| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | ___ ___ \ \ _______ ____________\ \ \ \\ __ /_/ __ \ __ \ \_ http://www.legaltorrents.com \___\______\_____ \___/__\___\ \__________\ ___ ___ ___ \ \________ ___ _______________\ \_ \ \___ \ _\ __ \/ _\/ _\ __ /\ _ \ _\_\___ \ \___\______\__\ \__\ \______\__\\__\___\_______\ | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | [RELEASE?] Free Culture - The Audiobook by Lawrence Lessig and Friends This distribution was originally made available from http://resare.com/fc/ Free Culture is a book by Lawrence Lessig, the official homepage can be found at http://www.free-culture.cc/. The book can be bought in bookstores but also downloaded in many different forms from the Internet. All this because Mr. Lessig has released the book under a Creative Commons (http://creativecommons.org/) license that permits derviative works (such as this audio book) as long as credit is given to the original author. The initiative to make this audio version was originally taken by AKMA at his blog over at http://akma.disseminary.org/archives/001253.html and since it has been refined by Scott Matthews at http://www.turnstyle.org/FreeCulture/ This downloadable version was originally assembled by Noa Resare and is accessible from http://resare.com/fc/ - it was repackaged as a ZIP by the LegalTorrents.com crew. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | [SPECIFIC INFO?] The first and biggest credit goes to Prof. Lawrence Lessig for writing a fantastic book and making it freely available. Secondly I would like to credit A. K. M. Adam for coming up with the idea of making an audio book and coordinating the different contributed chapters. Thirdly I would like to credit Scott Matthews for making the excellenet audio book popup at http://www.turnstyle.org/FreeCulture/ that I used for this distribution. At last I would like to thank all the people that have read chapters of the book. Here is the list of voices you will heaar. For more information about the readers, please have a look at http://www.turnstyle.org/FreeCulture/. Preface (5:14) Read by Kevin Marks (http://epeus.blogspot.com/) Introduction (25:45) Read by Ralph Levien (http://www.levien.com/) Chapter 1: Creators (17:44) Read by Doug Kaye (http://www.itconversations.com/) Chapter 2: Mere Copyists (30:44) Read by AJ Wright (http://toadking.org/blog/) Chapter 3: Catalogs (10:22) Read by Victoria Wright (http://www.ninjawife.com/blog/) Chapter 4: Pirates (17:14) Read by Eric Rice (http://www.ericrice.com/) Chapter 5: Piracy (45:42) Read by A. K. M. Adam (http://akma.disseminary.org/) Chapter 6: Founders (29:14) Read by Adam Brault (http://www.mathcaddy.com/) Chapter 7: Recorders (9:14) Read by Michael Shook (http://talkabout.editthispage.com/) Chapter 8: Transformers (14:42) Read by Suw Charman (http://chocnvodka.blog-city.com/) Chapter 9: Collectors (14:15) Read by Tara Liloia (http://www.liloia.com/) Chapter 10: Property (109:48) Read by Scott Fiddelke Chapter 11: Chimera (10:55) Read by Dave Winer (http://www.scripting.com/) Chapter 12: Harms (53:51) Read by Dave Winer (http://www.scripting.com/) Chapter 13: Eldred (83:10) Read by George Sessum (http://musick.blogspot.com/) Chapter 14: Eldred II (17:14) Read by David Weinberger (http://www.evident.com/) Chapter 15: Conclusion (28:51) Read by Enoch Choi (http://www.enochchoi.com/thoughts/) Chapter 16: Afterword (58:20) Read by Tim Samoff (http://www.sense-datum.org/tim/) | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | [LICENSE?] Please note that the Free Culture Audiobook is released under the same license as the original book available from http://free-culture.cc/. The exact wording can be found at http://creativecommons.org/licenses/by-nc/1.0/ , but in short works like this: You are free: * to copy, distribute, display, and perform the work * to make derivative works Under the following conditions: Attribution. You must give the original author credit. Noncommercial. You may not use this work for commercial purposes. | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | ||