees form seventy-five per cent, of the insects visiting the very developed composites, they form only fourteen per cent, of those visiting umbelliferous plants, which have, as a rule, open but by no mevans showy white flowers. Certain blossoms which lay themselves out to attract wasps are, as he quaintly puts it, "obviously adapted to a less aesthetically cultivated circle of visitors." And some livid red flowers actually resemble in their colour and odour * decaying raw meat, thus inducing bluebottle flies to visit them and so carry their pollen from head to head. Down to the minutest distinctions between species, this correlation of flowers to the tastes of their par- ticular guests seems to hold good. Hermann Miiller notes that the common Galium of our heaths and hedges (G. mollugd] is white, and therefore visited by small flies ; while the lady's bedstraw, its near relative (G. verum\ is yellow, and owes its fertilisation to little beetles. Mr. H. O. Forbes counted on one occasion the visits he saw paid to the flowers on a single bank ; and he found that a particular bumble-bee sucked the honey of thirty purple dead nettles in succession, passing over without notice all the other plants in the neighbourhood ; two other species of bumble-bee and a cabbage-butterfly also patronised the same dead- LA W OF PROGRESSIVE CCLO URA TION. 1 9 nettles exclusively. Fritz Miiller noticed a Lantana in South America which changes colour as its flowering advances ; and he observed that each kind of butterfly which visited it stuck rigidly to its own favourite colour, waiting to pay its addresses until that colour appeared. Mr. Darwin cut off the petals of a lobelia and found that the hive-bees never went near it, though they were very busy with the surrounding flowers. But perhaps Sir John Lubbock's latest experiments on bees are the most conclusive of all. He had long ago con- vinced himself, by trials with honey placed on slips of glass above yellow, pink, or blue paper, that bees could discriminate the different colours ; and he has now shown in the same way that they display a marked preference for blue over all other hues. The fact is, blue flowers are, as a rule, specialised for fertilisation by bees, and bees therefore prefer this colour ; while conversely the flowers have at the same time become blue because that was the colour which the bees prefer. As in most other cases, the adaptation must have gone on pari passu on both sides. As the bee- flowers grew bluer, the bees must have grown fonder and fonder of blue ; and as they grew fonder of blue, they must have more and more constantly preferred the bluest flowers. We thus see how the special tastes of insects may have become the selective agency for developing white, pink, red, purple, and blue petals from the original yellow ones. But before they could exercise such a selective action, the petals must themselves have shown some tendency to vary in certain fixed directions. How could such an original tendency arise? For, of course, if thes insects never saw any C 2 20 THE COLOURS OF FLOWERS, pink, purple, or blue petals, they could not specially favour and select them ; so that we are as yet hardly nearer the solution of the problem than ever. Here Mr. Sorby, who has chemically studied the colouring matter of leaves and flowers far more deeply than any other investigator, supplies us with a useful hint. He tells us that the various pigments of bright petals are already contained in the ordinary tissues of the plant, whose juices only need to be slightly modified in chemical constitution in order to make them into the blues, pinks, and purples with which we are so familiar. "The coloured substances in the petals," he says, " are in many cases exactly the same as those in the foliage from which chlorophyll has disappeared ; so that the petals are often exactly like leaves which have turned yellow and red in autumn, or the very yellow or red leaves of early spring." " The colour of many crimson, pink, and red flowers is due to the development of substances belonging to the erythrophyll group, and not unfrequently to exactly the same kind as that so often found in leaves. The facts seem to indicate that these various substances may be due to an alteration of the normal constituents of leaves. So far as I have been able to ascertain, their development seems as if related to extra oxidi- sation, modified by light and other varying conditions not yet understood.' The different hues assumed by petals are all thus, as it were, laid up beforehand in the tissues of the plant, ready to be brought out at a moment's notice. And all flowers, as we know, easily sport a little in colour. But the question is, do their changes tend to follow any regular and definite order ? Is there any LA W OF PROGRESSIVE COLOURATION. 21 reason to believe that the modification runs from any one colour toward any other ? Apparently there is. The general conclusion to be set forth in this work is the statement of such a tendency. All flowers, it would seem, were in their earliest form yellow ; then some of them became white ; after that, a few of them grew to be red or purple ; and finally, a comparatively small number acquired various shades of lilac, mauve, violet, or blue. So that, if this principle be true, such a flower as the harebell will represent one of the most highly-developed lines of descent ; and its ancestors will have passed successively through all the intermediate stages. Let us see what grounds can be given for such a belief. Some hints of a progressive law in the direction of a colour-change from yellow to blue are sometimes afforded us even by the successive stages of a single flower. For example, one of our common little English forget-me-nots, Myosotis versicolor, is pale yellow when it first opens ; but as it grows older, it becomes faintly pinkish, and ends by being blue like the others of its race. Now, this sort of colour-change is by no means uncommon ; and in almost all known cases it is always in the same direction, from yellow or white, through pink, orange, or red, to purple or blue. For example, one of the wall-flowers, Cheiran- thus chamceleo, has at first a whitish flower, then a citron-yellow, and finally emerges into red or violet. The petals of Stylidiu m fruticosum are pale yellow to begin with, and afterwards become light rose-coloured. An evening primrose, (Enothera tetraptera, has white flowers in its first stage and red ones at a later period of development. Cobtza scandens goes from white to 22 THE COLOURS OF FLOWERS. violet ; Hibiscus mutabilis from white, through flesh- coloured, to red. The common Virginia stock of our gardens (Malcolmia} often opens of a pale yellowish green ; then becomes faintly pink ; afterwards deepens into bright red ; and fades away at last into mauve or blue. Fritz Miiller's Lantana is yellow on its first day, orange on the second, and purple on the third. The whole family of Boraginacece begin by being pink and end with being blue. The garden convolvulus opens a blushing white and passes into full purple. In all these and many other cases the general direc- tion of the changes is the same. They are usually set down as due to varying degrees of oxidation in the pigmentary matter. If this be so, there is a good reason why bees should be specially fond of blue, and why blue flowers should be specially adapted for fertilisation by their aid. For Mr. A. R. Wallace has shown that colour is most apt to appear or to vary in those parts of plants or animals which have undergone the highest amount of modifi- cation. The markings of the peacock and the argus pheasant come out upon their immensely developed secondary tail-feathers or wing-plumes ; the metallic hues of sun-birds and humming-birds show themselves upon their highly-specialised crests, gorgets, or lap- pets. It is the same with the hackles of fowls, the head-ornaments of fruit pigeons, and the bills of toucans. The most exquisite colours in the insect world are those which are developed on the greatly expanded and delicately-feathered wings of butter- flies ; and the eye-spots which adorn a few species are usually found on their very highly modified swallow- tail appendages. So, too, with flowers ; those which LA W OF PROGRESSIVE COLOURATION. 23 have undergone most modification have their colours most profoundly altered. In this way, we may put it down as a general rule (to be tested hereafter) that the least developed flowers are usually yellow or white ; those which have undergone a little more modification are usually pink or red ; and those which have been most highly specialised of any are usually purple, lilac, or blue. Absolute deep ultramarine probably marks the highest level of all. On the other hand, Mr. Wallace's principle also explains why the bees and butterflies should prefer these specialised colours to all others, and should therefore select the flowers which display them by preference over any less developed types. For bees and butterflies are the most highly adapted of all insects to honey-seeking and flower-feeding. They have themselves -.on their side undergone the largest amount of specialisation for that particular function. And if the more specialised and modified flowers, which gradually fitted their forms and the position of their honey-glands to the forms of the bees or butterflies, showed a natural tendency to pass from yellow through pink and red to purple and blue, it would follow that the insects which were being evolved side by side with them, and which were aiding at the same time in their evolution, would grow to recognise these developed colours as the visible symbols of those flowers from which they could obtain the largest amount of honey with the least possible trouble. Thus it would finally result that the ordinary un- specialised flowers, which depended upon small insect riff-raff, would be mostly left yellow or white ; those 24 THE COLOURS OF FLOWERS. which appealed to rather higher insects would become pink or red ; and those which laid themselves out for bees and butterflies, the aristocrats of the arthropo- dous world, would grow for the most part to be purple or blue. Now, this is very much what we actually find to be the case in nature. The simplest and earliest flowers are those with regular, symmetrical, open cups, like the Ranunculus genus, the Potentillas, and the Alsinece, or chickweeds, which can be visited by any insects whatsoever; and these are in large part yellow or white. A little higher are flowers like the campions or Silenece, and the stocks (Matthiola), with more or less closed cups, whose honey can only be reached by more specialised insects ; and these are oftener pink or reddish. More profoundly modified are those irregular one-sided flowers, like the violets, peas, and orchids, which have assumed special shapes to accom- modate bees or other specific honey-seekers ; and these are often purple and not unfrequently blue. Highly specialised in another way are the flowers like harebells (Campanula}, scabious (Dipsacecz), and heaths (Ericacecs], whose petals have all coalesced into ^ a tubular corolla ; and these might almost be said to be usually purple or blue. And, finally, highest of all are the flowers like labiates (rosemary, Salvia, &c.) and speedwells ( Veronica), whose tubular corolla has been turned to one side, thus combining the united petals with the irregular shape ; and these are almost invariably purple or blue. We shall proceed to give a few selected examples from the families best represented in the British flora. LA W OF PROGRESSIVE COLOURA TION, 25 The very earliest types of angiospermous flowers now remaining are those in which the carpels still exist in a separate form, instead of being united into a single compound ovary. Among Dicotyledons, the families, some of whose members best represent this primitive stage, are the Rosacece and Ranunculacece ; among Monocotyledons, the Alismacece. We may conveniently begin with the first group. FIG. 5. — Flower of cinquefoil (Potentilla). Primitive yellow. The roses form a most instructive family. As a whole they are not very highly developed flowers, since all of them have simple, open, symmetrical blossoms, generally with five distinct petals. But of all the rose tribe, the Potentillece, or cinquefoil group, in- cluding our common English silver-weed, seem to make up the most central, simple, and primitive members (Fig. 5). They are chiefly low, creeping weeds, and their flowers are of the earliest symmetrical pattern, 26 THE COLOURS OF FLOWERS. without any specialisation of form, or any peculiar adaptation to insect visitors. Now, among the poten- tilla group, nearly all the blossoms have yellow petals, and also the filaments of the stamens yellow, as is likewise the case with the other early allied forms, such as agrimony (Agrimonia Eupatorid) and herb- bennet (Geum urbanum}. Among our common yellow species are Potentilla reptans (cinquefoil), P. tormcn- tilla, P. argentea, P. verna, P. fruticosa, and P. anse- rina. Almost the only white potentillas in England are the barren strawberry (P. fragariastr 11111) and the true strawberry (Fragaria vescd]^ which have, in many ways, diverged more than any other species from the norma of the race. Water-avens (Geum rivale), how- ever, a close relative of herb-ben net, has a dusky purplish tinge; and Sir John Lubbock notes that it secretes honey, and is far oftener visited by insects than its kinsman. The bramble tribe (Rubece), including the blackberry (Fig. 6), raspberry, and dewberry, have much larger flowers than the potentillas, and are very greatly frequented by winged visitors. Their petals are usually pure white, often with a pinky tinge, especially on big, well-grown blossoms. But there is* one low, little-developed member of the blackberry group, the Rubus saxatilis, or stone-bramble, with narrow, inconspicuous petals of a greenish-yellow, merging into dirty white ; and this humble form seems to preserve for us the transitional stage from the yellow potentilla to the true white brambles. One step higher, the cherries and apples (though genetically unconnected), have very large and expanded petals, white toward the centre, but blushing at the edges into rosy pink or bright red (Fig. 7). We shall sea hereafter LA W OF PROGRESSIVE COLOURA TION. 27 that new colours 'always make their appearance at the outer side of the petal, while the base usually retains its primitive colouration. For the present, this prin- FIG. 6 —Vertical section of bramble-flower (Rubus). White. ciple must be accepted on trust. Finally, the true roses (Fig. 8), whose flowers are the most developed of all, have usually broad pink petals (like those of our own FIG. 7. — Vertical section of appli-blossom (Pyrus ntalus). Pinky white. dog-rose, Rosa canina, R. villosa, R. rubigtnosa, &c.), which, in some still bigger exotic species, become crimson or damask of the deepest dye. They are 28 THE COLOURS OF FLOWERS. more sought after by insects than any others of their family. Now, if we look closely at these facts, we see that they have several interesting implications. The yellow potentillas have the very simplest arrangement of the carpels in the whole family, and their fruit is of the most primitive character, consisting only of little dry separate nuts. They have altered very little from their primitive type. Accordingly, almost all the genus is yellow ; a very few members only are white ; and these in their habits so far vary from the rest that FIG. 8. — Vertical section of dog-rose {Rosa). Pink. they have very erect flowers, and three leaflets instead of five or more to each leaf. One of them, the straw- berry, shows still further marks of special differentia- tion, in that it has acquired a soft, pulpy, red fruit, pro- duced by the swelling of the receptacle, and adapted to a safer mode of dispersal by the aid of birds. This group, however, including Geuin, cannot claim to be considered the earliest ancestral form of the roses, because of its double calyx, which is not shared by other members of the family, as it would be if it had belonged to the actual, common ancestor. In that LA W OF PROGRESSIVE COLOURA TION, 29 respect, agrimony more nearly represents the primitive form, though its tall habit and large spikes of flowers show that it also has undergone a good deal of modi- fication. Nevertheless, the yellow members of the potentilla group, in their low creeping habit, their want of woodiness, and their simple fruit, certainly remain very nearly at the primitive ancestral stage, and may be regarded as very early types of flowers indeed. It is only among handsome and showy exotic forms, which have undergone a good deal more modification, that we get brilliant red-flowered species like the East Indian P. nepalensis and P. atropurpurea. But as soon as the plants rise a little in the scale, and the flowers grow larger, we get a general tendency towards white and pink blossoms. Thus the Prunece have diverged from the central stock of the rose family in one direction, and the Pomece and Rosece in another ; but both alike begin at once to assume white petals ; and as they lay themselves out more and more distinctly for insect aid, the white passes gradually into pink and rose-colour. To trace the gradations throughout, we see that the Rubece, or brambles, are for the most part woody shrubs instead of being mere green herbs, and they have almost all whitish blossoms instead of yellow ones ; but their carpels still remain quite distinct, and they seldom rise to the third stage of pinkiness ; when they do it is generally just as they are fading, and we may lay it down as a common principle that the fading colours of less developed petals often answer to the normal colours of more developed. In the Prunece, again, the de- velopment has gone much further, for here most of the species are trees or hard shrubs, and the number 30 THE COLOURS OF FLOWERS. of carpels is reduced to one. They have a succulent fruit — a drupe, the rr'ghest type — and though the flower contains two ovules, the ripe plum has only one seed, the other having become abortive. All these are marks of high evolution : indeed, in most respects the Prunece stand at the very head of the rose family ; but the petals are seldom very expanded, and so, though they are usually deeply tinged with pink in the cherry (Primus cerasus), and still more so in larger exotic blossoms, like the almond, the peach, and the nectarine, they seldom reach the stage of red. Our own sloe (P. commums] has smallish white flowers, as has also the Portugal laurel (P. lusi- tanicus). In these plants, in fact, higher development has not largely taken the direction of increased attrac- tion for insect fertilizers; it has mainly concentrated itself upon the fruit, and the devices for its dispersal by birds or mammals. In the Rosecz, on the other hand, though the fruit is less highly modified, the methods for ensuring insect fertilisation are carried much further. There are several carpels, -but they are inclosed within the tube of the calyx, and the petals are very much enlarged indeed, while in some species the styles are united in a column. As regards insect-attraction, indeed, the roses are the most ad- vanced members of the family, and it is here, accord- ingly, that we get the highest types of colouration. Most of them are at least pink, and many are deep red or crimson. Among the Pomea, we find an inter- mediate type (as regards the flowers alone) between Rosece and Prunece ; the petals are usually bigger and pinker than those of the plums ; not so big or so pink as those of the true roses. This interesting series LA W OF PROGRESSIVE COLOURA TION. 51 exhibits very beautifully the importance as regards colouration of mere expansion in the petals. Taking them as a whole we may say that the smallest petals in the rose family are generally yellow; the next in size are generally white ; the third in order are gene- rally pink ; and the largest are generally rose-coloured or crimson. At the same time, the roses as a whole, being a relatively simple family, with regular symmetrical flowers of the separate or polypetalous type, have never risen to the stage of producing blue petals. That, probably, is why our florists cannot turn out a blue rose. It is easy enough to make roses or any other blossoms vary within their own natural limits, revert to any earlier form or colour through which they have previously passed ; but it is difficult or impossible to make them take a step which they have never yet naturally taken. Hence florists generally find the most developed flowers are also the most variable and plastic in colour ; and hence, too, we can get red, pink, white, straw-coloured, or yellow roses, but not blue ones. This would seem to be the historical truth underlying De Candolle's division of flowers into a xanthic and cyanic series. Of course, there is nothing to prevent florists from developing a blue rose in the same way as the insects would do it, by gradually selecting and preserving the most bluish or slate-coloured among their pink or crimson kinds. But it would appear from the comparative rarity of blue flowers in nature that the spontaneous variations which make towards blue are far less frequent than those which make towards pink, red, purple, or orange. 