ALBERT R. MANN LIBRARY AT CORNELL UNIVERSITY eo. University Library QL 81.M ALOU id forest; the an Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu381924001573611 YOUNG FOXES. Painted by F. Schuyler Mathews from a photograph by W. Lyman Underwood. FAMILIAR LIFE IN| FIELD AND FOREST SS % ¥% THE - ANIMALS - BIRDS FROGS : AND - SALAMANDERS a FY SCHUYLER MATHEWS AUTHOR OF FAMILIAR FLOWERS OF FIELD AND GARDEN, FAMILIAR TREES AND THEIR LEAVES, FAMILIAR FEATURES OF THE ROADSIDE, THE BEAUTIFUL FLOWER GARDEN, ETC. WITH NUMEROUS ILLUSTRATIONS BY THE AUTHOR, AND PHOTOGRAPHS FROM NATURE BY W. LYMAN UNDERWOOD NEW YORK D. APPLETON AND COMPANY 1898 D CopYrRIcHT, 1898, By D. APPLETON AND COMPANY. /4 349 O PREFACE. Terre are few things more gratifying to the lover of Nature than those momentary glimpses of wild life which he obtains while passing through the field or forest. Wild animals do not confine them- selves exclusively to the wilderness; quite frequently they venture upon the highway, and we are apt to regard the meeting with one of them there as a rare and fortunate occurrence. The daisy and the wild rose appear in their ap- pointed places on the return of summer, and the song sparrow sings in the same tree he frequented the year before; but the woodchuck, the raccoon, and the deer are not so often found exactly where we think they belong. To seek an interview with such wild folk is like taking a chance in a lottery: there are numerous blanks and but few prizes. But because wild life is not in constant evidence, like the wild flower, is no proof that it is uncommon. To those who keep in touch with Nature it becomes i iv FAMILIAR LIFE IN FIELD AND FOREST. a very familiar thing, and to live a while where the wild creatures make their homes is to cross their paths continually. I have not failed to meet that much-slandered animal, the skunk, every summer for seven years past, yet with no unhappy results; I have haunted a fox’s hole the better part of one season, and have evidently crossed his freshly made tracks, but with not one lucky chance at the sight of him; yet when I had no thought of Reynard and was searching the woods for the Cypripedium, there he was! On another occasion he was unexpectedly en- countered in the open pasture by some of the mem- bers of the household, and still later he was seen seated on the highway not very far from the pet cat. One can never tell at what moment some surpris- ing demonstration of wild life will occur at one’s very doorstep. What with two deer, nine weasels, and a performing bear, all of which appeared in one day last summer close to my studio, I concluded that our tame mountain retreat had relapsed again to the wild and happy conditions of the primitive forest. But I was forced to change my mind a few days after, when an Italian with his organ ground out “Johnny, get your gun” within forty feet of the spot where the wild deer had stood. It may be largely a matter of good fortune if one catches a glimpse of some wild creature of the woods PREFACE, v in the way I have just described; but in the forest it unquestionably depends upon the skillful movements and quiet demeanor of the observer that he can see without being seen. The wild animals never become familiar to one who is heedless and impatient. The waggle of a leaf or the snapping of a twig sends the timid burrower to the depths of his hole, and it requires more than the patience of Job to await his reappearance. It is necessary to count time by heart-throbs rather than seconds when one enters the woodland; indeed, it is possibly better to take no account of it at all, but lavish it generously upon chances. Perhaps such an apparent waste of time would be called loafing; if so, then Thorean was a magnificent loafer. But loafers do not bequeath to us a world of woodland knowledge such as Thoreau did. We are at fault because we do not enter the wood and do a little thinking on our own account. Perhaps if we did we would discover that the deer, the marten, the loon, and the bear were not half so uncommon as we thought they were. Nor can we rely wholly upon what the books say. Audubon, Wilson, Rymer Jones, and Elliott Coues are all well enough in their way, but they smack somewhat of ancient history. The development of natural history _in this country is of very recent date; one naturalist’ has informed me that up to about ten years ago one vi FAMILIAR LIFE IN FIELD AND FOREST. of the most remarkable and typical little mammals of Florida, a water rat (Microtus neofiber allenia), had absolutely no record whatever. Ina pamphlet en- titled The Land Mammals of Florida, by Mr. Outram Bangs (1898), of seventy-three forms described, seven- teen are new. When Wilson wrote, in 1812, he knew positively nothing at all of the songs of the nightin- gale of America—the hermit thrush—and the veery, the thrush named for him! Even in so late a book as The Fur-bearing Animals of Elliott Coues, the European ermine is confused with two of our Ameri- can weasels. Such an error as that in these days of greater light would be deemed inexcusable. It is to some of the younger students of Nature that we are indebted for a more concise knowledge of the relationship of animals—in other words, the exact identification of distinct species and varieties. Dr. Merriam makes this fact plain in the following tribute to the work of Mr. Bangs. He says: “ Until very recently the group of weasels has been in a state of chaos, but now, thanks to Mr. Outram Bangs’s ex- cellent paper entitled A Review of the Weasels of Eastern North America, the obscurity that has so long surrounded our Eastern species has been cleared away.” * * Vide United States Department of Agriculture, Division of Ornithology and Mammals. Bulletin No. 11, June, 1896. PREFACE. wi There is more in a mame in natural history than one would suppose. The change, in these latter days, of a Latin name generally means that the exact na- ture of the beast is at last discovered. For instance, the flying squirrel, Sciwropterus sabrinus, is a large, and in winter a distinctly yellow-tinged, gray-coated creature, whose white chest fur, if you blow it, is lead-colored at the base. The commoner species, Sciuropterus volans volans, is a different animal, whose under fur is quite white. Not many years ago these two squirrels were not distinguished apart and therefore were known by one name. To-day the old name for the Virginia deer, Cariacus wir- ginvanus, is displaced by the newer one, Odocoileus vorgintanus.* The recent change means that until this last winter (1898) this particular species has not been properly distinguished apart from other species. But I can not lightly pass the old and inestima- bly valuable works of Audubon, Wilson, and Elliott . Coues without a tribute to their excellence. These great naturalists were pioneers, and all they have to say is worthy of the closest study; consequently I have freely quoted such passages from their works as I considered would throw a strong light on the sub- *Vide Proceedings of the Biological Society of Washington, p. 99, 1898, vill FAMILIAR LIFE IN FIELD AND FOREST. ject. Regarding Dr. Clinton Hart Merriai’s Ani- mals of the Adirondacks, I can only add that I con- sider it a classic, and until some writer shall exceed its simple and attractive presentation of important facts, it must be regarded, as far as it goes, as the best biography of American animals which we to-day possess. It should be borne in mind that the times change, a scientific knowledge of animals grows, and the wild creatures themselves shift their position over the land. What was supposed to be uncommon or ex- tinct twenty years ago can not be regarded so to-day. The borders of abandoned farms are constantly—not rarely—invaded by animals who were not supposed to live within miles of the old places. Occasionally an otter, a lynx, a deer, or a bear turns up most un- expectedly, and immediately all the country turns out to hunt the creature down. Unfortunately, we have no proper appreciation of the inherent good in a wild animal; one would think, by the way men acted, that it had no right to live. There is no logical reason why we should slay a snake, skunk, fox, weasel or raccoon unless it be- comes a public nuisance and we are compelled to put an end to its depredations. There is something satisfactory in the feeling of our own harmlessness in the presence of some poor PREFACE. ix frightened creature whose wild eyes betray the fear that we are a deadly enemy; and with what comfort- ing assurance we hasten to say, “ No, you are greatly mistaken, I bear you no ill; I am your friend.” If only the poor thing could know that, how much hap- pier the world would wag on! One feels just a bit of exultant pleasure when one sees the little wild thing approach, timidly accept a proffered nut or a crust of bread, and actually eat it within reaching distance. I recall with no small feeling of satisfaction the time when, idly paddling my canoe beside the river bank, I met a great blue heron slow- ly strolling along the sandy margin, and remained beside him for fully twenty minutes an acceptable com- panion. Nor do I forget the time \ a when I approached, softly whistling the while, a brown heron standing motion- less on the meadow, and got so near him that I could see the round shape of his eye as plain- ly as I have drawn it here. There is a certain charm in music for the wild animals. I have whis- tled by the half hour to the hermit thrush and have received an appreciative and cordial response ; the veery grows quite excited if I imitate his spiral song; the red squirrel sits transfixed if I play for x FAMILIAR LIFE IN FIELD AND FOREST. him on an insignificant ten-cent harmonicon. One time I noticed a particularly vociferous fellow sub- side, cross his hands on his breast, and listen respect- fully to the soothing strains of “ Home, sweet home.” All this goes to prove that the wild life of the woods is not unapproachable. It may be difficult to cultivate its friendship, but it responds. It is an easy matter to pick a daisy and carelessly throw it away; but when we have persuaded a wild bird or a squirrel to eat from our hand, we never throw the memory of that away: it abides with us forever! Guns and traps are all very well in their way, but a conscience void of offense to the animal world is better. There never was a world more peculiarly beset with enemies of all kinds and degrees than the wild animal world; it has to make a fight of life, anyway; and then there is the common enemy, man, to reckon with, who crushes the snake, hunts the fox and bear, worries the woodchuck, shoots the bird, traps the marten, kills the deer, and makes war generally upon all wild life without discrimination. One of these days, when the cutworm, the grasshopper, the field mouse, the army worm, and the gypsy moth devour the farm, house and all, we will wonder what has become of the beneficent skunk, weasel, and snake. Per- haps we have yet time enough to give these poor crea- tures a chance to learn we are friends, and not enemies. PREFACE, xi I have no excuse for these imperfect records of my own experience with wild animals except the one that I have lived long enough among them to respect their rights of life and speak a good word for them when occasion offers. There is only one creature I know of who seems to be a thoroughly ugly char- acter, afflicted with a most uncontrollable and vicious temper—that is, the Injun Devil, or wild cat (Lynx canadensis). Fortunately, he rarely appears this side of the Canadian border; when he does, the hunter gives him no peace, for there zs no peace where he exists. I wish to add, that without the valuable assistance of Prof. Samuel Garman, Mr. Outram Bangs, and Mr. Samuel Henshaw, which I most gratefully ac- knowledge, I never would have been able to gather together the latest scientific facts regarding the ani- mals. Also, the book would have lost much without Mr. W. Lyman Underwood’s contribution of photo- graphs from Nature. But the fact is, two heads are always better than one; and consequently the book, which is not the selfish outcome of one man’s thoughts, escapes at least one fault—it is not one- sided. z F. Scuuyiter Matuews. Ex Furerpis, Buarr, Campron, N. H., May, 1898. CONTENTS. CHAPTER J.—EARLY VOICES OF SPRING . . . . . II.—THE CROAKERS . ? Z ; III.—SonGLEss BATRACHIANS : 5 ‘ ‘ 3 IV.—OwvR ANCIENT ENEMY THE OPHIDIAN ‘ ‘ V.— ACCOMPLISHED VOCALISTS . ‘ ; . VI.—STRANGE CREATURES WITH STRANGE VOICES VII. FuRRY FRIENDS WITH FINE SKINS. ‘ VIII.—Fur-cLaD FIGHTERS . . : i : IX.—Two FAMOUS SWIMMERS ‘ ‘ . ‘ ; _--. X.—TuAT FAMOUS ESSENCE PEDDLER ‘ : ‘ XI.—THE KING OF THE WILDERNESS . x XII.—A MISCHIEVOUS NEIGHBOR . F : i ‘ XIIL—TuHE FARMER’S SLY NEIGHBOR XIV.—A FLEET-FOOTED NEIGHBOR IN THE WOODS XV.—A SEMIANNUAL SLEEPER AND A NIGHTLY PROWLER XVI—SMALL FOLK WITH LIVELY FEET. , xiii LIST OF FULL-PAGE ILLUSTRATIONS. ree Young foxes . : A é ‘ : . Frontispiece The muskrat 2 Pickering’s hyla 6 The bullfrog 31 The home of the red salamander. 47 The banks of the Pemigewasset, the home of the black- billed cuckoo 85 The yellowhammer . 87 The bittern 98 The Pemigewasset River, at Blair’s bridge, and the Shel- drake—Merganser serrator 105 The wolverene. 114 The mink 149 The otter. 157 “A particularly clever skunk” 172 At the twilight hour, Mt. Chocorua, White Mountains 183 Black bear 191 The raccoon 203 “Out of harm’s way, treed”. 207 xv xyj FAMILIAR LIFE IN FIELD AND FOREST. “On the whole he is a good-natured beast” A glimpse of a family of foxes Young foxes Young deer Deer in Blue Mountain Park, Newport, N. H. The poreupine. “Tt was not difficult for him to climb a tree” The gray rabbit Chipmunk FACING PAGE 210 FAMILIAR LIFE IN FIELD AND FOREST. CHAPTER I. EARLY VOICES OF SPRING. The Hyla, Acris, Chorophilus, and Bufo. Tue path that follows the course of the stream through the meadow is bordered with miniature leaflets which are growing rapidiy in the sunbeams of early April. The young fuzzy leaves of the liver- wort (Hepatica triloba) at our feet are in company with a few promising buds, but the old brown leaves that have survived the winter snows are still reluc- tant to give up life and let the younger generation earry it forward. The brook is rushing tumultuously toward the river, with no time to linger now in the pebbly depths where last August all was quiet, and the lazy trout scarcely moved his tail to keep his place under the sheltering bank. Farther along where the brook widens at the level of the river, in a snarl of freshet-dragged alders and willows, there yy) FAMILIAR LIFE IN FIELD AND FOREST. is a muskrat busily engaged in gnawing a tender twig, all impatience and hurry; possibly the creature is building a nest. As we wander along a little far- ther a little green snake in the new grass glides out of our path. But we pass on; we must reach the hollow in the meadow where strange, shrill voices are piping in a chorus more deafening than the ves- per hymn of the million sparrows which congregate on the bare twigs of the trees in the old graveyard of King’s Chapel, in Boston, at five in the afternoon. At last we reach the grassy margin of a shallow pool, only to find—nothing! And somehow we have succeeded in silencing the innumerable voices. Ap- parently there is nothing to do but to sit down on the end of a neighboring log and patiently wait. Soon a venturesome peeper begins again; then an- other, and another, until in about ten minutes the chorus is going again full blast. It proceeds from a hundred little throats of frogs less than an inch long, all but invisible in the shallow pool. Hyla pickeringii—for this is the name of the noisy creature—is a familiar representative of the HTylide family, and is the earliest piper of spring in the cold bogs and meadows of the hill country. Far- ther south the rattling note of the cricket frog is heard quite as early, and even that of the common toad. But Pickering’s Zyla starts in with emphatic THE MUSKRAT. FIBER ZIBETHICUS, “Busily engaged in gnawing a tender twig.” Photographed from life by W. Lyman Underwood. EARLY VOICES OF SPRING. 