pasreteest ss Ass SShrostiesssescgsay: pros Smithsonian Institution | ibrartes Alexander Wetmore gates 3 1946 duxthSec Le none GAME-BIRDsS py HOME BY THE SAME AUTHOR. “That prince of sportsmen, T. S. VAN DYKE.’’—Sacramento (Cal.) Bee. SOUTHERN CALIFORNIA: Its Valleys, Hills, and Streams; Its Animals, Birds, and Fishes ; its Gardens, Farms, and Climate. 12mo, Ex, Clo., beveled, $1.50. ““May be commended without any of the usual reservations.” --San Francisco Chronicle. THE STILL-HUNTER: A Practical Treatise on Deer-Stalking. 12mo, Ex, Clo., beveled, $2.00. “The best, the very best work on deer-hunting.”—Spirit of the Times (N. Y.). “Altogether the best and most_ complete American book we nate yet seen on any branch of field sports.”—New York Evening ost. RIFLE, ROD, and GUN in CALIFORNIA : A Sporting Romance. Ex. Clo., beveled, $1.50; paper, 50 cents. “Crisp and readable throughout, and at the same time gives a full and truthful technical account of our Southern California game, afoot, afloat, or on the wing.’’—San Francisco Alta Califor- nia. MILLIONAIRES OF A DAY: An Inside History of the Great Southern California Boom. Ex. Clo., beveled, $1.00; paper, 50 cents. “Mr. Van Dyke has the literary art, which is the art of igo things as they are. The present volume is very readable an amusing, but it has other charms, both of style and interest.... It is a book of absolute honesty.”—CHARLES DUDLEY WARNER. GAME BIRDS AT HOME, ¥ By THEODORE S. VAN DYKE AUTHOR OF ‘‘ THE STILL HUNTER” } ‘* SOUTHERN CALIFORNIA” 3 ETC. SMMIHSONAy NEW-YORK: FORDS, HOWARD, — AND HULBERT ¥% 1895 CopyrIGHT, IN 1895, BY TuEoporE S, Van Dyke. PREFACE. To the majority of sportsmen love of nature is the principal element in the love of hunting. The pleasure of exercising skill in the finding and capture of game is really secondary to this, and still more subordinate is the flavor or size of the game. Thousands enjoy a stroll with the dog, out of season, almost as well as the real hunt. To please such, a book should be made up of selected charms of the field. These are, first and foremost, the nature of the game, its action and behavior. The mere form or size is of no more consequence than the flavor. Why the action of certain birds will give man more delight than that of others is one of nature’s secrets. We can only say it is charming; and describe it as we know it. on 6 PREFACE. Besides its own fascination, this action must be such as to require a high degree of skill in man or dog, and generally in both, to effect capture. Yet, though game must occasionally drop to gratify man’s inborn love of exercising skill, there must be xo murder. Then, too, the stage of action must be the home of the bird,—that natural scenery the sportsman loves so well to roam without a gun. And this must be depicted true in color to its place and season. Small room for mistake is left me on these points, after forty years of play with the gun and eighteen years of writing for the sportsmen of America. Chiefly for them this book is written, and that rather to touch certain tender chords of memory than to convey information ; although the lover of nature who is not yet an expert huntsman may, I trust, find some hints of experience not altogether without value to him. As to pictorial illustration, it is a sound rule— of art that a picture must explain itself: one that requires exposition, or wandering of the eye to connect leading features, is generally a PREFACE. 7, bore. But when you apply this rule to a picture of field-sports—especially with small game, limit the action to a narrow background, and against this group the actors so clearly that every one must understand it at a glance, you have por- trayed rank murder. Though easy killing occa- sionally happens, it is a matter always of regret, not of pride; a parade of it is simply digusting. Fine drawing of shiny guns, fancy leggings, and other fashionable ‘‘toggery” on the killer behind the gun, help this kind of ‘‘art”’ like a fed) rosette on: the tail of.the prize ox falling beneath, the ‘sledge at the shambles.”: Even.a butcher would be disgusted with a painting of a lamb bleeding on the block; and the more per- fect the dripping blood, the more damnable the outrage upon art in the selection of such a subject. A picture that should even touch the field that charms—with its wide range, its varied features and colors, and its almost invisible game —would be more of a map than a picture. The rules of art cannot be safely violated. Neither can the rules of the sportsman’s taste: and Posz- tively no murder is the first of these. I have 8 PREFACE. tried to reconcile these conflicting elements, but have not yet succeeded to my own satisfaction. As this is not the Blood-Snuffer’s Manual, I illustrate with facts, in words. For most of my readers this will be clear enough. Los ANGELES, CAL., May, 1895. ACTEM. CONTENTS. PAGE TSOBE WV -ERUDIC stale o'ohe.c! veel eisievele viele eles otslshela RAO A SIs sea BEDE: VW OO DCOCK «i 206'sin tec ae e's (sss ve o's Riiavafemtel vies ehexers 28 TE URE ED: (GROUSE ws s.0csieres «cece FONE ER ood 44 (DERE PINNATED: (GROUSE. ccs sic. fishers Siciareieie st o-sierel 61 HE, SHARE-TALLED: «GROUSE. a eves sien 5 wiele ete alive ip DAvS AMONG DHE: DUCKS. \jctcascio aac sieieien sete 92 DAVS* ON THE SIE LINOUS cc sllehcveajeteranrer cls selstea ese LOO bre) WiILDUGOOSED « .iaes\se- wield aieiele(eiaie\tvele ev bieth ik LO EE AMERICAN: (CRANES.