32 THE COLOURS OF FLOWERS. There is one small set of rosaceous plants which exhibit green flowers, such as the genera Alchemilla and Poterium. When we come to consider the sub- ject of degeneration, however, we shall see that these are not really primitive blossoms, but very degraded and altered types. For the present, it must suffice to point out that they have lost some of their sepals, all their petals, and many of their carpels ; and that they cannot therefore be regarded in any way as represen- tatives of the central primordial stock from which the roses are originally derived. This place certainly belongs rather to Potentilla, Agrimoma, and some allied exotic types, with simple regular yellow blossoms. Even more primitive in type than the Rosacecz are the lowest members of the Ranunculacece, or buttercup family, which perhaps best of all preserve for us the original features of the early dicotyledonous flowers. The family is also more interesting than that of the roses because it contains greater diversities of development, and accordingly covers a wider range of colour, its petals varying from yellow to every shade of crimson, purple, and blue. The simplest and least differentiated members of the group are the common meadow butter- cups (Fig. 9), forming the genus Ranunculus, which, as everybody knows, have five open petals of a brilliant golden hue. Nowhere else is the exact accordance in tint between stamens and petals more noticeable than in these flowers. The colour of the filaments is exactly the same as that of the petals ; and the latter are simply the former a little expanded and deprived of their anthers. We have several English meadow species, all with separate carpels, and all very LA IV OF PROGRESSIVE COLOURATION. 33 primitive in organization, such as R. acris (the central form), R. bulbosus, R. repens, R.flammula, R. sceleratus, R. auricomus, R. philonotis, &c. In the lesser celan- dine or pilewort, R. ficaria, there is a slight divergence from the ordinary habit of the genus, in that the petals, instead of being five in number, are eight or nine, while the sepals are only three; and this divergence is accompanied by two slight variations in colour : the outside of the petals tends to become slightly reddish or purplish, and the flowers fade FIG. 9. — Vertical section of buttercup {Ranunculus acris)', primitive yellow. white, much more distinctly than in most other species of the genus. There are two kinds of buttercup in England, how- ever, which show us the transition from yellow to white actually taking place under our very eyes. These are the water-crowfoot, R. aquatilis (Fig. 90), and its close ally the ivy-leaved crowfoot, R. hederaceus, whose petals are still faintly yellow toward the centre, but fade away into primrose and white as they approach the edge. We have already noticed that new colours usually appear at the outside, while the claw or base D 34 THE COLOURS OF FLOWERS, of the petal retains its original hue ; and this law is strikingly illustrated in these two crowfoots. It is remarkable, too, that in this respect they closely resemble the half-faded flowers of the lesser celandine, which become white from the edge inward as they die. The petals also similarly vary, in number, though to a less extent. White flowers of the sam-e type as those of water-crowfoot are very common among aquatic plants of like habit, and they seem to be especially adapted to water-side insects. FIG. ga. — Flower of water crowfoot (Rantmc-uhts aquatilis); white, with yellow claws. In many Ranunculacecz there is a great tendency for the sepals to become petaloid, and this peculiarity is very marked in Caltha palus tris, the marsh-marigold, which has no petals, but bright yellow sepals, so that it looks at first sight exactly like a very large buttercup. The clematis and anemone, which are more highly developed, have white sepals (for the petals here also are suppressed), even in our English species ; and exotic kinds varying from pink to purple are culti- vated in our flower-gardens. LA W OF PROGRESSIVE COLOURA TION. 35 It is among the higher ranunculaceous plants, how- ever, that we get the fullest and richest colouration. Columbines (Aquilegia) are very specialised forms of the buttercup type (Fig. 10). Both sepals and petals FIG. 10. — Flower of columbine (.A quilegia vulgaris), with petals produced into honey-bearing spurs ; purple or blue. are brightly coloured, while the former organs are pro- duced above into long, bow-shaped spurs (Fig. 1 1), each of which secretes a drop of honey. The carpels are also D 2 36 THE COLOURS OF FLOWERS. reduced to five, the regularity of number being itself a common mark of advance in organization. Various columbines accordingly range from red to purple and dark blue. Our English species, A. vulgaris, is blue or dull purple, though it readily reverts to white or red in cultivated varieties. Even the columbine, however, though so highly specialised, is not bila- terally but circularly symmetrical. This last and highest mode of adaptation to insect visits is found in larkspur (Delphinium ajacis), and still more developed in the curious monkshood (Aconitum napellus, Fig. 12). FIG. ii. — Petal of columbine produced into a honey-bearing spur. Now larkspur is usually blue, though white or red blossoms sometimes occur by reversion ; while monks- hood is one of the deepest blue flowers we possess. Both show very high marks of special adaptation ; for besides their bilateral form, Delphinium has the number of carpels reduced to one, the calyx coloured and deeply spurred, and three of the petals abortive ; while Aconitum has the carpels reduced to three and partially united into a compound ovary, the upper sepals altered into a curious coloured hood or helmet, and the petals considerably modified (Fig. 13). All these very complex arrangements are defintely corre- LA W OF PROGRESS! VE COLOURA TION. 3? lated with the visits of insects, for the two highly abnormal petals under the helmet of the monkshood produce honey, as do also the two long petals within the spur of the larkspur. Both flowers are also specially adapted to the very highest class of insect visitors. FIG. 12. — Flowers of monkshood (A conitum napellus) > dark blue. Aconitum is chiefly fertilized by bees ; and Sir John Lubbock observes that " Anthophora pilipes and Bom- bus hortorum are the only two North European insects which have a proboscis long enough to reach to the end of the spur of Delphinium elatum, A. 38 THE COLOURS OF FLOWERS. pilipes, however, is a spring insect, and has already disappeared before the Delphinium comes into flower, so that it appears to depend for its fertilisation entirely on Bombus hortorum" Thus within the limits of the Ranunculacecs we get every gradation in colouring, from the very simple, open, yellow buttercups, through the white water FIG. 13.— Petals of monkshood, concealed by sepals, and produced into honey- bearing sacs. crowfoots, the red adonis, the scarlet paeony, and the purple columbine, to the very irregular blue larkspur, and the extremely complex ultramarine monkshood. In this family it may be noted, too, that increase of adaptation to insect visits is shown rather by peculi- arities of shape and arrangement than by mere increased size of petals, as among the roses. Observe also that every advance either in insect LAW OF PROGRESSIVE COLOURATION. 39 fertilization or in special adaptation for dispersal of seeds results in a lessening of the number of carpels or of seeds. The plant does not need to produce so many when all are fairly sure of arriving at maturity and being dispersed. Flowers in which the carpels have arranged them- selves in a circle around a common axis, like the Geraniacea and Malvacece, thereby show themselves to be more highly modified than flowers in which all the carpels are quite separate and scattered, like the simpler Rosacece and Ranunculacecz. Still more do families such as the Caryophyllacecz, or pinks, in which all the five primitive carpels have completely coalesced into a single five-celled ovary. Accordingly, it is cot remarkable that the pinks should never be yellow. On the other hand, this family has no very specialised members, like the larkspur and the monkshood, and therefore it very rarely produces bluish or purplish flowers. Pinks, in fact, do not display so wide a range in either direction as Ranunculacecz. They begin as high up as white, and hardly get any higher than red or carnation. They are divisible into two sub-families, Alsinece and Silenecz. The Alsinece have the sepals free, the blossoms widely expanded, and no special adaptations for insect fertilization (Fig. 14). They include all the small undeveloped field species, such as the chickweeds (Stellaria media, A renaria trin- ervisy Cerastium vulgatum, &c.), stitchworts (Stellaria holostea, &c.), and cornspurries (Spergula arvensis), which have open flowers of a very primitive character ; and almost all of them are white. These are ferti- lized by miscellaneous small flies. The Silenecz, on the other hand, including the large-flowered types such as THE COLOURS OF FLOWERS. the campions (Fig. 15) and true pinks, have a tubular calyx, formed by the coalescence of the five sepals, and the expanded petals are raised on long claws ; which makes their honey, inclosed in the tube, acces- sible only to the higher insects. Most of them also display special adaptations for a better class of insect fertilization in the way of fringes or crowns on the petals. These more profoundly modified kinds are FIG. 14. — Flowers of chickweed (Stellaria) ; white. generally pink or red. For example, in the most advanced British genus, Dianthus, which has usually vandyked edges to the petals, our four English species are all brightly coloured, D. armeria, the Deptford pink, being red with dark spots, D. prolifer purplish red, D. deltoides, the maiden pink, rosy spotted with white, and D. ccesius, the Cheddar pink, bright rose- coloured. It is much the same with the allied genus Lychnis. LAW OF PROGRESSIVE COLOURATION. 