3 insistence on the fact that spring is here, notwith- standing the patches of meadow snow and ice which still linger on the shadowy borders. The more southern pipers do not have to brave these last foot- prints of the winter king so continually, and I can not therefore consider them the earliest of all spring singers. It is a most remarkable circumstance that Picker- ing’s Hyla is always heard, but is seldom seen. He has a disappointing way of submerging himself to his very eyelids in the chilly bog. - With the mercury at fifty de- grees he will pipe up at about four or five in the afternoon. If we wish to catch him in the act we must choose a warmer day, when the mercury stands at sixty Sotiae Bespek degrees, sit patiently and immova- yn aera ey bly on the log for a good half hour, and scan the surface of the pool near the margin with an opera glass. Here we will be sure to see the bulgy eyes and the tip of the nose just appearing above the water, and if we are fortunate, we may see one of the tiny ocher-yellow creatures perched on some withered cat-tail leaf, singing his song in plain view through the glass. Such a tremendous effort he 4 PAMILIAR LIFE IN FIELD AND FOREST. makes to throw out the liquid whistle, no wonder it can be heard on a still afternoon nearly a quarter of a mile away! Beneath his chin the skin is swelled out like a brownish-white bubble half the size of his whole body. Imagine a man swelling his throat thus until it took a balloon shape fully three feet in diameter, and then letting the thing collapse with a deafening scream that could be heard fully eighteen miles! Yet this, supposing the Hyla’s size and voice could be proportionately increased, is exactly what would happen. The muscular effort which the tiny creature makes to empty his lungs seems not only to collapse the “bubble,” but most of the body, so that when he has let out one shrill whistle there is apparently nothing left but his back, head, and legs. But in another instant he has swelled again, and the per- formance goes on with no evidence that even the smallest blood-vessel will burst. Different individu- als answer each other in different tones, but the dominant one is E slurred to F, in the highest octave on the piano, =e ee and the song is pitched — by a = slight effort of the imagination 4 —in the key of F minor. Other individuals with larger throats disturb this key by singing thus, and still others exasperatingly out of time and tune EARLY VOICES OF SPRING. 5 sing either sharp or flat. So the whole effect is shrill rather than melodic, notwithstanding the fact that the F is constantly suggesting the finale of a plaintive melody. But that is just like Nature—she is ever suggest- ing, and leaving all beyond to our imagination. A close examination of the body of the little frog emphasizes this fact. There is a strong suggestion of a Saint Andrew’s cross on his ocher- colored* back, unmistakably defined in narrow lines, and a narrow dark line extends from the tip of the nose to the eye. The X is quite suffi- ciently plain to prevent any con- * Spring Peeper, ; showing the St. An- fusion in the identification of Hy- drew’s cross on the back. la pickeringit with young tree toads (Hyla versicolor), or with other frogs of simi- lar size and color, for no other small frog is marked with a cross. . This Hyla is a characteristic tree frog, who with his padded toes ascends the tallest trees with ease, and takes to the water only for a brief time in spring, which is his nuptial season. When the * It may be slightly green, as the frog possesses to a certain degree the power of color change. 6 FAMILIAR LIFE IN FIELD AND FOREST. breeding season is over, about the first of July,* he may still be found—but rarely—among the damp, fallen leaves of the woods, or even in cellars. How the creatures manage to keep themselves so com- pletely out of sight in spring and summer is always aiystery. It is not until the latter part of August that they ascend the trees, and only once in a long while have I heard the plaintive but unmistakably clear whistle of one in the woods toward the close of September. Prof. E. D. Cope speaks of the autum- nal voice of this frog thus: “ When the wind is cast- ing the first frosted leaves to the ground, a whistle, weaker than the spring cry, is heard repeated at in- tervals during the day, from one part of the forest to another, bearing considerable resemblance to the note of the purple finch (Carpodacus purpureus) uttered while it is flying.” The geographical distribution of Pickering’s Hyla is extensive. He is found from east of the Central Plains to the Atlantic, and from Canada to Florida and Texas. The form of this Hyla approaches that of a more southern genus called Chorophilus, one species * Tt is a remarkable fact that this 7yla is apt to choose tempo- rary pieces of water in the hollows of the meadow for its breeding places, because, as the season advances and the water evaporates, whole colonies of its tadpoles dry up and miserably perish in the hot sun. Ce t “wii a a lal 4 (lt Fy. -_— "iy il oon Ml (il | SSS i { PICKERING’S HYLA. HYLA PICKERINGII. “In the latter part of August they ascend the trees.” EARLY VOICES OF SPRING. 4 of which I describe farther on, but it has larger “foot pads.” The cricket frog, or Savannah cricket (Acris gryl- dus), a little creature a trifle over an inch long, com- monly found as far north as southern New York, is the only known representative of this genus. In more southern marshes — those, for instance, of New Jersey—we may happen to hear both Pick- ering’s Hyla and the cricket frog singing in com- pany. But Acris gryllus has a distinct voice of his own. He does not whistle an uninterrupted note, but breaks into musical crepitations some- what resembling the broken tone of a rattle whistle. His voice has the same character as that of the common toad, but its quality is more nearly like that of the tree cricket. More than one natural- ist has suggested its likeness to the rapid striking together of two Savannah Cricket (Acris gryllus). pebbles, but to my ear the pebbles are not musical enough ; impart to them some of the cheery jin- gle of sleighbells and then I will admit the simili- 0.4272 tude. [p= —ereeeeee] / — In appearance the cricket frog altogether differs 8 FAMILIAR LIFE IN FIELD AND FOREST. from the Zyla; there are no distinct pads on the toes,* and consequently he seldom if ever ascends trees or bushes. His general color is variable. With the tree toad (/Zyla versicolv) he possesses a cer- tain power of color change, or metachrosis, and while he may be dull green in an environment of green leaves, among dead ones he is quite as like- ly to be brown. There is a very characteristic blackish, triangular patch between the eyes, the apex of which is directed backward. This is margined by a light color, sometimes greenish, sometimes rusty, and as often dull white. This marginal color of the triangle is continued in a dorsal stripe to the end of the body. The ex- treme northeasterly limit of this frog is New Haven, Conn. But there are two varieties of this Acr?s, differ- ing slightly in form and appearance from the species proper; one of northern distribution is called Acris grytlus erepitans, and another of southern distribu- tion (from North Carolina to Florida and Louisiana) is called Acris gryllus gryllus. With the latter we have nothing to do, as it is south of our range; but the former is likely to engage our attention in the * These are furnished, however, with very slightly enlarged disks. EARLY VOICES OF SPRING. 9 West as far north as Illinois, and also in the East in southern Pennsylvania.* William Hamilton Gibson has made a most truth- ful drawing of the Acris gryllus crepitans to ac- company his article in Harper’s Young People for March 25, 1890. Dr. Abbott also frequently refers to Aeris crepitans,t but I question whether either he or Mr. Gibson actually heard this species. It is far more likely that they heard the Aeris gryllus ; still, I have no means of positively knowing this. According to Professor Cope, Acris gryllus crepitans has no record east of Carlisle, Pa. The subspecies Acris gryllus crepitans has three oblique blotches’ on the sides, which are very prominent, i Savannah Cricket and the limbs are muscular and well (cris gryttus crepitans). developed. { The note of this species, it is said, may be ex- * More particularly in Carlisle, Cumberland County. + Vide Outings at Odd Times, pages 107, 108; also Days Out of Doors, pages 34-37. I doubt very much though, whether the Acris can whistle and crepitate too. This would be contrary to Nature, for reasons which are too many for me to explain. + Professor Cope also gives the following anatomical defini- tion of this subspecies: “ Acris gryllus crepitans. Hinder foot, not including the tarsus (that part of the foot above the instep), less than half the length of head and body combined; skin tubercles larger; posterior femoral (hind leg) stripe less distinct.” 10 FAMILIAR LIFE IN FIELD AND FOREST. actly imitated by striking two marbles together, first slowly, then faster and faster, for a succession of about twenty or thirty beats. The noise can not be heard at a very great distance. The little frog is prominently marked on the back with green, and has the same dark triangle on the crown as that described for the species proper. He remains in the tall grass around the marsh, and seldom if ever ascends a tree or bush. When pur- sued he leaps extraordinary distances and invariably makes for the water, into which he disappears just as we reach the margin after much clumsy slumping through the bog and vain grabbing at the unattain- able. Only one who has lost a frog this way knows anything about the sudden men- tal activity of the baffled pursuer as he stands gazing at the mocking ripples. The genus Acris is distinguished for its swimming powers. Look at my draw- — ing of the hind leg and note the webbed crepitans). toes; now compare this with the hind leg of Chorophilus triseriatus (page 11), and it will be seen that the latter can not be much of a swimmer. The Chorophilus triseriutus, another singer in early spring, about the same size as the cricket frog, may be heard in the West, and in the East as far north as central New Jersey. This frog is ash-gray EARLY VOICES OF SPRING. 11 striped with three brown lines, or sometimes fawn color with the brown stripes broader; the yellow- white beneath is distinctly granulated. Professor Cope says, “It delights in those small and often temporary pieces of water which are inclosed in the densest thickets of spiny Smilaw and Fubus, with serub oaks, and sur- rounded by the water-loving Ceph- marie Serta adlanthus, where no shade interrupts = ‘*""* the full glow of sunlight. Here the little frogs may be heard in the hottest part of the day, accompanied by a few Acres gryllus, or rarely a Hyla picheringit .... As they scarcely swim, when surprised they seek refuge in the edge of the water, with so little movement that their capture is no easy matter.” In southwestern New Jersey the swamps resound with the rattling notes of these frogs throughout the spring and sometimes in the summer. They sing not only in the evening but at midday, just as the com- mon toad does. The music is extremely is soft—rising, swelling, and subsiding like Hindleg (C. triseri- the waves of the seashore. I can best atus). : represent the song of a single singer thus: -g——=="""o, The crepitations are not so loud BS #1 as those of the Acris, nor 12 FAMILIAR LIFE IN FIELD AND FOREST. have they the same ringing, sleigh-bell quality. The tone is also of a much lower pitch, and it very slightly approaches in quality the bleating tone of the tree toad. According to Professor Cope, this frog is com- mon in Gloucester County, N. J., and Chester Coun- ty, Pa.; but since the time in which he wrote (1889) I am inclined to think that the frog has found his way farther to the northeast, and he ought to be heard now in Staten Island and the vicinity. I have certainly heard his voice in the pine barrens not far from Lakewood, N. J. I can not sufficiently emphasize the fact that every species of living thing has its own particular voice. When once we have heard a single Picker- ing’s Hyla, we have heard the characteristic voice of that species, and it is not to be confused for one moment with that of any other species. The com- mon frog’s droning note can not be mistaken for the rattling note of the Chorophalus, or the ringing, jingling note of the Acris; nor is the quality * of the note of any one of these species I have named like that of the bubbly-bleaty note of the tree toad. * This, in music, we call “timbre.” When I change my tenor voice and sing a falsetto note, and thus imitate the soprano voice, I have altered the timbre of the note; although it may still be A, its quality is no longer the same. EARLY VOICES OF SPRING. 13 I can imitate Hyla pickeringi by shrilly whistling E slurred to F in the highest octave on the piano; I need a bass viol to imitate the bullfrog (ana catesbiana); I am sure I do not know how to copy the tree toad’s note, unless by making a bleating sound with the lips; I must have a rattle whistle to imitate the Acris; and I must hum one note and whistle another to approximate the droning note of the toad. A big chorus of the Hyla and Acris sounds like jingling sleighbells; a medley of the larger batrachians’ voices is like the “tuning up” of a string orchestra. Quite nearly related to the genus Chorophilus is the genus Hyla,* one species of which (Hyla picker- ingit) I have already noticed. There are but two other Hyle whose range extends north of North Carolina: one is Hyla versicolor (of the same range as Hyla pickeringit), and the other is Hyla ander- * The genus Hyla includes fully one half of the large Hylidae family, which seems to have been created to inhabit the leafy part of the world—especially the tropical part—for the special purpose of holding in check the prolific insect life which might otherwise do an inestimable amount of injury to vegetation. It is the case, therefore, that in those regions where vegetable life abounds there is a proportional increase in the number of species. I question very much whether one could conscientiously kill a toad or a frog who had a full knowledge of the immense number of insects it devoured within a year’s time, and the extent of harm that these might have worked on vegetation. 14 FAMILIAR LIFE IN FIELD AND FOREST. sonéi, an extremely rare frog found from New Jer- sey to Georgia. As only three individuals of this last species had been found up to 1889, we must pass it as an unfamiliar phase of swamp life, and turn our attention to the very com- mon Lyla versicolor. This is the frog fa. miliarly known as the tree toad, which inhabits every hedgerow and tree- 0 | girt marsh throughout the s country. Professor Verrill records this species as being found at Norway, Me., which is considered the most easterly point of its range; but at Campton, N. H., scarcely sixty-three miles west of Norway, I have found this frog, if not common, at least so plentiful that I have heard him sing ervry season for the last ten years. It would seem reasonable, then, to move his easterly limit still farther east than Norway. Wherever there are woodlands bordering a marsh or pond, there he will be sure to be heard, at least in June; and I have no doubt but that his voice may be a familiar one Tree Toad (Hyla vesicolor). in some of the wooded swamps near Portland. This remarkable tree toad has a compact, squat- EARLY VOICES OF SPRING. 15 looking figure, the outline of which at all points might easily touch the circumference of a circle. The head is broader than it is long. The back of the creature is generally ashen gray, with strange blotches of green here and there; but we must not forget that he can change color, and in an envi- ronment of leaves and grass he is decidedly green. Again, on a lichen-covered log he is quite likely to be brown-gray, and on the rough trunk of the swamp maple (Acer rubrum) an uncompromising brown. In fact he possesses the power of metachrogis (color change) to a wonderful degree; hence his specific title versicolor. This change, however, is not accom- plished quickly. His back is covered with warty excrescences ; beneath his body, on the lighter skin, are distinct granulations; and a characteristic loose fold extending across the chest indicates that he does not “fit his clothes.” The eggs of Ayla versicolor are laid in small packets on blades of grass, slender sticks, and the stems of weeds, in shallow pools. All through the breeding season, in May or June, the bleating note of this frog may be heard after the sun goes down, in different parts of the swamp, one voice respond- ing to another, or perhaps both mingling. I have counted about eight notes given out in one second and a half. This is a fair average utterance of one 16 FAMILIAR LIFE IN FIELD AND FOREST. individual. Intervals of about four seconds and a half occur with indifferent regularity. One can not quite depend on the tree toad for synchronous effect; it is a sort of go-as-you-please musical con- versation which he keeps up, very often confused by two or three speaking at the same time; but the winning little voices are pleasing and entertaining, and the “word” that is passed around is reassuring. There are rarely more than three or four of these frogs congregated in one spot, and it may often be quite a distance to the next assembly. The voices are strung along in the dusk of evening somewhat thus: (al ae 160 aor, yale Qnd.. 3rd. 4th. | Sy AAD 0 ECR SGT T | T eee r eer et tt ' iy? POPP Pr Pr cope ep Se By the time No. 4 begins No. 1 breaks in again, and we have a duet; then comes No. 2 alone; then No. 3 accompanied by No. 4; and presently, in the irregularity of the succession, we have a trio. Imagine a few tiny lambs bleating thus: “ Tur-r-r-r-t, Tre-t-t-t-t,” and the simile is as complete as I can make it. Later in the season these voices come from the hedges and the orchards; the frogs have left their aquatic retreats. A Mr. Geismar, who kept several in his vivarium, has recorded a remarkable instance of their domestication. Both window and vivarium & EARLY VOICES OF SPRING. 