FLORA HISTORICA. FLORA HISTORICA: OR THE THREE SEASO THE BRITISH PARTERRE HISTORICALLY ASD BOTAXICALLY TREATED: WITH OBSERVATIONS ON PLANTING, A REGULAR SUCCESSION OF FLOWERS FROM THE COMMENCEMENT OF SPRING TO THE END OF AUTUMN. By HENRY PHILLIPS, F.H.S. AUTHOR OF U POMARU'M BRITANNICUM," " HISTORY OF CULTIVATED VEGETABLES," AND " SYLVA FLORIFERA." Florida quisquam Hie sibi serta leget nitidis nectenda capillis. THE SECOND EDITION, REVISED. IN TWO VOLUMES. Vol. I. LONDON : E. LLOYD AND SON, H ARLEY-STREET. MDCCCXXIW + QK23 v.l LONDON : Printed by W. CLOWES, Stamford Street. INTRODUCTION. Bring, Flora, bring thy treasures here, The pride of all the blooming year ; And let me thence a garland frame. SlIEN-STONE. The interest which flowers have excited in the breast of man, from the earliest ages to the present day, has never been confined to any particular class of society, or quarter of the globe. Nature seems to have scattered them over the world as a medicine to the mind, to give cheerfulness to the earth, and furnish agreeable sensations to its inhabitants. The savage of the forests, in the joy of his heart, binds his brow with the native flowers of his woods, whilst their cultivation increases in every country in proportion as the bless- ings of civilization extend. From the most humble cottage-garden to the proudest parterre of the palace, nothing Vi INTRODUCTION'. more conspicuously bespeaks the good taste of the possessor than a well-cultivated flower- garden; and it may generally be remarked, that when we see a neat cottage-court well stocked with plants, the inhabitant is respect- able, and possesses domestic comfort ; whilst, on the contrary, a neglected garden but too frequently marks the indolence, and bespeaks the unhappy state of the owner. Of all luxurious indulgences, that of flowers is the most innocent — they are of all embel- lishments the most beautiful : and of all created beings, man alone seems capable of deriving enjoyment from them, which com- mences with his infancy, remains the delight of his youth, increases with his years, and becomes the quiet amusement of his age. Every rank of people seem equally to enjoy flowers as a gratification to the organs of sight and smell : but to the botanist and the close observer of Nature, beauties are un- folded and wonders displayed that cannot be conceived by the careless attention of the mul- titude, who regard these ornaments of nature as wild or savage persons would do a watch ; INTRODUCTION* vii they arc dazzled with the splendour of the ca and the beauty of the appendages, but look no further, because they know not where to look. The artist, while he enjoys the exter- nal covering-, looks into the interior, and as he regards the movements and learns their various uses, he is struck with admiration at the ingenuity of the mechanism. The bota- nist has the same delight when he looks into the blossoms of flowers ; for he there beholds the wonderful works of the Almighty with amazement — there he sees movements and regulations, with which all the combined ingenuity of man cannot compare. We may learn even from profane history how much the study of vegetable nature in- duces the mind to its proper sense of grati- tude, and how much it created in the breasts of the heathens themselves a veneration and religious awe for the Author of all things : for although they were not blessed with a knowledge of pure religion, they had too much good sense to suppose that vegetation was a matter of chance; and they there- fore attributed each gift of nature to some Viii INTRODUCTION. peculiar god, their minds not being suffi- ciently expanded to conceive a just idea of the Deity,, except, indeed, those master Minds who traced, in the regularity and uniformity displayed in all organised nature, the hand of one supreme Creator, and who adored him under the name of Pan, the universal spirit. The worship of Flora amongst the heathen nations may be traced up to very early days. She was an object of religious veneration among the Phocians and the Sabines, long before the foundation of Rome ; and the early Greeks worshipped her under the name of Chloris. The Romans instituted a festival in honour of Flora as early as the time of Ro- mulus, as a kind of rejoicing at the appear- ance of the blossoms, which they welcomed as the harbingers of fruits. The festival games of Floralia were not, however, regu- larly instituted until five hundred and sixteen years after the foundation of Rome, when, on consulting the celebrated books of the Sibyl, it^ was ordained that the feast should be annually kept on the 28th day of April, that INTRODUCTION. IX is, four days before the calends of May. These prophetic books had a college of priests appointed to undertake the charge of them, and were held in such reverence that they were never consulted but when the state seemed in danger, and then it was done with the greatest solemnity. From the writings of Pliny the Elder, we learn that the worship of this goddess had been greatly neglected, and that it was not until after some unfruitful seasons that the Sibylline books were consulted, which or- dained that the feast of Flora should be ce- lebrated with regularity so as to ensure the well flowering and kindly shedding of the blossoms of all species of plants. Let one great day To celebrate sports and floral play Be set aside. Prior. This festival was introduced into Britain by the Romans, as we have already noticed in the Sylva Florifera ; to which we shall add, that as late as the time of Henry VIII. it was so much the fashion for the citizens of London to keep up this ancient custom, by b 5 INTRODUCTION. diverting' themselves in the neighbouring woods and meadows on May-day, that in the year 1515 it engaged the attention of this bluff monarch, who, accompanied by his Queen, and attended by the court, rode a- maying from Greenwich to Shooter's-hill. When merry May first early calls the morn, With merry maids a-maying they do go. Sidney. In this morning's excursion, their Majesties were designedly met by two hundred yeomen, clad in green, with green hoods, and fur- nished with bows and arrows, the whole being under the direction of a captain, named Robin Hood, who invited his Majesty to stop and see his men shoot, which they performed with great dexterity at the sound of their captain's whistle. Their arrows were so contrived at the head, that, when flying through the air, they made a loud whistling noise, that greatly delighted the royal party, who were after- wards conducted to the greenwood, and en- tertained plentifully with wine and venison, under arbours formed of boughs, and deco- rated with flowers. — Halts Chronicle. INTRODUCTION. \j Shakspeare notices with what eagerness the pleasures of May -day morning- were en- tered into in his time : — ' ■ Tis as much impossible, Unless we swept them from the door with cannons, To scatter 'em, as 'tis to make 'em sleep On May-day morning. Pope refers to the May-pole in London — Amid the area wide she took her stand, Where the tall May-pole once o'erlook'd the Strand. Of these festivities we have so nearly lost all remains, that even the dance around the May-pole is now rarely seen in our villages ; and were it not for the garlands which the cottager's children bear from door to door, in modern dulness, we might outlive the memory of this ancient festival, whilst in the metropolis it is totally disregarded, excepting by the chimney-sweepers, who now usurp this holi- day as their exclusive right *. Poets of all ages have sung the joys of this flowery month. Milton exclaims, * It is related of the famous wit George Selwyn, that walking one May-day through the streets of London, and observing the chimney-sweepers bedizened in all their sooty finery, he observed to a friend, that M he had often heard talk of the Majesty of the people, and supposed these were some of the young princes." Xii INTRODUCTION. Hail! bounteous May, that doth inspire Mirth and youth, and warm desire ; Woods and groves are of thy dressing, Hill and dale doth boast thy blessing. In eastern nations flowers and perfumes have been considered as one of the indispen- sable enjoyments of the higher classes of society, from the remotest antiquity. From those nations the Romans appear to have borrowed this delicate refinement, and to have carried it to the utmost excess in their costly entertainments. They soon began to consider flowers as forming- a very essential article in their festal preparations ; and it is the opinion of Baccius, that at their desserts the number of their flowers far exceeded that of their fruits. The odour of flowers was thought to arouse the fainting appetite, and they certainly must have added an ethereal enjoyment to the grosser pleasures of their banqueting boards. Flowers were not only used as a stimulus to the palate, or that two senses might be gratified at one time, but it was thought that certain plants and flowers facilitated the functions of the brain, and assisted mate- INTRODUCTION. xiii (tally to neutralise the inebriating- qualities of wine. Even the warriors did not hesitate to crown themselves with flowers during* their principal repast. Horace, it seems, could not sit down to his bachelor's glass of wine without his garland. His lively little ode at the end of his first book is thus well translated by Francis — I tell thee, boy, that I detest The grandeur of a Persian feast ; Nor for me the Linden's rind Shall the flowery chaplet bind. Then search not where the curious Rose Beyond his season loitering grows ; But beneath the mantling vine, While I quaff the flowing wine, The Myrtle's wreath shall crown our brows, While you shall wait and I carouse. The allusion to Persia in this Ode confirms our idea that the taste for flowers came to Rome from the East ; and garlands were sus- pended at the gates or in the temples where feasts or solemn rejoicings were held, and at all places where public joy and gaiety were desired. It was also the custom to place garlands and festoons of flowers on the heads of victims, in the ancient sacrifices, at which XIV INTRODUCTION. the priests also appeared crowned with flowers. Cato, in his treatise on gardens, directs that they should be planted and enriched with such flowers as are proper for chaplets and garlands. The most celebrated Parisian milliner is not more eagerly sought after in modern times than the plaiter of garlands was in the days of antiquity, if we may judge from the account which Pliny has handed down to us. He tells us that the Sicyonians were consi- dered to surpass all other people in the art of arranging the colours of their garlands, and giving them the most agreeable mixture of perfumes. These people, he informs us, derived their taste from Glycera, a woman of such great ingenuity in the art of composing garlands, as to win the affections of Pausias, the most eminent painter of his day, who took delight in copying the wreaths of flowers which his mistress had formed, whilst Glv- cera took equal pains to vary her garlands, so as to put the skill of her lover to the test. Pliny tells us that some of these paintings INTRODUCTION. XV were in existence in his time, particularly one of high estimation, which was a picture known by the name of Stephanoplocos, wherein the artist had painted the fair Gly- cera braiding chaplets. This picture must then have been about 460 years old, from which we may infer that the art of painting- was in considerable advancement as long back as 2300 years. The same author tells us that Mnestheus and Callimachus, two renowned Greek phy- sicians, compiled several books on the vir- tues of chaplets, enumerating such as were hurtful to the brain, and others that refreshed the spirits. We also learn from an anecdote related by Pliny, that it was a frequent custom amono; the ancients to mix the flowers of their chaplets in their wine, when they pledged the health of their friends. Notwithstanding the great pains which Cleopatra took to please and amuse Antony, it was a considerable time before she could gain his entire confidence, as it appears he would never eat or drink at her table without XVI INTRODUCTION". causing- his taster first to partake of every viand, in order to discover if treachery lurked disguised in the midst of the luxuries of this subtle Queen. The jealousy of the Roman General seems to have increased about the time he was preparing- his expedition against Augustus, when the artful beauty who had so captivated the warrior, took the following device to satisfy him of her true attachment, and at the same time to ridicule his mistrust and timid fears. The Queen had a chaplet of flowers prepared for Antony, the edges of which were dipped in the most deadly poison, whilst that which was formed for her own head, was as usual mixed with aromatic spices. At the banquet the General received his coronet of flowers, and when they had be- come cheerful through the aid of Bacchus, Cleopatra pledged him in wine, and taking off the garland of flowers from her head, and rubbing them into her goblet, drank off the contents. Antony was following her exam- ple, but just as he had got the fatal cup to his lip, the Queen seized his arm, exclaiming, " Cure your jealous fears, and learn that I INTRODUCTION. XVU have not to seek the means of your destruc- tion,, could I live without you;'' on which she ordered a prisoner to be brought before them,, who, on drinking the wine from the General's goblet, instantly expired in their presence. The fondness which the ancients evinced for flowers was carried to such an excess as to become almost a vice. When Antony supped with the far-famed Queen of Egypt, the floors of the apartments were generally covered with fragrant flowers ; and when Nero sat at banquet in his golden house, a shower of flowers and odorous essences fell upon him : but Heliogabalus turned these vegetable beauties into curses, for it was one of the pleasures of this monster to smother his courtiers with flowers. The Italians, who still retain some of the customs of the Romans, have artificers called Festaroli, whose office it is to make gar- lands or festoons of flowers, and other deco- rations for feasts. The Catholic church still continues the use of flowers in its religious ceremonies, as was particularly observed in XVlil INTRODUCTION. Rome on the 17th of January, 1798, when the Pope appointed a solemn procession of the three most celebrated relics in Rome, to appease the French government for an as- sault committed on their ambassador. These relics consisted of " the portrait of the most. Holy Saviour, the miraculous picture of the Santa Maria in Portico, and the sacred chains wherewith the Prince of the Apostles was fettered." Previous to the procession, the streets were strewed with myrtles, and such flowers as could be obtained at that season of the year. The Chinese hold some particular kinds of flowers in great veneration, especially the Eukianthus, which they call Too Chong Fa : its flowers are deemed grateful to the gods ; and, accordingly, at the commencement of the Chinese new year, when the plant is generally in blossom, large branches with flowers are placed in all the temples as an acceptable new year's offering. We find that the admiration of these vege- table beauties was not confined to the inhabit- ants of the old world alone, for the Mexicans, lNTROnrcTlON. xix says the Abbe* Clavigcro, have, from time immemorial, studied the cultivation of flowers and odoriferous plants, which they employed in the worship of the gods. And flowers have ever been the favourite embellishment of the fair in all ages and countries ; and that they have also afforded popular subjects to the poets, our copious extracts will prove. In all countries flowers have been made the happy accompaniment of bridal parties, as we have stated in the body of this work : they have likewise been made the representatives of regard to deceased friends — thus ornament- ing alike the joyous altar and the silent tomb. The Brahma women, who burn themselves on their husbands' funeral piles, adorn their persons with chaplets and garlands of sweet* scented flowers ; and it is also the custom for them to present garlands of flowers to the young women who attend them at this terrible sacrifice. Flowers formed a principal feature in sym- bolical language, which is the most ancient as well as the most natural of all written lan- guages. We have therefore given their em- XX INTRODUCTION. blematical uses; and, as a matter of amuse- ment to our fair readers, we have devised emblems for such flowers as were unknown in the eastern nations, or of which the allegori- cal relations have hitherto escaped our re- search. Having frequent occasion in this history of flowers to allude to the garland of Julia, it may not be improper to notice that this cele- brated manuscript was a piece of ingenious gallantry of the Duke de Montausier toward the beautiful Julia de Rambouillet. After he had gained the promise of his mistress's hand, he was, according to an ancient custom, (which in France is still observed,) to send every morning to his future bride, till the wed- ding day, a nosegay of the finest flowers of the season. But he did not stop here : he had painted on vellum by the best artists, in a folio volume magnificently bound, the finest cultivated flowers ; and all the most distin- guished poets of the day divided amongst themselves the task of making verses upon the flowers. The great Corneille wrote for the Orange Flower and the Everlasting. Julia, INTRODUCTION. X\i on the day of her marriage, found this pre- cious book on her toilet-table. The misfor- tunes of the French Revolution transported this interesting- monument of the gallantry of the seventeenth century to Hamburgh, where it was put up to sale in the year 1795; but the purchaser of this combination of poetry and painting" is not known. The decorative parts of architecture were originally derived from flowers and plants. The Lotus flower presents us with a model of the principal embellishment of Indian build- ings, and the palm-tree seems to have given the first idea of columns to the ancients. Hiram ornamented the capitals of the cele- brated pillars which he wrought for Solomon with Lilies and Pomegranates. The Corin- thian capital is stated to have been first in- vented by Callimachus, a famous architect, who, being engaged to make some pillars at Corinth, took the form of his enrichment from the following accidental circumstance : — Pass- ing a basket, covered with a large tile, that had been placed on the ground over a root of Acanthus, the stalks and leaves of which XX INTRODUCTION. blematical uses ; and, as a matter of amuse- ment to our fair readers, we have devised emblems for such flowers as were unknown in the eastern nations, or of which the allegori- cal relations have hitherto escaped our re- search. Having frequent occasion in this history of flowers to allude to the garland of Julia, it may not be improper to notice that this cele- brated manuscript was a piece of ingenious gallantry of the Duke cle Montausier toward the beautiful Julia de Rambouillet. After he had gained the promise of his mistress's hand, he was, according to an ancient custom, (which in France is still observed,) to send every morning to his future bride, till the wed- ding day, a nosegay of the finest flowers of the season. But he did not stop here : he had painted on vellum by the best artists, in a folio volume magnificently bound, the finest cultivated flowers ; and all the most distin- guished poets of the day divided amongst themselves the task of making verses upon the flowers. The great Corneille wrote for the Orange Flower and the Everlasting. Julia, INTRODUCTION. X\i on the day of her marriage, found this pre- cious book on her toilet-table. The misfor- tunes of the French Revolution transported this interesting' monument of the gallantry of the seventeenth century to Hamburgh, where it was put up to sale in the year 1795; but the purchaser of this combination of poetry and painting is not known. The decorative parts of architecture were originally derived from flowers and plants. The Lotus flower presents us with a model of the principal embellishment of Indian build- ings, and the palm-tree seems to have given the first idea of columns to the ancients. Hiram ornamented the capitals of the cele- brated pillars which he wrought for Solomon with Lilies and Pomegranates. The Corin- thian capital is stated to have been first in- vented by Callimachus, a famous architect, who, being engaged to make some pillars at Corinth, took the form of his enrichment from the following accidental circumstance : — Pass- ing a basket, covered with a large tile, that had been placed on the ground over a root of Acanthus, the stalks and leaves of which XX11 INTRODUCTION. had burst forth, and spreading themselves on the outside of the basket, were bent back again at the top by the corners of the tile, the beautiful appearance of this combination so delighted Callimachus by its elegance and novelty, that he immediately adopted the form of the basket surrounded with the Acanthus, as a capital for his pillars. Repton observes, that the general forms of enrichments may be thus classed : —