41 Our own beautiful purple English corn-cockle (L. githago), is a highly developed campion, so specialised that only butterflies can reach its honey with their long tongues, as the nectaries are situated at the bottom of the tube. Two other species of campion, however, show us interestingly the way in which variations of colour may occur in a retro- grade direction even among highly evolved forms. FIG. 15. — Flower of night campion {Lychnis vespertina) ; white. One of them, the day lychnis, (L. diurnd), has red, scentless flowers, opening in the morning, and it is chiefly fertilized by diurnal butterflies. But its de- scendant, the night lychnis (L. vespertina), has taken to fertilization by means of moths ; and as moths can only see white flowers it has become white (Fig. 1 5), and has acquired a faint perfume as an extra attraction. Still, the change has not yet become fully organised 42 THE COLOURS OF FLOWERS. in the species, for one may often find a night lychnis at the present time which is only pale pink, instead of being pure white. Sir John Lubbock remarks of the Caryophyllacece that " the order presents us with an interesting series commencing with open-flowered species, the honey of which is accessible even to beetles, and short-tongued flies, through those which are adapted to certain flies (Rhingia) and Bees ; to the species of Diant/ius, Saponaria, and Lychnis Githago, the honey of which is accessible to Lepidoptera only." It is a curious fact that in just the same progression the flowers pass gradually from small white inconspicuous petals to large and deeply coloured red or purple ones. The Cistacece are another family of simple flowers, with the carpels united, but otherwise very primitive in form. Their petals usually spread around the ovary in a regular discoid form ; and the earliest members only differ essentially from Potentilla in the union of their carpels into a single imperfectly three-celled capsule. Our English genus, Helianthemum or rock- rose, comprises some of the smallest and simplest forms, with yellow petals, and very like Potentilla in general appearance. One species, however, H.poli- folium (a mere slight variation on the yellow H. vulgare), has white flowers. The larger South Euro- pean forms, which make up the genus Cistus, have much more expanded petals, and these are usually white, pinkish, or rose-coloured. One Mediterranean species has a yellow centre with white edges : another closely allied to it, has a white centre with pink edges. Here, as in the roses, mere increase in size (coupled of course with special insect selection) seems to have LA W OF PROGRESSIVE COLOUR A TION. 43 effected the progressive modification of the pig- mentary matter. The Papaveracece or poppies show us somewhat similar results. Many of the less developed forms, with small petals, are yellow. For example, the celandine, Chelidonium majus, has a very simple ovary and comparatively inconspicuous flowers : and its petals are of just the same primitive golden yellow as those of the buttercups, the potentillas, and the rock- roses. GlaMcium luteum, another little-developed form, is also yellow. So are the Californian Esch- scholtzias of our gardens. But in the field poppies, Papaver rhczas, P. dubium, P. hybridum, &c., which have extremely large and expanded petals, together with a highly modified compound ovary, bright scarlet is the prevailing colour, though pale red and white also occur. The still larger garden poppy, P. somni- ferum, is bluish white, with a purple base to the petals. The Cruciferce are a family which display a good deal of variety of colouration, though not so largely within the limits of our British species. The most primitive and simple forms have yellow flowers, as in the case of the cabbage genus (Brassica) including char- lock, mustard, and turnip ; the rockets (Barbarea and Sisymbriuni) ; and the gold-of-pleasure (Camelina sativa). Most of these are dry-field weeds, and they have open little-developed blossoms. Their petals usually fade white. In the genus Nasturtium or watercress we have four species, three of which are yellow, while one is white. In treacle-mustard (Ery- simum\ the yellow is very pale, and the petals often become almost white. Just above these earliest forms 44 THE COLOURS OF FLOWERS. come the common small white crucifers like Cardamine hirsuta, Cochlearia officinalis, and Capsella bursa- pastoris. Many of these are little if at all superior in organization to the yellow species, and some of them (as we shall see hereafter) are evidently degenerate weeds of cultivation. But such flowers as Alyssum mariti- mum> with its sweet scent, its abundant honey, its reduced number of seeds, and its conspicuous, spreading milk-white petals, are certainly more developed than small yellow species like Alyssum caly- cinum. Even more remarkably is this the case in the genus Iberis or candytuft, which has become slightly irregular, by the two adjoining exterior petals growing larger than the interior ones. They thus form very conspicuous heads of bloom, obviously adapted to higher insect fertilisation. Accordingly, they are usually white, like our British species, /. amara ; while some of the larger exotic species are a pretty pink in hue. The genus Cardamine supplies us with like instances. Here the smaller species have white flowers, and so has the large C. amara. But in C. pratensiSy the cuckoo-flower, they are usually tinged with a pinkish purple, which often fades deep mauve ; and in some showy exotic species the flowers are a rich pink. So with Arabis : our small English kinds are white; A. petrcza, with larger petals, is often slightly purplish, and some handsome exotics are a vivid purple. In Hesperis we get a further degree of modification in that the petals are raised on rather long claws ; and the flowers (represented in England by H. matronalis, the dame's-violet) are a fine purple and possess a powerful perfume. Closely allied is the Virginia stock of our gardens, (Malcohnid) which LA W OF PROGRESSIVE COLOURATION. 45 varies from pale pink to mauve : its calyx has become tubular. Yellow blossoms occasionally occur in this genus. But the highest of all' our crucifers are con- tained in the genera Matthiola and Cheiranthus, which have large spreading petals on long erect claws, besides often being sweet scented. The common stock (M. incana) is purple, reddish, or even violet ; our other British species, M. sinuata, is pale lilac ; and no member of the genus is ever yellow. The wall- flower (Cheiranthus ctieirt) is rich orange or red, some- times yellow : its colour, however, differs widely from the primitive golden yellow of the charlocks or buttercups ; and it will receive further attention here- after. There is one special (perhaps artificial) tribe of crucifers, the Lomentosa, which display specially high modification in the pod or fruit ; and these deserve separate treatment. Yellow flowers are here very rare ; but one English species, Isatis tinctoria, the dyer's woad, has small yellow petals. Raphanus raphanistrum, the wild radish, has usually in its sea- coast form pale primrose blossoms, much larger than woad ; but inland they are oftener white with coloured veins, and sometimes even lilac. Crambe maritima, the seakale, a somewhat more developed type, is always white, never yellow ; and Cakile maritima, a still higher plant of the same tribe, has purple blossoms, much like those of a stock. So much by way of illustration of the families with usually regular polypetalous flowers and free superior ovaries. The other families of this type not noticed here will receive attention in a later chapter. We may next pass on to the families of polypetalous 46 THE COLOURS OF FLOWERS. flowers with usually irregular corollas, which represent of course a higher stage of development in adaptation to insect visits. Of these, three good illustrative cases are included in the British flora. They are the Polygalacece, the Violacece, and the Papilionacecs. Poly gala vulgaris, or milkwort, our only British representative of the first named family, is an ex- tremely irregular flower, very minutely and remark- ably modified for special insect fertilisation. It is usually a bright blue in colour, but it often reverts to pink, and not infrequently even to white. Two of the sepals are coloured, as well as the petals. The Violacece or violets are a whole family of bilateral flowers, highly adapted 'to fertilisation by insects ; and as a rule they are a deep blue in colour. This is the case with four of our British species, Viola odorata, V. canina, V. hirta, and V. palustris. Here, too, however, white varieties easily arise by reversion ; while one member of the group, the common pansy, V. tricolor, is perhaps the most variable flower in all nature. This case, again, will receive further attention when we come to consider the subject of variegation and of reversion or retrogression. The Papilionacecz or peaflowers are closely related to the roses, but differ conspicuously in their bilateral form. The lower and smaller species, such as the medick, lotus, and lady's fingers, are usually yellow, though often reddish outside. So also are broom and gorse. Among the more specialised clovers, some of which are fertilised by bees alone, white, red, and purple predominate. Even with the smaller and earlier types, the most developed species, like LAW OF PROGRESSIVE COLOURATION. 47 lucerne, are likewise purple or blue. But in the largest and most advanced types, the peas, beans, vetches, and scarlet runners, we get much brighter and deeper colours, often with more or less tinge of blue. In the sweet-peas and many others, the standard frequently differs in hue from the keel or the wings — a still further advance in heterogeneity of colouration. Lupines, sainfoin, everlasting pea, and wistaria are highly evolved members of the same family, in which purple, lilac, mauve, or blue tints become distinctly pronounced. The colouration of the Papilionacece, however, does not as a whole illustrate the general law so well as that of many other groups. When we pass on to the Corolliflora, or flowers in which the originally separate petals have coalesced into a single united tube, we meet with much more striking results. Here, where the very shape at once betokens high modification, yellow is a comparatively rare colour (especially as a ground-tone, though it often comes out in spots or patches), while purple and blue, so rare elsewhere, become almost the rule. The family of Campanulacecsy or bluebells, forms an excellent example. Its flowers are usually blue or white, and the greater number of them, like the hare- bell (Campanula rotundifolia] and the Canterbury bell (C. media), are deep blue (Fig. 1 6). We have nine British species of the genus, varying from pale sky-blue to ultra- marine and purplish cobalt, with an occasional relapse to white. Rampion and sheep's bit, also blue, are clustered heads of similar blossoms. The little blue lobelia of our borders, which is bilateral as well as tubular, belongs to a closely-related tribe. One of THE COLOURS OF FLOWERS. our British species, Lobelia Dortmanna, is sky-blue ; the other, L. urens, is a dingy purple. Not far from them are the Dipsacece, including the lilac scabious, the blue devil's bit, and the mauve teasel. Amongst FIG. 16.— Flower of harebell (Campanula); bright blue. all these very highly- evolved groups blue distinctly forms the prevalent colour. In the great family of the Ericacece, or heaths, which is highly adapted to insect fertilisation, more particu- larly by bees, purple and rose are the prevailing tints, LAW OF PROGRESSIVE COLOURATION. 