17 being left open during part of the day the frogs would leave the house and establish themselves on the trees in the orchard, where their voices could be heard throughout the evening. During the night they would return to the house, and would appear in their usual places in the morning. Hyla versicolor is not only remark- able for his change of color and his . . : a The winning voice, but also for his “foot «¢oot-paas” of the Tree Toad. pads,” my drawing of which will show their high development. Not- x a OE ing these strange little disks on the tips of the toes, which closely adhere to the surface on which the crea- ture stands, the fact will not ap- pear so surprising that he can stand near- ly upside down! It is Common Toad. perfectly plain, too, by the webbed feet, that the little acrobat is a fair swimmer. Last, but by no means least among the batrachian 8 18 FAMILIAR LIFE IN FIELD AND FOREST. singers of spring, comes the common toad (Bufo americanus). The poor, brown, warty creature which is so repulsive in appearance, and which one shudders to touch, possesses one of the sweetest, voices of spring—a dreamy, lulling, musical voice, well fitted to sing the slumber song of Nature, and transport every living thing in woodland and mead- ow to the mysterious land of dreams. The birds, it is true, may be thus sung to sleep, but not so with all the rest of the animal creation; most of it delights to prowl about all night long, just as Robert Louis Stevenson says, and none of it cares a straw for an accompanying nocturne: “ The squalling cat and the squeaking mouse, The howling dog by the door of the house, The bat that lies in bed at noon, All love to be out by the light of the moon.” By moonlight the song of the toad seems even more entrancing; but cat and weasel, coon and skunk, fox and bat—all are intent on prey, and our lullaby singers make some of it. Every dweller in the country is familiar with the voice of Bufu umericanus. In the breeding season, from April to June, the toad resorts to the swampy parts of the meadow, and there winds his horn for the delectation of his mate. The sound is a some- EARLY VOICES OF SPRING. 19 what cricketlike but prolonged “ Wur-r-r-r-r-r,” which can be closely imitated by humming and soft- ly whistling the following notes together : In a large congregation of toads the fat AF “a chorus, by no means shrill or noisy, is FSi . on Ti remarkable for its effect of harmony. FE? Although the note is sustained, it is broken by exceedingly rapid crepitations which it is impossible for the ear to follow. The “ locust,” which, years ago, boys used to construct from a soda-bottle neck, a piece of kid glove, a woven bit of horsehair, and a stick, produced a very similar but less musical sound. In singing, the toad swells his throat to a whitish, bubblelike form, which collapses when the sound ceases; then after two or three movements of the lips, as though to pucker them for another effort, he swells up again, and continues for the space of about seven seconds more. He re- peats this performance an indefinite number of times, and finally, upon a slight and sudden movement of the observer, disappears among the weeds on the border of the pond. So much for his “ Liebeslied.” In some secluded part of the pond the female de- posits the eggs, which are inclosed in a long, thick- walled tube of transparent albumen, in the water. These tubes lie in long spiral strings on the bottom, and the dark-colored young hatch out quite early. 20 FAMILIAR LIFE IN FIELD AND FOREST. Finally, after the consummation of the metamorpho- sis, they appear in a completed form (tinier than that of the Lyle at the same age) along the margin of the water—veritable pygmy toads. In midsummer the toad takes up his abode under one’s doorstep, and issues forth in the early evening to secure his insect food. I havea great admiration for a certain big fellow who frequents my garden during the night season and makes way with an im- mense number of insects. He is not disturbed by my presence in the cool of the evening when I water the flowers, and hops about in and out among the poppies and nasturtiums with full confidence that his presence there is welcome. I know exactly where his home is (under the front steps) and can tell pretty nearly at what time he will sally out in the gloaming. He is undoubtedly a creature of systematic habits, and possesses but one fault: he strays beyond the garden limits, and establishes himself about 10 p. . on the plank walk outside. Here he is in constant danger of being stepped upon with others of his kind who will not stay in the grass. If one has not an unconquerable aversion to toads it is worth while to corner a big fellow and scratch him on the back. If he is scratched on the right side he will lean over that way, just as a cat does whose cheek is rubbed; if scratched on the left side EARLY VOICES OF SPRING, a1 he Jeans to the left; if scratched on both sides he squats with content, and, I imagine, an expression of satisfaction settles in his fishy eye. I do not suppose a toad has any parasite to bite his tough, warty back; the frog, though, does unfor- tunately have a certain low parasitic form of life which inhabits his blood.* About every creature in the world, however, is likely to furnish another smaller world for yet smaller creatures to live in, and the frog is no exception to the rule. There is more truth than nonsense in the suggestive doggerel that runs: “ Little fleas have lesser fleas upon their backs to bite ’em, And these fleas have lesser fleas, ad infinitum. Great fleas have greater fleas upon their backs to go on, And these fleas have greater fleas and greater fleas, and so on!” * There have been certain sausagelike parasites discovered in the blood of Rana esculenta. Dr. Gaule found in this frog’s red blood-corpuscles, mobile corpuscles, elongate, and pointed at the extremities. These issued from the cells, which they could drag after them for some time, but after a while became motionless, and finally died and disappeared. CHAPTER IL. THE CROAKERS. Familiar Members of the Tribe Rana. We have already considered the soloists of the batrachian orchestra, and now the musicians who represent the ’cello and the bass viol must engage our notice. A hundred croaking voices reach our ears from the vicinity of the frog pond, and many of them possess a distinct individuality. The “croaks” are not all alike: there is the basso profundo of the bullfrog, the barytone of the green frog, and several other strange tones of still stranger batrachians, all of which are easily distinguished apart. The genus Lana,* to which these croakers be- long, is an extensive division of the large family Ranide. Tt includes no less than one hundred and * The frogs belonging to the genus Rana are well protected from their enemies by an extremely acrid secretion of the skin. Cats and dogs avoid them as a rule, not, however, without excep- tions; but snakes appear to differ in their tastes, and the great number of frogs they swallow in the springtime is beyond calcu- lation.— Cope. 9 5) 22 THE CROAKERS. 293 eight species, according to Mr. Boulanger, but of these only six are common enough in our northeast- ern States to attract our notice. These are: 1. Rana virescens virescens, the leopard frog; a subspecies of Lana virescens (Lana halecina, of other authors), a bright-green frog found along our seacoast and the adjacent country. 2. Rana palustris, a light-brown frog found in cold springs and streamlets. 3. Rana septentrionalis, a round-spotted frog found in northern New York and the northwest. 4. Rana clamata, the green frog, common every- where. 5. Rana catesbiana, the bullfrog, the largest spe- cies of all, also common. 6. Rana sylvatica, the wood frog, common every- where in our woodlands. The prettiest fellow of them all is the leopard frog, Rana virescens worescens, about two and a half inches long. A bright copper - col- ored line begins at his nose and ends at his eye; a sec- ond line of yellow- P * Leopard Frog ish white reaches (Rana virescens virescens). 94 FAMILIAR LIFE IN FIELD AND FOREST. from the nose to the shoulder. The eyes are large and prominent, the nose is pointed, and the general color of the body above is yellowish green marked with oval spots of’ olive margined with bright yellow, These spots are arranged in two rows on the back, and in two others less distinct on the sides. Under- neath, the body is silver-white at the mouth and yel- low-white at the abdomen. There is a characteristic longitudinal band on the front of the thigh. This species is found in great numbers in the swamps that border the creeks and rivers of the At- lantic coast; but inland, except in the Mississippi Valley, it is rather rare. According to Professor Cope, with the Acris gryllus it is the first species heard in spring, and although a single voice is not loud, the noise produced by thousands of them close at hand is deafening, and can be heard many miles away. This frog “clucks” almost exactly like a hen, and in about the same key; 4.72 — but the noise of a large ees number sounds more like a number of ducks quacking, but not without a de- cidedly musical ring. I can not, of course, indicate what difference there may be between the voices of the species proper (Rana virescens or Rana halecini) and this subspecies, but Iam inclined to believe that there is none. THE CROAKERS. 25 Rana palustris is a frog of the same size as Rana virescens virescens, but of entirely different color and tune. His voice is hoarse, and his note is a long, low croak, resembling, as Professor Cope says, the tearing of some coarse material; I should suggest burlap, and add that the tone is anywhere === from F to A below middle C on the piano. This frog lives around cold streams and springs, and is very commonly seen in the grass. In habit he is not gregarious like Rana virescens virescens, but on the contrary is rather solitary. He is the most abun- dant frog in the Alleghany Mountains, but is com- mon throughout all the States east of the Mississippi River. In agility SAT he is only excelled Brown Frog (Rana palustris). by the wood frog (Rana sylvatica), which he slightly resembles in point of color, lacking, however, the dash of black behind the eye. With one long, graceful leap this athletic batrachian covers the ground with the ease of a deer, and leaves his pursuer far in the rear. He has rather a disagree- able odor. 96 FAMILIAR LIFE IN FIELD AND FOREST. The nose of this species is more obtuse than that of Rana virescens virescens, and the general color of the back is light brown, well covered with oblong spots of dark brown regularly arranged on either side. Between these spots and another similar series lower down on the side is a bright yel- low line. The wood frog’s color is generally tan brown, but he is without conspicuous spots. The northern frog (Rana septentrionalis), which is the least familiar one of my group, is distin- guished for its dis- agreeable odor. It has a somewhat broad, Northern Frog (Rana septentrionalis). stout body, a narrow head, and a rough but not tuberculated skin. The color above is light olive, covered on the lower half of the back with lurge, nearly ctrculur blotches of brown. The legs have a few blotches, but no bands. Beneath, the color is a uniform dull whitish yellow. Compared with Rane clumata,* the species next described, this * Vide Batrachia of North America, E. D. Cope. THE CROAKERS. 27 frog has a browner color, larger eyes, longer fingers, and longer but less webbed feet. According to Pro- fessor Cope, the variations of Rana septentrionalis are greater than those of any other North American species of this genus. The northern frog is about two inches long in maturity, and is found only in the north country from Garrison’s Creek, near Sackett’s Harbor (Lake Ontario), N. Y., northward to Canada, and westward to Minnesota. Dr. J. H. Garnier, who has given a detailed ac- count of the habits of this species as observed by him at Lucknow, Ontario, says it pos- sesses the odor of the mink, and is particularly offensive on being handled. It is a thoroughly aquat- ic species, which seeks its food— insects and small fishes —in the water only. I Green Frog (Rana clamata). e know nothing of its voice. The green frog (Rana clamata)—or the noisy frog, as his Latin specific title would seem to sug- gest (a very common batrachian, about three inches 98 FAMILIAR LIFE IN FIELD AND FOREST. long)—is the one whose familiar nasal “ gum-m-m ie or “ chun-n-ng” is heard in every pool and frog pond from one end of the country to the other. He gen- erally waits on the margin until we approach within a yard of his retreat, and then slumps into the pool with a short and derisive “g-m-m” in C, one octave below middle C on the piano, thus: Often the note will be as high as E; Eee but in any event it is not a noisy voice which one hears, and the Latin name seems entirely misapplied, more particularly as these frogs do not congregate in large and clamorous assemblies like Hyla picheringit or Lana virescens virescens. On the contrary, Rana clamata lives alone or with one or more companions. We will frequently see him seated on a lily pad or on the shaded margin of the pond, where he occa- sionally makes a gulping answer to a fellow frog over on the other side. In form ana clamata is rather stout, with a head longer than it is broad, and very large ear drums. The hind feet are strongly webbed, and the skin of the back is more or less rough. In cvlor the frog is decidedly green, the upper parts quite bright and the lower parts deepening to a dull olive hue. Beneath, the coloring is dull white merging into yel- low under the chin; the hind legs are marked with three or four transverse dark bands. THE CROAKERS, 29 The next nearest relative of Pana clamata is the bullfrog (Zana catesbiana), the largest of all the American species; he frequently measures four and a half inches from the nose to the end of the body. He is the bass viol of the batrachian orchestra, and the king of all the croaking tribe of Rana, but also a sort of canni- bal into the bar- gain, for he is known to feast on his own tad- ‘» pole prog- sail -eny. But sn this is a bad The Bullfrog ee es habit not wholly confined to the big Runa catesbiana. Any one who has fished for frogs with a bit of red worsted tied to a fishhook knows how the gaping, wide-mouthed creatures will snap at anything that comes along without discrim- ination ; in fact, a tadpole for bait will do almost as well asa bit of red worsted. Apropos of this fact, Dr. Abbott’s remarks about the voracity of frogs are well worth repeating : “While feeding an Anderson’s Hyla with flies a 30 FAMILIAR LIFE IN FIELD AND FOREST. few days ago, which it takes from my fingers, I was startled by the on-rush of a little wood frog, which, impatient for its own dinner, seriously attempted to swallow both the tree toad and my fingers at one mighty gulp... . With widely gaping jaws, which were distended before the leap was made, the frog at- tempted to scoop up the toad and swallow it, or get such a hold as would make subsequent swallowing an easy task; and yet the difference in size of the two creatures was very little. As for the tree toad, it took the whole proceeding as a matter of course, not moving a muscle even when such great danger was apparently imminent. The whole tribe of tail- less batrachians is much alike in this respect, seem- ingly taking it for granted that they were born to be eaten, and stuff themselves until fate wills it that they go to stuff others. . . . I have seen little fellows just from the tadpole state in dangerous proximity to patriarchal bullfrogs, which were then only wait- ing for their appetites to return to swallow a halt dozen of their own grandchildren !” Rana catesbivna is much less green than Rana elamata ; the color of the back is dull olive, some- times marked with darker blotches or bands, the positions of which are not always the same. The head is usually yellowish olive-green, and the lower part of the body much darker. Beneath, the crea- THE BULLFROG. RANA CATESBIANA, “Tuneful scrapings on a moonlight night.” THE CROAKERS, B31 ture is yellowish white, much deeper in tone under the chin. In different localities the frog is differ- ently marked, and it is therefore impossible to define any standard of color whereby the species may be identified. The head is as broad as it is long, and the hind feet are widely webbed. A characteristic mark of this species is the fold in the skin, which begins behind the eye, curves over the dark round spot which is really the ear, and descends to a point below the lower jaw, losing itself in the yellow skin under the arm on the breast. This is the only fold of skin on the frog, and it is inconspicuous beyond the ear; but a sharp eye may easily detect its course beyond that point. Every one knows the bullfrog’s note; and that his hoarse voice in the distance, so nearly resembling the roar of a bull, should have occasioned his name, goes without saying. Still, as I have remarked be- fore, there is a musical tone to nearly every sound in Nature’s world, and our bullfrog is not an exception to the rule. He is the double bass of the midsum- mer orchestra, and no stretch of the imagination is required to hear his tuneful scrapings on a moonlight night ranging through the following chords: ee eee - aE i 4 Sy [ELH J ® [* i Tat T tT + : I? i ae ae = Rum jugorum: jugo' rum: morerum-o'rum morerum a'rum. tH +++ 39 FAMILIAR LIFE IN FIELD AND FOREST. There are often as many discords as there are har- monies, I will admit; but there, again, is Nature’s suggestiveness. She simply suggests the harmony, and we assimilate it; a little imagination does the rest, and “jug o’ rum, jug o’ rum, more rum, more rum” is quite a justifiable simile, although it reflects on the character of the woodsman more than it does on that of the batrachian. There is a humorous fit- ting of tones to syllables often scraped on the bass viol during an intermission of the string orchestra, run- ning thus: -9 — +, Hum those tones to bi 1¥ a musician Hoe geo and his response is ‘ Whet'll you h drink? +48 a smile of art youve te erm? yecognition ; they suggest but one idea to the German mind—beer. I am inclined to think the American woodsman is responsible for the suggestive syllables connected with the bullfrog’s sonorous croak. The bullfrog prefers the larger bodies of water, especially where these are surrounded by evergreen forests, and he haunts the shores where thickets and underbrush make his home inaccessible. The voice is not heard until the arrival of warm weather, and it continues through every evening during the sum- mer; it may occasionally be heard for a distance of two miles. Dr. Garnier points out certain similar charac- teristics of the three species, Rana septentrio- THE CROAKERS. 33 nalis, Rana clamata, and Rana catesbiana, which I copy: 1. They have no chant d’amour in sprig 2. They retire early to hibernate with the first autumnal frost. 3. They live in the water and lie in wait for their food, never hunting for it on land. 4. They poise the body on floating weeds, or sit on the bank, or on any bit of stick or log that suits their purpose. a 5. Their tadpoles require two years in which to mature. 6. Their notes are produced by inflating the throat pouch and suddenly expelling the air; where- as in Rana virescens, ete., there is a pouch on either side near the angle of the jaws. 7. They are all tinged with yellow- ish green under the chin. The wood frog (Rana sylvatica) is Wood Frog (Rana sylvatica). a distinctly sylvan character, he is frequently found among the dead and moist leaves on the border of the brook which 4 34 FAMILIAR LIFE IN FIELD AND FOREST. finds its way among the ferny hollows of the hillside forest. This frog is susceptible to the color of his surroundings, and changes from the tan color of a dead leaf to the green of a living one with consider- able ease. In general his color is tan brown, and his characteristic mark is a blackish patch extend- ing from behind the eye to a point just over the shoulder. Often his back will be strong buffish gray, with a tinging of brown on either side. There are three or four transverse dark bands across the thighs, and a few scattered black spots will be found on the sides. The nose of this species is rather pointed, and the limbs are long and slender, with the hind feet well webbed. The frog is therefore a good swimmer; but as a leaper he holds the record. When one spies a dull brown, slender-legged frog among the leaves around a woodland spring, or even in the re- cesses of the forest where there is no water near, and this frog takes a flying leap, disappearing entirely— perhaps landing somewhere in the next county—one may be pretty sure that it is none other than Rana sylvatica. In early April we may hear the spasmodic and hoarse croak of the wood frog near the eee pond, to which he resorts in the short breeding season; but in the summer he THE CROAKERS, 35 takes to the woods again, and remains there for the rest of the year. His voice is pitched about an octave below middle C, and it is really not often heard after May ; in fact, this frog is the most silent one of the genus Pana. CHAPTER III. SONGLESS BATRACHIANS. The Salamanders. Arter leaving the clamorous frogs, one experi- ences a sense of relief in coming to the voiceless salamander—lizard as he is wrongly called. Now the lizard and the salamander belong to two separate families of widely different character. The lizard is covered with imbricated or granular scales; he is the small relation of the alligator. The salamander is smooth-skinned ; he is the elongated relation of the frog. The lizard is a sauriun reptile, the principal characteristics of which are the scales, the claws to the toes, the undilated mouth, the toothed jaws, and the egos with a hard shell or skin, the young from which do net undergo a metamorphosis. The sala- mander is a batrachian, with a skin as smooth as a catfish, toes without claws, dilated mouth, and young which are metamorphosed. The salamander was credited with the most re- markable attributes in days of old. His bite was 36 SONGLESS BATRACHIANS. 37 considered fatal, and anything which his saliva touched was said to become poisonous. But the principal absurdity connected with this generally aquatic creature was that he could resist fire—in fact, could extinguish it. Bacon says: “There is an an- cient received tradition of the salamander that it liv- eth in fire, and hath force also to extinguish the fire.” And Shakespeare makes Falstaff say: “I have main- tained that salamander of yours with fire any time this two and thirty years; God reward me for it!” Even in colonial times a superstitious connection of salamanders with the fire on the kitchen hearth was rife in the minds of simple folk, and old dying em- bers were said to breed them. But between fire and water the salamander chooses the latter; and although some. of the species are ter- restrial in habit, many of them are decidedly aquatic —our little red salamander, for instance. Most of the “lizards,” however, are found under the stones on the margin of the brook or the ditch; but not a few hide among the damp, withered leaves of the forest floor. One of the common batrachians of the West is named Necturus maculatus—the spotted WVectwrus. His back is crowded with whitish specks, which re- duce the general brown color to a pattern in fine lines. Along the back are also arranged superior 38 FAMILIAR LIFE IN FIELD AND FOREST. rows of dark brown spots. The branchial (gilled) formations of this strange creature are very conspicu- ous, the head and muzzle are flat, the body is proportionally short, and there are but four toes to each foot. le) He is entirely aquatic. That still stranger-looking creature, common on the bottoms of rivers in Ohio, called the hellbender (Cryptobranchus Spotted Necturus (Necturus maculatus). alleghentensts ’ Cope *), is horrible in name only, but yet far from “Teese being agreeable in ap- The Hellbender S (Cryptobranchus allegheniensis). Pearance. He is a rep- tile, every inch. The head is flat and broad, the tail is half as long as the head and body together, the mouth is wide, and the legs are short, with an extensive fold of skin * Also called Protonopsis horridus, SONGLESS BATRACHIANS, 89 between the armpit and the extremity of the outer “finger.” This harmless reptile is a pale leaden color with indistinct brown spots on the back. Both this and the preceding species have a more eellike than lizard- like appearance. They are about a foot long. The hellbender is distributed from western New York to Georgia and Louisiana, and westward to Iowa. He is entirely aquatic in his habits, and is frequently “hooked” by fishermen on the Ohio River. A more lizardlike and attractive crea- ture than the hellbender is the salaman- der named Amblystoma punctatum, dis- tinguished for a smooth skin pitted with pores which are most numerous about the tail, and for the milky juice which exudes from the darker colored portions of it. The general color of this sala- mander is leaden black, and on each side of the back are a series of circular, or nearly circular, regularly arranged yellow spots about as large as the eye. On the sides, and beneath, are some scattered specks of bluish white on a lighter leaden-colored ground, Violet Salamander (Amblystoma punctatum). 40 FAMILIAR LIFE IN FIELD AND FOREST. which impart a somewhat plum-colored hue to the creature. The eggs of this species are surrounded by large masses of albuminous matter, which are deposited in pools, ditches, and streamlets. Upon a closer exami- nation these masses will be found to consist of a num- ber of hollow spheres about a quarter of an inch in diameter, connected together by a transparent jelly. Within each sphere is the embryo of a young sala- mander. In due season the half-developed, fishlike creature, freed from the gelatinous envelope, com- pletes its growth in the quiet water, and finally de- velops four legs, which sprout from the body and ter- minate first with three, then four, and finally five toes. This salaman- der is common from New York westward and south- ward. The length of an average specimen at ‘ maturity is about six inches. Tiger-spotted Salamander Another closely allied (Amblystoma. tigrinum). species is the Amblystoma tigrinuin, sometimes ten inches in length, but gener- ally not more than seven. The color of this species is leaden black of a brownish tone; on the upper parts, generally on the sides of the tail and limbs, are SONGLESS BATRACHIANS., Al sharply defined yellow spots about the size of the eye, less symmetrically arranged than those of Am- blystoma punctatum ; beneath, the dull white color is sometimes, but not always, blotched with yellow. The head is proportionally small, the body thick and wide, and the legs stout and short. The young of this species are said to be very abundant in all still water in the far West. They are exceedingly voracious and bite at the hook read- ily. Late in the summer they complete their meta- morphoses and take to the land, where they hide in the holes of woodchucks, badgers, ete. Professor Cope describes a captive salamander of this species (it came from New Jersey) which occupied a burrow in the soil of his fernery for several weeks. The burrow had two openings, and from one of these the head of the creature could usually be seen, with the little eyes intently watching what was going on in the outer world. I had two such salamanders in captivity in my own fernery for about a year. They became perfectly tame, and ate from my hand. It was amusing to watch the little heads deliberately turn for a better view of some interesting object. Amblystoma tigrinum is common from southern New York southward and westward, and is especially abundant near Beasley’s Point, between Cape May and Atlantic City, N. J. A specimen is even re- 49 FAMILIAR LIFE IN FIELD AND FOREST. corded from Ottawa, so it is apparent that its geo- graphical distribution is very wide. The most elongated and slender native species of salamander is the Plethodon cinereus, whose body and tail, cylindrical throughout, meas- ure about four inches in Plethodon cinereus. length ; the tail is sometimes considerably longer than the head and body. The color above is dark brown, and below it is dull white, so thickly sprinkled with mottled brown that the general appearance is like that of ‘‘ pepper and salt.” This little fellow is characteristically sylvan. His habits are exclusively terrestrial; he is never found (even in the larval stage) in the water. Te hides under the stones and fallen trunks in the forests everywhere, and never strays to the open fields. The eggs are laid in a little package beneath a stone in a damp place; when the young emerge they are provided with branchie (gills of a fringelike appear- ance), but these soon vanish, and very small speci- mens are often found without them. I do not recol- lect that I have ever found this salamander in New England; but in the woodlands of southern New SONGLESS BATRACHIANS. 43 York he is far from uncommon. That, however, is a matter of personal experience. Professor Cope says that this species, found throughout the United States east of the Mississippi River, is apparently more abundant in the Middle States than elsewhere, and that its northern range is central Maine, Ontario, and Michigan. A very common variety of this species is the red- backed salamander (Plethodon cinereus erythrono- tus). There is prac- tically no difference be- and characteristics of this of Plethodon tween the proportions sub-species and those cinereus. In ap- pearance there is a difference; the back of Plethodon cinereus r erythronotus is marked Red-backed Salamander with a broad red stripe is aad which begins at the neck and finishes at the tip of the tail. There is a mottled appearance at the middle of the stripe which does not affect this color. The stripe is also variable in tone; sometimes it is brick- BO Ne red, occasionally it is pinkish, and at other times it is pale orange.* * When it is this color we are liable to confuse it with the spe- cies Desmognathus ochrophea, but the body of the latter is stouter, and its under parts are never yellow. 44 FAMILIAR LIFE IN FIELD AND FOREST. This species is common on the west side of Lake Champlain, in Essex County, N. Y., in southern New England, in the southern Catskills (at Pine Hill), and in New Jersey, at least according to my experience and that of several others. Its distribution, however, is quite parallel with that of Plethodon cinereus. At his home in New Jersey, Dr. Abbott once shook one from a stick of wood which he was about to place on the fire, and the creature, instead of supporting its reputation of being a “‘fire-eater,” scampered away from the hearth in frantic alarm. Another species closely allied to the above, but stouter in figure, called Plethodon glutinosus, the Plethodon giutinosus. p\ sticky salamander, has a wide range from Maine to Texas. Professor Cope says he found it more abun- dant in Pennsylvania and New York than in south- western Virginia. It is also said to be common in Massachusetts and Maine.* The skin of this sala- mander is everywhere lined with little glands which * Vide Batrachia of North America. Cope. SONGLESS BATRACHIANS. 45 secrete a milky juice; these glands are largest on the upper surface of the tail, and more scattered on the under parts. The head of the sticky salamander is broad, the eyes are large and prominent, and the toes are slight- ly swollen at the ends. The color of the back is leaden black, and on the sides are tiny silvery gray specks. The back is sometimes entirely without spots, or they are exceedingly minute. This salamander is also terrestrial in his habits. He is found most com- monly in the mountainous districts of the North and South, and his favorite haunts are the crevices of rocky ledges and the hollows in decaying logs. His total length is a little less than six inches. This species is distinguished from Plethodon cine- reus by its broader figure, larger limbs, less webbed toes, and silvery side spots. The next salamanders which should engage our attention belong to the genus Spelerpes, which is re- Two-striped yellow Salamander (Spelerpes bilineatus). markable for its bright colors, usually red or yellow. The two-striped salamander (Spelerpes bilineatus) is yellow, with a slightly brownish tinge on the back, and 46 FAMILIAR LIFE IN FIELD AND FOREST. two dark brown lines, one on either side. The under parts are a spotless citron yellow. The pretty little creature is scarcely more than three inches in length ; his tiny legs are terminated by the slenderest of toes, and his small figure is altogether dainty and attractive. Very probably he is the salamander to which Dr. Abbott refers in Days Out of Doors, thus: “ Deeper in the drifted mass, where the trickling waters of a little spring had formed a shallow pool, were numbers of long, lithe yellow salamanders, which I had not found before, and so had held were not to be included in our fauna. I forgot for the time that others might have been more fortunate, as was the case.” Yes, these amber-yellow salamanders, even if they are not common in New Jersey, are somewhat common in New York-—in the southern Catskills, for instance— and in Pennsylvania. The northern range of the species is extended with decreasing numbers to the borders of Maine, and, although specimens may not be common, perhaps, in New Hampshire, I have found one as far north as Squam Lake. Southwardly and westwardly this species is found in Florida and Ohio. The yellow salamander is aquatic to a certain extent, and frequents shallow brooks, stony swamps, and cold springs; but I have also found the little fellow among the weeds that border the brook. He is a sprightly creature, and wriggles away from the hand THE HOME OF THE RED SALAMANDER. A RUBR ELERPES sP BROOK, NN THE MCCA CAMPTON, N. H, SONGLESS: BATRACHIANS. 