49 so much so that, as we all have noticed a hundred times over, they often colour whole tracts of hillside to- gether. In all probability there are no really yellow heaths. The bell-shaped blossoms mark at once the position of the heaths with reference to insects ; and the order, according to Mr. Bentham, supplies us with more ornamental plants than any other in the whole world. Among our British species, in the less developed forms, like V actinium, Arbutus, and Andro- meda, the flowers are usually white, flesh-coloured, pinkish, or reddish. The highly developed Erica, on the other hand, are mostly purple or deep red. E. vulgaris has the calyx as well as the corolla coloured with a mauve variety of pink. Menziesia ccerulea is a deep purplish blue. Monotropa alone, a very degraded leafless saprophyte form, has greenish-yellow or pale brown free petals. The Boraginacea are another very advanced family of Corolliflorce, and they are blue almost without exception. They have usually highly - modified flowers, with a tube below and spreading lobes above ; in addition to which most of the species possess remarkable and strongly-developed appendages to the corolla, in the way of teeth, crowns, hairs, scales, parapets or valves. Of the common British species alone, the forget-me-nots (Myosotis) are clear sky- blue with a yellow eye ; the viper's bugloss (Echium vulgare) is at first reddish purple, and afterwards a deep blue ; the lungwort (Pulmonaria officinalis] is also dark blue ; and so are the two alkanets (Anchusd), the true bugloss (Lycopsis), the madwort (Asperugo], and the familiar borage (Borago officinalis), used to flavour claret-cup ; though all of them by reversion E 50 THE COLOURS OF FLOWERS. occasionally produce purple or white flowers. Hounds- tongue (Cynoglossum officinale) is purple-red, and most of the other species vary between purple and blue ; indeed, throughout the family most flowers are red at first and blue as they mature. The purplish-red of the less advanced species exactly answers to the immature colouring of the more advanced, which are blue in their full-blown stage. Of these, borage at least is habitually fertilised by bees, and the same is partially true of many of the other species. All of them are adapted to a high class of insect visitors. Other families of regular Corolliflorce must be glanced at more briefly. Among the Gentianacece, the less advanced types, like the simple Chlora per- foliata and Limnanthemum nymphceoides, are yellow, perhaps by reversion ; but Menyanthes trifoliata, a slightly more developed ally of Limnanthemum, has white blossoms, tinged outside with red ; Erythrcza centaurium, with a divided calyx and the cells of the ovary imperfectly united, is red ; and the true gentians, Gentiana verna, G. campestris, G. nivalis, &c., with a tubular calyx, long throat, and sometimes fringed hairs to the tube, are bright blue. In Apocynacecs, we have the highly developed periwinkles, Vinca major and V. minor, normally blue, though pink and white varieties or species are also cultivated. In Plumbaginecz we have the bluish purple sea-lavender (Statice Li- moniuni] and the pink thrift (A rmeria vulgaris). Other families with special peculiarities will receive notice later on. It is necessary, however, here briefly to refer to the great family of Composites, some of whose peculiarities can only properly be considered when we come to LA IV OF PROGRESSIVE COLOURATION. 51 inquire into the phenomena of relapse and retrogres- sion. Nevertheless, even at the present stage of our inquiry, the composites afford some excellent evidence. In certain ways they may be regarded as the very highest race of flowering plants. Not only are their petals united into a tubular corolla, but their blossoms are compounded into large bunches or groups of a very showy and attractive sort. Each flower-head here consists of a number of small florets, crowded together so as to resemble a single blossom. So far as our present purpose is concerned, they fall natur- ally into three groups — Jussieu's old-fashioned sub- orders of Ligulatce, Cynaroidecz, and Cory mbife fee, which are quite sufficient for all ordinary objects of botanical study. The first, or ligulate tribe, is that of the dandelions or hawkweeds, with open florets, fertilised, as a rule, by very small insects ; and these are generally yellow, with only a very few divergent species. They will receive further notice hereafter. The second, or cynaroid tribe, is that of the thistle- heads, visited by an immense number of insects, in- cluding the bees ; and these are almost all purple, while some highly-evolved species, like the corn-flower or blue-bottle (Centaurea cyanus, Fig. 17) and the true artichoke (Cynara scolymus], are bright blue. The third, or corymbiferous tribe, is that of the daisies and asters, with tubular central florets and long flattened outer rays ; and these demand a closer examination here. The central florets of the daisy tribe, as a rule, are bright golden ; a fact which shows pretty certainly that they are descended from a common ancestor who was also yellow. Moreover, these yellow florets E 2 THE COLOURS OF FLOWERS. are bell-shaped, and each contains a pistil and five stamens, like any other perfect flower. But the outer florets are generally sterile ; and instead of being FIG. 17. — Flower of corn bluebottle (Cenia-urea cyanus); highest type of cynaroid composite ; bright blue. bell-shaped they are split down one side and unrolled, so as to form a long ray ; while their corolla is at the same time much larger than that of the central LA W OF PROGRESSIVE COL O URA TION. 5 3 blossoms (Fig. 18). In short, they are sterilised mem- bers of the compound flower-head, specially set apart for the work of display ; and thus they stand to the entire flower-head in the same relation as petals do to the simple original flower. The analogy between the two is complete. Just as the petal is a specialised and sterilised stamen told off to do duty as an allurer of insects for the benefit of the whole flower, so the ray-floret is a specialised and sterilised blos- som told off to do the self-same duty for the benefit FIG. 18.— Vertical section of head of daisy (Bellis pe rennls) \ central florets, yellow ; ray florets, white, tipped with pink. of the group of tiny flowers which make up the composite flower-head. Now, the earliest ray-florets would naturally be bright-yellow, like the tubular blossoms of the central disk from which they sprang. And to this day the ray-florets of the simplest corymbiferous types, such as the corn-marigold (Chrysanthemum segetum), the sun-flower (Helianthus annuus], and the ragwort (Senecio jacobced}, are yellow like the central flowers. In the camomile, however, the ox-eye daisy, and the may-weed (Anthemis cotula, Chrysanthemum leucan- t/iemum, &c.), the rays have become white ; and this, 54 THE COLOURS OF FLOWERS. I think, fairly establishes the fact that white is a higher development of colour than yellow ; for the change must surely have been made in order to attract special insects. Certainly, such a differentia- tion of the flowers in a single head cannot be without a good purpose. In the true daisy, again (Bcllis perennis], the white rays become tipped with pink (Fig. 1 8) which sometimes rises almost to rose-colour ; and this stage is exactly analogous to that of apple- blossom, which similarly halts on the way from white petals to red. In our own asters (A. tripolium, &c.) and the Michaelmas daisies of America, we get a further advance to purple, lilac, and mauve, while both in these and in the chrysanthemums true shades of blue not infrequently appear. The Cinerarias of our gardeners are similar forms of highly-developed groundsels from the Canary Islands. Tubular flowers with an irregular corolla are ob- viously higher in their mode of adaptation to insect visits than tubular flowers of the ordinary symmetrical type. Amongst them, the first place must be as- signed to the Labiates — perhaps the most specialised of any so far as regards insect fertilisation. Not only are they deeply tubular, but they are very bilateral and irregular indeed, displaying more modi- fication of form than almost any other flowers except the orchids. They mostly secrete abundant honey, and often possess highly aromatic perfumes. More- over, they form geologically one of the latest families of flowering plants, specially developed in adaptation to bees and other highly-evolved honey-suckers. Almost all of them are purple or blue. Among the best known English species are thyme, mint, marjoram, LA W OF PROGRESSIVE COLOURA TION. 55 sage (Fig. 19), and basil, which it need hardly be said are great favourites with bees. Ground-ivy (Nepeta gle- chomd) is bright blue ; catmint (Nepeta cataria], pale blue ; Prunella, violet-purple ; and common bugle (Ajuga reptans], blue or flesh-colour. Many of the others are purple or purplish. It must be added that in this family the flowers are very liable to vary within the limit of the same species ; and red, white, or purple specimens are not uncommon in many of the normally blue kinds. FIG. 19. — Flower of sage (Salvim) visited by bee ; blue. The Scropkularinecz and other allied irregular tubular families are mostly spotted, and so belong to a later stage of our inquiry ; but even amongst this group, the Veronica genus has almost always pure blue flowers ; foxglove (Digitalis purpured] is purple; and most of the Broomrapes (Orobanchacece] are more or less bluish. Blue and lilac also appear abundantly in spots or stripes in many species of Linaria, in Euphrasia, and in other genera, We have given so much consideration to the Dico- tyledons that the relatively simple and homogeneous 56 THE COLOURS OF FLOWERS. Monocotyledons need not detain us long. Their colouration is as a whole both less complicated and less instructive. As a rule, sepals and petals are here petaloid and often indistinguishable. The AlismacecE answer very closely to the Ranun- culacece as being in all probability the earliest sur- viving type of entomophilous Monocotyledons. Their arrangement is of course trinary, but they have similarly separate carpels, often numerous, surrounded by one, two, three, or many rows of stamens, and then by one row of three petals and one row of three sepals. All our English species, however, are white or rosy, instead of yellow. As they are marsh plants, they seem, to have reached or passed the stage of Ranunculus aquatilis. One species, A lisma plantago, the water-plantain, however, still retains a yellow claw to the petals, though the limb is white or pale pink. So also does Damasonium stellatum. These two interesting plants present a remarkable analogy to the water-crowfoot. Among monocotyledonous families with a united ovary, the Liliacece are probably the most primitive. Their simplest type in