47 which captures him with the slightest opportunity that is offered. A far commoner type of Spelenpes is the red sala- mander (Spelerpes rubra), which is found in almost every mountain in the north This is the fa- miliar, so-called “red tarn or brook country. lizard,” perhaps five incheslong at most, whose brilliant coloring in the green setting of the hillside spring is an unexpected and de- lightful surprise to one who gazes upon it for the first time. In habits this creature is decidedly aquatic, as Red aalaraandee (Spelerpes rubra). he never goes beyond the precincts of the brook except in rainy weather. On a very rainy day last summer one made his appearance on the back-door step of my cottage in the White Mountains, evidently after straying from the spring a hundred feet behind the house; but wet days are the only ones for salamanders to travel in. There is no fear of “drying up” en route, and the wide world, however wet, is more interesting than the stony environment of the brook; so I captured the adventurous salamander and gave him a view of life in my studio from the confines of a fish globe. 48 FAMILIAR LIFE IN FIELD AND FOREST. But he proved very uninteresting. He did not favor me with his mysterious song, which I had read so much about, and he ate nothing that was set before him. In fact, his existence proved to be a very mo- notonous one from my point of view, so I gave him his liberty. He came on a rainy day, and I let him go on an- other. There is nothing like bemg consistent. It is well not to forget that it occasionally rains frogs and salamanders, according to the dictum of some simple- minded people, and it is wisest to choose a wet day, and thus not shake the faith of a believer! But there is a very strange thing connected with the little red salamander, which is the more remarkable because there seems to be but one record of it. I refer to the vice ascribed to the creature. It seems very doubtful whether he has any voice.* Possibly I am the most unreasonable of skeptics in this matter, but I have a lingering idea that the salamandert which John *TI have referred the matter to Professor Garman, of Cam- bridge, and he is also very skeptical about the salamander’s voice. As Professor Garman is one of our leading authorities on batrachi- ans, and as he has never heard a salamander sing, 1 am inclined to accept his opinion as final. t “ For years I have been trying to ascertain for a certainty the author of that fine plaintive peeping to be heard more or less fre- quently, according to the weather, in our summer and autumn woods. It is a note that much resembles that of our small marsh frog in spring—the Hyla. It is not quite so clear and assured, SONGLESS BATRACHIANS, 49 Burroughs heard was a scamp and a base deceiver. He must have been swelling his throat “for the fun of it,” while some Pickering’s Hyla was piping near by; but Burroughs not only says he saw and heard this particular salamander sing, but adds that “it makes more music in the woods in autumn than any bird.” Now, in all the time I have known the red sala- mander—from boyhood—I have never heard him make any kind of noise. Still, this proves nothing. He may sing, and all these years I may have missed the song; but on Staten Island, in Putnam County, in the Adirondacks, in the Catskills, and in New England, I have frequently seen him early and late but otherwise much the same. On a very warm October day I have heard the woods vocal with it; it seemed to proceed from every stump and tree about one. Ordinarily it is heard only at intervals throughout the woods. Approach never so cautiously the spot from which the sound proceeds and it instantly ceases. ... ‘ls it a frog, I said, ‘the small tree frog, the piper of the marshes, repeating his spring note?’ .. . Doubtless it is, yet I must see him in the very act. ...I heard the sound proceed from beneath the leaves at my feet. Keeping entirely quiet, the little musician presently emerged, and, lifting himself up on a small stick, his throat palpitated, and the plaintive note again came forth... . No, it was no frog or toad at all, but the small red salamander, commonly called lizard. This was the mysteri- ous piper, then, heard from May till November through all our woods, sometimes on trees, but usually on or near the ground. It makes more music in the woods in autumn than any bird.”—Pe- pacton, Chapter V, John Burroughs. 5 50 FAMILIAR LIFE IN FIELD AND FOREST. in the year, yet never have heard him sing. Still, this again proves nothing; there are other places and times that he might have sung, and not every one could le the fortunate listener. But let me draw to- gether some facts which have a favorable bearing on the salamander’s voice, and then leave the reader free to form his own opinion. Professor Cope says of a Western batrachian, Amphiuma means, that it resembles the species of Desmognathus in the possession of a chirrup or whistle (!). Then he continues, “I do not know of another American salamander which possesses a voice.” Also, in an addenda to the work from which I quote,* he says: “Dr. Charles C. Abbott informs me that Spelerpes rubra has a distinct whistlelike voice, and states that John Burroughs has also heard it.” Dr. Abbott says, in Outings at Odd Times: “It was only after a hard chase that I captured it” [a red salamander], “and, holding it in my hand until rested, I endeavored to induce it to squeak, for ¢t is une of the very few that has a voice; but it was not to be coaxed. It suffered many indignities in silence, and so shamed me by its patience that I gently placed it in the brook.” * The Batrachia of North America. SONGLESS BATRACHIANS, 51 William Hamilton Gibson, in an article entitled Autumn Whistlers, published in Harper’s Young People,* also quotes from John Burroughs the same account of the red salamander’s voice which I have given in the accompanying footnote; but he does not cite any instance where he heard the voice and saw the singer Aemsel/’. In a letter contributed to Nature I find Professor Eimer relates his experience connected with a lizard’s voice. He remarks that one which he observed on the rocks of Capri had a peculiar voice which is ascribed among reptiles to geckoes and chameleons alone. This lizard, he says, made a peculiarly soft pip- ing sound on being captured, and uttered repeatedly, in quick succession, a series of very sharp tones sound- ing like “ Bschi,’ and reminding one of the hoarse piping of a mouse or young bird. I suppose this liz- ard must have been one of the same species which I saw when wandering through the deserted streets of the ancient city of Pompeii. There seemed to be a lizard partly hidden in every nook and cranny of the walls on either hand. Once in a while one scam- pered with lifted tail across the rough pavement out of my way. Upon capturing two or three, I found they resented handling by squirming about and giv- * Also published in a volume entitled Sharp Hyes. 52 FAMILIAR LIFE IN FIELD AND FOREST. ing a vicious nip at one’s fingers, but they never squeaked. Now this evidence, such as it is, proves but one thing: that a certain lizard and a salamander or two do have voices; but these, it seems, are rarely heard. We have no testimony regarding the voice of Spe- lerpes rubra except that given by Burroughs. The very fact that he mentions the strange voices as com- monly occurring in the woods from May until No- vember, suggests the possibility that he may have heard the Lyla, who do sing scatteringly in the woods during this season. Moreover, the fact remains that Spelerpes rubra is distinctively aquatic. He has no business to be plaintively “peeping” on trees or on the ground, especially when it is mot a rainy day. Indeed, if we should care to look for a red salaman- der on a fine duy we would better go to the spring or brook at once. He is, as I have intimated, an at- tractive little creature whose quiet habits are worth study. In appearance he is far from positive red. His color is rather a translucent dull orange red, and sometimes he matches a brick quite perfectly. Along his back are blackish specks which are more or less conspicuous in different individuals. In immature specimens these are not distinct, and in some they are scarcely perceptible. The red salamander is generally found beneath a SONGLESS BATRACHIANS, 53 stone in a cold spring, or oftener in a hollow beside the stone. He swims with considerable activity, and is not easily caught as he glides through the water with limbs pressed against the body and tail undulat- ing rapidly; but once on land he is at the mercy of his pursuer. His efforts at locomotion are neither graceful nor rapid. The food of this species con- sists of insects. Still another even more common salamander, per- haps the most abundant one in North America, is found in the hillside spring. This is Desmognathus Susca, a little mud-colored character scarcely more than four inches long, which burrows under the pebbles and stones, and whose dark brown color ad- Desmognathus fusca. Section of keel-shaped tail at A. oe mirably protects it from enemies. The tail of this species is characterized by finlike and keellike extensions which narrow toward the tip. Among: the wet blackish roots and stones of the brook the little creature is not easily distinguished from his surroundings, consequently he escapes our notice; but turn over a half-dozen stones on the border of some shallow pool, and the agile move- BA FAMILIAR LIFE IN FIELD AND FOREST. ments of one or two wriggling so-called lizards will betray their presence. I have found this salamander quite plentiful in the shallow brooks of Campton, N. H., particularly where these run through stony, boggy places charac- terized by blackish mud, and perhaps shaded by the feathery boughs of the hemlock. But the species is common throughout the country, although its eastern limit is probably Essex County, Mass. The ocher-colored salamander, Desmognathus ochrophiea, is an allied species of more local interest, which is found in Essex County, N. Y., and in the Alleghany Mountains. It is abundant in the Black Mountains of North Carolina and northern Pennsyl- vania. Its color is brownish yellow above, with a dorsal row of spots in darker yellowish color, and on either side of it, lower down, a band of the same color which extends to the tip of the tail. Beneath, it is without spots. This small species, not more than three inches long, and rarely exceeding half the size of Desmogna- thus fusca, resembles the red-backed salamander, but its figure is stouter. Its tail is rounded, in which re- spect it differs from Desmognathus fusca, and it also differs from the other species of the genus Desmog- nathus in its thoroughly terrestrial habits. Instead of hiding under the stones of the brook, it frequents SONGLESS BATRACHIANS. 55 the damp places of the woods where decaying leaves and tree trunks are plenty, particularly those of the hemlock. Professor Cope says he never saw one in the water of streams and river banks. Desmognathus nigra, another allied species, is a black salamander about six and a half inches long, which is found in the Alleghany Mountains from Pennsylvania southward. It is particularly common in Virginia. This creature is aquatic, and, like Des- mognathus fusca, inhabits only shallow stony brooks and cold springs in the remote parts of the mountains which afford cool and shady retreats. Iam wholly unable to account for the paragraph which I have quoted on a previous page from Cope’s Batrachia of North America. The professor makes no further remark about the Desmognathus possess- ing a whistle. I certainly know éwo of the species of this genus well, but Iam not aware that either pos- sesses a voice. Years ago I used to spend hours hunting through the brooks of New Jersey and New Hampshire for salamanders, and these I carried to my home in the city by the dozen—that was my boy- ish pleasure; but never have I heard one whistle. The creatures were apparently voiceless. It seems as though after twenty years of acquaintance with them I ought to have heard one sing; but I have not, and I shall leave it now for my readers to dis- 56 FAMILIAR LIFE IN FIELD AND FOREST. cover that rare and mysterious music of the so-called “lizard,” which, when it is heard, will prove beyond a shadow of doubt that these batrachians are not songless. CHAPTER IV. OUR ANCIENT ENEMY THE OPHIDIAN.* Snakes. A reptitet+ in the fullest sense of the term, the snake glides through the grass and across the road, the most unfortunate and repellent representative of his class. I think Ruskin hit upon the true reason of our aversion to snakes when he said that the creature glided “a bit one way, a bit another, and some of him not at all.” That is the one characteristic of the snake—his circumventive motion—which we most dislike ; regardless of his reptilian looks, it is suffi- cient to know that he skims over the ground in so sinuous a way that we can not keep an eye on him. Any attempt to trace his course meets with failure, and before one realizes it, one is stupidly staring at the spot where the creature was/ We do not like to be tricked this way; such an insidious method of locomotion is a species of deceit indicative of the treacherous character of the beast, so we count him * From épféiov, a serpent. + From the Latin repo, to crawl. 57 58 FAMILIAR LIFE IN FIELD AND FOREST. an evil thing to wreak vengeance upon—a sort of scapegoat for the sins of all creation ! Ever since that unfortunate incident in the gar- den of Eden the serpent has had heaped upon his back the abiding enmity of the human race ; but this is a mere trifle xo far as the cvwse of the ill feeling toward the reptile is concerned ; the real truth is, we do not like his appearance or his ways, and we kill him upon any and all occasions regardless of his his- torical associations. Now this is all wrong; we must learn to let the snake alone, or else in the long run we will be the sufferers. In this eastern part of the country we have only two venomous snakes, the rattlesnake and the copperhead ; all the rest are absolutely harmless. As for these two dangerous reptiles, their venomous character has been greatly overestimated, and a great deal of sensational nonsense has been unnecessarily connected with them through the credulity of the ignorant. Not more than two dogs in nine die who have been bitten by the rattlesnake.* The copper- head is by far a less venomous reptile than the other, but to-day both are so rarely met with that they scarcely deserve attention at all as familiar animals. The rattlesnake still lives in some of the remote * The Poison of Serpents. S. Weir Mitchell. The Century Magazine, 1889, p. 514. OUR ANCIENT ENEMY THE OPHIDIAN, 59 wildernesses of the northeastern States. In the vicinity of Lake George, on one of the shores of Lake Champlain, and perhaps in the southern Cats- kills, he is occasionally found; but in the Adiron- dack and White Mountains I believe he does not ex- ist. In all the years that I have traveled among these northern hills I have never met one, and I am of the opinion that few, if any, are to be found to- day even in those localities where they were once reported to be plentiful. Of the other harmless snakes, the racer, the water snake, and the blowing adder are the most formidable so far as appearances are concerned; but they are only aggressive, and fight without doing much dam- age when angered. Not one of them can bite as hard as the red squirrel, and they are not large enough to seriously constrict a person. The racer might possibly choke a child if he set about the task, but I have only read of one instance where the rep- tile had sufficient courage to attempt anything on quite so large a scale. As for our innocent little green snake, he is the mildest and most defenseless little animal on the face of the earth; the ringdove, who is a creature to dread among the small birds, is a monster compared with him. Yet it is a fact only too familiar to us all that the ery of “Snake!” on the highway is the immediate sig- 60 FAMILIAR LIFE IN FIELD AND FOREST. nal for war on the reptile with whatever weapons are handy—stones, pitchforks, clubs, sticks, or heels. Every man does his duty in the fray, and when the poor mutilated creature squirms at that part where he is not quite smashed, somebody remarks: “ Oh, it isn’t of any use to hit it any more; you know snakes never die until after sundown” ; and we think s0, or believe we do, and proceed on our way satisfied that the country is rid of one more big and dangerous reptile. But what is the truth? The farmer has lost one of his best friends; in proof of which, open the big snake’s stomach and see what is there—mice, insects, grubs, slugs, rats, or moles, as the case may be; all the worst enemies of the farmer. The very habits of the reptile are sufficient proofs of his harmless and beneficent character. He is never out at night, and in the spring he haunts the plowed fields and garden patches, ever on the alert for mice, or, best of all, grubs, cutworms, grasshoppers, and slugs. Yet in spite of all this the garden hoe is an ever-ready weapon with which to chase the poor thing from the field, if not to eventually make mince-meat of him. It is a most curious fact that the greatest igno- rance exists among many intelligent people regarding snakes. One would scout at believing such absurd things about any other kind of a creature, yet there OUR ANCIENT ENEMY THE OPHIDIAN. 