England is Gagea lutea (Fig. 20), a yellow lily looking extremely like a bunch of Ranun- culus Ficaria. In Lloydia serotina, a closely allied but more developed form, the petals are white, with a yellow base, and three reddish lines. The wild tulip is likewise yellow. A Ilium ursinum, a some- what higher type, is pure white. The fritillary (Fritillaria Meleagris], a large, handsome, bell-shaped flower, with separate petals converging into a campanu- late form, and with a nectariferous cavity at their base (Fig. 21), is purple or red, chequered with lurid marks ; LA W OF PROGRESSIVE COLOURA TION. 57 but it often reverts to white or even to a faint yellow. In Scilla, however, including our common wild hya- cinth (S. nutans), the deep tubular flowers, composed of perianth pieces with long claws, are usually blue, rarely pink or white ; while in Hyacinthus and Mus- cari, which have a united bell-shaped or globular blossom, formed by the coalescence of the sepals and petals, dark-blue and ultramarine are the prevalent FIG. 20. — Flowers of simplest typical lily (Gagta lutea) ; primitive yellow. tones. Meadow saffron (Colchicum autumnale), which has also a united tube and very deep underground ovary, is a fine reddish purple : its stamens secrete honey. The Iridece and Amaryllidece are more advanced than the lilies, in that they possess inferior ovaries — in other words, their perianth tube has coalesced with the walls of the inclosed carpels. In many cases, THE COLOURS OF FLOWERS. especially in the more highly-developed species, their flowers are red, blue, or purple. Trichonema Bulbo- codium is purplish-blue with a yellow centre. Our two native crocuses (C. vernus and C. nudiflorus] are also purple. Sisyrinchium Bermudianum is a delicate blue. Gladiolus communis is brilliant crimson. Iris fcetidissima (Fig. 22) is violet. Our own Amaryllids are white or primrose, but brilliant reds and purples, FIG. 2i.— Fbwer of fritillary (Fritillaria Meleagris); purple, spotted with white. as well as highly-developed spotted types, are common amongst the cultivated exotics. The OrchidacecB stand at the head of the entomo- philous Monocotyledons by virtue of their inferior ovary, their irregular flowers, and their extraordinary adaptations to insect fertilization. Purples are the prevailing ground-tones ; but in the commonness of variegation and of specialized lines or spots of colour the Orchids answer closely to the Scrophularinem LA W OF PROGRESSIVE COLOURA TION. 59 among Dicotyledons, and may therefore best be con- sidered in the succeeding chapter. This brief review of the chief families of English entomophilous flowers will probably have made clear the general truth of the law of progressive coloura- tion here laid down. There are many exceptions and special peculiarities, some of which will be explained FIG 22. — Flower of common flag (Irisfcetidisshna) ; violet blue. or accounted for in the sequel ; but on the whole we may consider the following facts fairly proved :— (i.) Most of the very simplest flowers are yellow. (2.) Many of the simpler flowers in each family (except the highest) are apt to be yellow. (3.) The more advanced members of very simple families are usually white or pink. 60 THE COLOURS OF FLOWERS. (4.) The simpler members of slightly advanced families are usually white or pink. (5.) The most advanced members of all families are usually red, purple, or blue. (6.) Almost all the members of the most advanced families are purple or blue. (7.) The most advanced members of the most advanced families are almost always blue, unless spotted or variegated. CHAPTER III. VARIEGATION. So far we have spoken for the most part only of what ladies would call self-colour, as though every flower were of one unvaried hue throughout. We must now add a few considerations on the subject of the spots and lines which so often variegate the petals in certain species. In this connection, again, Mr. Wallace's hint is full of meaning. Everywhere in nature, he points out, spots and eyes of colour appear on the most highly-modified parts, and this rule applies most noticeably to the case of petals. Simple regular flowers, like the buttercups and roses, hardly ever have any spots or lines ; but in very modified forms like the labiates and the orchids they are extremely common. The scrophularineous family, to which the snap-dragon belongs, is one most specially adapted to insects, and even more irregular than that of the labiates ; and here we find the most singular effects produced by dappling and mixture of colours. The simple yellow mullein, it is true, has few such spots or lines, nor have even many of the much higher blue veronicas ; but in the snapdragons, the foxglove, the toadflax, the ivy-linaria, the eyebright, and the cal- 62 THE COLOURS OF FLOWERS. ceolarias, the intimate mixture of colours is very notice- able. In the allied tropical Bignonias and Gloxinias we see much the same distribution of hues. Many of the family are cultivated in gardens on account of their bizarre and fantastic shapes and colours. As to the orchids, it is hardly necessary to say anything about their wonderfully spotted and variegated flowers. Even in our small English kinds the dappling is extremely marked, especially upon the expanded and profoundly modified lower lip ; but in the larger tropical varieties the patterns are often quaint and even startling in their extraordinary richness of fancy and apparent capriciousness of design. Mr. Darwin has shown that their adaptations to insects are more intimate and more marvellous than those of any other flowers whatsoever. Structurally speaking, the spots and lines on petals seem to be the direct result of high modification ; but functionally, as Sprengel long ago pointed out, they act as honey-guides, and for this purpose they have no doubt undergone special selection by the proper insects. The case is just analogous to that of the peacock's plumes or the wings of butterflies. In either instance, the spots and eye-marks tend to appear on the most highly-modified surfaces ; but they are perpetuated and intensified by special selec- tive action. Among birds and insects, sexual selection performs the work of fixing the colours ; among flowers, the visits of bees and butterflies effect the same end. Lines are comparatively rare on regular flowers, but they tend to appear as soon as the flower becomes even slightly bilateral, and they point directly towards the nectaries. Hence they cannot be mere VARIEGATION. 63 purposeless products of special modification ; they clearly subserve a function in the economy of the plant, and that function is the direction of the insect towards the proper place for effecting the fertilization of the ovary. In the common rhodo- dendron, the connection can be most readily observed with the naked eye, and the honey tested by the tongue. In this case, one lobe of the corolla secretes a very large drop of nectar in a fold near its base, and the lines of dark spots appear on this lobe alone, pointing directly towards the nectariferous surface. The Geraniacece afford an excellent illustration of the general principle. They are on the whole a com- paratively high family of polypetals, for their ovary tends to become compound and very complicated, and they have many advanced devices for the disper- sion of their seeds. Oxalis corniculata, our simplest English form, is pale yellow : O. acetosella is white, with a yellow base, and its veins are delicately tinged with lilac. The flowers of Er odium and Geranium, which are much more advanced, are generally pink or purplish, often marked with paler or darker lines. For the most part, however, these regular forms are fairly uniform in hue ; but many of the South African Pelargoniums, cultivated in gardens and hot-houses, are slightly bilateral, the two upper petals standing off from the three lower ones ; and these two become at once marked with dark lines, which are in some cases scarcely visible, and in others fairly pronounced. From this simple beginning one can trace a gradual progress in heterogeneity of colouring, till at last the most developed bilateral forms have the two upper petals of quite a different hue from the three lower 64 THE COLOURS OF FLOWERS. ones, besides being deeply marked with belts and spots of dappled colour. In the allied Tropceohim (Fig. 23) or Indian cress (the so-called nasturtium of old-fashioned gardens — though the plant is really no more related to the water-cress and other true nasturtiums than we ourselves are to the great kangaroo) this tendency is carried still further. Here, the calyx is prolonged into a deep spur, containing the honey, inaccessible to any but a few large insects ; and towards this spur all the lines on the petals converge. Sir John Lubbock FIG. 23.— Flower of Indian cress (Tropceolnm maj'us). with one sepal prolonged into a honey-bearing spur ; orange and yellow. observes that without such conventional marks to guide them, bees would waste a great deal of time in bungling about the mouths of flowers ; for they are helpless, blundering things at an emergency, and never know their way twice to the same place if any change has been made in the disposition of the familiar surroundings. The readiness with which the Geraniacecz pass into irregular forms in Pelargonium and in the balsam genus (Impatiens], in itself shows that they are a fairly advanced family, and explains the common appear- VARIEGATION. 