61 are many who think the snake exerts a sort of charm over its prey; that a frightened mother_snake ~ temporarily swallows her young in time of danger; and that the forked tongue of the creature is its: deadly sting. Then one is told that a certain terrible serpent of Africa rolls itself up like a hoople, chases a man, and strikes him dead with its horny, spiked tail. Also one is told that a snake never dies before sunset ; that it always licks its prey all over with its forked tongue preparatory to swallowing it, so that it will “slip down easily”; and that when its fangs are extracted it lives an indefinite length of time on the stimulus of its own poison, and without food, and so on—ad absurdum ! But, as opposed to all this nonsense, I can cite a number of facts not less remarkable and curious. Snakes, for instance, are strangely tenacious of life; some can and do live a while without their brains or without their heart. The body decapitated for a cer- tain length of time continues to move and coil, and the separated head will dart out the tongue, or even try to bite ;* but I am not aware that these automatic and convulsive movements are in any way checked by * And more than this: Dr. 8. Weir Mitchell says, “If we cut off a snake’s head and then pinch its tail, the stump of the neck returns and with some accuracy hits the hand of the experimenter —if he has the nerve to hold on!”—Century Magazine, August, 1889, p. 507. 63 FAMILIAR LIFE IN FIELD AND FOREST. the setting of the sun. When the last lingering rem- nants of life are fled the snake is dead, that is all. As for the tongue—that delicate and marvelously sensitive organ—it is absurd to think so soft a thing is a sting, and ridiculous to suppose it is adapted to licking; the snake is dull of sight and hearing, and this dainty tongue makes up for the deficiency by pursuing investigations by touch. Snakes are, as a rule, remarkably prolific, and bear anywhere from seven to one hundred or more young. Sometimes the eggs of certain species hatch in the oviduct; hence the term ovoviviparous. It is easy to understand, therefore, that some ignorant person cut- ting open a snake in the early spring, and unaware of the true position of the stomach, should think that the creature had swallowed the young. But there are those who have very vague ideas of diseases as well as stomachs, and I remember a backwoodsman who during the greater part of one hot summer suffered terribly, according to his own account, from cholera infantum ! As for the swallowing process of the snake, that has a length which words can only inadequately measure. It is something like Milton’s “linked sweetness long drawn out,” without the sweetness. As a matter of fact, when one’s teeth spread over one’s palate it can not be expected that one’s taste OUR ANCIENT ENEMY THE OPHIDIAN. 63 should escape being impaired. So it is with the snake: he may have a liking for birds, mice, and frogs, but that he can taste them is quite a different thing. A cobra in the London “Zoo” one time made a mistake and swallowed her blanket instead of arabbit. It is true she was partially blind, as it was just before she should shed her skin,* but that fact in no wise affected her taste. It is therefore perfectly plain she could not distinguish the difference in flavor between rabbit fur and a blanket! To the average American snake a sleek young mouse .is no more ac- ceptable as a tidbit than a rank, acrid-skinned frog of the genus Rana.t But the way the frog is swallowed is something * At the time of sloughing, or casting the skin, snakes are par- tially blinded by the dull old skin which also covers the eye. It must be remembered that the ophidia do not possess eyelids. + Even a snake is food for a snake. Here is a remarkable in- stance of such cannibalism. M. Leon Vaillant, in a paper read before the Académie des Sciences de Paris, says: “ In a menagerie of the museum of the Jardin des Plantes, a French viper (Pelias be- rus) had to be put in the same cage with a horned viper (Cerastes). As the individuals, although they belonged to different species, were about the same size, it was supposed that they would live peaceably together. It was a mistake. During the night that fol- lowed the Cerastes swallowed the Pelzas, and, in order to accom- modate himself to his huge prey, his body was distended so that the scales which touched each other laterally and even lapped in his normal condition, were now so spread apart that between the lon- gitudinal rows a bare space equal in size to the scales was left. Digestion went on regularly, however, and the Cerastes did not appear to suffer."—The American Naturalist, March, 1893. 64 FAMILIAR LIFE IN FIELD AND FOREST. appalling. It is one of those “ ways” of the snake which, as I have already said, we do not like. Now we sometimes facetiously remark on the facility with which a small boy “ gets around” a large piece of pie. The expression, however, more exactly fits the case of the snake; he truly gets around his prey with a courageous disregard for its formidable dimensions. His head is searcely half an inch thick, yet down goes the frog between his distended jaws, and yet it measured not a whit less than an inch and a half in diameter. Now the simple fact is, the bones of the serpent are held together by elastic ligaments, and the reptile’s capacity is correspondingly elastic. The teeth, too, are set with a backward curve, and by slightly working the jaws* the kicking frog is worried down by slow degrees in spite of a slippery hide which, were it not for those tiny, sharp, re- curved teeth, might assist him in the struggle for freedom. But he is doomed, and in less than ten minutes his toes disappear, and he proceeds on a lumpy course to the stomach of the reptile, smoth- ered. Immediately after swallowing the frog the snake gives a ghastly wide-mouthed gasp or two, as if choking to death. But no such thing! he is merely * These are formed of no less than four sections, two above and two below, each of which is worked more or less independ- ently. OUR ANCIENT ENEMY THE OPHIDIAN. 65 working his jaws back to a state of repose, and gulp- ing down a few breaths to make up for the time just past when breathing was somewhat difficult. Like the batrachians, the snakes sleep all winter, waking up after a seven or eight months’ nap under the vivifying influence of spring sunshine, and with a sharpened appetite for frogs, mice, and the like. At this time, too, the snake discards his dull skin and arrays himself in a resplendent coat of iridescent colors. The skin is shed complete, inside out, and scraped off by the contact with bushes, rough ground, and dead leaves. Now the method of a snake’s locomotion is as curious as its habit of hibernation. Watch one move, and it is hard to tell Aow he moves. We may think it is entirely by lateral pressure against every blade of grass and every grain of sand; but that is not all. The lithe creature does something more than push himself along. Every rib is employed in a measure as a leg would be, and with careful observation one may detect a certain undulation in wavelike intervals beneath the skin, which is due to the contraction and expansion of the ribs as the snake moves. Thus a snake can, if he chooses, move in almost a straight line and over rather slippery surfaces. The constricting power of some snakes is also a marvel. oe lightninglike rapidity the reptile will 66 FAMILIAR LIFE IN FIELD AND FOREST. throw himself about the body of his victim and tighten his hold as one might tighten the cord about a bundle by pulling the string ends. But the squeez- ing of our American snakes is a more serious matter for mice than men, so we will pass that, and devote our attention to the snakes themselves. There are two distinct groups or families of our snakes, one of which includes the poisonous rattle- snake and copperhead, and the other all the non- poisonous snakes. Here they are as defined by Prof. 8. F. Baird : Crotatip#£: Erectible poisonous fangs in front; few teeth in the upper jaw; pupil of eye vertical ; deep pit on the side of the face between the eye and nostril. Cotuprip£: No poisonous fangs; pupil of eye round; no pit, and both jaws fully provided with teeth. According to Prof. Samuel Garman, there are at least four species of rattlesnakes east of the Missis- sippi River ; but with one only will we have to do as a barely common object of familiar life. This is the Northern rattlesnake (Crotalus horridus).* Length, forty to sixty inches; dark brown above, blotched with brown, black, and tan somewhat diagonally ; * The nomenclature in every case is that of E. D. Cope, 1892. Vide Proc. U.S. Nat. Mu., vol. xiv, p. 589. OUR ANCIENT ENEMY THE OPHIDIAN. 67 yellow beneath, blotched; contracted neck; carinated (keeled) dorsal scales in twenty-three to twenty-five rows. The fangs recline against the roof of the mouth protected by an elastic membrane. They are the only teeth on the maxillaries. These fangs when broken off or re- moved are re- placed by oth- ers. The ven- om may or may not be ejected by the serpent.* Like the skunk, the creature is The rattlesnake coiled to strike : showing the flat- tening of the body against the ground. chary about dis- pensing what he seems to consider a valuable product not to be wasted on any account. The snake can only strike a distance equal to half the length of his body, and he is by no means aggressive, as the passer-by is unmolested if he does not begin hostilities. The snake need not necessarily be coiled to strike, either. He will throw himself right or left as far as the posi- tion of his body allows him to reach. The noise of the rattle is extremely like a rapid stridulation of the cone-headed grasshopper (Conocephalus ensiger), with * Samuel Garman. 68 FAMILIAR LIFE IN FIELD AND FOREST. about eleven hundred vibrations to a minute, instead of two hundred and eighty-eight as in the case of the grasshopper.* .<13g Because a serpent may possess half a pidaaaddg dozen sections to his rattle it by no means indicates that he is six years old. More than one section may be added in a year’s time, and frequently one is broken off by accident. The copperhead (Ancestrodon cuntortriz). Length, thirty-six inches ; light rusty brown above, with darker blotches and a coppery cast to the head; A-shaped brown marks on sides; yellowish beneath ; fangs like the rattlesnake’s. An extremely rare but dangerous reptile, with a pointed, horny tail but with no warning rattle. The familiar members of the non-poisonous family Colubride are as follows: The ground snake (Curphophiops amenus). Length, twelve inches; opalescent color; chestnut brown above, salmon beneath ; head very small, not wider than the neck; thirteen dorsal rows;+ found *In the American Naturalist for March, 1893, somebody gives the vibrations of the rattle a tempo of one hundred and ten per minute. This is a great error, which may be proved at once by setting the metronome at one hundred and twelve —adagio. + By this I mean that the scales on the back are arranged in thirteen rows. OUR ANCIENT ENEMY THE OPHIDIAN. 69 under dry logs and stones in the mountains. Massa- chusetts to Louisiana and Ilinois. The worm snake * (Carphophiops Length, twelve vermis). inches ; black above, neath ; colors about lustrous purple flesh color be- half and half ; than the neck ; sourl, Kan- Groundsnake, gas, and southern Ili- 12 inches. head very small, not wider thirteen dorsal rows. Mis- nois only. The chain snake (Ophibolus getulus getulus). Length, forty-eight inches; handsome and inoffen- sive; black, crossed by narrow, continuous yellow- white rings the flanks ; on the back are large black hexa- gons ; blotched with black beneath ; head scarcely wider which bifurcate on than the neck. Cope says that Chain snake, 48 inches. certain tamed chain snakes be- longing once to his little daughter drank milk from asaucer. The chain snake is a great enemy to other * Carphophis amenus, var. vermis, Samuel Garman. 40 FAMILIAR LIFE IN FIELD AND FOREST. snakes. Common in the South, and occasionally found on Long Island, N. Y.; southern New York to Florida and Louisiana. The king snake (Ophibolus getulus sayz). Length, forty-eight inches; black above, with a yellow spot on each scale; the effect of these spots is to form sixty transverse lines across the back; yellowish-white be- neath, with black blotches. West of the Alleghanies, north to Illinois and Wisconsin (Hoy). Milk snake, spotted adder, 48 inches. The spotted adder, milk, or house snake (Ophi- bolus doliatus triangulus).* Length, forty-eight inches; handsome; pale brown or ash-gray above, with about fifty dorsal, transverse, triangular choco- late blotches edged with black; other lateral ones; yellowish-white beneath, checkered with square black blotches; small eye; twenty-one dorsal rows. It is said to be fond of milk, and to frequent the floors of dairies and cellars of houses. I killed one at least thirty-eight inches long last summer in a vegetable * He has even more names—viz., chicken snake, thunder and lightning snake, checkered adder, etc. OUR ANCIENT ENEMY THE OPHIDIAN. 1 garden, much against my will, but in deference to a person who had a mortal antipathy to snakes. The poor creature was absolutely harmless, and never showed fight under the heavy blows of aclub. This was the first, and it will be the last, harmless snake I shall accom- modatingly kill for another—transeat in exemplum ! The milk snake is com- mon from Maine to Virginia and westward to Iowa and Wisconsin. The ring-necked snake (Diadophis punctatus). Length, fifteen inches; a beauty, and dressed tastefully; violet- black above, orange beneath, edged by black spots ; yellow-white ring or collar around the neck; fifteen dorsal rows; food, beetles, slugs,-and grasshoppers ; found beneath fallen logs and stones. Common in the mountains of Penn- sylvania and Virginia, Maine to Wis- consin, and the Southern States. The green or grass snake (Liopeltis vernalis ; Cyclophis vernalis of other Ring sscked authors). Length, eighteen inches; beau- ae: tiful; bright green above, yellowish be- neath ; fifteen dorsal rows; small head; very smooth scales ; food, insects, grubs, ete. Very common, and 49 FAMILIAR LIFE IN FIELD AND FOREST. exceedingly gentle, frequenting wet meadows and sometimes climbing the alder bushes. My Manx cat frequently brought the pretty green creatures into my studio; they never showed the slightest hos- tility on being so roughly handled by the cat. Maine to Virginia and Wisconsin. Another similar species (Cyclophis estivus),* length, twenty-seven inches, has seventeen dorsal rows, the verte- bral ones strongly keeled ; a long, slender Southern green snake. North to New Jersey and southern []linois. The fox snake (Coluber vulpinus). Length, sixty inches; light brown above, with sixty dorsal, trans- verse chocolate blotches margined with black; one or two lateral rows; yellowish-white beneath; the four lateral rows of scales smooth. Massachusetts to | x Green snake, 18 inches. Kansas and northward. The pilot snake, or mountain black snake (Coluber obsoletus obsoletus). Length, sixty inches; graceful, inoffensive, and mild; uniform silky brown or black above, with a few of the scales narrowly edged with white, slaty black beneath, with chin and throat yel- * Phyllophilophis estivus. Samuel Garman, OUR ANCIENT ENEMY THE OPHIDIAN. "3 lowish ; twenty-seven dorsal rows, the seven outer ones smooth. Resembles the racer, or black snake, in color only. Mt. Tom, Mass., to Texas; abundant in southern Ilinois. The pine, or bull snake (Pityophis melanoleu- cus). Length, sixty inches; very harmless; tan and buff; from twenty-seven to thirty-three dorsal blotches, brown margined with black; three series of lateral blotches; brownish-white beneath; twenty- nine dorsal rows. An exceedingly shy snake, fre- quenting sandy pine forests near the coast, and disap- pearing in a hole in the ground upon being surprised. Common south of the Ohio River, and found from New Jersey to South Carolina and Michigan (Gibbs). The black snake, or racer (Bascanium con- strictor). Length, forty- eight to eighty inches ; lustrous black above, greenish or slaty-black beneath ; chin and throat dull white; seven- Black snake, racer, teen dorsal rows. An ugly ers customer when angered, but a harmless and cowardly one; remarkable for the speed with which it “covers the ground,” and hence called “the racer.” He frequents wild ground where there is water, climbs 74 FAMILIAR LIFE IN FIELD AND FOREST. trees with ease, and has a special penchant for birds and their eggs. He has no mean power of constric- tion also, and wins in a fight with the rattlesnake. Elliot Coues relates an instance in which he witnessed one of the frequent combats between the black snake and the rattlesnake, when the former, in less time than it takes to tell it, snapped the latter asunder by wind- ing the anterior and posterior parts of his body around the neck and tail of the rattlesnake and suddenly pull- ing himself taut. The food of this snake is mainly rats, mice, frogs, toads, and birds. Not uncommon throughout the country east of the Missouri River. The striped, or ribbon snake (Hutenia saurita).