65 ance of pink and purple petals among flowers which at a casual glance seem scarcely so much modified as the pinks or the crucifers. The Malvacece are another family in which lines and stripes commonly occur ; and they are shown to be of a comparatively advanced type by their pecu- liarly modified pistil, and by the union of their stamens into a tube, to which the petals adhere at the base. Lavatera arborea is purplish red \ of our three FIG. 24 —Flower of pink (Dianthus) ; pink, with lighter spots. Malvce, one, M. rotundifolia, is pale blue ; M. syl- vestris is purple ; and M. moschata, rose-coloured, or, rarely, white. All have strongly-marked lines, -and, in addition to this, the vivid green calyx, seen through the interstices of the petals, acts apparently as a supplementary honey-guide. The same peculiarities distinguish the genus Althcea, of which we have two species, A.officinalis, pale rose-colour, and A. hirsuta, purplish blue. 65 THE COLOURS OF FLOWERS Among the very regular Caryophyllacece, the small, open Alsine variegation and lines of colour are common in the higher genera, which are more strictly adapted to bees and other specialised honey-suckers, such as Vicia, Lathyrus, Onobrychis, &c. The standard is usually the most highly coloured ; the wings and keel are generally paler, or one degree lower in the scale of progressive colouration. In Lathy rus hirsutus, L. silvestris, Vicia Bithynica, and Astragalus alpinus, this peculiarity is well marked. The cultivated sweet-pea, a Sicilian Lathyrus, illus- trates the general principle even better than any of our native kinds. Among regular Corolliflorce, variegation is not very common, though it occurs much oftener than in the polypetalous classes, especially at the throat of the tube, as in the forget-me-nots (Myosotis) ; but in irre- gular Corolliflorce it is exceedingly frequent. The Lentibulacece and 4 other small families afford several examples. In the great order of Labiatcz, the highly modified lower lip is very often spotted, especially where it is most developed. This is the case in S tacky s silvatica, Lamium purpureum, Galeopsis tetra- Jiit, Calamintha acinos^ Nepeta cataria, N. glechoma, Ajuga reptans, Scntellaria galericulata, and many other species. Several exotic kinds show the same tendency in a more marked degree. The Scrophularinece, however, form perhaps the best example of any. It was noticed above that comparatively few of these are as blue or as purple as might be expected from their high organisation, The explanation is that they have mostly got beyond the monochromatic stage altogether, and reached the level of intense variegation. They are, in fact, a F 2 68 THE COLOURS OF FLOWERS. family with profoundly modified flowers (Fig. 25), most of which are very specially adapted to very exceptional modes of insect fertilisation. The Veronicas alone among our English genera are simply blue, with white or pink lines ; the others are mostly spotted or dappled. Antirrhinum majus is purple, sometimes crimson or white, with the curiously closed throat a bright yellow. Linaria cymbalaria is blue or lilac, with white patches, and the palate a delicate primrose. L. spuria is yellow, with a purple throat. L. minor is purple, with a white lower lip and yellow palate. FIG. 25. — Flower of toad flax (Linaria vulgaris), with corolla prolonged into a honey-bearing spur ; yellow, with orange palate. The very strange flowers of Scrophularia have a curious, indescribable mixture of brown, green, dingy purple, and buff. Sibthorpia is pink, with the two smaller lobes of the corolla yellow. Digitalis pur- purea, the foxglove, is purple, spotted with red and white. Euphrasia, eye-bright, is white or lilac, with purple veins, and the middle lobe of the lower lip yellow. Melampyrum arvense is red, with pink lips and a purple throat. Description, indeed, is quite in- adequate to convey any sufficient notion of the inti- mate intermixture of hues in most scrophularineous VARIEGATION. 69 plants. As a rule, the spots or patches of intrusive colour are developed transversely near the palate or around the throat. Purple, red, or blue appear to be the prevalent ground-tones, with white and yellow introduced as contrasted tints to heighten the effect of the principal constructive parts. Among Monocotyledons, such plants as the highly modified Iris genus show similar results. Our own I . fcetidissima has blue sepals, with yellow petals and FIG 26.— Flower of spotted orchid (Orchi* tnaculiita) ; purple, dappled with pink and white. spathulate stigmas, all much veined. The Orchidacea exhibit the same tendency far more markedly. OrcJiis mascula, O. maculata, O. laxiflora, and many other British species have the lip spotted (Fig. 26). In O. militaris and O. hircina, the variegation is even more conspicuous. In O. ustulata, the spots on the lip are raised., The problematical bee-orchid, Ophrys apifera, is singularly dappled on the lip and disk, and has the sepals different in colour from the 70 THE COLOURS OF FLOWERS rest of the flower. Aceras anthropophora, the man- orchid, has green sepals and petals, edged with red, and a yellow lip, pink fringed. Cypripedium calceolus, the lady's slipper, Cephalanthera grandiflom, white helleborine, and most other British species, are simi- larly very diversified in colour. As to the exotic species, some of them are more peculiarly tinted and blended with half a dozen different hues than any other forms of flowers in the whole world. On the other hand, primitive yellow flowers of the earliest type never have any lines or spots whatsoever. We may therefore sum up the facts about variegation as follows : — (i.) Very simple and primitive flowers are usually of one colour throughout. (2.) Regular flowers of higher types are often marked by lines of a different colour or shade, which generally correspond with the venation of the petals. (3.) Irregular flowers are often marked with distinct patches of different colour (sometimes transverse), which seem to act as honey-guides. (4.) The most divergent colours usually appear on the most highly modified parts of the flower. CHAPTER IV. RELAPSE AND RETROGRESSION. FLOWERS which have reached a given stage in the progressive scale of colouration often show a tendency to fall back to a lower stage. When this tendency is of the nature of a mere temporary reversion (that is to say, when it affects only a few individuals, or a casual variety), it may conveniently be described as Relapse. When> however, it affects a whole species, and becomes fixed in the species by a new and pre- sumably lower adaptation, it may best be styled Retro- gression. The difference between these two forms of reversion will become clearer after we have examined a few cases of each in detail. Primary yellow flowers, like the buttercups, poten- tillas, and St. John's worts, show little or no ten- dency to vary in colour in a state of nature. They have never passed through any earlier stage to which they can revert ; and they are not likely to strike out a new hue for themselves except through the action of some special differentiating circumstances, such as those ensured by cultivation. Some white flowers, on the other hand, show a decided tendency occasionally to revert to yellow, 72 THE COLOURS OF FLOWERS. especially in the simpler orders. Erysimum orientale varies from white to pale primrose. Raphanus ra- phanistrum, as already noted, is usually even lilac, often white, and on the sea-shore yellow. The white cistuses often revert to a pale sallow tinge. In some roses, the throat becomes yellow in certain specimens. Many umbellates vary from white to a faint yellowish green. In several other cases, stray yellow specimens of normally white species are not uncommon. Pink and red flowers almost invariably revert in many individuals to white. Indeed, there is probably not a single blossom of these colours in England of which white specimens may not occasionally be gathered. A few typical instances must suffice. All the British roses are reddish pink or white. So are Saponaria officinalis, and many pinks. Malva moschata runs from rose-coloured to white ; M. rotundifolia from pale lilac-pink to whitish. Erodium cicutarium has rosy or white petals ; all the geraniums occasionally produce very pale flowers. White varieties of heaths are frequent in the wild state. Where the red or purple is very deeply engrained, however, as in labiates, reversion to white occurs less commonly. But almost all pink or red flowers become white with the greatest readiness under cultivation. Blue flowers in nearly every case produce abundant red, pink, and white varieties in a state of nature. It would seem, indeed, as though this highest develop- ment of colour had not yet had time thoroughly to fix itself in the constitution of most species. In an immense number of cases, it still appears as a late modification of red, the bud or young petals being RELAPSE AND RETROGRESSION. 73 still of that colour, and only deepening into blue as the flower opens. Hence individual reversion is here almost universal as an occasional incident in every species. The columbine (Aquilegia vulgaris] is blue or dull purple, sometimes red or white. The larkspur (Delphinium ajacis) often declines from blue to pink or white. The monkshood (Aconitum napellus] is an extremely deep blue, very rarely white. White violets everybody knows well. The rampions (Phyteumd] vary from blue to white ; so do many of the cam- panulas. Gentiana campestris is sometimes white. In most Boraginece — for example, in borage, viper's bu- gloss, and forget-me-not — pink and white varieties are common. Pink and white Veronicas also occur in abundance among normally blue species. Prunella vulgaris occasionally produces rosy or white blossoms. White wild hyacinths are often gathered. Many other cases will suggest themselves to every practical botanist. Blue flowers, however, very seldom revert to yellow, though this change takes place in some cultivated hyacinths, and somewhat differently in the pansy. As a rule, the blue goes back only as far as those shades from which it has more recently been developed. This is, perhaps, the true rationale of De Candolle's law of xanthic and cyanic types. Sometimes, indeed, we may say that the new colour has not yet begun to fix itself in the species, but that the hue still varies under our very eyes. Of this the little milkwort (Polygala vulgaris] affords an excel- lent example, for it is occasionally white, usually pink, and frequently blue. Here we may fairly regard the pink as the normal hue, while the white is doubt- 74 THE COLOURS OF FLOWERS. less due to reversion, and the blue to progressive modification, not yet fully selected by insects ; so that in all probability it is now actually in course of acquiring a new colour. Much the same thing hap- pens with the common pimpernel (Anagallis arvensis], Its ancestral form is probably the woodland loose- strife (Lysimachia nemorum), for though the capsule of the pimpernel now opens transversely, it still retains the five dark lines which mark the primitive dehis- cence ; and in other respects it most closely resembles Lysimachia^ which is a bright yellow. But pimpernel itself is usually orange-red, while a blue variety is frequent on the continent, and sometimes appears in England as well. Every botanist can add half a dozen equally good instances from his own memory. Highly variegated flowers show the greatest ten- dency of any to such occasional reversions, or, as it is usually put, are extremely variable. The pansy ( Viola tricolor) is an excellent example. The snap- dragons, orchids, and irises are also cases in point. Indeed, the extent to which flowers are modifiable in the hands of gardeners largely depends upon the amount of modification which they have already undergone in the natural condition. Very highly developed plants have on the one hand acquired a great constitutional plasticity of nature, and on the other hand have a large number of previous stages to fall back upon. Hence gardeners can do almost any- thing they like with Dahlias, Cinerarias, Asters, Chrysanthemums, and other advanced corymbiferous composites; with Calceolarias, Antirrhinums, and other Scrophularinece; with pansies, pea- flowers, heaths, and lilies ; with exotic Gloxinias, Bignonias, Tecomas, RELAPSE AND RETROGRESSION. 