* Length, twenty-eight inches; light, bright choco- late above, with three yellow stripes; greenish-white beneath; nineteen dorsal rows; large eyes; slender and graceful figure, agile; found on the edge of the woods or near the water. A mild-tempered creature, which, should it happen to bite, pricks one’s finger as a pin might. Common throughout the east, and abundant in the Alleghany mountains. , The western garter, or striped snake (Autenca radix). Length, twenty inches ; brownish or green- ish-black above, with three narrow yellow stripes, and six series of black spots, sometimes obscure; pale * These striped or garter snakes emit an offensive odor. OUR ANCIENT ENEMY THE OPHIDIAN. 5 greenish tone beneath, marked black; nineteen dor- sal rows, sometimes less. Common in central Western States to Lake Michigan and Oregon. The common garter snake (Hutenia sirtalis sir- talis). Length, thirty to forty inches; olive-brown above, sometimes nearly black, with three narrow light-yellow stripes en- croached upon by the three series of small black spots on sides; greenish white beneath ; nineteen dorsal rows; dorsal scales keeled; body somewhat stout; food, frogs, toads, mice, etc.; stouter than LHutenia saurita. This snake is commoner in New York than any other species. It is found from Essex County to Westchester County, and I remember it as the most familiar snake about Lake Mahopac, Putnam County. It frequents wet meadows, and is generally found near the water. The female bears a great number Garter snake, 30 inches. of young; she is ovoviviparous. Professor Baird says he has killed one with no less than eighty-three little ones about six inches long. It is a disagreeable snake to handle, as it emits a fetid odor. Common through the United States, ex- 76 FAMILIAR LIFE IN FIELD AND FOREST. cepting’ the Pacific coast; but I have not yet seen one in the White Mountain region ; it evidently pre- fers a warmer climate. It is abundant, however, in Illinois. Still another species of the garter snake (Hutania sirtalis dorsalis) is common throughout the United States. This species is brownish olive above, with three broad green-white stripes, dark spots on the sides, and greenish white beneath. The brown, or spotted snake (Storeria dekayi). Length twelve inches; ash or chestnut-brown above, with a clay-colored dorsal band, dotted along the margin two scales apart; gray-white beneath; a dark patch on either side of the back of the head; seventeen dorsal rows; food, in- sects, etc. Exceedingly common in New York and Massachusetts; abundant on the shores of Lake Champlain. Maine to Wisconsin, Florida, and Texas. The red-bellied snake (Storeriu oc- cipitomaculata). Length, twelve inches; pretty ; ash, chestnut, or even olive- brown above, with three distinct light- colored irregular spots behind the head; a beautiful reddish-salmon beneath ; fif- Red-bellied snake, 12inches. teen dorsal rows; dorsal scales keeled; OUR ANCIENT ENEMY THE OPHIDIAN,. var) food, insects, etc. Very abundant everywhere on meadows and grassy ground, and associated with Storeria dekayt. Maine to Florida and Texas. Kirtland’s snake (Clonophis kirtlandi ; Tropido- clonium hirtlandi of other authors). Length, six- teen inches; a beauty; light, ruddy brown above, with three alternating series of round black spots, the central ones of which are indistinct and the smallest; reddish or perhaps yellowish beneath, with a row of small black spots on either side; nine- teen dorsal rows; body stout. It will flatten its body and remain motionless to escape detection. A Western snake. Ohio to Illinois. The water snake or water adder (Natria fasciata sipedon; Nerodia stpedon of other authors). Length, forty-eight inches; dull bronze brown above, redder on the sides ; transverse light irregu- lar bands margined with black ; seers yellowish to reddish beneath; Water snake, 48 inches. twenty-three dorsal rows; head narrow and long; strongly carinated scales. This snake frequents marshes, overflowed meadows, and the shores of streams and ponds, climbs among the “8 FAMILIAR LIFE IN FIELD AND FOREST. bushes, coils there, and slips into the water when alarmed; it is a good swimmer, and a great fighter when enraged, but it is perfectly harmless. It is the cast skin of this reptile which that interesting woodland bird, the crested flycatcher (J/ycarchus crinitus), is so fond of as a lining for her nest.* The food of the water adder is frogs, small fish, salamanders, ete. Common from Massachusetts to Wis- consin and Georgia. In the South it is called the water moccasin. Another species of water snake, sometimes called the queen snake (Matrix lebe- ris; LEeegina leberis of other Queen snake, 23 inches. authors), length, twenty- three inches, also common in the East, is differently marked ; the color above is chestnut- or chocolate-brown, with a lateral yel- low band and three narrow black dorsal stripes; yel- lowish beneath; nineteen dorsal rows; dorsal scales carinated. Frequents the banks of streams, and shal- low water where there are loose stones. Common * The nest is usually in a hole fifteen feet up in a tree, and it is lined with bits of roots, grasses, and snake’s skin. OUR ANCIENT ENEMY THE OPHIDIAN. 19 from New York to Wisconsin; abundant in the mountains of Pennsylvania and Ohio. The blowing or deaf adder or hognose (Heterodon platyrhinus). Length, thirty inches; yellow-gray and sepia-brown above, checkered with about thirty dark dorsal blotches; yellowish beneath ; a dark band across the forehead, and a pug nose; strongly cari- nated scales back of the head; twenty-five dorsal rows. This beggar has a threatening aspect when we approach him, but he is perfectly harmless; he is “all bark and no bite,” flattening his head and body out until he looks twice as big as he really is, and hissing like a steam engine, with an effect of fearful malig- nancy. He is the creature, too, who, so hard of hear- ing, was the occasion of that familiar and suggestive Hognose snake, blowing adder, 30 inches. saying, “as deaf as an adder.” Heis common through the Eastern and Southern States, is rare in New York, and probably is not found at all in New Eng- land. The hognose snake (Heterodon simus). Length, 80 FAMILIAR LIFE IN FIELD AND FOREST. twenty-six inches; stouter and smaller than 4. pla- tyrhinus; light brown-yellow, with a dorsal series of thirty-five transverse black blotches ; sides with one to three smaller series; yellowish beneath; twenty- three to twenty-seven dorsal rows; a decided pug nose, evidently of great use in burrowing through the soil. Common in the West and South. CHAPTER V. ACCOMPLISHED VOCALISTS. The Robin, Hermit Thrush, Veery, Redstart, Wood Pewee, ete. Aut the strange world of wild life offers no greater contrast than that between the snake and the bird. The latter is a true musician; the former is as mum as the brown leaf under which he hides. Who has heard the robin’s note and failed to recognize the fact that the bird is a musician ? I do not make a random selection of the robin (Merula migratoria) among the long list of singing birds, and intimate that he is a musician beyond the rest. Many a woodland bird is a better singer; but to every thrush’s song we will hear a score of robins’ songs, and some one of the robins will most likely be an accomplished vocalist, just like the one whose music I have interpreted a little farther on. We respond to the musical side of Nature only in proportion to the development of our “ear for music.” It must be admitted that this very common expres- 7 81 89 FAMILIAR LIFE IN FIELD AND FOREST. sion implies that there are those who have zo ear for music—those, in other words, who are tone-deaf. But tone-deafness is simply a qualifying term, and we are forced to admit that the person without an ear for music is to a certain extent deaf. Now, a par- tially deaf person will hardly be able to distinguish apart the songs of two different robins, one of which is much more musical than the other. So I must appeal to the imagination of the unmusical as well as the musical mind in order to have my bird songs understood ; they must not be taken too literally.* I have said that we respond to the music of Na- ture according to the degree of our musical percep- tion; but it only needs a little cultivation of our sense of hearing to be able to intelligently grasp the mu- sical idea which Nature is constantly suggesting. Thus a musical robin last June sang the following mel- allegretto ody, more OF Ls ea li ¢. Te T,. F 1 less perfectly : igyye snares esen were cee coe * Without imagination it would be difficult, if not impossible, to understand a wild bird’s song. One has not only to hear all the notes with an attentive ear, but sort them out, so to speak, and transmute them to truer and better conditions. Thus, what is doubtfully A in a bird’s song must be positively A in the hear- ev’s mind; and u musical fifth which is off a quarter or halfa tone must be considered—not a bit off! In music we allow only tones and half-tones—for instance, C and D; between the two is C sharp, the half-tone. The bird is very apt to sing a quarter- tone, that is something halfway between C and C sharp. ACCOMPLISHED VOCALISTS. 83 But this song was suggestive rather than positive; the robin produced all the melody, but it was a vague melody. One could not be quite positive that every turn was meant to be just what the musical mind de- manded that it owght to be. Nature is always suggesting, but never complet- ing; she does not commit herself to measured tones and exact musical phrases any more than she does to exact primary colors. It is invariably that vagueness of purport that renders her work fascinating, and in- spires the artist to take hold of it and make the mean- ing plain. There is no doubt in my mind that the robin tried to touch as many tones of regular intervals as he could. Certainly he had more excuse for errors than the unmusical man who vowed that he could always distinguish “My country, ’tis of thee,” from “Yankee Doodle.” But who, pray, would call the robin unmusical that could produce such a melody as that I have transcribed? Without interpretation, his song, although jerky, agitated, and vague in meaning, would still be perfectly musical. I have taken no liberties with his triplets. But here is another specimen from a sprightly musician who sang in a maple tree for a few min- utes one day last June, just before my studio win- dow (in Campton, N. H.), and then disappeared 84 FAMILIAR LIFE IN FIELD AND FOREST, never to return. 7 bee —— 4+ 4 =+ It was a Baltimore HOt tethers I _mf 04 s # are = oriole (Icterus gal- bula), and his simple musical phrase was absolutely true in pitch, differing in this respect from my robin’s song. But the most remarkable thing about a really musical oriole—one may not happen to be as melodic as another—is the way he syncopates. Now syncopation in music is equivalent to the dropping of an important note; one of accent or emphasis. Who has not heard in the streets the shrill fife and drum with the measured boom of the bass drum, and who does not remember the turn the latter makes at the end of a musical phrase? It sounds as though the next to the last “boom” was dropped in the street, and the drummer, stooping to pick it up, lost a little time and then hurriedly made it up thus: Boom! boom! boom! boom! boom! boom! boom !—— boom-boom ! This is a perfect syncope, and it is exactly what the whistling oriole is continually doing. Here is a second instance of dropped notes in a little song I once heard in the Harvard Botanical Garden, Cam- bridge, in May. Det this oan e EE am + i — yy il was not quite so musical as the one I heard in Camp- ton, N. H. THE BANKS OF THE PEMIGEWASSET, THE HOME OF THE BLACK-BILLED CUCKOO. coceyzZus ERYTHROPHUTHALMUS. ACCOMPLISHED VOCALISTS. 85 I have long since learned who plays the “ kettle- drum” of the bird orchestra; he is the black-billed cuckoo (Coccyzus erythrophthalmus) a long, lithe, pigeonlike creature, who is subject to nervous attacks after a prolonged silence, and lets off the following : poco vitard. ~~ But the black - billed cuckoo does not confine a. oT . . Cuc-ueveve-00-00 00-0 covocoat himself to exactly this ar- rangement of his two notes. Sometimes he sings thus: It is also not quite fair to ime a aa | 1y } 1 ee a I ‘ jee eee eet liken him to a noisy drum- * Cuc-uerue cuck-a0 cuck-00! er His note is more res- onant than that of the tubby kettledrum, and as a musician he is the soul of accuracy in his musical thirds and fourths. But the mention of this reminds me of the musical attempts of the crow. I wonder fy. pi how many of us have caught the crow in the act of coughing up a number of musical tones! It is the most absurd performance in all the category of wild music. The crow when he sings is nothing short of a clown. He ruffles his feathers, stretches his neck like a cat with a fishbone in her throat, and with a most tremendous effort delivers a series of henlike squawks double fortissimo, thus : oer What he means by the call ced i eT it is difficult to say, unless it has “S some connection with the general “caucus” which 86 FAMILIAR LIFE IN FIELD AND FOREST. is sure to be in full session at no great distance down in the copse on the meadow border. But the crow is not unmusical after all. His “caw” is a note of decisive emphasis which can not be justly slighted in the grand orchestra of Nature. The tone of it has that wood- en, reedlike quality which is best represented by the oboe, an instrument of a singularly pastoral nature. Haydn fully appreciated this fact, and in his oratorio of The Seasons gave it a very prominent position not only in a fine adagzo, but in a long The musical Crow. solo imitating the crowing of a rooster. Notice how nicely the notes follow the last part of the “crow” by sliding down the chromatic scale. Here is a case where a great musician followed the suggestion of Nature very closely; and I could enumerate several others in which Nature’s intention was most admirably carried out. However, I can only record one extreme in- stance, which is as pathetic as it is interesting ; and SU ame i Af THE YELLOWHAMMER, COLAPTES AURATUS, “On the wooded border of a meadow.” ACCOMPLISHED VOCALISTS. 87 whenever I hear the golden-winged woodpecker’s (yellow-hammer’s) nasal and monotonous voice, I re- member how much Beethoven made of it in his Pas- toral Symphony. In the summer of 18238, long after the great composer had become “stone deaf,” he was walking with his friend Schindler on the wooded border of a meadow not far from Vienna. “Seating himself on the grass,” says Schindler, “and leaning against an elm, Beethoven asked me if any yellow- hammers were to be heard in the tree above us. But all was still. He then said, ‘This is where I wrote The Scene by the Brook,* while the yellow- hammers were singing above me, and the quails, nightingales, and cuckoos calling all around” I asked why the yellow-hammer did not appear in the movement with the others; on which he seized his sketchbook and wrote the following phrase: ‘There’s the little composer,’ said he, ‘and you'll find that he plays a more important part than the others, for they were nothing but a joke.’ ” Well, the power of a musician’s imagination to transmute a few tones is illimitable, for the notes above are not those of the yellow-hammer at all. But, as I have already intimated, imagination is neces- * Die Scene am Bach, the second movement of the sixth (Pas- toral) symphony. 88 FAMILIAR LIFE IN FIELD AND FOREST. sary on the part of the hearer to understand the mu- sical drift of Nature. So Beethoven gives his imag- ination full play, and constructs a part of his sym- phony not from the yellow-hammer’s monotonous oe 99 kee-er, kee-er” alone, _ Ppt Se but from the association | of these vigorous tones with the milder ascending tones of still another bird —the nightingale, perhaps. To my mind Beethoven’s six notes and others like them of constant recurrence in The Scene by the Brook are remarkably suggestive of the hermit thrush (Zurdus aonalaschke pallasti), our most gifted American songster—the prima donna of the orchestra. The notes of this bird always fly upward with bounding emphasis to some extremely high point, and after a short interval these three very high notes 7 succeed, followed by a whispered “ wee- mgt chee-weechee” too attenuated for me to record by musical signs. Much has been written about the music of the hermit thrush, but I have found nothing which treats the bird with justice except the remarkably faithful records jotted down by Mr. Simeon Pease Cheney.* It is almost exclusively to this gifted mu- * Author of Wood Notes Wild; he died May 10th, 1890. ACCOMPLISHED VOCALISTS. 89 sician, who has lived among the birds in the green hills of Vermont, that we are indebted for any scien- tific knowledge of bird music. In a previous volume* I have devoted some at- tention to the songs of the thrushes, and have given a song of the hermit thrush which is almost identical with one reported by Mr. Cheney. It is character- ized by thirds and triplets. Here is a portion of it: LO) i je on i } But this is only one phase, although a very common one, of the hermit’s music. He can do even better than that, and be- sides a num- ber of most extraordinarily i elear _ sil- subdued, NAN very whistles, he gives us a Tags reedlike series of pianissimo tones which I can only liken to those of a f om =~ harmonicon. It is very likely that this peculiar na- ture of these pianissemo notes— they can not be heard more than forty feet away—suggested to The Hermit Thrush. * Familiar Features of the Roadside. 90 FAMILIAR LIFE IN FIELD AND FOREST. Burroughs the hymnlike quality of the hermit’s song which he so often mentions. I must quote what he says: “A strain has reached my ears from out the depths of the forest that to me is the finest sound in nature—the song of the hermit thrush. . . . It ap- peals to the sentiment of the beautiful in me, and suggests a serene religious beatitude as no other sound in nature does. It is perhaps more of an evening than a morning hymn, though I hear it at all hours of the day. It is very simple, and I can hardly tell the secret of its charm. ‘O spheral, spheral!’ he seems to say; ‘O holy, holy! O clear away, O clear away!’ interspersed with the finest trills and the most delicate preludes.” But this is the sentiment of the song; what of the song itself? That I can only describe with musical annotations. There is first a prolonged tone, prob- ably A; this is succeeded by another shorter one a third above, another a fifth above, and still another an octave above the A. Interspersed are several very short notes, which are undoubtedly some of Bur- roughs’s “ fine trills and delicate preludes.” Here is the music: se But we will notice that z the song does not end “ = — “with the high note; there are still three more which glide down- ward, finishing at the original A; these have that ACCOMPLISHED VOCALISTS. 91 harmonicon quality of which I have spoken. So pronounced is this final harmonic tone that it might well be expressed thus: > Now, this is but one ruses of six musical phrases which a single bird sang. An- other, but a less gifted musician, sang a similar phrase. But, of all the singers, not one, ramemeeaene however clear - voiced, equaled in dexterity and precision the bird I heard last summer, which sang the following: The distinctness and 1) a mere Aa == Sse eonaeee O10 ee ee ee Se J rapidity of the last six short notes was simply phenomenal; they furnished a fitting cadenza to a long song of certainly eight or nine passages not one other. After his solo—in a of which was like an- the bird finished maple tree not ten yards from where I sat yy —he fluttered silent- ly away to a neigh- boring brook to “wet his whistle.” ‘Wholly unlike the her- mit’s music is that of the skulking veery (Zurdus Juscescens), who haunts the shrubbery by the river’s brink, and leaves the hillside grove entirely to his The Veery. 99 FAMILIAR LIFE IN FIELD AND FOREST. more accomplished musician cousin. Still, the veery’s song is the most romantic and suggestive one of the twilight hour in spring. His notes are characterized by a reedlike quality, which I will liken again to the tones of a harmonicon. No other bird has a voice like his; it can best be imitated by humming a low tone and whistling a high one; and it sounds as though the little owner was being swung in four suc- cessive circles through the air. Somebody has com- pared its character to that of a spiral line. Notice after the preliminary grace notes the unbroken flow of the four clusters which follow : allegredte Cae? legato Ft wa: “Exo | | 7 4 rs ta bp om» 1 Pa et fee —=— ar Aan a ae 8 zi a peel —| ——a Lt i O... vee-ry..vee-Ty--vee -Ty.. vee-Ty. No hermit could do that sort of thing as well; he would not have breath enough. But there is also another than spiral effect to this musician’s song. Sometimes a rare individual sings whose sonorous tones vibrate be- , sr-sitgy shoe tween thirds and —& F fifths, thus: stauamegiosse=: And in a chorus of veeries such as I heard last spring his notes stand out by contrast with the others in a most refreshing way ; let one’s ear be never s0 subtle at following a musical cadence, it can not be quick enough to catch the full beauty of the last notes of ACCOMPLISHED VOCALISTS. 93 this eccentric singer; they must be heard over and over again to be remembered. They remind one of the weird effect of an eolian harp or a singing tele- graph pole,* but they are twice as mysterious. But the most mysterious singer of the woodland is the chipper and restless little redstart (Setophaga ruticilla), whose jet- black head and orange shoul- ders are continually perking out from the bordering green of the highway, and surprising: one a & J» i 8 The Redstart. by a sudden and transient glimpse of bright color. This little fellow does not perch on the tree-top like the indigo bird and the song sparrow when he sings; he evades the public eye, and chirrups on the other side of the tree from the inquisitive observer. His song, much more sprightly than that of the veery, and much less seri- ous, runs thus: aiaieeet at oe He is ever on the alert for an in- sect, and never US Gene cewewenenewes- hesitates to cut his song short when a tempting mouthful meets his eye in the shape of some “crawly bug” on a * In extremely cold weather, if one’s ear is placed against the telegraph pole one will hear a remarkable harmonic vibration of the wires, like that of an wolian harp. 94 FAMILIAR LIFE IN FIELD AND FOREST. leaf near by. The “ching a-wee, cher-wee, wee—!” quite as often ends abruptly as otherwise, and there is one less insect in the shrubbery. A still more mysterious singer in the wildwood, one who sings along with the hermit thrush and who has ever evaded my watchful eyes, Zh 7 wood pewee (Contopus virens). *{ I have seen fifty thrushes to one pewee, and yet have heard both singing at the same time and in the same wood. At last, in the > ee past season, I saw the pewee: a tas Wood plainly attired little creature, with i Pewee. rusty black back and gray-white breast. There he was, on a sprig of the gray birch, calling his mate, as usual, with “Sally, come here! fal a H- ae but musically, Te!” thus: J Sally aye Here! It is the most musical of calls, full of suggestive- ness, and quite as much a part of the spring orchestra as the peep of the Hyla. But the most remarkable part of it is the long-drawn-out “ H-e-r-e!” which might just as well be translated “Whi-e-e-eu!” It is a whistle rapidly descending the scale, precisely like the whistle of painful surprise one makes when one’s “best corn” is trodden on. In the case of the bird ACCOMPLISHED VOCALISTS. 95 the prolonged note of surprise is, I am always think- ing, an indication of his unbounded amazement at the unnecessary delay in obeying his peremptory summons. He keeps up this whistling for his wife all summer long; the only answer he seems to get comes from the borders of a neighboring field. It is the call of the chickadee: me ny ths bd hd * ail i abs ie Pe-wee, Fiddl’de de. CHAPTER VI. STRANGE CREATURES WITH STRANGE VOICES. The Bittern, Owl, Loon, ete. A sTRANGE sound comes from the meadow swamp down by the pond—* (-chug, g-chug, g-chug. It is the uncanny voice of the bittern or stake-driver (Bo- taurus lentiginosxus), and if we could see him making the noise we would exclaim at once, “That bird is beastly ill!” Such a remarkable performance one never witnessed ; the distressing musical attempt of the crow recorded in the preceding chapter is not a circumstance to this convulsive proceeding of the bit- tern. He “hiccoughs” wildly several times, and then is apparently seized with a most violent fit of nausea, producing with each convulsion a hollow “booming” noise which on most occasions sounds like somebody driving a stake in the ground. This charming music I suppose the naturalist would call the love-song of the bird; it is certainly most common in April, and its continuance for half an hour or more is perhaps accounted for by the indifference of the female, who 96 STRANGE CREATURES WITH STRANGE VOICES. 97 possibly considers the noise too unattractive for a prompt response. Indeed, it is on record that the bird has “pumped” for an hour. The sucking sound of a pump, I might explain, is considered by some the nearest approach to this strange creature’s un- musical notes. If we are near enough to the swamp where the bittern stands, we will see a bird, about twenty-four inches high, with a slate-gray head and neck—the latter black-streaked—and a brown back, standing upright and motionless. It really takes quite a sharp eye to separate the bird from his surroundings. When he moves, his deliberate and stealthy steps are hardly perceptible; but as soon as he opens his bill to speak his strange actions attract our notice and enlist our sympathy. His crop is seemingly distended with air which he has swallowed in a most noisy fashion; every time he takes a gulp of it the head is thrown upward and then forward, the body is violently convulsed, and, with every feather puffed out, one imagines the wretched creature is at his last gasp with a torturing fishbone in his throat. But no; he is only singing his chant @amouwr, or amusing himself with a bit of everyday vocal ath- letics. Mr. William Brewster, of Cambridge, de- scribes the sound as a trisyllabic one, thus: Pump-er- 8 98 FAMILIAR LIFE IN FIELD AND FOREST. unk, pump-cr-lunk, ete. Evidently his bird was a “pumper’’; but all the bitterns that I have heard were “stake-drivers,” and sang thus, ee the second syllable closely resembling ect the resounding thwack of a woodman’s axe as it drives some stout stake in the ground. The bird begins operations by raising his head and stretching his neck until the bill is pointed up in the air; then with three or four preliminary snaps of the bill, which can be heard fully five hundred feet away, off he goes on his g-chug, g-chug, g-chug, g-chug, from four to eight times, when he tires of it and takes a minute to rest; then—da capo. Thoreau alludes to this remarkable bird thus: “The stake-driver is at it again on his favorite meadow. I followed the sound and at last got within two rods. When thus near, I heard some lower sounds at the beginning like striking on a stump or a stake, a dry, hard sound, and then followed the gur- gling, pumping notes. . . . I went to the place, but could see no water.” It seems Thoreau, like a good many others, imagined that the bird made the noise with the help of water—by partly submerging his bill. But all who know the stake-driver and his strange performance now agree that water has noth- ing to do with the case. I have heard and seen the bird on the river THE BITTERN. BOTAURUS LENTIGINOSUS, “The stake-driver is at it again on his favorite meadow.” STRANGE CREATURES WITH STRANGE VOICES. 99 meadows of Grafton County, N. H., and I know that he makes the noise when there is not a bit of water in his vicinity. Bradford Torrey records a most inter- esting performance of a bit- tern which he witnessed in company with Mr. Walter Faxon,* and he declares that the bird was perched on the dry remnants of an old haystack. He furthermore says the sounds are not en- es ny! tirely caused by an exertion Bh ) of the vocal organs, but are connected in some way with the distention of the crop and the drawing in of the breath, not the throwing of it out after the crop is full. In the dim twilight suc- The Great Homed Owl. ceeding a warm day in spring another strange but familiar note comes across the meadow from the edge of the bordering wood, and we recognize at once the hoot of an owl. It is a barytone note, and from its depth and freedom from * The Auk, vol. vi, p. 1. 100 FAMILIAR LIFE IN FIELD AND FOREST. a quivering, weird quality (familiar in the screech- owl’s notes), we can be sure it comes from one of the larger owls. It is, in fact, the voice of the great horned owl (Bubo virginianus), a big, brown-and- ocher-colored bird, mottled with black, and remark- able for his tufted ears, the conspicuous feathers on which stand out fully two inches beyond the contour of his head. Mr. Frank M. Chapman calls this owl, just as many another ornithologist does, “a tiger among birds.” The creature is a terror to small birds, poul- try, squirrels, mice, and rabbits. But he is not quite so destructive to the inmates of the henhouse as he is made out to be. On the average, not more than one owl in four steals a chicken; all the others feed on mice, moles, and other such harmful creatures which live on the farm. One of the first voices of spring is that of the horned owl; it is not a cheerful one, but it is a pre- sage of warm days to come, and is therefore welcome. Here are the notes of an owl T if a a I heard hooting in May last : E —— There is but one domi- Hoo, 03 OS, nant tone to the song; my grace-notes, of course, only indicating a certain modulation of the voice, do not indicate a second tone. One of the most extreme instances of modulation in a bird’s voice is mani- STRANGE CREATURES WITH STRANGE VOICES. 101 fested in that of the loon (Urinator imber), whose sliding note resembles that outrageous invention called a “siren” whistle, which one may hear any time in the harbor of New York. Ido not mean to imply by this comparison that the loon when he calls sprawls all over the chromatic scale, as the above- mentioned whistle does; he does not; the screech owl comes far nearer that sort of thing. But the loon does modulate his “ O-ho-oo!” SP in a wild, fortissimo way so nearly like = the “siren” that the comparison, to my Yan herot mind, is a very natural one. Mr. Cheney’s render- ing of the three notes is different ; but all birds do not sing alike. I quote what Mr. J. H. Langille says of the loon’s voice. ‘ Beginning on the fifth note of the scale, the voice slides through the eighth to the third of the scale above in loud, clear, sonorous tones, which on a dismal evening before a thunder- ff. storm—the lightning already playing along the inky sky—are anything but musical.” Here they are: “ He has also another but rather soft and ee pleasing utterance, sounding like ‘ Who- who-who-who,’ the syllables being so rapidly pronounced as to sound almost like a shake of the voice—a sort of weird laughter.” This last calmer but still strong cry is usually ut- 102 FAMILIAR LIFE IN FIELD AND FOREST. tered while the bird is on the wing; it runs thus: Many years ago the weird song was a very familiar Tavsnoeehaoeoooe 00°? one to me at the twilight hour in the wilderness of the Adirondacks. I do not know whether the loon to-day frequents the lakes, which thirty years ago were his favorite haunts; I do not think he does. The changes in the woods are radical, and civilization has introduced numberless fashionable and elaborate “camps,” which prove most conclusively that there is less venison, trout, and loon music there than there used to be in the “ sixties.” The loon is a retiring character, who avoids all contact with the civilized world and lives in the se- clusion of the wilderness. In 1887 Mr. Simeon Pease Cheney found ample opportunity to study the loon at Trout Lake, St. Lawrence County, N. Y., about twenty-five miles northwest of Paul Smith's.