75 and Gesnenas.. On the other hand, variegated or largely altered flowers of the simpler types rarely occur even in cultivation. Hence we may, perhaps, reasonably infer that great readiness to assume new colours affords in itself a certain slight presumption in favour of some previous colour modification. We shall apply this hypothetical principle in the sequel to sundry cases of yellow colouration in apparently high families, as one among several tests by which we may be aided in distinguishing retrograde from primitive yellowness. This seems also the proper place to consider "the proofs of the position already advanced, that new colours make their appearance at the edge of the petal, and gradually work their way inward. Four such proofs may be advanced. In the first place, purely adventitious individual colours almost always so appear. For example, the reddish tinge occa- sionally observed on many yellow flowers is usually at the tip : so is the lilac tinge on certain white anemones, and the pink tinge on many crucifers and umbellates. In the second place, the slight blush which occurs normally on flowers like the daisy, the apple-blossom, and the blackberry, and which appears to be as yet comparatively uninfluenced by insect selection, seeing that it is deepest on the back of the petals, generally occurs near the tip. The same peculiarity may be observed also in several small Caryophyllacece, Papi- lionacece, and Ericacecs. In the third place, flowers which open pink, like so many Boraginacece, and then become blue, remain always red at the base, and only acquire the new hue in the expanded limb of the corolla. In tulips, Hydrangea, Richardia, &c , like facts occur. 76 THE COLOURS OF FLOWERS. And in the fourth place, white varieties of blue flowers usually have the centre bluish and the edge white ; pink varieties have the centre bluish and the edge pink, and so forth. Here, we know what the normal colour is like, and can see that the new hue appears first at the periphery. For example, white violets, a variety of Viola odorata, have the spur and lower part of the petals blue or bluish ; the whiteness only extends to the broad part of the petals. In a large number of varieties examined by the writer, the same law holds good. Hence we are justified to some extent in assuming that when a plant exhibits a different colour at the base and at the tip of the petal, the basal colour is probably more primitive than the peripheral one. If we turn from the white violet, with its blue spur, to the very variegated pansy, we may perhaps ask ourselves which is the earlier of its colours, the purple, the white, or the yellow. But if we observe that the spur, unseen at the back of the flower, is usually deep violet blue, as are also the bases of the petals, while the yellow is usually found on the most expanded and modified part of the corolla, the lowest petal, and in its most nodal or functionally attractive part, just in front of the honey-cavity, we can hardly resist the inference thrust upon us by analogy — that the pansy was once all blue, and that the yellow has been developed here, as in the snapdragon and the ivy-linaria, to guide the bees to the proper place for securing the nectar and effecting cross fertilisation. It is an interesting fact in this connection that an immense number of the very simplest flowers, when not themselves yellow, have yellow spots or patches P ELAPSE -AND RETROGRESSION. at the bases of their petals. The reader is recom- mended to notice this point for himself in the commoner white or pink polypetalous flowers. With the light thus cast upon the question to guide us, we may pass on to the general consideration of Retrogression in colours. Certain species of advanced families have apparently found it advantageous in certain circumstances regularly and consistently to revert to colours lower in the scale than the normal hue of their congeners. The reasons for such Retrogression are often easy enough to understand. We may take the evening campion (Lychnis vesper- tina) as a good example (Fig. 15). This white flower, as we saw, is evidently descended from the red day campion (Lychnis diurna), because it is still often pale pink, especially towards the centre, verging into white at the edge. But it has found it convenient to attract moths and be fertilised by them ; and so it has lost its pinkness, because white is naturally the colour best seen by crepuscular insects in the dusky light of evening. It is scented at nightfall, and readily allures many moths by the combined attraction of sight and smell. Sir John Lubbock notes that such evening flowers never have any spots or lines as honey-guides on the petals, because such marks could not be seen at night, and would therefore be useless. All the other British species of Lychnis are red, pink, or purple. The evening primrose ((Enothera biennis), now naturalised in England, is another excellent instance of the same sort. It belongs to the family of the Onagracece, which are highly evolved polypetalous plants, with the petals reduced to four or two in number, and placed above instead of below the ovary. 78 THE COLOURS OF FLOWERS. We should thus naturally expect them to be pink or lilac, and this is actually the case with most of our native species, the genus Epilobium having usually purple or red flowers, rarely white ; while the smaller Circ&as are pink or whitish. Why, then, is the even- ing primrose yellow ? Because it is a night-flowering plant, fragrant in the evening, and its pale yellow colour makes it easily recognisable by moths. In this case, however, two points mark it off at once from the really primitive yellow flowers. In the first place, it has not the bright golden petals of the buttercup, but is rather more of a primrose tint ; and this is a common distinguishing trait of the later acquired yellows. In the second place, it belongs to a genus in which red and purple flowers are common, whereas the buttercups are almost all yellow or whitey-yellow, and the potentillas mostly yellow or white, In short, primitive yellow flowers are usually golden, and belong to mainly yellow groups : reverted yellow flowers are often primrose, orange, or dull buff, and occur sporadically among blue, red, or purple groups. There are other cases less immediately apparent than these. For instance, Lamium galeobdolon, a common English labiate, belonging to a usually purple or blue family, is bright yellow. But we can form some idea of how such changes take place if we look at the pansy, which we have seen reason to believe is normally violet-purple, but which usually has a yellow patch on the lowest petal. In the pansy's var. lutea, the yellow extends over the whole flower, no doubt because this incipient form has succeeded in attract- ing some special insect, or else grows in situations where yellow proves more conspicuous to bees than RELAPSE AND RETROGRESSION. 79 blue or purple. So, again, another English labiate, Galeopsis tetrahit, the hemp-nettle, has a pale purple or white corolla, sometimes with a tinge of yellow in the throat : and in the var. versicolor, the yellow spreads over all the flower, except a purple patch on the lower lip. In G. ochroleuca, the whole corolla has become pure yellow. In this way, one can under- stand the occurrence of such a flower as Lamium galeobdolon, especially since an allied species, L. album, is white, and all the genus is extremely variable in colour. Indeed, it is to be noted that the yellow labiates do not commonly occur among the less developed thymes, mints, and marjorams, but among the extremely specialised Stachydece, which have very modified flowers, and usually variegated or spotted lips. They seem to be essentially reversionary forms from purple or blue species, spotted with yellow. Nay, the lower lip of L. galeobdolon itself still shows marks of dark orange variegation, exactly answering to that of several purple Lamiums : and the base of the corolla tube is still pink or purplish. Another hint of Retrogression is given us by flowers like our English balsams, Impatiens noli-me-tangere and /. fulva, in the fact that their yellow is generally dappled with numerous spots of deeper colour. The balsams are highly modified irregular Geraniacece, sepals and petals being both coloured : and at first sight it seems curious that our species should be yellow, while the simpler Geraniums and Erodiums are pink or red. But the genus as a whole contains many red and variegated species, and alters in colour with much plasticity under the hands of gardeners. /. noli-me-tangere is pale yellow spotted with red : 80 THE COLOURS OF FLOWERS. /, fulva is orange, dappled with deep brown. Both are almost certainly products of retrogressive selection. Something of the same sort is seen in Cheiranthus cheiri, the wallflower. This large and highly de- veloped stock-like crucifer is a peculiar yellowish brown in the wild state, frequently even primrose or primitive yellow. But it varies readily, often be- coming red at the edges ; and under cultivation it assumes numerous shades of red, purple, and brown. It appears to be a product of retrogressive selection from an original form like the European stock. This flower, combined with some others like Adonis autumnalis, Ranunculus Ficaria, and Lotus corniculatus, seems to suggest the idea that yellow may sometimes merge directly into red, without passing through the intermediate stages of white and pink. The other order would appear, however, to be the more regular and usual gradation. In the Primulacece, we find similar instances. Hottonia palustris, a less developed form, is rosy lilac. Cyclamen europaum is white or rose-coloured. Trientalis europcea is white or pale pink, wjth a yellow ring. From such a stage as this, it is easy to get at our primroses, cowslips, and oxlips, which have pale yellow corollas, with orange spots at the throat. Indeed, one English species, Primula farinosa, is pale-lilac, with a yellow centre : and this might easily, under special circumstances, become pale primrose all over. The cultivated varieties of the cowslip, called Polyanthuses, readily assume various tints of orange, red, and pink, always at the edge, the deep yellow of the throat remaining unchanged. On the other RELAPSE AND RETROGRESSION. 81 hand, the yellow of the allied Lysimachias certainly appears to be primitive. Among heaths, our only yellowish sort is the very degraded Monotropa, a leafless saprophyte of the lowest type, obviously a product of extreme Retrogression. The colours of many Scrophularine